5-Day Paris City Guide a Preplanned Step-By-Step Time Line and City Guide for Paris
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Partial List of Institutional Clients
Lord Cultural Resources has completed over 2500 museum planning projects in 57+ countries on 6 continents. North America Austria Turkey Israel Canada Belgium Ukraine Japan Mexico Czech Republic United Kingdom Jordan USA Estonia Korea Africa France Kuwait Egypt Central America Germany Lebanon Morocco Belize Hungary Malaysia Namibia Costa Rica Iceland Philippines Nigeria Guatemala Ireland Qatar South Africa Italy Saudi Arabia The Caribbean Tunisia Aruba Latvia Singapore Bermuda Liechtenstein Asia Taiwan Trinidad & Tobago Luxembourg Azerbaijan Thailand Poland Bahrain United Arab Emirates South America Russia Bangladesh Oceania Brazil Spain Brunei Australia Sweden China Europe New Zealand Andorra Switzerland India CLIENT LIST Delta Museum and Archives, Ladner North America The Haisla Nation, Kitamaat Village Council Kamloops Art Gallery Canada Kitimat Centennial Museum Association Maritime Museum of British Columbia, Victoria Alberta Museum at Campbell River Alberta Culture and Multiculturalism Museum of Northern British Columbia, Alberta College of Art and Design (ACAD), Calgary Prince Rupert Alberta Tourism Nanaimo Centennial Museum and Archives Alberta Foundation for the Arts North Vancouver Museum Art Gallery of Alberta, Edmonton Port Alberni Valley Museum Barr Colony Heritage Cultural Centre, Lloydminster Prince George Art Gallery Boreal Centre for Bird Conservation, Slave Lake National Historic Site, Port Alberni Canada West Military Museums, Calgary R.B. McLean Lumber Co. Canadian Pacific Railway, Calgary Richmond Olympic Experience -
Place Saint-Michel the Place Saint-Michel Is
Place Saint-Michel The Place Saint-Michel is simple – a triangle between two streets, uniform buildings along both, designed by the same architect, a walk of smooth cobblestone. The centerpiece is St. Michael defeating a devil; far above them are four statues symbolizing the four cardinal virtues of prudence, fortitude, temperance, and justice. This monument came to be because of the 1848 Revolution and a cholera epidemic in Paris that followed it which killed thousands. This idea of abstract concepts given human form had been popular during the Revolution, the big one, representing the kind of big virtues – like the Four Cardinal Virtues – that everyone could strive for, instead of a single human being whose actions and legacy would turn people against each other. Simultaneous with the creation of Place Saint-Michel, Napoleon III’s renovation brought the Boulevard Saint-Michel into being, and that is the next part of our walk. Facing the fountain with the river at your back, walk on Boulevard Saint-Michel, it’s the street to your left. Walk away from the river along that street. Ultimately, you’ll be turning left on Rue des Écoles, but it’ll be about five minutes to get there, and you can listen to the next track on the way. Boulevard Saint-Michel The character of the street you’re on – wide-open space lined with trees and long, harmonious buildings, plus, often, a view of some landmark in the distance – was a central part of the renovation plan, or the Haussmann plan, as it’s also known. -
Comparative Politics
Dr.Rishu Raj Assistant professor Department of Political Science M.M.College(P.U) [email protected] COMPARATIVE POLITICS Comparative study of The Constitution of Switzerland and France THE SWISS PARLIAMENT The Federal Assembly THE FEDERAL ASSEMBLY • The Federal Assembly is the legislative power of Switzerland. Its two chambers – the National Council and the Council of States –have the same powers but meet separately. Federal Assembly The National The Council Council of States The National Council • The National Council, or “lower chamber”, represents the people and comprises 200 members who are elected by popular vote for a four-year term. The number of representatives sent by each canton depends on the size of its population. As a rule of thumb, each canton may send one elected representative to the National Council for roughly every 40,000 inhabitants. • The Federal Constitution guarantees at least one seat per canton, even if the canton has fewer than 40,000 residents. The cantons of Appenzell-Ausserrhoden, AppenzellInnerrhoden, Obwalden, Nidwalden, Uri and Glarus send one National Council member each, whereas Zurich, the most heavily populated canton, currently has 35 seats. The Council of States • The Council of States, or “upper chamber”, represents the cantons and comprises 46 members, who are also elected directly by the people for a four-year term. Regardless of their population size, the cantons send two deputies, with the exception of the six half-cantons of AppenzellAusserrhoden, Appenzell-Innerrhoden, Obwalden, Nidwalden, Basel-Stadt and Basel-Land, which send one deputy each. • Council of States deputies represent their cantons but are not bound by any instructions from their cantonal government or parliament. -
Spring Break in Paris
Spring Break in Paris Friday, March 21st to Sunday, March 30th, 2014 What you’ll do . Friday, March 21st – You’ll depart from Huntsville or Nashville International Airport bound for Europe. Usually there is a stop in one of the major cities of the east coast in order to catch your trans-Atlantic flight to Paris. Saturday, March 22nd – After flying through the night, you’ll land at Charles de Gaulle International Airport. After collecting your luggage and passing through customs, you’ll transfer into the city, usually by train. On evening one, there’s a short time for resting and refreshing at the hotel before heading out into the city for dinner and some sightseeing. You will ascend the 58-story Tour Montparnasse for the best views of Paris as the sun goes down and the lights come on in the city. Sunday, March 23rd– You’ll visit the Royal Palace of Versailles, just outside of Paris. In addition to touring the palace itself, you’ll want to visit the gardens, since Sunday is the only day the world-famous fountains are turned on. You will also have the opportunity to visit the Grand and Petit Trianon, small palaces built by the king on the grounds of Versailles in order to escape the pressures of palace life. Also not to be missed is the village-like hameau of Marie Antoinette. Later, you’ll head back to Paris for dinner and a visit to the Sacré-Coeur Basilica in Montmartre, the bohemian quarter of Paris. In Montmartre, you’ll also visit the Place du Tertre, where an artist will paint your portrait for a price. -
The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 1-5-2021 The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 Denali Elizabeth Kemper CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/661 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 By Denali Elizabeth Kemper Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2020 Thesis sponsor: January 5, 2021____ Emily Braun_________________________ Date Signature January 5, 2021____ Joachim Pissarro______________________ Date Signature Table of Contents Acronyms i List of Illustrations ii Introduction 1 Chapter 1: Points of Reckoning 14 Chapter 2: The Generational Shift 41 Chapter 3: The Return of the Repressed 63 Chapter 4: The Power of Nazi Images 74 Bibliography 93 Illustrations 101 i Acronyms CCP = Central Collecting Points FRG = Federal Republic of Germany, West Germany GDK = Grosse Deutsche Kunstaustellung (Great German Art Exhibitions) GDR = German Democratic Republic, East Germany HDK = Haus der Deutschen Kunst (House of German Art) MFAA = Monuments, Fine Arts, and Archives Program NSDAP = Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Worker’s or Nazi Party) SS = Schutzstaffel, a former paramilitary organization in Nazi Germany ii List of Illustrations Figure 1: Anonymous photographer. -
Darcy Sorensen
National winner Nt Young Historian Darcy Sorensen Casuarina senior college To what extent was Marquis de Lafayette, prior to 1834, responsible for social change? P a g e | 1 NATIONAL HISTORY CHALLENGE: MAKING A BETTER WORLD To what extent was Marquis de Lafayette, prior to 1834, responsible for positive social change? DARCY SORENSEN CASUARINA SENIOR COLLEGE Darwin, Northern Territory Word count: 1956 words P a g e | 2 Prior to 1834, Marquis de Lafayette was prominently responsible for positive social change. Given the title “hero of two worlds”1 Lafayette disobeyed the orders of Louis XXVI to fight for freedom in the American Revolution. Furthermore, influenced by the ideals of the American Revolution Lafayette worked to abolish slavery in America. In addition, with his position in the French National Assembly Lafayette helped install positive social change. Lafayette’s influence on positive social reforms was also present when he incessantly campaigned for the right to religious freedom in France. However, while his influence was predominantly positive, Lafayette’s influence on society plummeted with his involvement in the Champ De Mars Massacre. On “June 13th, 1777”2 Marquis de Lafayette disobeyed the French government and journeyed to America to fight in the American Revolution. By defying the orders of King Louis XVI Lafayette became one of the key individuals who ensured the freedom of America from Britain’s rule. A significant instance of Lafayette’s military prowess in the fight for freedom was at the Battle of the Brandywine beginning “September 11th, 1777”3. Despite being Lafayette’s first battle, and suffering a bullet wound to the leg, the Frenchman “gallantly fought on and rallied the troops, facilitating an orderly retreat”4 of the troops that saved many lives. -
Tours's Itinerary
Cammille Dubois Online Itinerary Trip.Expert advisor Profile Page [email protected] The Ultimate Paris Travel Guide Monday, 14-Feb-2022 - Friday, 18-Feb-2022 The City of Lights and love, the capital of elegance and romance, a place of timeless beauty, marvel monuments, wonderful art, and intoxicating charm. Paris is a dreamy destination and a must on every traveler's wish list. A mix of old and new, rich history and exquisite architecture, visiting Paris is like stepping back in time but via a modern vehicle. Paris's comprehensive itinerary will take you through Paris' enthralling streets, will navigate your way so you will not miss any landmark, and unveil all the hotspots. Five days with all of Paris highlights, from the marvelous Eiffel Tower to splendid Montmarte and even the spectacular Palace of Versailles. Paris itinerary will unfold all you need to see and know about the city, including directions, tips of do and not to, what to avoid, and where to buy attractions' online tickets. Bon voyage! Trip.Expert © 2021 All rights reserved. 1/18 2/18 Trip Summary Day 1 - Monday, 14-Feb-2022 1 09:00 - 11:00 Tuileries Garden Google Maps Waze 2 11:30 - 12:00 Pont des Arts Google Maps Waze 3 12:30 - 14:30 Musee D'Orsay Google Maps Waze 4 15:00 - 17:00 Les Invalides Google Maps Waze 5 17:30 - 18:00 Champ de Mars Google Maps Waze 6 18:00 - 20:00 Eiffel Tower Google Maps Waze 7 20:00 - 20:30 Trocadéro Gardens Google Maps Waze Day 2 - Tuesday, 15-Feb-2022 1 08:30 - 09:00 Palais-Royal Google Maps Waze 2 Comédie Française Google Maps Waze 3 09:00 -
THE DECORATION and FURNISHING of the CITY No
THE DECORATION AND FURNISHING OF THE CITY No. 5.--Fountains 'Vater is an essential attribute to every landscape or architectural composrtion, No park or garden is strictly complete which does not possess its cascade, fountain, basin, and canal, and no city which pretends to be artistically embellished is fully adorned without waterways, rond points, drinking fountains, and jets d'eau. The city which may fitly display fountains must abound in pleasure places and be something more than a commercial town. It must have prospered and developed beyond this elementary stage. The purpose of the Iountain is non-utilitarian; it transcends all mundane ideas.· It is a work of art set up for art's. sake alone. 'Vater is animate, and a fountain is a living thing; little wonder that poets and artists ever people them with gods, demi-goels, animals, and nymphs. Schemes for the beautiful treatment of water have ever been created during the great artistic epochs of the world. Ancient Rome was a city running with water, but the fountains of Rome have long ago been obliterated and lost, though numerous remaine of sculptured baths and basins, spouts and vases have been preserved. Probably the earliest of the fountains which are still running with water and which are of greatest importance to us as such to-day, are the Italian fountains of the 15th and 16th centuries, most of which are to be seen in the gardens of the villas around Florence and Rome. From the highest terrace of these gardeIls water pours forth from a chateau d'eau, a grotto, art archway, or from the cleft in a rock; it becomes a cascade and is artfully.., broken into a series of falls ; it pirouettes, tumbles, and empties itself into a deep pool, then, disappearing it reappears on the lowest terrace as a jet, or as a thousand jets throwing UF) glistening spray, and finally settles in a "bain des Dieux." SUCll is the treatment of water in the world's oldest gardens and parks; particularly fine examples are to be seen in the gardens of the Villa Torlonia and in the Villa d'Este. -
Fine Arts Paris Wednesday 7 November - Sunday 11 November 2018 Carrousel Du Louvre / Paris
Fine Arts Paris WednesdAy 7 november - sundAy 11 november 2018 CArrousel du louvre / PAris press kit n o s s e t n o m e d y u g n a t www.finearts-paris.com t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Hours Tuesday, 6 November 2018 / Preview 3 pm - 10 pm Wednesday, 7 November 2018 / 2 pm - 8 pm Thursday 8 November 2018 / noon - 10 pm Friday 9 November 2018 / noon - 8 pm Saturday 10 November 2018 / noon - 8 pm Sunday 11 November 2018 / noon - 7 pm admission: €15 (catalogue included, as long as stocks last) Half price: students under the age of 26 FINE ARTS PARIS Press oPening Main office tuesdAy 6 november 68, Bd malesherbes, 75008 paris 2 Pm Hélène mouradian: + 33 (0)1 45 22 08 77 Social media claire Dubois and manon Girard: Art Content + 33 (0)1 45 22 61 06 Denise Hermanns contact@finearts-paris.com & Jeanette Gerritsma +31 30 2819 654 Press contacts [email protected] Agence Art & Communication 29, rue de ponthieu, 75008 paris sylvie robaglia: + 33 (0)6 72 59 57 34 [email protected] samantha Bergognon: + 33 (0)6 25 04 62 29 [email protected] charlotte corre: + 33 (0)6 36 66 06 77 [email protected] n o s s e t n o m e d y u g n a t t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris "We have chosen the Carrousel du Louvre as the venue for FINE ARTS PARIS because we want the fair to be a major event for both the fine arts and for Paris, and an important date on every collector’s calendar. -
CHAMPS-ELYSEES ROLL OR STROLL from the Arc De Triomphe to the Tuileries Gardens
CHAMPS-ELYSEES ROLL OR STROLL From the Arc de Triomphe to the Tuileries Gardens Don’t leave Paris without experiencing the avenue des Champs-Elysées (shahnz ay-lee-zay). This is Paris at its most Parisian: monumental side- walks, stylish shops, grand cafés, and glimmering showrooms. This tour covers about three miles. If that seems like too much for you, break it down into several different outings (taxis roll down the Champs-Elysées frequently and Métro stops are located every 3 blocks). Take your time and enjoy. It’s a great roll or stroll day or night. The tour begins at the top of the Champs-Elysées, across a huge traffic circle from the famous Arc de Triomphe. Note that getting to the arch itself, and access within the arch, are extremely challenging for travelers with limited mobility. I suggest simply viewing the arch from across the street (described below). If you are able, and you wish to visit the arch, here’s the informa- tion: The arch is connected to the top of the Champs-Elysées via an underground walkway (twenty-five 6” steps down and thirty 6” steps back up). To reach this passageway, take the Métro to the not-acces- sible Charles de Gaulle Etoile station and follow sortie #1, Champs- Elysées/Arc de Triomphe signs. You can take an elevator only partway up the inside of the arch, to a museum with some city views. To reach the best views at the very top, you must climb the last 46 stairs. For more, see the listing on page *TK. -
Interdisciplinary, and Some Resources for History, Philosophy, Religion, and Literature Are Also Included in the Guide. Images A
Bard Graduate Center Research Guide: Ancient and Medieval China (to c. 1000 C.E.) This guide lists resources for researching the arts and material culture of ancient and medieval imperial China, to c. 1000 C.E. This time period begins with the neolithic and bronze ages (c. 4000 - 200 B.C.E.) and continues through the end of the Five Dynasties period (960 C.E.), including the Xia, Shang, Zhou, Han, and T'ang dynasties. Although art history and material archaeology resources are emphasized, research on this topic is very interdisciplinary, and some resources for history, philosophy, religion, and literature are also included in the guide. This guide was compiled by Karyn Hinkle at the Bard Graduate Center Library. Images above, left to right: a gold cup from the Warring States period, jade deer from the Zhou dynasty, a bronze wine vessel from the Shang dynasty, all described in Patricia Buckley Ebrey's Visual Sourcebook of Chinese Civilization. Reference sources for ancient and medieval China Ebrey, Patricia Buckley, and Kwang-Ching Liu. The Cambridge Illustrated History of China. Cambridge: Cambridge University Press, 1996. DS 706 .E37 1996 Loewe, Michael and Edward L. Shaughnessy. The Cambridge History of Ancient China: From the Origins of Civilization to 221 BC. Cambridge: Cambridge University Press, 1999. DS 741.5 .C35 1999; also available online through Bard College Nadeau, Randall Laird, ed. The Wiley-Blackwell Companion to Chinese Religions. Wiley-Blackwell Companions to Religion. Chichester, UK: Wiley-Blackwell, 2012. Available online through Bard College Gold Monster Shaanxi Museum The Han Dynasty Length:11 cm Height:11.5 cm Unearthed in 1957 from Gaotucun,Shenmu County,Shaanxi Province Important books on ancient and medieval China, and good general introductions to Chinese history and art Boyd, Andrew. -
The Political Role of the Louvre's Workshops Chandra
1 Chapter 1 Artisans and the Construction of the French State: The Political Role of the Louvre's Workshops Chandra Mukerji Accounts of state formation in the social sciences tend to focus on institutional transformations, such as military and legal reform, or the capture of the elites, treating what are functional outcomes of state formation as causes. They do not seek explanations of how institutional restructuring became possible when it had not been possible before. They assume that early states could only become institutionally effective by capturing or organizing known forms of power (Adams 2005; Beik 1997; Brewer 1989; Kettering 1986; Mettam 1988; 1975; Wallerstein 1974). Yet this is precisely what weak states could not do. Their empowerment depended instead on a shift in political logics that made entrenched political formations less compelling. It required a cultural change. In the 17th century, the French state went from being particularly weak (Machiavelli and Donno 1966) to particularly strong-- an absolutist state according to Anderson (1974). The administration did not achieve this shift by wresting control of the army from nobles or impoverishing those at court, but rather, by constructing an art world (Becker 1982). Long after Louis XIV ascended the throne, nobles 2 still supplied troops to the army even as the state trained them (Lynn 1997), and nobles in favor with the king at Versailles gained special economic opportunities (Cole 1964). It took an organized program of cultural production, an art world nestled in the administration, to advance state power. Political change required a change in political imaginaries, and the state's art world did the imagining.