THE TRAVELS of OPHELTAS. CATASTROPHES in GREECE and CYPRUS C.1190 B.C
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Pausanias' Description of Greece
BONN'S CLASSICAL LIBRARY. PAUSANIAS' DESCRIPTION OF GREECE. PAUSANIAS' TRANSLATED INTO ENGLISH \VITTI NOTES AXD IXDEX BY ARTHUR RICHARD SHILLETO, M.A., Soiiii'tinie Scholar of Trinity L'olltge, Cambridge. VOLUME IT. " ni <le Fnusnnias cst un homme (jui ne mnnquo ni de bon sens inoins a st-s tlioux." hnniie t'oi. inais i}iii rn>it ou au voudrait croire ( 'HAMTAiiNT. : ftEOROE BELL AND SONS. YOUK STIIKKT. COVKNT (iAKDKX. 188t). CHISWICK PRESS \ C. WHITTINGHAM AND CO., TOOKS COURT, CHANCEKV LANE. fA LC >. iV \Q V.2- CONTEXTS. PAGE Book VII. ACHAIA 1 VIII. ARCADIA .61 IX. BtEOTIA 151 -'19 X. PHOCIS . ERRATA. " " " Volume I. Page 8, line 37, for Atte read Attes." As vii. 17. 2<i. (Catullus' Aft is.) ' " Page 150, line '22, for Auxesias" read Anxesia." A.-> ii. 32. " " Page 165, lines 12, 17, 24, for Philhammon read " Philanimon.'' " " '' Page 191, line 4, for Tamagra read Tanagra." " " Pa ire 215, linu 35, for Ye now enter" read Enter ye now." ' " li I'aijf -J27, line 5, for the Little Iliad read The Little Iliad.'- " " " Page ^S9, line 18, for the Babylonians read Babylon.'' " 7 ' Volume II. Page 61, last line, for earth' read Earth." " Page 1)5, line 9, tor "Can-lira'" read Camirus." ' ; " " v 1'age 1 69, line 1 , for and read for. line 2, for "other kinds of flutes "read "other thites.'' ;< " " Page 201, line 9. for Lacenian read Laeonian." " " " line 10, for Chilon read Cliilo." As iii. 1H. Pago 264, " " ' Page 2G8, Note, for I iad read Iliad." PAUSANIAS. BOOK VII. ACIIAIA. -
Heroic Death in Ancient Greek Poetry and Art
Trinity University Digital Commons @ Trinity Classical Studies Faculty Research Classical Studies Department 2009 The Hero Beyond Himself: Heroic Death in Ancient Greek Poetry and Art Corinne Ondine Pache Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/class_faculty Part of the Classics Commons Repository Citation Pache, C.O. (2009). The hero beyond himself: Heroic death in ancient Greek poetry and art. In S. Albersmeier (Ed.), Heroes: Mortals and myths in ancient Greece (pp. 88-107). Walters Art Museum. This Contribution to Book is brought to you for free and open access by the Classical Studies Department at Digital Commons @ Trinity. It has been accepted for inclusion in Classical Studies Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. In all those stories the hero is beyond himself into the next thing, be it those labors of Hercules, or Aeneas going into death. I thought the instant of the one humanness in Virgil's plan of it was that it was of course human enough to die, yet to come back, as he said, hoc opus, hie labor est. That was the Cumaean Sibyl speaking. This is Robert Creeley, and Virgil is dead now two thousand years, yet Hercules and the Aeneid, yet all that industrious wis- dom lives in the way the mountains and the desert are waiting for the heroes, and death also can still propose the old labors. -Robert Creeley, "Heroes" HEROISM AND DEATH The modern mind likes its heroism served with death. -
The Reception of Euripides in Ovid's Metamorphoses
Tragic palimpsests: The reception of Euripides in Ovid's Metamorphoses The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Paschalis, Sergios. 2015. Tragic palimpsests: The reception of Euripides in Ovid's Metamorphoses. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467245 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Tragic palimpsestsμ The reception of Euripides in Ovid’s Metamorphoses A dissertation presented by Sergios Paschalis to The Department of the Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Classical Philology Harvard University Cambridge, Massachusetts May 2015 © 2015 Sergios Paschalis All rights reserved. Dissertation Advisor: Albert Henrichs Sergios Paschalis Tragic palimpsestsμ The reception of Euripides in Ovid’s Metamorphoses Abstract ἦhἷΝὅuἴjἷἵtΝὁἸΝthiὅΝἶiὅὅἷὄtἳtiὁὀΝiὅΝthἷΝὄἷἵἷptiὁὀΝὁἸΝἓuὄipiἶἷἳὀΝtὄἳἹἷἶyΝiὀΝἡviἶ’ὅΝMetamorphoses. In Chapter 1 I offer a general survey of the afterlife of Euripidean drama in the major mediating intertexts between Euripides and Ovid, namely Hellenistic poetry, Roman Republican tragedy, ἳὀἶΝViὄἹil’ὅΝAeneid, as well as a review of the pervasive presence of the Greek tragedian in the ἡviἶiἳὀΝ ἵὁὄpuὅέΝ ἑhἳptἷὄΝ ἀΝ ἸὁἵuὅἷὅΝ ὁὀΝ thἷΝ ὄἷἵἷptiὁὀΝ ὁἸΝ ἓuὄipiἶἷὅ’Ν Bacchae in the Metamorphoses. The starting point of my analysiὅΝiὅΝἡviἶ’ὅΝἷpiἵΝὄἷwὄitiὀἹΝὁἸΝthἷΝἓuὄipiἶἷἳὀΝplἳyΝ in the Pentheus episode. Next, I argue that Ovid makes use of the allusive technique of “ἸὄἳἹmἷὀtἳtiὁὀ”,Ν iὀΝ thἷΝ ὅἷὀὅἷΝ thἳtΝ hἷΝ ἹὄἳἸtὅΝ ἷlἷmἷὀtὅΝ ὁἸΝ thἷΝ Bacchae in the narratives of the Minyads and Orpheus. -
The Aeneid Virgil
The Aeneid Virgil TRANSLATED BY A. S. KLINE ROMAN ROADS MEDIA Classical education, from a Christian perspective, created for the homeschool. Roman Roads combines its technical expertise with the experience of established authorities in the field of classical education to create quality video courses and resources tailored to the homeschooler. Just as the first century roads of the Roman Empire were the physical means by which the early church spread the gospel far and wide, so Roman Roads Media uses today’s technology to bring timeless truth, goodness, and beauty into your home. By combining excellent instruction augmented with visual aids and examples, we help inspire in your children a lifelong love of learning. The Aeneid by Virgil translated by A. S. Kline This text was designed to accompany Roman Roads Media's 4-year video course Old Western Culture: A Christian Approach to the Great Books. For more information visit: www.romanroadsmedia.com. Other video courses by Roman Roads Media include: Grammar of Poetry featuring Matt Whitling Introductory Logic taught by Jim Nance Intermediate Logic taught by Jim Nance French Cuisine taught by Francis Foucachon Copyright © 2015 by Roman Roads Media, LLC Roman Roads Media 739 S Hayes St, Moscow, Idaho 83843 A ROMAN ROADS ETEXT The Aeneid Virgil TRANSLATED BY H. R. FAIRCLOUGH BOOK I Bk I:1-11 Invocation to the Muse I sing of arms and the man, he who, exiled by fate, first came from the coast of Troy to Italy, and to Lavinian shores – hurled about endlessly by land and sea, by the will of the gods, by cruel Juno’s remorseless anger, long suffering also in war, until he founded a city and brought his gods to Latium: from that the Latin people came, the lords of Alba Longa, the walls of noble Rome. -
Greek Mythology / Apollodorus; Translated by Robin Hard
Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Informatioii Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 THE WORLD OF THE INFANT: IDEOLOGY OF THE INFA lNT CONDITION AND INFANT CARE IN ANCIENT GREECE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Judith Blackmore Dann, M.A. -
Danaus Βουγενής: Greco-Egyptian Mythology and Ptolemaic Kingship Alexandros Kampakoglou
Danaus βουγενής: Greco-Egyptian Mythology and Ptolemaic Kingship Alexandros Kampakoglou HE THIRD BOOK of Callimachus’s Aetia opens with an elegy that celebrates the chariot victory of Queen Berenice II in the Nemean games (frr.54–60j).1 Accord- T 2 ing to the introductory couplet, the Victoria Berenices is offered by Callimachus to Zeus and Nemea as a gift on behalf of his patron, Berenice II: Ζηνί τε κα⸤ὶ Νεµέηι τι χαρίσιον ἕδνον ὀφείλω⸥, νύµφα, κα[σιγνή]τ̣ων ἱερὸν αἷµα θεῶν, ἡµ[ε]τ̣ερο.[......].εων ἐπινίκιον ἵππω̣[ν]. To Zeus and Nemea I owe a gift of gratitude, nymph, sacred blood of the sibling gods, our victory song […] of horses. Zeus and Nemea appear as the receivers of Callimachus’ gift because of their connection with the Nemean games: the myth of the Victoria Berenices narrates the killing of the Nemean lion but memorializes the creation by Heracles of the wreath that Nemean victors received as a prize. The mythic part of the poem concludes with a sacrifice to Zeus performed jointly by Heracles and Molorcus (fr.60c.8–10). The frame mirrors, in this regard, the actions of the myth: Heracles offers a sacrifice to his divine father with the assistance of his host, Molorcus; Berenice consecrates the elegy to Zeus, the divine progenitor of 1 I cite the edition of A. Harder, Callimachus. Aetia I–II (Oxford 2012); translations are my own. 2 This is the title given to the first elegy of Book 3 by P. J. Parsons, “Cal- limachus: Victoria Berenices,” ZPE 25 (1977) 1–51. -
Dealing with a Massacre
DEALING WITH A MASSACRE Spectacle, Eroticism, and Unreliable Narration in the Lemnian Episode of Statius’ Thebaid by KYLE G. GERVAIS A thesis submitted to the Department of Classics in conformity with the requirements for the degree of Master of Arts Queen’s University Kingston, Ontario, Canada June, 2008 Copyright © Kyle G. Gervais, 2008 ABSTRACT I offer three readings of the Lemnian episode narrated by Hypsipyle in book five of the Thebaid, each based upon an interpretive tension created by textual, intertextual, and cultural factors and resolved by the death of Opheltes, the child nursed by Hypsipyle. In the first reading (chapter two), I suggest that Hypsipyle emphasizes the questionable nature of the evidence for the involvement of Venus and other divinities in the Lemnian massacre, which is on the surface quite obvious, as a subconscious strategy to deal with her fear of divine retribution against her and Opheltes. In the second reading (chapter three), I argue that much of the violence of the massacre is eroticized, primarily by allusions to Augustan elegy and Ovidian poetry, and that this eroticism challenges a straightforward, horrified reaction to the Lemnian episode. In the third reading (chapter four), which continues the argument of the second, I suggest that the reaction of Statius’ audience to the Lemnian massacre was influenced by familiarity with the violent entertainment offered in the Roman arena, and that this encouraged the audience to identify with the perpetrators of the massacre rather than the victims. The problematization of the audience’s reaction and of the divine involvement in the massacre is resolved by the death of Opheltes, which is portrayed as both undeniably supernatural in origin and emphatically tragic in nature. -
A Thesis Submitted in Conformity with the Requirements for the Degree of Doctor of Philosophy at the Institute of Archaeology, University College London
BEYOND THE ARGO-POLIS* A SOCIAL ARCHAEOLOGY OF THE ARGOLID IN THE 6TH AND EARLY 5TH CENTURIEs BCE VOLUME2 ]KIMBERLY BEAUFILS A Thesis submitted in conformity with the requirements for the Degree of Doctor of Philosophy at the Institute of Archaeology, University College London @Copyright by Kimberly Beaufils 2000 341 Table of Contents VOLUME2 Transliteration Greek Names 345 of ....................................................................................... Appendix A 346 ..................................................................................................................... Site Catalogue 346 SITEINDEX .................................................................................................................. 347 ......................................................................................................................................... SITEINDEX ALPHABETICALORDER 349 IN ............................................................................................... SITEINDEX GREEK 351 IN ......................................................................................................................... SITEINDEX ARGOS 353 FOR ...................................................................................................................... SITEINDEX ARGOS GREEK 355 FOR IN ...................................................................................................... A. THE ARGEIA 357 A. I. THE ARGIVE............................................................................................................ -
[PDF]The Myths and Legends of Ancient Greece and Rome
The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia -
Dictynna, 12 | 2015 Statius’ Nemea / Paradise Lost 2
Dictynna Revue de poétique latine 12 | 2015 Varia Statius’ Nemea / paradise lost Jörn Soerink Electronic version URL: http://journals.openedition.org/dictynna/1125 DOI: 10.4000/dictynna.1125 ISSN: 1765-3142 Electronic reference Jörn Soerink, « Statius’ Nemea / paradise lost », Dictynna [Online], 12 | 2015, Online since 27 January 2016, connection on 11 September 2020. URL : http://journals.openedition.org/dictynna/1125 ; DOI : https://doi.org/10.4000/dictynna.1125 This text was automatically generated on 11 September 2020. Les contenus des la revue Dictynna sont mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Statius’ Nemea / paradise lost 1 Statius’ Nemea / paradise lost Jörn Soerink Introduction 1 In the fourth book of Statius’ Thebaid, the expedition of the Seven against Thebes is stranded in Nemea. Tormented by thirst – Bacchus has caused a drought in Nemea in order to delay the expedition against his favourite city – the Argives encounter Hypsipyle nursing Opheltes, son of Lycurgus and Eurydice, king and queen of Nemea. In order to guide the soldiers as fast as possible to the one remaining spring, Langia, Hypsipyle places her nurseling on the ground. When the Argives have quenched their thirst, Hypsipyle (re)tells them the story of the Lemnian massacre, which takes up most of the following book (5.49-498). In their absence, the infant Opheltes is accidentally killed by a monstrous serpent sacred to Jupiter (5.534-40). 2 The death of Opheltes nearly plunges Nemea into war. When Opheltes’ father Lycurgus hears of his son’s death (5.638-49), he wants to punish Hypsipyle for her negligence and attempts to kill her, but the Argive heroes defend their benefactress ; without the intervention of Adrastus and the seer Amphiaraus, this violent confrontation between the Argives and their Nemean allies doubtless would have ended in bloodshed (5.650-90). -
Heroic Death in Ancient Greek Poetry and Art Corinne Ondine Pache Trinity University, [email protected]
Trinity University Digital Commons @ Trinity Classical Studies Faculty Research Classical Studies Department 2009 The eH ro Beyond Himself: Heroic Death in Ancient Greek Poetry and Art Corinne Ondine Pache Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/class_faculty Part of the Classics Commons Repository Citation Pache, C.O. (2009). The hero beyond himself: Heroic death in ancient Greek poetry and art. In S. Albersmeier (Ed.), Heroes: Mortals and myths in ancient Greece (pp. 88-107). Baltimore, MD: Walters Art Museum. This Contribution to Book is brought to you for free and open access by the Classical Studies Department at Digital Commons @ Trinity. It has been accepted for inclusion in Classical Studies Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. In all those stories the hero is beyond himself into the next thing, be it those labors of Hercules, or Aeneas going into death. I thought the instant of the one humanness in Virgil's plan of it was that it was of course human enough to die, yet to come back, as he said, hoc opus, hie labor est. That was the Cumaean Sibyl speaking. This is Robert Creeley, and Virgil is dead now two thousand years, yet Hercules and the Aeneid, yet all that industrious wis- dom lives in the way the mountains and the desert are waiting for the heroes, and death also can still propose the old labors. -Robert Creeley, "Heroes" HEROISM AND DEATH The modern mind likes its heroism served with death.