Historic England Research Magazine Issue 13
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Simon Roberts Pierdom
SIMON ROBERTS PIERDOM 10 September - 12 October 2013 Private View Tuesday 10 September 6 - 8pm Flowers Gallery 82 Kingsland Road London E2 8DP +44 (0)20 7920 7777 Teignmouth Grand Pier, Devon, July 2011, Fujicolour Crystal Archive Print, 122 x 152 cm / 48 x 60 inch British photographer Simon Roberts has spent the past three years creating Pierdom, a comprehensive survey of Britain’s piers. Predominantly constructed during the 19th Century in the context of expanding Victorian seaside resorts and railways, these structures were often erected as landing docks for pleasure steamers and other sea craft. Growing to accommodate the needs of day-trippers escaping the smog of the city, engineers began to incorporate bandstands, cafes and music halls into their designs, embracing the growing notion of ‘pleasure seeking’ by the seaside. Pierdom addresses the historical significance of these architectural structures placed in comparison with their modern interpretation and functionality. Roberts’ photographs of ruinous piers such as Birnbeck Pier (2012) are in contrast with those such as Ryde Pier (2012) in which the local community and everyday usage of the landscape is represented by a skate boarding park which dominates the composition. It is this socio-cultural element of the landscape that has sustained Roberts’ interest, revealing a deep fascination with the way humans interact with their environment, and in eccentric British pastimes. At the turn of the century the British coastline boasted over 100 piers, some modest and functional, others elegant, exotic Victorian structures thrusting out into the sea. Now under half remain, the others destroyed by fierce weather and fires, with many dismantled during the 2nd World War to prevent German landings. -
Rails by the Sea.Pdf
1 RAILS BY THE SEA 2 RAILS BY THE SEA In what ways was the development of the seaside miniature railway influenced by the seaside spectacle and individual endeavour from 1900 until the present day? Dr. Marcus George Rooks, BDS (U. Wales). Primary FDSRCS(Eng) MA By Research and Independent Study. University of York Department of History September 2012 3 Abstract Little academic research has been undertaken concerning Seaside Miniature Railways as they fall outside more traditional subjects such as standard gauge and narrow gauge railway history and development. This dissertation is the first academic study on the subject and draws together aspects of miniature railways, fairground and leisure culture. It examines their history from their inception within the newly developing fairground culture of the United States towards the end of the 19th. century and their subsequent establishment and development within the UK. The development of the seaside and fairground spectacular were the catalysts for the establishment of the SMR in the UK. Their development was largely due to two individuals, W. Bassett-Lowke and Henry Greenly who realized their potential and the need to ally them with a suitable site such as the seaside resort. Without their input there is no doubt that SMRs would not have developed as they did. When they withdrew from the culture subsequent development was firmly in the hands of a number of individual entrepreneurs. Although embedded in the fairground culture they were not totally reliant on it which allowed them to flourish within the seaside resort even though the traditional fairground was in decline. -
WESTON PLACEMAKING STRATEGY 03 Image by Paul Blakemore 3.0 Weston Placemaking Strategy 20 3.0 Weston Placemaking Strategy 21
Image by Paul Blakemore ON THE BEACH AT WESTON, WE SET OFF THROUGH WILD SWIMMERS WAIT IN LINE, THE OLD ESTATE, TO JOIN THE ROUGH BEYOND THE SCHOOL, AND TUMBLE TIDE TOWARDS THE GOLF COURSE, AND SURFACE FROM WHERE BEST MATES, THE RUSH OF LIFE. MIKE AND DAVE, ONCE PLAYED, HOW BRAVE THEY ARE — COLLECTING TRUANT FLY-AWAYS. ALL GOOSEBUMPS AND GRACE. WE REACH OUR BREATHLESS DESTINATION: UPHILL, OUT ON THE EDGE, WHERE THE SKY IS AN ARROW THEY FEEL A SENSE OF PLACE. THROUGH OUR HEART LOOK UP AT THE SOFTENED AND A PROBLEM SHARED JAWLINE OF THIS TOWN. IS A PROBLEM HALVED. FLAT HOLM, STEEP HOLM, THERE IT IS — THE CLEARING, BREAN DOWN. WITH ITS LAUGHTERFUL HERE, WE ARE LOST OF BLUEBELLS, AND INSTANTLY FOUND. AND THEN THE CHURCH, THE SKY, THE BIRDS. Contents Covid-19 This project had engaged with thousands of people about their town and their hopes for 02–03 the future by the time Covid-19 hit the UK. 1 Introduction People had expressed their ambitions for a more diversified town centre, with opportunities for leisure and play; space for business to start, invest and grow; and better homes with empty sites finally built out. 04–15 As in all parts of the country, the lockdown had 2 Weston-super-Mare a severe impact on the economy in the town centre and a visitor economy largely predicated on high volumes of day visitors. Prolonged and combined efforts and partnership between national, regional and local government, 16–27 employers, community networks and local 3 SuperWeston people will be needed to restore confidence and economic activity. -
BRSUG Number Mineral Name Hey Index Group Hey No
BRSUG Number Mineral name Hey Index Group Hey No. Chem. Country Locality Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-37 Copper Au) 1.1 4[Cu] U.K., 17 Basset Mines, nr. Redruth, Cornwall Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-151 Copper Au) 1.1 4[Cu] U.K., 17 Phoenix mine, Cheese Wring, Cornwall Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-280 Copper Au) 1.1 4[Cu] U.K., 17 County Bridge Quarry, Cornwall Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and South Caradon Mine, 4 miles N of Liskeard, B-319 Copper Au) 1.1 4[Cu] U.K., 17 Cornwall Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-394 Copper Au) 1.1 4[Cu] U.K., 17 ? Cornwall? Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-395 Copper Au) 1.1 4[Cu] U.K., 17 Cornwall Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-539 Copper Au) 1.1 4[Cu] North America, U.S.A Houghton, Michigan Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-540 Copper Au) 1.1 4[Cu] North America, U.S.A Keweenaw Peninsula, Michigan, Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, Ag and B-541 Copper Au) 1.1 4[Cu] North America, U.S.A Keweenaw Peninsula, Michigan, Elements and Alloys (including the arsenides, antimonides and bismuthides of Cu, -
Weston-Super-Mare to Sand Bay up to Every Page NEW 1 Via Grand Pier, Birnbeck Pier and Kewstoke 3 0 M I N S 2-4
Weston Town Services Guide W NE Town Centre to Sand Bay 1 via: Grand Pier, Birnbeck Pier and Kewstoke Worle to Searle Crescent 3 via: Mead Vale, Weston town centre and Bournville Worle to Hutton 5 via: West Wick, Upper Bristol Road, Weston town centre and Uphill (Weston General Hospital) Worle to Oldmixon 7 via: Milton Road, Weston town centre and Coronation Estate Bus times from 29 April 2018 How was yyoour journeyy?? TTakake two minutes to tell us how you feel... tellfirstbus.com Welcome to Weston town services, designed to take the stress out of your journey and make it a convenient, relaxed experience. Inside you’ll find full timetables and route Plus, you’ll see your A3 express service to maps for your town services numbered Bristol Airport and of course our original 1, 3, 5 and 7. There’s also a frequency guide Somerset’s Coaster, Service 20 which below to show you all the services heading features open-top buses. out of Weston. Thanks for travelling with us. These go to great places such as Bristol, Visit firstgroup.com/wsm for more Cribbs Causeway and Clevedon. information on all services. Weston-super-Mare to Sand Bay up to every page NEW 1 via Grand Pier, Birnbeck Pier and Kewstoke 3 0 m i n s 2-4 Worle to Searle Crescent u p t o e v e r y page 3 via Mead Vale, Weston town centre and Bournville 1 5 m i n s 5-9 Worle to Hutton via West Wick, Upper Bristol Road, hourly page 5 Weston town centre, Uphill (Weston General Hospital), Bleadon s e r v i c e 14-15 Worle to Oldmixon up to every page 7 via Milton Road, Weston town centre -
'Our Pier': Leisure Activities and Local Communities at the British Seaside
1 2 3 ‘Our Pier’: Leisure activities and local communities at the British 4 5 seaside 6 7 8 Lavinia Brydona*, Olu Jenzenb & Nicholas Nourse c 9 10 11 aSchool of Arts, University of Kent, Canterbury, UK; bSchool of Media, University of 12 13 Brighton, Brighton, UK; cDepartment of Historical Studies, University of Bristol, 14 15 Bristol, UK 16 17 *corresponding author. Email: [email protected] 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 1 1 2 3 4 5 The seaside resort has long held a distinctive position within the history of British 6 leisure. Its peculiar physicality whereby the natural landscape of sea and sand combines 7 8 with distinctive architectural elements, such as pavilions and piers, has accommodated 9 10 many and varied leisure activities across the years. However, to date, the majority of 11 research on British coastal resorts considers these activities solely in connection with 12 13 tourism. Using a combination of contextual archival research, participant observations, 14 semi-structured interviews and oral history narratives, this article attempts a deliberate 15 16 shift in focus where the leisure activities of a young local population are brought to the 17 fore in the history of British seaside entertainment and, in particular, their experiences 18 19 of pleasure piers in the post-war era. The article also explores the potential for the 20 21 concept of the ‘community pier’ in terms of nurturing seaside leisure cultures in the 22 present and future. -
England Coast Path Aust to Brean Down Report 7
www.gov.uk/englandcoastpath England Coast Path Stretch: Aust to Brean Down Report ABD 7: Huckers Bow to Birnbeck Pier Part 7.1: Introduction Start Point: Huckers Bow (grid reference: ST 3473 6620) End Point: Birnbeck Pier (grid reference: ST 3101 6252) Relevant Maps: ABD 7a to ABD 7f 7.1.1 This is one of a series of linked but legally separate reports published by Natural England under section 51 of the National Parks and Access to the Countryside Act 1949, which make proposals to the Secretary of State for improved public access along and to this stretch of coast between Aust and Brean Down. 7.1.2 This report covers length ABD 7 of the stretch, which is the coast between Huckers Bow and Birnbeck Pier. It makes free-standing statutory proposals for this part of the stretch, and seeks approval for them by the Secretary of State in their own right under section 52 of the National Parks and Access to the Countryside Act 1949 7.1.3 The report explains how we propose to implement the England Coast Path (“the trail”) on this part of the stretch, and details the likely consequences in terms of the wider ‘Coastal Margin’ that will be created if our proposals are approved by the Secretary of State. Our report also sets out: any proposals we think are necessary for restricting or excluding coastal access rights to address particular issues, in line with the powers in the legislation; and any proposed powers for the trail to be capable of being relocated on particular sections (“roll- back”), if this proves necessary in the future because of coastal change. -
Wsm & Wells Days out By
Sand Bay Sand Bay Holiday Park S Water Adventure B a Your local buses... n d Routes for amazing d a o R R o Visit amazing beaches... & Play Park a h Kewstoke d c a Open April-September the e days out by bus... B Weston-super-Mare to park has fountains and 1 Ln n Weston-super-Mare 1 Birnbeck Pier • Sand Bay sprays triggered by sensors to or N and buttons and costs Hazelwood er w The main beach area lies south of The Grand Pier £2.50 per child until August Caravan Park Lo Kewstoke and during the summer season visitors flock here Let’s get there together. C Jump on an open top bus for amazing views on a trip along the coast. and is free in September. Ln Village kes r to sunbathe, build sandcastles and partake in all oo o Cr o The play park is open all d k Hop off at Sand Bay and take a walk along the large and relatively wild a e the traditional Great British seaside activities. The o s R L year round and is free. n beach before returning to all that Weston-super-Mare has to offer. h Uphill Sands section of the beach is partitioned c a e off for kitesurfing and other watersports. visit-westonsupermare.com B When do the buses run? Journey time from Weston M Kewstoke o (8.30am- n Every 30 mins Mon-Sat 18 mins to Sand Bay. oad Toll Gate k e R s ok t H Brean ews 5.30pm), 60 mins on Sun. -
Paddle Steamer Waverley for a Great Day out August 28 Until October 7, 2018
Step aboard Paddle Steamer Waverley for a great day out August 28 until October 7, 2018 Day, Afternoon & Evening Cruises Sailing from Liverpool & Llandudno, Clevedon, Penarth, Ilfracombe, Minehead, Swansea, Southampton, Portsmouth, Isle of Wight, Dorset, London, Gravesend, Southend, Essex, Sussex & Kent Resorts Welcome Aboard Waverley is the last seagoing Paddle Steamer in the World! Owned by a Charity and magnificently restored with towering funnels, timber decks, gleaming varnish and brass – see and hear the mighty engines turn the ship’s famous paddles! This year you can visit the Victorian town of Llandudno or cruise the magnificent Anglesey Coast.Explore the coasts and rivers of the Bristol Channel - visit Ilfracombe or Lundy Island. Take a cruise along the Jurassic Coast - see the famous Needles & Lulworth Cove or visit one of the charming seaside towns on the South Coast. Explore the River Thames and watch as London’s Tower Bridge opens especially for you! 2 Book online at waverleyexcursions.co.uk Contents Sailings from Liverpool & Llandudno 4 What to See & Do on the Bristol Channel 5 Sailings from Penarth, Swansea & Porthcawl 6 Sailings from Ilfracombe & Minehead 6 Sailings from Clevedon 6 What to See & Do on the South Coast 8 Sailings from Southampton & Portsmouth 9 Connect from Worthing 9 Sailings from Weymouth & Swanage 10 Sailings from Isle of Wight 11 Sailings from Southend & Clacton 12 Sailing from Harwich 12 Sailings from Whitstable 12 Connect from Margate 12 Sailings from London & Gravesend 13 Connect from Southwold 14 Connect from Great Yarmouth & Ipswich 14 What to See & Do on the Thames 15 Dine with a drink in one of the restored period lounges, or simply watch the world slip by as you enjoy breathtaking views. -
The Great Western Railway and the Celebration of Englishness
THE GREAT WESTERN RAILWAY AND THE CELEBRATION OF ENGLISHNESS D.Phil. RAILWAY STUDIES I.R.S. OCTOBER 2000 THE GREAT WESTERN RAILWAY AND THE CELEBRATION OF ENGLISHNESS ALAN DAVID BENNETT M.A. D.Phil. RAILWAY STUDIES UNIVERSITY OF YORK INSTITUTE OF RAILWAY STUDIES OCTOBER 2000 ABSTRACT This thesis identifies the literary work of the Great Western Railway as marking a significant contribution to the discourse of cultural representation over the first four decades of the twentieth century and particularly so for the inter-war era. The compa- ny's work is considered in the context of definitive and invariably complex cultural per- spectives of its day, as mediated through the examination of the primary literature, com- pany works and other related sources, together with the historiographical focus of latter- day analysis. G.W.R. literary perspectives - historical, political, commercial-industrial and aesthetic - are thus compared and contrasted with both rival and convergent repre- sentations and contextualised within the process of historical development and ideolog- ical differentiations. Within this perspective of inter-war society, the G.W.R. literature is considered according to four principal themes: the rural-traditional representation and related his- torical-cultural identification in the perceived sense of inheritance and providential mis- sion; the company's extensive industrial interests, wherein regional, national and inter- national perspectives engaged a commercial-cultural construction of Empire; the 'Ocean Coast' imagery - the cultural formulation of the seashore in terms of a taxonomy of landscapes and resorts according to the structural principles of protocol, expectation and clientele and, finally, that of Anglo-Saxon-Celtic cultural characterisations with its agenda of ethnicity and gender, central in the context of this work to the definition of Englishness and community. -
The Architecture of British Seaside Piers Kindle
THE ARCHITECTURE OF BRITISH SEASIDE PIERS PDF, EPUB, EBOOK Fred Gray | 160 pages | 01 Jan 2021 | The Crowood Press Ltd | 9781785007132 | English | Ramsbury, United Kingdom The Architecture of British Seaside Piers PDF Book In practice, each visitor was furnished with a plastic raincoat to prevent getting sodden, which added to the surreal, suggestive nature of the enterprise. Sell one like this. Infrastructure as Architecture features essays and projects on the unity of infrastructure and architecture by Painted Furniture:Do's and Don'ts. Nov 17, PST. Human Smoke by Nicholson Baker. Learn more…. But sadly that number is down to Seaside Architecture [Excursions into architect Further Reading. Uh-oh, it looks like your Internet Explorer is out of date. His book, Palm, exploring the cultural history of the signature plant of tropical islands, was published in Related items. Howes news and announcements. In theory, it was an ephemeral mechanism to reframe how space was seen and perceived. And why not? Agreeable Promenades and Pioneer Piers. Account Options Anmelden. But physical survival is no guarantee of a future, as arson and weather continue to take their toll. Click to download. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab. Typology: Pier The wreckage of Southend Pier following a collision with a ship. Typology: Pier Margate Pier showing steamers docking and decanting holidaymakers. Yet wrapped in a rippling manta ray roof, the building makes perfect sense in the context, extemporising on existing dockside types and designed on the basis of people flowing through it, which gives it a curious dynamism. -
'Pierdom' by Simon Roberts
Repositorium für die Medienwissenschaft Lavinia Brydon; Olu Jenzen ‘Pierdom’ by Simon Roberts 2016 https://doi.org/10.25969/mediarep/3366 Veröffentlichungsversion / published version Rezension / review Empfohlene Zitierung / Suggested Citation: Brydon, Lavinia; Jenzen, Olu: ‘Pierdom’ by Simon Roberts. In: NECSUS. European Journal of Media Studies, Jg. 5 (2016), Nr. 2, S. 217–228. DOI: https://doi.org/10.25969/mediarep/3366. Erstmalig hier erschienen / Initial publication here: https://www.necsus-ejms.org/test/pierdom-by-simon-roberts/ Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 Attribution - Non Commercial - No Derivatives 4.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0 EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org ‘Pierdom’ by Simon Roberts NECSUS 5 (2), Autumn 2016: 217–228 URL: https://necsus-ejms.org/pierdom-by-simon-roberts Keywords: British, exhibition, photography, piers, Simon Roberts Simon Roberts is a British photographer whose work centres on questions of people and place, particularly in regard to the construction and promo- tion of national identity. From 2011-2013 these interests fuelled a project titled Pierdom (http://pierdom.com), for which Roberts toured the British coastline capturing the country’s 58 surviving pleasure piers as well as a few ‘lost’ piers with an old-fashioned 4×5 inch field camera. In a bid to prompt a countrywide discussion on the historical significance of these seaside struc- tures an unusual national exhibition followed in 2014 whereby 13 coastal venues simultaneously exhibited up to five works from the series, including their most local pier.