The Architecture of British Seaside Piers Kindle

Total Page:16

File Type:pdf, Size:1020Kb

The Architecture of British Seaside Piers Kindle THE ARCHITECTURE OF BRITISH SEASIDE PIERS PDF, EPUB, EBOOK Fred Gray | 160 pages | 01 Jan 2021 | The Crowood Press Ltd | 9781785007132 | English | Ramsbury, United Kingdom The Architecture of British Seaside Piers PDF Book In practice, each visitor was furnished with a plastic raincoat to prevent getting sodden, which added to the surreal, suggestive nature of the enterprise. Sell one like this. Infrastructure as Architecture features essays and projects on the unity of infrastructure and architecture by Painted Furniture:Do's and Don'ts. Nov 17, PST. Human Smoke by Nicholson Baker. Learn more…. But sadly that number is down to Seaside Architecture [Excursions into architect Further Reading. Uh-oh, it looks like your Internet Explorer is out of date. His book, Palm, exploring the cultural history of the signature plant of tropical islands, was published in Related items. Howes news and announcements. In theory, it was an ephemeral mechanism to reframe how space was seen and perceived. And why not? Agreeable Promenades and Pioneer Piers. Account Options Anmelden. But physical survival is no guarantee of a future, as arson and weather continue to take their toll. Click to download. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab. Typology: Pier The wreckage of Southend Pier following a collision with a ship. Typology: Pier Margate Pier showing steamers docking and decanting holidaymakers. Yet wrapped in a rippling manta ray roof, the building makes perfect sense in the context, extemporising on existing dockside types and designed on the basis of people flowing through it, which gives it a curious dynamism. They're sassy, flawed, and so easy to relate to, you'll be begging to enter their circle of If you continue to use this site we will assume that you are happy with it. People Materials and Techniques. Of the piers that were built by , only 55 remain. His book, Palm, exploring the cultural history of the signature plant of tropical islands, was published in Apply Coupon. This superbly illustrated book explores the history of the design processes leading to the architectural and engineering innovations that have allowed people to walk on water in such diverse and delightful ways. But the history of the pier is intrinsically bound up with the history of class, and came to reinforce the social stratification of the time, its attractions reserved for those who could pay, unlike the more egalitarian American boardwalks. Authoritative and readable, this excellent text, illustrated by a unique pictorial record of period architecture, Of all the architectural delights of British seaside resorts, the most astonishing and idiosyncratic is the seaside pier. Immediate payment required for this item Immediate payment of GBP Calculate Shipping. Morecambe, , Typology: Pier The pier at Morecambe, , a beguiling, Victorian pleasure pavilion. Learn more - opens in a new window or tab. The Architecture of British Seaside Piers Writer High Tech—sometimes known as Structural Expression—is a style of Modern architecture that produced some of the most prominent and visually exciting buildings of the 20th century: the Hongkong and Shanghai Banking Corporation headquarters in Hong Kong, the Lloyd's of London Until that moment, the British coast had been the ultimate summer destination for most working-class families. Clevedon Pier is looked after by a charitable trust and in recent years has undergone various restoration works. Brighton's West Pier, although now just an iron shell, use to enjoy over 2 million visitors. Get the item you ordered or get your money back. After being closed in , it was restored and reopened in Home 1 Books 2. The salty sea air wafting through your hair. And the terrifying screech of an armada of hungry seagulls ready to pounce on a bag of malt vinegar chips. Contact the seller - opens in a new window or tab and request a postage method to your location. Crowds pack the beach on a summer day in Margate in Green Policy. Close Privacy Overview This website uses cookies to improve your experience while you navigate through the website. And why not? Shopbop Designer Fashion Brands. Contact seller. The Tinside lido, an outdoor saltwater pool beside Plymouth Sound, was built in in the art deco style. Crowood Press, The. Two penny stamps show the Southwold lighthouse, and Garth pier in Bangor, Wales, respectively. Call support sirgordonbennett. Excellent book in great condition at a fantastic price. The first pier at Dunoon was built in Privacy Policy. Related items. Sign in to Purchase Instantly. Remarkable visual spectacles, piers are architecturally extraordinary in concept and at times outrageous in execution. Estimated delivery date help - opens a layer Estimated delivery dates - opens in a new window or tab include seller's handling time, origin postcode, destination postcode and time of acceptance and will depend on postage service selected and receipt of cleared payment - opens in a new window or tab. Product recommendations. Delivery times may vary, especially during peak periods. Continue Shopping. Although the main entrance is still an amusement arcade and the upper level was an expensive Italian restaurant. Sorry, there was a problem processing the request, please try again. It is mandatory to procure user consent prior to running these cookies on your website. The Architecture of British Seaside Piers Reviews We use cookies to ensure that we give you the best experience on our website. Incorporated by Royal Charter No. A far cry from down the pit or on the factory shop floor. Hidden label. Missed trains Partly as a result of this new form of holidaymaking, express trains that had long taken working-class holidaymakers from northern and Midlands industrial cities to the south coast vanished in a puff of smoke. Further Reading. Learn more - eBay Money Back Guarantee - opens in new window or tab. Walden and Civil Dis But sadly that number is down to Watch list is full. This story is a part of BBC Britain — a new series focused on exploring this extraordinary island, one story at a time. Of all the architectural delights of British seaside resorts, the most astonishing and idiosyncratic is the seaside pier. Whether your summer invariably includes visits to the coast or you enjoy the vicarious pleasure of the seaside from a winter armchair, this book is an essential companion for all who admire and value Britain's rich seaside heritage. Similar to what happened to lovely Victorian and Edwardian homes at the time. Publisher: Crowood. This functional purpose formed an important part of the very recent restoration and regeneration of the pier and will hopefully secure its long-term future. Clevedon Pier is looked after by a charitable trust and in recent years has undergone various restoration works. Visit store. Parker , Louis M. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. Sorry, there was a problem processing the request, please try again. Learn more - opens in a new window or tab. Cookies are very small text files that are stored on your computer when you visit some websites. Return policy. For a better shopping experience, please upgrade now. Related sponsored items Feedback on our suggestions - Related sponsored items. Call support sirgordonbennett. They're sassy, flawed, and so easy to relate to, you'll be begging to enter their circle of Sell it yourself. Email Required. Originally piers were just landing docks for pleasure steamers as the holiday craze began to take hold. Learn more - opens in a new window or tab International postage paid to Pitney Bowes Inc. The Architecture of British Seaside Piers Read Online These cookies do not store any personal information. The Architecture of British Seaside Piers - Review this product Share your thoughts with other customers. See all condition definitions - opens in a new window or tab Today, there is the sense that, in all the hectic and complex rush to holiday abroad, we have forgotten the simple pleasures of picnics, rock-pooling and ice-creams in British resorts — pleasures seen more, perhaps, through the lens of old railway posters or the windscreens of refurbished VW Camper vans than experienced in reality. Of all the architectural delights of British seaside resorts, the most astonishing and idiosyncratic is the seaside pier. Postal Updates. Cookies are very small text files that are stored on your computer when you visit some websites. Item specifics Condition: Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. Listed in category:. Far harder hit, though, were seaside towns whose fortunes were intimately connected with major cities and working-class holidays — among them the Kent coast towns of Margate, Ramsgate and Hastings and the east coast resorts of Clacton, Cleethorpes and Skegness. Construction on the lighthouse started in , and it became fully operationally Sept. Fred Gray. Avant-garde director Derek Jarman and other artists moved to exquisitely ramshackle Dungeness on the Kent coast. Please enter your details. Does not ship to Germany See details. Immediate payment required for this item Immediate payment of GBP High Tech—sometimes known as Structural Expression—is a style of Modern architecture that produced some of the most prominent and visually exciting buildings of the 20th century: the Hongkong and Shanghai Banking Corporation headquarters in Hong Kong, the Lloyd's of London Jaywick, an outpost of Clacton, may be the most deprived of all British towns.
Recommended publications
  • BRSUG Number Mineral Name Hey Index Group Hey No
    BRSUG Number Mineral name Hey Index Group Hey No. Chem. Country Locality Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-37 Copper Au) 1.1 4[Cu] U.K., 17 Basset Mines, nr. Redruth, Cornwall Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-151 Copper Au) 1.1 4[Cu] U.K., 17 Phoenix mine, Cheese Wring, Cornwall Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-280 Copper Au) 1.1 4[Cu] U.K., 17 County Bridge Quarry, Cornwall Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and South Caradon Mine, 4 miles N of Liskeard, B-319 Copper Au) 1.1 4[Cu] U.K., 17 Cornwall Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-394 Copper Au) 1.1 4[Cu] U.K., 17 ? Cornwall? Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-395 Copper Au) 1.1 4[Cu] U.K., 17 Cornwall Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-539 Copper Au) 1.1 4[Cu] North America, U.S.A Houghton, Michigan Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-540 Copper Au) 1.1 4[Cu] North America, U.S.A Keweenaw Peninsula, Michigan, Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-541 Copper Au) 1.1 4[Cu] North America, U.S.A Keweenaw Peninsula, Michigan, Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu,
    [Show full text]
  • 'Our Pier': Leisure Activities and Local Communities at the British Seaside
    1 2 3 ‘Our Pier’: Leisure activities and local communities at the British 4 5 seaside 6 7 8 Lavinia Brydona*, Olu Jenzenb & Nicholas Nourse c 9 10 11 aSchool of Arts, University of Kent, Canterbury, UK; bSchool of Media, University of 12 13 Brighton, Brighton, UK; cDepartment of Historical Studies, University of Bristol, 14 15 Bristol, UK 16 17 *corresponding author. Email: [email protected] 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 1 1 2 3 4 5 The seaside resort has long held a distinctive position within the history of British 6 leisure. Its peculiar physicality whereby the natural landscape of sea and sand combines 7 8 with distinctive architectural elements, such as pavilions and piers, has accommodated 9 10 many and varied leisure activities across the years. However, to date, the majority of 11 research on British coastal resorts considers these activities solely in connection with 12 13 tourism. Using a combination of contextual archival research, participant observations, 14 semi-structured interviews and oral history narratives, this article attempts a deliberate 15 16 shift in focus where the leisure activities of a young local population are brought to the 17 fore in the history of British seaside entertainment and, in particular, their experiences 18 19 of pleasure piers in the post-war era. The article also explores the potential for the 20 21 concept of the ‘community pier’ in terms of nurturing seaside leisure cultures in the 22 present and future.
    [Show full text]
  • Wsm & Wells Days out By
    Sand Bay Sand Bay Holiday Park S Water Adventure B a Your local buses... n d Routes for amazing d a o R R o Visit amazing beaches... & Play Park a h Kewstoke d c a Open April-September the e days out by bus... B Weston-super-Mare to park has fountains and 1 Ln n Weston-super-Mare 1 Birnbeck Pier • Sand Bay sprays triggered by sensors to or N and buttons and costs Hazelwood er w The main beach area lies south of The Grand Pier £2.50 per child until August Caravan Park Lo Kewstoke and during the summer season visitors flock here Let’s get there together. C Jump on an open top bus for amazing views on a trip along the coast. and is free in September. Ln Village kes r to sunbathe, build sandcastles and partake in all oo o Cr o The play park is open all d k Hop off at Sand Bay and take a walk along the large and relatively wild a e the traditional Great British seaside activities. The o s R L year round and is free. n beach before returning to all that Weston-super-Mare has to offer. h Uphill Sands section of the beach is partitioned c a e off for kitesurfing and other watersports. visit-westonsupermare.com B When do the buses run? Journey time from Weston M Kewstoke o (8.30am- n Every 30 mins Mon-Sat 18 mins to Sand Bay. oad Toll Gate k e R s ok t H Brean ews 5.30pm), 60 mins on Sun.
    [Show full text]
  • Paddle Steamer Waverley for a Great Day out August 28 Until October 7, 2018
    Step aboard Paddle Steamer Waverley for a great day out August 28 until October 7, 2018 Day, Afternoon & Evening Cruises Sailing from Liverpool & Llandudno, Clevedon, Penarth, Ilfracombe, Minehead, Swansea, Southampton, Portsmouth, Isle of Wight, Dorset, London, Gravesend, Southend, Essex, Sussex & Kent Resorts Welcome Aboard Waverley is the last seagoing Paddle Steamer in the World! Owned by a Charity and magnificently restored with towering funnels, timber decks, gleaming varnish and brass – see and hear the mighty engines turn the ship’s famous paddles! This year you can visit the Victorian town of Llandudno or cruise the magnificent Anglesey Coast.Explore the coasts and rivers of the Bristol Channel - visit Ilfracombe or Lundy Island. Take a cruise along the Jurassic Coast - see the famous Needles & Lulworth Cove or visit one of the charming seaside towns on the South Coast. Explore the River Thames and watch as London’s Tower Bridge opens especially for you! 2 Book online at waverleyexcursions.co.uk Contents Sailings from Liverpool & Llandudno 4 What to See & Do on the Bristol Channel 5 Sailings from Penarth, Swansea & Porthcawl 6 Sailings from Ilfracombe & Minehead 6 Sailings from Clevedon 6 What to See & Do on the South Coast 8 Sailings from Southampton & Portsmouth 9 Connect from Worthing 9 Sailings from Weymouth & Swanage 10 Sailings from Isle of Wight 11 Sailings from Southend & Clacton 12 Sailing from Harwich 12 Sailings from Whitstable 12 Connect from Margate 12 Sailings from London & Gravesend 13 Connect from Southwold 14 Connect from Great Yarmouth & Ipswich 14 What to See & Do on the Thames 15 Dine with a drink in one of the restored period lounges, or simply watch the world slip by as you enjoy breathtaking views.
    [Show full text]
  • 'Pierdom' by Simon Roberts
    Repositorium für die Medienwissenschaft Lavinia Brydon; Olu Jenzen ‘Pierdom’ by Simon Roberts 2016 https://doi.org/10.25969/mediarep/3366 Veröffentlichungsversion / published version Rezension / review Empfohlene Zitierung / Suggested Citation: Brydon, Lavinia; Jenzen, Olu: ‘Pierdom’ by Simon Roberts. In: NECSUS. European Journal of Media Studies, Jg. 5 (2016), Nr. 2, S. 217–228. DOI: https://doi.org/10.25969/mediarep/3366. Erstmalig hier erschienen / Initial publication here: https://www.necsus-ejms.org/test/pierdom-by-simon-roberts/ Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 Attribution - Non Commercial - No Derivatives 4.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0 EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org ‘Pierdom’ by Simon Roberts NECSUS 5 (2), Autumn 2016: 217–228 URL: https://necsus-ejms.org/pierdom-by-simon-roberts Keywords: British, exhibition, photography, piers, Simon Roberts Simon Roberts is a British photographer whose work centres on questions of people and place, particularly in regard to the construction and promo- tion of national identity. From 2011-2013 these interests fuelled a project titled Pierdom (http://pierdom.com), for which Roberts toured the British coastline capturing the country’s 58 surviving pleasure piers as well as a few ‘lost’ piers with an old-fashioned 4×5 inch field camera. In a bid to prompt a countrywide discussion on the historical significance of these seaside struc- tures an unusual national exhibition followed in 2014 whereby 13 coastal venues simultaneously exhibited up to five works from the series, including their most local pier.
    [Show full text]
  • Autumn 2012 Issue No
    The Clevedonian Autumn 2012 Issue No. 06 In this edition LIvery Trip To London Page 2 A View from the Chair Group Report - Footpaths Group Page 3 Group Reports Environment Group Local History Group Page 4 Group Report - Conservation Group Coming Shortly Page 5 Livery Trip to London Page 6, 7 & 8 Rebuilding Clevedon Pier Page 9 Whiteladies Cottage Page 10 & 11 After Hugh Stebbing’s interesting Picnic at Clevedon Court February talk about the London Page 12 Livery Companies he offered to Entertainment in Clevedon take a group on a visit to the City of Page 13 London for a walk around the area. Transition Clevedon Page 14 The Four Brothers Page 15 Society Publications See page five for Wendy Moore’s Page 16 detailed account of the trip Neighbourhood Watch What’s in a Name Derek Lilly’s Wordsearch Page 17 Branch Line Page 18 Postcard from Clevedon Collector’s Lot Page 19 Military Chest Don’t Believe Everything You See! Page 20 Members’ Photograph Gallery Artist’s Attic The views expressed are those of the authors, and may or may not represent those of the Society. www.clevedon-civic-society.org.uk/ A View from The Chair Report by Hugh Stebbing Environment Group GrouP REporTs an it really be that we’re rapidly Meanwhile 2012 has seen an equally Planning Groups as well Report by Bob Hardcastle (Tel. 871633) Capproaching the end of another interesting programme both in the as with North Somerset year? Autumn winds and rain and Society and through those issues where Council. But I do sense to working with the Council in preparing Our regular monthly working party has increasing numbers of adverts for our opinions and experience have there’s more that can the Stage 2 submission.
    [Show full text]
  • Portishead - Clevedon Walking Time: 3 Hours Coast Path GRADE : Easy/Moderate 3 12
    Distance: 6 miles Portishead - Clevedon Walking Time: 3 hours Coast Path GRADE : Easy/Moderate 3 12 This walk follows the coastal path between Portishead and Maps: Clevedon for a distance of approximately six miles. There are Explorer 154 Bristol West & many features of interest to be found along the route and Portishead excellent views of the coastline and Bristol Channel. 1:25 000 scale Landranger 172 Bristol & Bath 1:50 000 scale Grid Ref: ST 461 769 PUBLIC TRANSPORT INFORMATION To get to the start of the walk at Portishead take the 358/359 or 658 service from Bristol Bus Station. The 358/359 service runs every half hour Monday to Saturday and the 658 runs hourly on Sundays and Bank Holidays. Get off either at the stop on Combe Road (358 and 658 service) or the stop opposite the White Lion (359 service). Ask the bus driver if you are unsure. To get to the start of the walk in Portishead walk along the High Street towards the Esso petrol station, turn left into Cabstand and then right into Battery Road. Turn left into Beach Road West and continue on round until you reach the Lake Grounds sign on your left. Enter the picnic area and you will find the start of the Mariners Path. The 364 Clevedon to Bristol service operates hourly on Mondays to Saturdays and can be caught from Albert Road (off Six Ways). The X7 also operates hourly to Bristol on Mondays to Saturdays from Bellevue Road (also off Six Ways). The two services combined therefore offer a half-hourly service to Bristol.
    [Show full text]
  • 'Pierdom' by Simon Roberts
    EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org ‘Pierdom’ by Simon Roberts NECSUS 5 (2), Autumn 2016: 217–228 URL: https://necsus-ejms.org/pierdom-by-simon-roberts Keywords: British, exhibition, photography, piers, Simon Roberts Simon Roberts is a British photographer whose work centres on questions of people and place, particularly in regard to the construction and promo- tion of national identity. From 2011-2013 these interests fuelled a project titled Pierdom (http://pierdom.com), for which Roberts toured the British coastline capturing the country’s 58 surviving pleasure piers as well as a few ‘lost’ piers with an old-fashioned 4×5 inch field camera. In a bid to prompt a countrywide discussion on the historical significance of these seaside struc- tures an unusual national exhibition followed in 2014 whereby 13 coastal venues simultaneously exhibited up to five works from the series, including their most local pier. In October 2015 all but a handful of Roberts’s pier photographs came together at the Brighton Museum and Art Gallery (http://brightonmuseums.org.uk/brighton/) in Sussex, on the south east coast of England – an appropriate end point to the project given that Brighton is home to the most visited pier in the UK, the Palace Pier, as well as the sculptural remains of the country’s first Grade 1-listed pier: the West Pier. It was Roberts’s photograph of the now derelict (and fast diminishing) West Pier that greeted us as we entered the first floor exhibition rooms dedicated to Pierdom, a curatorial choice that was very much in line with the 2014 national exhibition in that the venue prioritised a local pier, but also a choice that emphasised the compelling visual qualities of these intricately- designed but ultimately fragile Victorian structures.
    [Show full text]
  • 1 Pop(-Up)Ular Culture at the Seaside: the British Pleasure Pier As
    Pop(-up)ular Culture at the Seaside: The British Pleasure Pier as Screening Space Introduction This chapter explores a set of enquiries situated at the intersections of cinema-as-event, community cinema and the current cultural development of ‘re-purposing’ seaside piers as community spaces. Drawing on empirical explorations of pop-up cinema on seaside piers, it seeks to historicise the relationship between cinematic viewing practices and Victorian seaside piers, as well as to investigate the role of outdoor cinema in the changing landscape of contemporary seaside resort entertainment. The case studies presented here also illustrate the potential of outdoor deck top cinema as an immersive cinema experience when the seascape and the sounds of the natural surroundings blend with the film’s mise-en-scène. In their earliest incarnation piers were practical structures, serving as landing stages for goods and holidaymakers arriving to seaside resorts via boat. While this functionality remained important throughout the nineteenth century, at least until an expanded rail network offered an alterative means of accessing coastal locations, their pleasurable aspects soon became apparent. This led them to evolve in many different directions over the years, with well-documented fluctuating fortunes (see, for example, Fischer and Walton 1987; Gray 2006; Shaw and Williams eds 1997). Today only fifty nine of the original hundred or so British seaside piers remain, and many of those are under threat. Despite this downturn piers remain important to the coastal communities in which they are situated – in terms of serving as a landmark that gives the town a sense of identity (no two piers are the same), in terms of the local economy and in terms of community heritage – aspects which, we argue, are made manifest in their use as twenty-first century screening spaces.
    [Show full text]
  • Building a Better Future from Our Past Annual Report 2015–16 CONTENTS Annual Report 2015-16 Building a Better Future from Our Past
    5 LATIMER STREET Romsey, Hampshire | England Romsey & District Buildings Preservation Trust | www.romseydistrictsociety.co.uk/building-preservation-trust The Architectural Heritage Fund Building a better future from our past | Annual Report 2015–16 Building a better future from our past Annual Report 2015–16 www.ahfund.org.uk CONTENTS Annual Report 2015-16 Building a better future from our past Our ambition is to ensure as many people OVERVIEW ABOUT THE ARCHITECTURAL HERITAGE FUND as possible can enjoy the cultural, social 2 | About the AHF and economic benefits of a vibrant and 4 | Our impact well-managed architectural heritage. 8 | The year in numbers 10 | FROM THE CHAIRMAN 11 | CHIEF EXECUTIVE’S REPORT TRUSTEES’ REPORT ACHIEVEMENTS: PROGRESS AGAINST OUR STRATEGY 12 | Objective One 18 | Objective Two 20 | Objective Three 22 | Objective Four PROJECT CASE STUDIES 25 | England 36 | Wales 38 | Scotland 44 | Northern Ireland FINANCIAL REVIEW 46 | Financial overview 49 | Grants awarded 53 | New loans 54 | Principal risks and uncertainties 56 | STRUCTURE, GOVERNANCE AND MANAGEMENT 58 | PLANS FOR THE FUTURE 59 | TRUSTEES, EXECUTIVE AND THE AHF TEAM 64 | REPORT ON THE AHF’S FINANCIAL POSITION 65 | AUDITOR’S STATEMENT 66 | BENEFACTORS AND FRIENDS SUMMARISED FINANCIAL STATEMENTS 67 | SUMMARISED STATEMENT OF FINANCIAL ACTIVITIES 68 | SUMMARISED BALANCE SHEET Front cover: Clevedon Pier, Clevedon, North-West Somerset / Photography courtesy: © Craig Auckland – fotohaus www.ahfund.org.uk 1 Annual Report 2015-16 The Architectural Heritage Fund Building a better future from our past OVERVIEW About the AHF The AHF is a registered charity, founded in 1976 to promote the conservation and sustainable re-use of historic buildings for the benefit of communities across the UK, particularly in economically disadvantaged areas.
    [Show full text]
  • Impact of HLF Funding Visitors Report 2009 170510 FINAL
    Impact of HLF Funding 2005 – 2009 Report Visitor Surveys 2005-9 Prepared for by Steve Mills/Jon young BDRC Kingsbourne House 229/231 High Holborn London WC1V 7DA Tel: 020 7400 1010 Fax: 020 7405 4778 Email: [email protected] J:\Current Jobs\TTL\29029 HLF Impact of Funding Report\2009Reportv1/SM/8.4.09 CONTENTS Page No. 1. INTRODUCTION 1 1.1 Background 1 1.2 Business Objectives 1 1.3 Research Objectives 1 2. RESEARCH METHODOLOGY 2 2.1 Selection of Projects 2 2.2 Data Collection Method 3 2.3 Sample Definition, Size and Structure 4 2.4 Fieldwork Period 8 2.5 Outputs 8 3. BENEFITS OF HLF FUNDED SITES 9 3.1 Benefits to the Visitor 9 4. ARE THE BENEFITS SHARED BY EVERYONE? 24 4.1 BME Groups 24 4.2 Lower Socio-economic Groups 25 4.3 Disability Groups 25 4.4 Families 26 4.5 Young People (aged under 25 years) 27 5. DOES THE IMPACT VARY BY PROJECT TYPE? 29 5.1 Visitor Surveys 29 6. SUMMARY UNDER KEY THEMES 36 6.1 Quality of Life/Sustainable Communities 36 6.2 Sense of Heritage, Identity and Pride 39 6.3 Opportunities for Children and Young People 40 J:\Current Jobs\TTL\29029 HLF Impact of Funding Report\2009Reportv1/SM/8.4.09 7. EMERGING TRENDS 2005-2008 41 7.1 Overall opinion 41 7.2 Behavioural impact 42 7.3 Awareness of HLF work 42 8. OPINION OF HLF / USE OF LOTTERY FUNDING 43 8.1 Visitors to HLF Funded Projects 43 APPENDICES Appendix 1 – Project Sample Selection J\Current Jobs\TTL\29029 HLF Impact of funding report 3 1.
    [Show full text]
  • Wessex Archaeology
    Wessex Archaeology The Maritime Archaeology of the Welsh Coal Trade Ref: 53111.02s-3 April 2009 ARCHAEOLOGICAL SERVICES IN RELATION TO THE PROTECTION OF WRECKS ACT (1973) THE MARITIME ARCHAEOLOGY OF THE WELSH COAL TRADE Prepared by: Wessex Archaeology Portway House Old Sarum Park Salisbury Wiltshire SP4 6EB Prepared for: CADW Welsh Assembly Government Plas Carew Unit 5/7 Cefn Coed Parc Nantgarw Cardiff CF15 7QQ April 2009 Ref: 53111.02s-3 © Wessex Archaeology Limited 2009 Wessex Archaeology Limited is a Registered Charity No.287786 The Maritime Archaeology of the Welsh Coal Trade Wessex Archaeology 53111.02s-3 THE MARITIME ARCHAEOLOGY OF THE WELSH COAL TRADE Ref: 53111.02s-3 Summary “It is the great quantities of Bulksome Commodities that multiplies ships” - Thomas Tryon, 1669 Wessex Archaeology was commissioned by CADW to undertake a thematic desk-based study of the maritime archaeology of the Welsh coal trade. Although now in serious decline, the coal industry was fundamental in shaping the development of modern Wales, particularly in the south. For a brief period of time in the late 19th and early 20th centuries it was arguably also Britain’s greatest single export and Welsh ‘steam coal’ powered the industrial and transport revolutions taking place across the world. The coal industry bestrode Wales like a behemoth. Most of the coal was exported and therefore the coal trade was by necessity largely a maritime trade. Both South and North Wales had separate coal industries. The coalfields of North Wales were in the north-east. The South Wales coalfield extended across a wide area, from Abersychan in the east to St Bride’s Bay in the west.
    [Show full text]