DOCSLIB.ORG

NEW RELEASE for the Week of January 22, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NEW RELEASE for the Week of January 22, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now! NEW RELEASE for the week of January 22, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now! ANTLERS "Green To Gold" (ANTI) 87800 LP/ CD ANTLERS "Green To Gold (indie (ANTI) 87800INDIE LP shop version/tan)" March 26 street date. "Green To Gold" is the much-anticipated new album from New York based Indie/Folk band The Antlers. Perhaps what distinguishes "Green To Gold" from the rest of The Antlers' canon is its, well, sunniness. Conceived and written almost entirely in the morning hours, "Green To Gold" is the band's first new music in nearly seven years, and easily their most luminous to date. The brighter outlook emerged, paradoxically, after a succession of ominous events. In 2015, Silberman suffered with an auditory condition that made touring near impossible and he retreated to the quiet of upstate New York to heal. His return in 2017 with a solo album was short lived when he was diagnosed with lesions on his vocal chords, which required surgery and again a quiet rest and recovery period. Singer and primary songwriter Peter Silberman explains. "I took these health obstacles as a sign that I should change course for a little while. I hadn't made a full stop like that since The Antlers began. I think the shift in tone is the result of getting older. It doesn't make sense for me to try to tap into the same energy that I did ten or fifteen years ago, because I continue to grow as a person, as I'm sure our audience does too. "Green To Gold" is about this idea of gradual change". BAD BRAINS "Bad Brains" (ORG MUSIC) ORGM2179 CD/ LP/ CASS April 23 street date. "Bad Brains" is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging. Though Bad Brains had recorded the 16 song "Black Dots" album in 1979 and the 5-song "Omega Sessions" EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. This reissue marks the second release in the remaster campaign, re- launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. BURIAL "Chemz/Dolphinz" (HYPERDUB) HDB134 12"EP April 2 street date. ‘Chemz’ is hooky, rushy and loved-up - both an unhinged premonition of unleashed post- pandemic joy, and a demonic flashback to past ecstasies in a hardcore style perfected in the UK. ‘Chemz’ is a 12 minute rave monster that has ingested several tracks and incorporated them into its distended body. At the other end of the Burial bi-polar spectrum, ‘Dolphinz’ is a desolate oceanic love letter to our underwater friends. CARIBOU "Suddenly Remixes EP" (MERGE) MRG758 12"EP March 5 street date. Songs from Caribou's "Suddenly" remixed by four exciting new artists. Dan Snaith says: "the best thing about remixes is getting to hear producers whose music I love rework my music. Shanti Celeste, India Jordan, Kareem Ali, and Logic1000" - I've been super excited by all of their music recently, and I feel really lucky that they were up for creating these beautiful remixes". Limited to 300 copies in North America. CITIZEN "Life In Your Glass World” (RUN FOR RFC212 CD CITIZEN "Life In Your Glass World (RUN FOR RFC212LPC4 LP (galaxy blue and green swirl)" March 26 street date. Citizen have always eluded definition. The Toledo, Ohio-based four-piece have been making dynamic, wide-ranging guitar music for over ten years, challenging expectations with each new album and refusing to fit neatly in a box. On their fourth full-length, "Life In Your Glass World", Citizen have crafted their most singular work to date completely on their own terms - proving that only the band themselves can define their identity. Recorded in vocalist Mat Kerekes' home studio in his garage, Citizen's need to continue moving forward creatively went hand in hand with their desire to be fully in control of their creative destiny. The new process afforded the band time to focus on each song's individual mood, making their sig-nature blend of aggression and melody all the more pronounced, and even capturing appealing imperfections. The result is an album that represents the members' vision in its purest form, something that feels distinctly Citizen while also marking the start of a fresh chapter. DEAD DAISIES "Holy Ground (2LP)" (SPV) SPV243401 LP DEAD DAISIES "Holy Ground" (SPV) SPV243402 CD Available now. The Dead Daisies have started their next chapter, welcoming new band member Glenn Hughes. Also known as "The Voice Of Rock", Glenn has taken over lead vocals and bass guitar, joining guitarists Doug Aldrich, David Lowy and drummer Deen Castronovo. With the addition of Hughes, The Daisies supercharge their front line through his rock solid bass grooves and unmatched vocal intensity. As all fans know, the man is a true original, inducted into the Rock And Roll Hall of Fame, with a rich history of music that features heavy weights like Deep Purple and Black Country Communion as well as a successful solo career. Followers can expect more High-Voltage Rock songs, indomitable grooves and spellbinding lyrics, all the ingredients that have made this music so timeless, out-living trends of the modern day. The sound of The Dead Daisies is entrenched in the Hard Rock way of life we all love but as a living, breathing rock band, they are constantly evolving and bringing new dynamics to a classic style. FRUIT BATS "The Pet Parade" (MERGE) MRG750 LP/ CD FRUIT BATS "The Pet Parade (Peak (MERGE) MRG750PEAK LP Vinyl indie version/colour)" March 5 street date. "The Pet Parade", the title track to Fruit Bats' newest album, might be a surprising opening track for longtime fans of Eric D. Johnson's beloved indie folk-rock project. The six-and-a-half-minute tone poem smolders and drones over just two chords, inspired by the strange and silly community events that he saw growing up outside of Chicago, in La Grange, Illinois, in which people dressed up and showed off their pets. Decades later, "The Pet Parade" emerges in troubled times, living within what Johnson refers to as the beauty and absurdity of existence. While many of the songs on "The Pet Parade" were actually written before the pandemic, it's impossible to disassociate the record from the times. As an example, producer Josh Kaufman (Bob Weir, The National, and Bonny Light Horseman, in which he plays with Johnson and Anaïs Mitchell) was brought in for his deep emotional touch and bandleading abilities. At times upbeat and reassuring and at times quietly contemplative, "The Pet Parade" marks a milestone for Johnson, who celebrates 20 years of Fruit Bats in 2021. GLENN-COPELAND, "Keyboard Fantasies" (TRANSGRESSI TRANS460CD CD BEVERLY GLENN-COPELAND, "Keyboard Fantasies" (TRANSGRESSI TRANS460MC CASS BEVERLY GLENN-COPELAND, "Keyboard Fantasies" (TRANSGRESSI TRANS460X LP BEVERLY April 9 street date. Reissue of Beverly Glenn-Copeland's 2020 Polaris Heritage Prize winning album! In 1970, nine years after leaving the United States to study music in Canada, Beverly Glenn-Copeland released two self-titled albums. Both were a stunning showcase of classical and jazz acumen, layered with poetry and accompanied by some of the best players of the time. Original pressings now fetch thousands of dollars. Glenn-Copeland then vanished as a recording artist until his re-emergence in 1986 with the release (just a few hundred copies on cassette) of what many now believe to be his masterpiece, "Keyboard Fantasies". Marking its 35th anniversary, Transgressive reissues "Keyboard Fantasies" with updated artwork and liner notes by pop star, Robyn. Exclusive >> ROCK/POP/PUNK/ALTERNATIVE/INDIE >> ADULT MOM "Driver" (EPITAPH) 87808 CD March 5 street date. Adult Mom began as the solo project of Stevie Knipe in a Purchase College dorm room in 2012, and now falls between the playful spectrum of solo project and collaborative band with beloved friends and musicians Olivia Battell and Allegra Eidinger. On "Driver", Adult Mom's third studio release, Knipe delves into the emotional space just beyond a coming-of-age, where the bills start to pile up and memories of college dorms are closer than those of high school parking lots. Like so many other twenty-somethings, the album seeks to answer the age old question: what now? With an actualized sound, Adult Mom has arrived to soundtrack the queer rom- com they've been dreaming of since 2015. Driver incorporates an expert weaving of sonic textures ranging from synths and shakers to '00s-inspired guitar tones which convey a loving attention to detail. ANOHNI "I Will Survive" (SECRETLY SC433 7" March 12 street date. Anohni has shared an emotive cover of Gloria Gaynor's 1978 classic 'I WIll Survive'. The track was a staple of her early live shows and opens with a graceful string arrangement by Maxim Moston, paired with piano performed by Anohni. The flip side is 'R.N.C 2020', a track inspired by the Republican National Convention which took place in August and the dread Anohni felt while watching it. BALTHAZAR "Sand" (PIAS AMERICA) PIASR1200CDX CD BALTHAZAR "Sand" (PIAS AMERICA) PIASR1200LP LP BALTHAZAR "Sand (indie exclusive/yellow)”(PIAS AMERICA) PIASR1200LPX LP February 26 street date. Led by Jinte Deprez and Maarten Devoldere who unite both on writing duties and as frontmen, Balthazar continue to satisfy their thirst for the less rigid parameters that resulted whilst working on 2018's "Fever".
Load more

Recommended publications
  • With LOWELL's Real Cre a 'Blueberrybb Naatural And•N T Flavored ISSUES I I I I , I I · , I I· W*E N Ee*
    I I with LOWELL'S real cre a 'BlueberryBB NaAtural and•n t Flavored ISSUES I I I I , I I · , I I· _ W*e n ee* By Norman Solomon * This daily satellite-TV feed has a captive audi- * While they're about 25 percent of the U.S. pop- To celebrate the arrival of summer, here's an all- ence of more than 8 million kids in classrooms. ulation, a 1997 survey by the American Society of new episode of "Media Jeopardy!" While it's touted as "a tool to educate and engage Newspaper Editors found that they comprise You probably remember the rules: First, listen young adults in world happenings," the broad- only 11.35 percent of the journalists in the news- carefully to the answer. Then, try to come up with cast service sells commercials that go for nearly rooms of this country's daily papers. the correct question. $200,000 per half-minute -- pitched to advertisers What are racial minorities? as a way of gaining access to "the hardest to reach The first category is "Broadcast News." teen viewers." We're moving into Media Double Jeopardy with What is Channel One? our next category, "Fear and Favor." * On ABC, CBS and NBC, the amount of TV net- work time devoted to this coverage has fallen to * During the 1995-96 election cycle, these corpo- * While this California newspaper was co-spon- half of what it was during the late 1980s. rate parents of major networks gave a total of $3.2 soring a local amateur sporting event with Nike What is internationalnews? million in "soft money" to the national last spring, top editors at the paper killed a staff Democratic and Republican parties.
    [Show full text]
  • Pre-Pedidos: 11 - Octubre - 2019
    CLICK AQUÍ PARA VISITAR EL INDICE CON TODOS LOS LISTADOS DISPONIBLES descuento del 9% para pedidos de este listado recibidos hasta el 18 - octubre - 2019 inclusive PRE-PEDIDOS: 11 - OCTUBRE - 2019 WORMHOLE GRUMPTRONIX - NIGHTMOVES # 3: 14.30 € WISDOM DIRTY SHEETS / LOVEFIX / NIGHTMOVES / COSMIC GLIDE 13.01 € WORMO2.3 12" TECHNO / HOUSE / ACID / REPRESS: 02 - Diciembre - 2019 NLD ELECTRO As with the previous 2 releases in the 3-part Grumptronix series, the A-side features the duo's most sought A1 after tracks from their back catalogue. This concluding chapter features the futuristic-funk and vocoder- laden 'Dirty Sheets', an enigmatic electro classic that has been become almost impossible to find for collectors. This is followed by the travelling and morphing sounds of 'Lovefix' - a track that is long regarded A2 as one of the greatest electro tracks of the era. As with the rest of the series, the two reissue tracks are featured alongside 2 previously unheard, unreleased productions that were created during the same time period, at the same studio in Tampa, Florida. The first previously unreleased track is 'Nightmoves', a B1 potential future classic. An immediate call to the dancefloor that provides the discerning DJ with something to break through even the most monotonous of sets. The final track of the series is 'Cosmic Glide', a bouncy rhythm with purple, funk-fuelled keys that are equal parts future and past. Nightmoves #3 B2 is last in the series, but by absolutely no means least. WORMO2's transmission is complete, over and out 12.80 € MODEIGHT VENDA - OVIO EP 11.65 € MODEIGHT008 12" HOUSE / MINIMAL-HOUSE Vinyl Only / 180 grams UKR Following his recent Australian tour, Modeight label mastermind Silat Beksi now connects the dots between A1 Europe's thriving minimal underground and the emerging scene down under by showcasing Aussie modular specialist Venda for Modeight's 8th vinyl release.
    [Show full text]
  • 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Glasgow School of Art: RADAR 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir) David Sweeney During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand that established a shared aesthetic between musician and filmmaker. Often this aesthetic similarity went undiscussed beyond a vague acknowledgement that both parties were interested in 'real life' rather than the escapist fantasies usually associated with popular entertainment. This focus on 'real life' involved exposing the ugly truth of British existence concealed behind drawing room curtains and beneath prim good manners, its 'secrets and lies' as Leigh would later title one of his films. I know this because I was there. Here's how I remember it all: Jarvis Cocker and Abigail's Party To achieve this exposure, both Leigh and the Britpop bands he influenced used a form of 'real world' observation that some critics found intrusive to the extent of voyeurism, particularly when their gaze was directed, as it so often was, at the working class. Jarvis Cocker, lead singer and lyricist of the band Pulp -exemplars, along with Suede and Blur, of Leigh-esque Britpop - described the band's biggest hit, and one of the definitive Britpop songs, 'Common People', as dealing with "a certain voyeurism on the part of the middle classes, a certain romanticism of working class culture and a desire to slum it a bit".
    [Show full text]
  • Hunger's New Normal
    Prepared by Food Bank For New York City HUNGER’S NEW NORMAL: REDEFINING EMERGENCY IN POST-RECESSION NEW YORK CITY A Hunger Safety Net Report ABOUT FOOD BANK FOR NEW YORK CITY Food Bank For New York City recognizes 30 years as the city’s major hunger relief organization working to end food poverty in the five boroughs. As the city’s hub for integrated food poverty assistance, the Food Bank tackles the hunger issue on three fronts — food distribution, income support, and nutrition education. Through its network of community-based member programs citywide, the Food Bank helps provide 400,000 free meals a day to New York City residents in need. Its income support services help poor New Yorkers apply for SNAP benefits, and its free income tax services helps those who are employed gain access to the Earned Income Tax Credit, putting millions of dollars back into their pockets and helping them achieve greater dignity and independence. The Food Bank’s hands- on nutrition education programs in the public schools reach thousands of children, teens and adults who learn to eat healthfully on a budget. Learn how you can help at foodbanknyc.org. Warehouse and Distribution Center: Hunts Point Co-op Market 355 Food Center Drive Bronx, NY 10474-7000 Phone: 718-991-4300 Fax: 718-893-3442 Community Kitchen: 252 West 116 Street New York, NY 10026 Phone: 212.566.7855 Fax: 212.662.1945 Administrative Office: 39 Broadway, 10th Floor New York, NY 10038 Phone: 212-566-7855 Fax: 212-566-1463 www.foodbanknyc.org © Copyright 2013 by Food Bank For New York City ACKNOWLEDGMENTS BOARD OF DIRECTORS CHAIR, Rev.
    [Show full text]
  • Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
    MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4.
    [Show full text]
  • A Hip-Hop Copying Paradigm for All of Us
    Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ...............................................
    [Show full text]
  • Numero 24 Marzo-Aprile 2015 BIMESTRALE - POSTE ITALIANE S.P.A
    ISSN 2280-8817 anno v numero 24 marzo-aprile 2015 BIMESTRALE - POSTE ITALIANE S.P.A. SPED. IN A.P. 70% - ROMA - COPIA EURO 0,001 - COPIA 70% - ROMA A.P. SPED. IN S.P.A. BIMESTRALE - POSTE ITALIANE I PUBBLICI DEI MUSEI NUMERI E GRAFICI ARTE & LETTERATURA LOMBARDIA, MILANO, BERGAMO QUATTRO MESI A NEW YORK IL MERCATO DELLE GALLERIE DAVID FOSTER WALLACE MAPPE E CONSIGLI DI VIAGGIO CITTÀ-STATO: REPORTAGE TOTO COTUGNO BANCHE & ARTE DA SINGAPORE A MALTA UNA FOTO CONCETTUALE UBS, ART BASEL E LA GAM àncora di salvezza sul dissesto della cultura nella Capitale del Paese – dissesto di cui incessantemente parliamo da anni – potrebbe in maniera inaspettata giungere dal Vaticano. L’annuncio del Giubileo Straordinario da parte di Papa Bergoglio schiude opportunità impensabili per una città che ha totalmente perduto, dal punto di vista della programmazione museale, il treno di Expo 2015, ma che ora ha la chance di prendere quello del Giubileo 2016. L’allure del cambio di millennio non c’è, i soldi che vi furono allora non ci sono (3mila miliardi e mezzo di TONELLI lire), non c’è neppure un papa dallo spessore di Giovanni Paolo II sebbene Francesco abbia un seguito non indifferente. Quel che potrebbe esserci è l’afflusso di pubblico da tutto il mondo. Anzi la quantità di pellegrini e di turisti che utilizzeranno il Giubileo come scusa per visitare la Città Eterna potrebbe aumentare perché MASSIMILIANO la propensione a spostarsi è enormemente aumentata rispetto al 2000. Ci sono le low cost e all’epoca non c’erano. Ci sono i treni veloci e allora non c’erano.
    [Show full text]
  • Translation Rights List Non-Fiction
    TRANSLATION RIGHTS LIST NON-FICTION Frankfurt Book Fair 2016 General Non-Fiction……………………….……...........p.2 Business and Management……………………...……p.8 History……………………………………………………..p.10 Memoirs and Biography……………………………….p.15 Modern Life……………………………………………….p.20 Health, Self-help and Popular Psychology……….....p.21 Parenting…………………………………………………..p.27 Food and Cookery……..…………………….….………p.29 Overcoming Series………………………………………p.32 ANDY HINE Rights Director (for Brazil, Germany, Italy, Poland, Scandinavia, Latin America and the Baltic States) [email protected] KATE HIBBERT Rights Director (for the USA, Spain, Portugal, Far East and the Netherlands) [email protected] HELENA DOREE Senior Rights Manager (for France, Turkey, Arab States, Israel, Greece, Bulgaria, Czech Republic, Slovak Republic, Hungary, Romania, Russia, Serbia and Macedonia) [email protected] JOE DOWLEY Rights Assistant [email protected] Little, Brown Book Group Ltd Carmelite House 50 Victoria Embankment London EC4Y 0DZ Tel: +44 020 3122 6209 email: [email protected] Rights sold displayed in parentheses indicates that we do not control the rights * Indicates new title since previous Rights list Titles in italics were not published by Little, Brown Book Group GENERAL NON-FICTION BREAKING DOWN THE WALLS OF HEARTACHE by Martin Aston Popular culture | 592pp | 16pp colour and b&w picture section | Constable | October 2016 | Korea: | Japan: EAJ The very first history of gay popular music Popular music’s gay DNA is inarguable, from Elvis in eye shadow and Little Richard’s ‘Tutti Frutti’ to The Velvet Underground’s subversive rock’n’roll and Bowie’s ambisexual alien Ziggy Stardust; from disco diva Sylvester and Frankie Says ‘Relax’ to Frankie Knuckles; from Boy George to Morrissey’s ‘fourth sex’; from k.d.
    [Show full text]
  • Marc Bolan the Best of '72-'77 - Volume Two Mp3, Flac, Wma
    Marc Bolan The Best Of '72-'77 - Volume Two mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The Best Of '72-'77 - Volume Two Country: UK Released: 1998 Style: Glam MP3 version RAR size: 1849 mb FLAC version RAR size: 1459 mb WMA version RAR size: 1164 mb Rating: 4.4 Votes: 689 Other Formats: MP2 MP4 DMF ASF WMA AA AIFF Tracklist 1-1 Rock On 3:26 1-2 The Slider 3:21 1-3 Baby Boomerang 2:16 1-4 Buick Mackane 3:29 1-5 Main Man 4:12 1-6 Tenement Lady 2:54 1-7 Broken-Hearted Blues 2:02 1-8 Country Honey 1:46 1-9 Electric Slim & The Factory Hen 3:02 1-10 Highway Knees 2:32 1-11 Explosive Mouth 2:26 1-12 Liquid Gang 3:17 1-13 Interstellar Soul 3:26 1-14 Solid Baby 2:36 1-15 Space Boss 2:47 1-16 Zip Gun Boogie 3:18 1-17 Think Zinc 3:20 1-18 Sensation Boulevard 3:48 1-19 Dreamy Lady 2:51 1-20 Ride My Wheels 2:25 2-1 Theme For A Dragon 2:00 2-2 Dawn Storm 3:42 2-3 Dandy In The Underworld 4:33 2-4 I'm A Fool For You Girl 2:16 2-5 I Love To Boogie 2:14 2-6 Jason B. Sad 3:22 2-7 Groove A Little 3:24 2-8 Sugar Baby 1:39 2-9 Fast Blues - Easy Action 3:22 2-10 Sky Church Music 4:15 2-11 Sad Girl 0:54 2-12 (By The Light Of A) Magical Moon 3:03 2-13 Petticoat Lane 2:42 2-14 Hot George 1:40 2-15 Classic Rap 2:14 2-16 Funky London Childhood 2:25 2-17 Jeepster [Live] 4:05 2-18 Telegram Sam [Live] 7:08 2-19 Debora [Live] 3:59 2-20 Hot Love [Live] 3:31 Companies, etc.
    [Show full text]
  • Carlton Barrett
    ! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures.
    [Show full text]
  • Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • Adyslipper Music by Women Table of Contents
    .....••_•____________•. • adyslipper Music by Women Table of Contents Ordering Information 2 Arabic * Middle Eastern 51 Order Blank 3 Jewish 52 About Ladyslipper 4 Alternative 53 Donor Discount Club * Musical Month Club 5 Rock * Pop 56 Readers' Comments 6 Folk * Traditional 58 Mailing List Info * Be A Slipper Supporter! 7 Country 65 Holiday 8 R&B * Rap * Dance 67 Calendars * Cards 11 Gospel 67 Classical 12 Jazz 68 Drumming * Percussion 14 Blues 69 Women's Spirituality * New Age 15 Spoken 70 Native American 26 Babyslipper Catalog 71 Women's Music * Feminist Music 27 "Mehn's Music" 73 Comedy 38 Videos 77 African Heritage 39 T-Shirts * Grab-Bags 82 Celtic * British Isles 41 Songbooks * Sheet Music 83 European 46 Books * Posters 84 Latin American . 47 Gift Order Blank * Gift Certificates 85 African 49 Free Gifts * Ladyslipper's Top 40 86 Asian * Pacific 50 Artist Index 87 MAIL: Ladyslipper, PO Box 3124, Durham, NC 27715 ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat'11-5) Ordering Information INFORMATION: 919-683-1570 (same as above) FAX: 919-682-5601 (24 hours'7 days a week) PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati­ available. LP = record, CS = cassette, CD = com­ schools). Make check or money order payable to cally back-order it unless you include alternatives pact disc. Some recordings are available only on LP Ladyslipper, Inc.
    [Show full text]