CODART TIEN Congress Program
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Un Univers Intime Paintings in the Frits Lugt Collection 1St March - 27 Th May 2012
Institut Centre culturel 121 rue de Lille - 75007 Paris Néerlandais des Pays-Bas www.institutneerlandais.com UN UNIVERS INTIME PAINTINGS IN THE FRITS LUGT COLLECTION 1ST MARCH - 27 TH MAY 2012 MAI 2012 Pieter Jansz. Saenredam (Assendelft 1597 - 1665 Haarlem) Choir of the Church of St Bavo in Haarlem, Seen from the Christmas Chapel , 1636 UN UNIVERS Paintings in the Frits INTIME Lugt Collection Press Release The paintings of the Frits Lugt Collection - topographical view of a village in the Netherlands. Fondation Custodia leave their home for the The same goes for the landscape with trees by Jan Institut Néerlandais, displaying for the first time Lievens, a companion of Rembrandt in his early the full scope of the collection! years, of whom very few painted landscapes are known. The exhibition Un Univers intime offers a rare Again, the peaceful expanse of water in the View of a opportunity to view this outstanding collection of Canal with Sailing Boats and a Windmill is an exception pictures (Berchem, Saenredam, Maes, Teniers, in the career of Ludolf Backhuysen, painter of Guardi, Largillière, Isabey, Bonington...), expanded tempestuous seascapes. in the past two years with another hundred works. The intimate interiors of Hôtel Turgot, home to the Frits Lugt Collection, do indeed keep many treasures which remain a secret to the public. The exhibition presents this collection which was created gradually, with great passion and discernment, over nearly a century, in a selection of 115 paintings, including masterpieces of the Dutch Golden Age, together with Flemish, Italian, French and Danish paintings. DUTCH OF NOTE Fig. -
Fine Arts Paris Wednesday 7 November - Sunday 11 November 2018 Carrousel Du Louvre / Paris
Fine Arts Paris WednesdAy 7 november - sundAy 11 november 2018 CArrousel du louvre / PAris press kit n o s s e t n o m e d y u g n a t www.finearts-paris.com t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Hours Tuesday, 6 November 2018 / Preview 3 pm - 10 pm Wednesday, 7 November 2018 / 2 pm - 8 pm Thursday 8 November 2018 / noon - 10 pm Friday 9 November 2018 / noon - 8 pm Saturday 10 November 2018 / noon - 8 pm Sunday 11 November 2018 / noon - 7 pm admission: €15 (catalogue included, as long as stocks last) Half price: students under the age of 26 FINE ARTS PARIS Press oPening Main office tuesdAy 6 november 68, Bd malesherbes, 75008 paris 2 Pm Hélène mouradian: + 33 (0)1 45 22 08 77 Social media claire Dubois and manon Girard: Art Content + 33 (0)1 45 22 61 06 Denise Hermanns contact@finearts-paris.com & Jeanette Gerritsma +31 30 2819 654 Press contacts [email protected] Agence Art & Communication 29, rue de ponthieu, 75008 paris sylvie robaglia: + 33 (0)6 72 59 57 34 [email protected] samantha Bergognon: + 33 (0)6 25 04 62 29 [email protected] charlotte corre: + 33 (0)6 36 66 06 77 [email protected] n o s s e t n o m e d y u g n a t t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris "We have chosen the Carrousel du Louvre as the venue for FINE ARTS PARIS because we want the fair to be a major event for both the fine arts and for Paris, and an important date on every collector’s calendar. -
CHAMPS-ELYSEES ROLL OR STROLL from the Arc De Triomphe to the Tuileries Gardens
CHAMPS-ELYSEES ROLL OR STROLL From the Arc de Triomphe to the Tuileries Gardens Don’t leave Paris without experiencing the avenue des Champs-Elysées (shahnz ay-lee-zay). This is Paris at its most Parisian: monumental side- walks, stylish shops, grand cafés, and glimmering showrooms. This tour covers about three miles. If that seems like too much for you, break it down into several different outings (taxis roll down the Champs-Elysées frequently and Métro stops are located every 3 blocks). Take your time and enjoy. It’s a great roll or stroll day or night. The tour begins at the top of the Champs-Elysées, across a huge traffic circle from the famous Arc de Triomphe. Note that getting to the arch itself, and access within the arch, are extremely challenging for travelers with limited mobility. I suggest simply viewing the arch from across the street (described below). If you are able, and you wish to visit the arch, here’s the informa- tion: The arch is connected to the top of the Champs-Elysées via an underground walkway (twenty-five 6” steps down and thirty 6” steps back up). To reach this passageway, take the Métro to the not-acces- sible Charles de Gaulle Etoile station and follow sortie #1, Champs- Elysées/Arc de Triomphe signs. You can take an elevator only partway up the inside of the arch, to a museum with some city views. To reach the best views at the very top, you must climb the last 46 stairs. For more, see the listing on page *TK. -
Syllabus Paris
Institut de Langue et de Culture Française Spring Semester 2017 Paris, World Arts Capital PE Perrier de La Bâthie / [email protected] Paris, World Capital of Arts and Architecture From the 17th through the 20th centuries Since the reign of Louis XIV until the mid-20th century, Paris had held the role of World Capital of Arts. For three centuries, the City of Light was the place of the most audacious and innovative artistic advances, focusing on itself the attention of the whole world. This survey course offers students a wide panorama on the evolution of arts and architecture in France and more particularly in Paris, from the beginning of the 17th century to nowadays. The streets of the French capital still preserve the tracks of its glorious history through its buildings, its town planning and its great collections of painting, sculpture and decorative arts. As an incubator of modernity, Paris saw the rising of a new epoch governed – for better or worse – by faith in progress and reason. As literature and science, art participated in the transformations of society, being surely its more accurate reflection. Since the French Revolution, art have accompanied political and social changes, opened to the contestation of academic practice, and led to an artistic and architectural avant-garde driven to depict contemporary experience and to develop new representational means. Creators, by their plastic experiments and their creativity, give the definitive boost to a modern aesthetics and new references. After the trauma of both World War and the American economic and cultural new hegemony, appeared a new artistic order, where artists confronted with mass-consumer society, challenging an insane post-war modernity. -
Present Exhibitions
1 / 5 M U S E E E X P O S I T I O N S Grappling with the Modern Japonisms 2018 LE LOUVRE ❶ From Delacroix to the Present Day Kohei Nawa, Throne Rue de Rivoli 75001 Paris ------------------- April 11 July 13, From Thursday to to December 2018 Monday from 9 am to 6 ❶ 3 January pm 2018 13,2019 Nocturnes until 9:45 pm on Wednesdays and Fridays Closed on Tuesdays MAGNIFICENT VENICE ! ❷ GRAND PALAIS Miró, la couleur de ses rêves Venice: Europe and the Arts in the 18th Century 3, avenue du Général Eisenhower 75008 Paris October 3, September ------------------- 2018 26tn, 2018 From Thursday to ❷ Monday from 10 am to 8 February 3, January pm 2019 21st, 2019 Wednesday from 10 am to 10 pm Closed on Tuesdays Jakuchū (1716-1800) PETIT PALAIS Impressionists in London ❸ The colorful realm of living beings Avenue Winston Churchill, 75008 Paris June 21, September -------------------- 2018 15 From Tuesday to Sunday October 14, October from 10am to 6pm 2018 14th, 2018 Late opening - Friday until 9 pm 2 / 5 ❹ CENTRE POMPIDOU Le cubisme Place Georges-Pompidou, 75004 Paris October 17, ----------------------- 2018 Every day from 11 a.m. to 10 p.m. (exhibition areas February 25, close at 9 p.m.) 2019 Thursdays until 11 p.m. (only exhibitions on level 6) ❺ MUSEE D'ORSAY Picasso : Blue and Rose September 18, 2018 1 rue de la Légion January 6, d'Honneur - 75007 Paris 2019 ----------------------- Friday to Tuesday from 9:30 am to 6 pm Thursday from 9:30 am to 9:45 pm ❻ MUSEE JACQUEMART-ANDRE Caravaggio's Roman Period 158, boulevard Haussmann - 75008 Paris September -
E-N Fo N a D I.Mmxiv
e - n e w s f o a n i d d a o 6 t i o s t n c u i.mmxiv after fifty-six years the institut néerlandais has ceased to exist on 1 January 2014. The Dutch ministry of Foreign Affairs has decided to end its grant. Promoting Dutch culture in France will be organized differently and on a more limited scale, with a new role for the cultural attaché at the Dutch Embassy in Paris. Much has already been said and written about this. I think it is important to express my view that the government’s retrograde step with regard to supporting culture is regrettable and – sadly – a sign of the times. Respect is due for everything the staff of the Institut Néerlandais have achieved in all those years. French and Dutch people alike speak enthusiastically about the exhibitions and concerts, the literary evenings and debates that the Institut has staged. Frits Lugt, with his wife To Lugt-Klever, founder of the Fondation Custodia, was at the inception of the Institut Néerlandais. Soon after the war he urged the minister to set up an institute in Paris on an equal footing with Maison Descartes in Amsterdam. He believed that international exchange was extremely important and regarded knowledge and culture as the most essential things a country has to offer. The institute proved this in all manner of ways and for a long time was also a place where the Dutch – researchers, writers, artists – could stay in Paris and meet one another. The library played a role in this context because it made a collection of Dutch books and periodicals available for study, research and entertainment and offered anyone in France with an interest the opportunity to become acquainted with Dutch language and literature. -
Belle Epoque France R. Howard Bloch Paris, May 28 to July 2, 2016
Belle Epoque France R. Howard Bloch Paris, May 28 to July 2, 2016 French S369, Humanities S214, Literature S247, You should do the reading for each week before our Tuesday meeting, when worksheets are due. The first week is an exception (worksheet due on Thursday), though here, too, you should do the reading before Tuesday. You should read Eugen Weber’s France Fin-de-Siècle before the course begins. We will distribute in Paris special assigned books for class presentation (10 minutes, 15 maximum). NB: There may be some change in the actual dates of presentations. We will meet for class on Tuesdays and Thursdays 1:15-4:15 p.m., Ecole Etoile, 38 Blvd. Raspail, Paris 7e, metro Sèvres-Babylone. We will meet for excursions on Wednesdays in the morning, and several times on Friday. Please be on time for class and for excursions. Do not bring your computer to class unless it is for the purpose of making a presentation. Absolutely no eating in the classroom. If you want to eat between 1:15 and 4:15, please do so during our break, and do not bring food into our sacred learning space, but leave it outside on the table in the hall. June 4, 12:00 Orientation, Ecole l’Etoile, 38 Blvd. Raspail, Paris 7e *Indicates reading available on the V2 server. Week I Reading: Emile Zola, Ladies Paradise; *Guy de Maupassant, “The Necklace,” “The Umbrella,” “A Day in the Country.” . Topics: The end of symbolism, realism and naturalism, feminine and masculine dress, the department store, advertising, posters, the decorative arts, the Universal Exposition of 1889, the Eiffel Tower, religion and anticlericalism, anarchism and the Dreyfus Affair. -
Hosting an Event at the Petit Palais Contents 2
HOSTING AN EVENT AT THE PETIT PALAIS CONTENTS 2 3 Introduction 4 Why host an event at the Petit Palais Venues and prices 5 South Gallery and Pavilion 6 Private tours of the 2nd floor’s permanent collections 7 Private tours of the temporary exhibitions 8 Organize your guided tour 9 Inner garden 10 Café - Restaurant « Le jardin du Petit Palais » 11 Auditorium 12 Corporate event packages Additional costs 13 Technician-electrician 13 Security-safety 14 Cleaning service File and procedure 15 Compile your file 16 Administrative process Useful information Contact information Museum map 19 1st floor map (street level) 20 2nd floor map (garden level) INTRODUCTION 3 Ideally located between the Invalides and the Champs-Élysées, the Petit Palais, legacy of Paris 1900’s Universal Exhibition, hosts the City of Paris’ Museum of Fine Arts, at the top of important painting, sculpture and fine art object collections from the Antiquity up to the beginning of the 20th century. Simultaneously and for more than a century, the Petit Palais has been a hot spot for great Parisian exhibitions, alternating retrospectives on historic painters or 19th century artists, and historical overviews, such as recently, Paris 1900, The City of Entertainment. The museum was entirely renovated and constitutes an example of perfect balance between modernity and 1900’s style. The Petit Palais is an exceptional typical Parisian venue, which can host top of the range events with great breadth in its South Gallery and Pavilion or more intimate ones in its beautiful inner garden and peristyle. The Petit Palais has a permanent authorization from the Police Department to organize corporate events, except fashion shows and dances. -
La Conciergerie, Une Enclave Patrimoniale Au Coeur Du Palais De
DOSSIER THÉMATIQUE 1 L’EDIFICATION DU PALAIS ROYAL PAR LES ROIS CAPETIENS Le palais royal est construit par les rois capétiens progressivement, dans un contexte de réorganisation du royaume et de réaffirmation du pouvoir monarchique. Conciergerie et Sainte-Chapelle sont les seules traces visibles de cette période, mais en fait, comme le souligne l’architecte Christophe Bottineau, les structures architecturales médiévales sont toujours là. LE SITE DU PALAIS ROYAL ET LES PREMIERES CONSTRUCTIONS L’historien Yann Potin rappelle que l’idée d’une continuité du palais de la Cité est discutable. Les plus anciens vestiges, découverts au XIXe siècle, datent en effet du XIIe siècle. La localisation d’un oppidum dans la partie occidentale de l’île, sur le site du palais, est aujourd’hui remise en cause par les archéologues, qui posent l’hypothèse d’une fondation gallo-romaine ex nihilo, à quelques kilomètres de la ville proto historique. Les rares chantiers Le palais royal de Paris, 4e lancette, de fouilles, menés principalement lors des travaux des années 1842- baie XV, Histoire des Reliques. 1898, montrent seulement la présence de demeures privées jusqu’aux IIIe et IVe siècles. La construction d’un palatium, abritant le Tribunal du prétoire et un hébergement occupé temporairement par les empereurs en campagne, est contemporaine de celles de deux ponts et des fortifications (dont un tronçon a été identifié sous la cour du Mai), édifiée lors du repli dans l’île au Bas Empire. Dans les siècles qui suivent, le palais paraît abandonné : les Mérovingiens y séjournaient peut-être, mais les sources mentionnent plutôt une résidence à Cluny ; les Carolingiens s’installent outre-Rhin, laissant probablement l’usage des lieux aux comtes. -
Exhibition Checklist
Sixth Street and Constitution Avenue NW, Washington, DC | nga.gov Mailing address: 2000 South Club Drive, Landover, MD 20785 Updated 9/14/2021 at 4:27:49 PM True to Nature: Open-Air Painting in Europe, 1780–1870 Feb 2–Nov 29, 2020 Press Release: https://www.nga.gov/press/exhibitions/exhibitions-2019/5175.html Order Press Images: https://www.nga.gov/press/exhibitions/exhibitions-2019/5175/images.html Press Contact: Isabella Bulkeley phone: (202) 842-6864 e-mail: [email protected] Cat. No. 1 / Object ID: 5175-121 Fleury François Richard (Fleury-Richard) Artiste en costume Renaissance dessinant dans les arènes de Nîmes/ An Artist in a Renaissance Costume Sketching in the Arena of Nîmes, 1822 (?) oil on paper, mounted on canvas paper: 32.4 x 24.4 cm (12 3/4 x 9 5/8 in.) cardboard: 33.8 x 26 cm (13 5/16 x 10 1/4 in.) framed: 45 x 37.5 x 41.2 cm (17 11/16 x 14 3/4 x 16 1/4 in.) Private Collection, London Cat. No. 2 / Object ID: 5175-016 Jules Coignet View of Bozen with a Painter, 1837 oil on paper, mounted on canvas overall: 31 x 39 cm (12 3/16 x 15 3/8 in.) framed: 43.8 x 51.4 x 5.1 cm (17 1/4 x 20 1/4 x 2 in.) National Gallery of Art, Washington, Gift of Mrs. John Jay Ide in memory of Mr. and Mrs. William Henry Donner Cat. No. 3 / Object ID: 5175-035 Théodore Caruelle d' Aligny Young Man Reclining on the Downs, 1833 - 35 oil on paper, mounted on canvas overall: 21.6 x 45.2 cm (8 1/2 x 17 13/16 in.) The Syndics of the Fitzwilliam Museum, University of Cambridge (C) The Fitzwilliam Museum, Cambridge Cat. -
5-Day Paris City Guide a Preplanned Step-By-Step Time Line and City Guide for Paris
5 days 5-day Paris City Guide A preplanned step-by-step time line and city guide for Paris. Follow it and get the best of the city. 5-day Paris City Guide 2 © PromptGuides.com 5-day Paris City Guide Overview of Day 1 LEAVE HOTEL Tested and recommended hotels in Paris > Take Metro line 6 or 9 to Trocadero station 09:00-09:20 Trocadéro Gardens Romantic gardens Page 5 Take a walk through bridge Pont d’léna - 10’ 09:30-11:30 Eiffel Tower The most spectacular Page 5 view of Paris 11:30-12:00 Parc du Champ de Mars Great view on the Eiffel Page 6 tower Take a walk on Avenue de Tourville to Musée Rodin - 20’ 12:20-13:40 Musée Rodin The famous The Page 6 Thinker is on display Lunch time Take a walk to the Army Museum and Tomb of Napoleon 14:45-16:15 Army Museum and Tomb of Napoleon One of the largest Page 6 collections of military objects 16:15-16:45 Hotel des Invalides Impressive building Page 7 complex Take a walk through bridge Alexandre III - 15’ 17:00-17:20 Grand and Petit Palais Grand Palais has a Page 7 splendid glass roof 17:20-18:20 Champs-Elysées One of the most famous Page 7 streets in the world Take a walk to Arc de Triomphe - 10’ 18:30-19:15 Arc de Triomphe Breathtaking views of Page 8 Paris END OF DAY 1 © PromptGuides.com 3 5-day Paris City Guide Overview of Day 1 4 © PromptGuides.com 5-day Paris City Guide Attraction Details 09:00-09:20 Trocadéro Gardens (11, place du Trocadéro) THINGS YOU NEED TO KNOW THINGS TO DO THERE Trocadéro Gardens is a 10-ha (25-acre) Walk along the romantic garden public garden opposite Eiffel tower on -
Musée Jacquemart-André - Institut De France
Communiqué de presse MUSÉE JACQUEMART-ANDRÉ - INSTITUT DE FRANCE EXPOSITION BOTTICELLI 10 SEPTEMBRE 2021 – 24 JANVIER 2022 À l’automne 2021, le musée Jacquemart-André célébrera le génie créatif de Sandro Botticelli (1445 – 1510) et l’activité de son atelier, en exposant une quarantaine d’œuvres de ce peintre raffiné accompagnées de quelques peintures de ses contemporains florentins sur lesquels Botticelli eut une influence particulière. La carrière de Botticelli, devenu l’un des plus grands artistes de Florence, témoigne du rayonnement et des changements profonds qui transforment la cité sous les Médicis. Botticelli est sans doute l’un des peintres les plus connus de la Renaissance italienne malgré la part de mystère qui entoure toujours sa vie et l’activité de son atelier. Sans relâche, il a alterné création unique et production en série achevée par ses nombreux assistants. L’exposition montrera l’importance de cette pratique d’atelier, laboratoire foisonnant d’idées et de formation, typique de la Renaissance italienne. Elle présentera Botticelli dans son rôle de créateur, mais également d’entrepreneur et de formateur. En suivant un ordre chronologique et thématique, le parcours illustrera le développement stylistique personnel de Botticelli, les liens entre son œuvre et la culture de son temps, ainsi que l’influence qu’il a lui-même exercée sur les artistes florentins du Quattrocento. vers 1490, huile sur toile, 158,1 x 68,5 cm, Photo © BPK, Berlin, Dist. RMN-Grand Palais / Jörg P. Anders P. / Jörg Palais RMN-Grand Dist. © BPK, Berlin, cm, Photo 158,1 x 68,5 1490, huile sur toile, vers , Vénus, , L’exposition bénéficiera de prêts d’institutions prestigieuses comme le musée du Louvre, la National Gallery de Londres, le Rijksmuseum d’Amsterdam, les musées et bibliothèques du Vatican, les Offices, la Galleria Sabauda de Turin, la Galleria dell’Accademia et le musée national du Bargello à Florence, la Gemäldegalerie de Berlin, l’Alte Pinakothek de Munich et le Städel Museum de Francfort.