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Musée Jacquemart-André - Institut De France Communiqué de presse MUSÉE JACQUEMART-ANDRÉ - INSTITUT DE FRANCE EXPOSITION BOTTICELLI 10 SEPTEMBRE 2021 – 24 JANVIER 2022 À l’automne 2021, le musée Jacquemart-André célébrera le génie créatif de Sandro Botticelli (1445 – 1510) et l’activité de son atelier, en exposant une quarantaine d’œuvres de ce peintre raffiné accompagnées de quelques peintures de ses contemporains florentins sur lesquels Botticelli eut une influence particulière. La carrière de Botticelli, devenu l’un des plus grands artistes de Florence, témoigne du rayonnement et des changements profonds qui transforment la cité sous les Médicis. Botticelli est sans doute l’un des peintres les plus connus de la Renaissance italienne malgré la part de mystère qui entoure toujours sa vie et l’activité de son atelier. Sans relâche, il a alterné création unique et production en série achevée par ses nombreux assistants. L’exposition montrera l’importance de cette pratique d’atelier, laboratoire foisonnant d’idées et de formation, typique de la Renaissance italienne. Elle présentera Botticelli dans son rôle de créateur, mais également d’entrepreneur et de formateur. En suivant un ordre chronologique et thématique, le parcours illustrera le développement stylistique personnel de Botticelli, les liens entre son œuvre et la culture de son temps, ainsi que l’influence qu’il a lui-même exercée sur les artistes florentins du Quattrocento. vers 1490, huile sur toile, 158,1 x 68,5 cm, Photo © BPK, Berlin, Dist. RMN-Grand Palais / Jörg P. Anders P. / Jörg Palais RMN-Grand Dist. © BPK, Berlin, cm, Photo 158,1 x 68,5 1490, huile sur toile, vers , Vénus, , L’exposition bénéficiera de prêts d’institutions prestigieuses comme le musée du Louvre, la National Gallery de Londres, le Rijksmuseum d’Amsterdam, les musées et bibliothèques du Vatican, les Offices, la Galleria Sabauda de Turin, la Galleria dell’Accademia et le musée national du Bargello à Florence, la Gemäldegalerie de Berlin, l’Alte Pinakothek de Munich et le Städel Museum de Francfort. Sandro Botticelli (1444 - 1510) Botticelli Sandro Commissariat : Ana Debenedetti est historienne de l’art, spécialiste de l’art florentin de la Renaissance. Elle est conservatrice au Victoria and Albert Museum, en charge des collections de peintures, dessins et miniatures depuis 2013. Elle a publié de nombreux articles et essais sur l’art, la philosophie et la poésie de la Renaissance et a soutenu une thèse de doctorat sur le rapport entre les premières théories artistiques et la pensée néoplatonicienne de Marsile Ficin à Florence au XVe siècle. Elle a été co-commissaire des expositions Constable: The Making of a Master (V&A, 2015) et Botticelli Reimagined (V&A, 2016). Elle a récemment mené la rénovation de la salle des Cartons de Raphaël au V&A et publié un ouvrage sur le sujet, The Raphael Cartoons (Nov. 2020) Elle travaille actuellement à la préparation du catalogue des dessins français du V&A et à un livre sur Botticelli, Artist and Designer (Reaktion books, Nov. 2021). Pierre Curie est conservateur en chef du patrimoine. Spécialiste de peinture italienne et espagnole du XVIIe siècle, il a également travaillé sur celle du XIXe siècle français au Musée du Petit Palais où il a commencé sa carrière de conservateur. Par la suite chargé du domaine de la peinture à l’Inventaire général, il a co- rédigé et conduit le Vocabulaire typologique et technique de la peinture et du dessin (paru en 2009). Nommé responsable de la filière peinture du département restauration du Centre de recherche et de restauration des Musées de France en 2007, il a coordonné et suivi quelques grandes restaurations de tableaux des musées nationaux (Léonard de Vinci, Titien, Rembrandt, Poussin…). Pierre Curie est conservateur du musée Jacquemart- André depuis janvier 2016. Contact presse : Damien Laval, Claudine Colin Communication : 01 42 72 60 01 - [email protected] Avec le soutien de Natixis, Grand mécène de l’exposition 1 2 3 4 5 6 7 1. Sandro Botticelli (1444 - 1510), La bella Simonetta, ca. 1475 , Détrempe sur bois (peuplier), 82 x 54 cm, Francfort-sur-le-Main, Städel Museum © CC BY-SA 4.0 Städel Museum, Frankfurt am Main 2. Filippino Lippi? (1457-1504), Le retour de Judith en Béthulie, 1469-1470, Tempera sur bois, 29,2 x 21,6 cm, Cincinnati Art Museum, John J. Emery Fund, 1954.463 3. Sandro Botticelli (1444 - 1510), Portrait de Julien de Médicis, 1478-1480, Détrempe et huile sur bois, 59,5 x 39,3 cm, Fondazione Accademia Carrara, Bergamo © Fondazione Accademia Carrara, Bergamo 4. Sandro Botticelli (1444 - 1510), La Fuite en Egypte, 1510, huile sur toile, 151 x 89 cm, Institut de France - Musée Jacquemart- André, Paris © Institut de France / Christophe Recoura 5. Maître des bâtiments gothiques (Atelier de Botticelli), Nativité devant une ville maritime, après 1490, D. 72 cm, Institut de France, Musée Jacquemart-André, Paris © Studio Sébert Photographes 6. Atelier de Botticelli, Réplique de la Madone du Magnificat des Offices,Détrempe sur bois, 112 x 115 x 5 cm (114,5 cm diam.), dépôt du musée du Louvre au musée Fabre, Montpellier 1979, Montpellier Méditerranée Métropole © cliché Frédéric Jaulmes 7. Verrocchio et atelier, Panneau de cassone : La Bataille, vers 1475-1480, Tempera, huile, or sur bois, 51 x 158 x 3 cm, Institut de France, Musée Jacquemart-André, Paris © Studio Sébert Photographes 8 9 10 11 12 13 13 8. Sandro Botticelli (1444 - 1510), Vénus, vers 1490, huile sur toile, 158,1 x 68,5 cm, Berlin, Gemäldegalerie, Photo © BPK, Berlin, Dist. RMN-Grand Palais / Jörg P. Anders 9. Sandro Botticelli (1444 - 1510), Judith quittant la tente d’Holopherne, c. 1497 - c. 1500, Détrempe sur bois (ancien panneau transféré), 36,5 x 20 x 7 cm, Rijkmuseum. J.W.E. vom Rath Bequest, Amsterdam © Rijksmuseum, Amsterdam 10. Sandro Botticelli (1444 - 1510), Madone Campana, 1467-1470, Détrempe sur panneau (peuplier), 72 x 51 cm, dépôt du musée du Louvre au musée du Petit Palais, Avignon. 1976, Photo © RMN-Grand Palais / René-Gabriel Ojéda 11. Fra Filippo Lippi, Madone à l’enfant, 1460, Détrempe sur bois, 75 x 53 cm, Bayerische Staatsgemäldesammlungen - Alte Pinakothek, Munich, Photo © BPK, Berlin, Dist. RMN-Grand Palais / image BStGS 12. Sandro Botticelli (1445 – 1510) et assistants (Jacopo di Domenico di Papi da San Gaggio ?), Le Jugement de Pâris, 1483-1485, Détrempe sur bois, 81 x 197 cm, Venise, Fondazione Giorgio Cini, Galleria di Palazzo Cini, Venezia, © Fondazione Giorgio Cini 13. Sandro Botticelli (1445 – 1510) et Filippino Lippi (1457-1504), Madonna del Libro, 1480-1481, Détrempe sur bois, 58 x 39,6 x 1,7 cm, Museo Poldi Pezzoli, Milano © Museo Poldi Pezzoli – fotodarte 14. Sandro Botticelli (1445 – 1510) et atelier, Pala del Trebbio (Madone à l’Enfant avec les saints Cosme et Damien, François, Laurent et Jean-Baptiste), 1495-1496, Détrempe sur bois transférée sur toile, 177 x 205 cm, 1890, no 4344, Galleria dell’Accademia di Firenze, Photo © Gabinetto Fotografico delle Gallerie degli Uffizi.
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