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EARLY MUSIC NOW with SARA SCHNEIDER Broadcast Schedule — Winter 2019
EARLY MUSIC NOW WITH SARA SCHNEIDER Broadcast Schedule — Winter 2019 PROGRAM #: EMN 18-27 RELEASE: December 24, 2018 Gaudete! Music for Christmas This week's program features Christmas music from several centuries to help get you in the holiday spirit, with hymns and carols by Michael Praetorius and Johannes Brassart, a Christmas concerto by Francesco Manfredini, and a traditional German carol sung by Emma Kirkby. Other performers include La Morra and the Gabrieli Consort and Players. PROGRAM #: EMN 18-28 RELEASE: December 31, 2018 To Drive the Cold Winter Away This week, Early Music Now presents songs to usher out the old year, and welcome the new; plus ditties and dances to bring some cheer to the cold winter days! Our performers include Pomerium, Ensemble Gilles Binchois, and The Dufay Collective. PROGRAM #: EMN 18-29 RELEASE: January 7, 2019 La Serenissima The 16th century Venetian School influenced composers all over Europe- from the polychoral masterpieces of Gabrieli to the innovative keyboard music of Merulo. We'll also hear selections from the Odhecaton: the earliest music collection printed using movable type, published by Petrucci in Venice in 1501. PROGRAM #: EMN 18-30 RELEASE: January 14, 2019 Music at the court of Emperor Maximilian I Maximilian I of Austria employed some of the finest artists and musicians of his time to glorify his reign and create a permanent legacy. He was known for wanting music in his environment constantly, even when he was alone. We'll hear from the composers who served him, like Isaac and Senfl, plus some of the music that shaped his young adulthood at the Burgundian court. -
Opera Olimpiade
OPERA OLIMPIADE Pietro Metastasio’s L’Olimpiade, presented in concert with music penned by sixteen of the Olympian composers of the 18th century VENICE BAROQUE ORCHESTRA Andrea Marcon, conductor Romina Basso Megacle Franziska Gottwald Licida Karina Gauvin Argene Ruth Rosique Aristea Carlo Allemano Clistene Nicholas Spanos Aminta Semi-staged by Nicolas Musin SUMMARY Although the Olympic games are indelibly linked with Greece, Italy was progenitor of the Olympic operas, spawning a musical legacy that continues to resound in opera houses and concert halls today. Soon after 1733, when the great Roman poet Pietro Metastasio witnessed the premiere of his libretto L’Olimpiade in Vienna, a procession of more than 50 composers began to set to music this tale of friendship, loyalty and passion. In the course of the 18th century, theaters across Europe commissioned operas from the Olympian composers of the day, and performances were acclaimed in the royal courts and public opera houses from Rome to Moscow, from Prague to London. Pieto Metastasio In counterpoint to the 2012 Olympic games, Opera Olimpiade has been created to explore and celebrate the diversity of musical expression inspired by this story of the ancient games. Research in Europe and the United States yielded L’Olimpiade manuscripts by many composers, providing the opportunity to extract the finest arias and present Metastasio’s drama through an array of great musical minds of the century. Andrea Marcon will conduct the Venice Baroque Orchestra and a cast of six virtuosi singers—dare we say of Olympic quality—in concert performances of the complete libretto, a succession of 25 spectacular arias and choruses set to music by 16 Title page of David Perez’s L’Olimpiade, premiered in Lisbon in 1753 composers: Caldara, Vivaldi, Pergolesi, Leo, Galuppi, Perez, Hasse, Traetta, Jommelli, Piccinni, Gassmann, Mysliveek, Sarti, Cherubini, Cimarosa, and Paisiello. -
Dossier Do Festival De Música Cidade De Lugo Cos
Festival de Música Cidade de Lugo XXXVIII Semana do Corpus abril-xuño 2010 sábado 17 de abril de 2010 mércores 19 de maio de 2010 Aniversario Pergolesi Aniversario Chopin: a influencia do bel canto en Chopin ROMINA BASSO mezzosoprano MARÍA ESPADA soprano ORPUS LA RISONANZA KENNEDY MORETTI piano C FABIO BONIZZONI director Bellini, Donizetti, Rossini e Chopin Caldara, Bononcini, Durante, Domenico Scarlatti e Pergolesi Círculo das Artes, 20:30 Círculo das Arte, 20:30 venres 21 de maio de 2010 ANA DO luns 19 de abril de 2010 Sonatas de Bach M A música de cámara: o óboe e o trío de cordas CARLOS MÉNDEZ contrabaixo E S IRINA GRUIA violín FERNANDO LÓPEZ PAN clave ANNE SCHLOSSMACHER viola Fundación Caixa Galicia, 20:30 THOMAS PIEL violoncello VIII sábado 22 de maio de 2010 ESTHER VIÚDEZ óboe Istampitta, a danza na Idade Media Mozart, Britten, Webern e Dohnanyi EVO Fundación Caixa Galicia, 20:30 Círculo das Artes, 21:00 xoves 22 de abril de 2010 luns 24 de maio de 2010 Carnaval, Schumann e o piano romántico Membra Jesu Nostri de Buxtehude ANDREA LUCCHESINI piano CORO DA UNIVERSIDADE DE SANTIAGO Schumann, Schubert, Scarlatti... CAPELA COMPOSTELANA UGO 2010 - XXX Conservatorio Prof. de Música, 20:30 L MIRO MOREIRA director martes 27 de abril de 2010 Igrexa de San Pedro, 20:30 Os ciclos de cancións de Britten (3) mércores 26 de maio de 2010 RONAN COLLETT barítono Himno para violas ROGER VIGNOLES piano ENSEMBLE PLUS IDADE IDADE DE Britten, Poulenc e Ives Runchak, Pereiro, Buide e Rosinskij C Conservatorio Prof. de Música, 20:30 Conservatorio Prof. -
Certamen Coral De Tolosa 2017
Antolatzailea Organizador Tolosako Ekinbide Etxea Centro de Iniciativas de Tolosa Babesleak Patrocinadores Laguntzaile bereziak Ohorezko lehendakaria Excmo.Sr.D. Iñigo Urkullu Colaboradores especiales Presidente de honor Eusko jaurlaritzako lehendakaria Ohorezko batzordea Excmo. Sr. D. Markel Olano Comité de honor Gipuzkoako foru aldundiko aldun nagusia Excmo. Sr. D. Bingen Zupiria Eusko jaurlaritzako kultura kontseilaria Ilmo. Sra. Dña. Olatz Peon Tolosako alkatea Laguntzaileak Agua de Insalus Colaboradores Colegio Hirrikide Jesuitinak Comunidad Convento Santa Clara Distribuciones Mendieta Batzorde exekutiboa D. Julián Lacunza Euskalherriko abesbatzen elkartea Comité ejecutivo D. Luis Miguel Espinosa Harizpe D. Xabier Ormazabal 4 5 Kaiz Lorategia Dña. Idoya Otegui P.P. Franciscanos Sociedades populares de tolosa Udaberri dantza taldea Batzorde teknikoa D. Enrique Azurza Comité técnico D. Jon Bagües D. Javier Busto D. José Antonio Sainz Alfaro D. Xabier Sarasola tolosako abesbatza lehiaketa · certamen coral de tolosa · concours choral de tolosa · tolosa choral contest tolosako abesbatza lehiaketa · certamen coral de tolosa · concours choral de tolosa · tolosa choral contest Lehiaketako batzordeak / Comités del certamen Batzorde artistikoa Luis Miguel Espinosa Musika artxiboa Zerkausiko bazkariak Mónica Alfaro Abesbatza laguntzaileak Imanol Aramendi Xabier Ormazabal Comité artístico (Director) Archivo musical Comidas Zerkausi José Luis García Acompañantes coros Raquel Etxabe Xabier Ormazabal Janariak S.A. Aitor Imaz CD-aren edizioa Aitor -
2-11 Juin 2011
e Cathédrale XXVIII de Maguelone 2 -11 JUIN 2011 musiqueancienneamaguelone.com Le XXVIIIe Festival de Musique à Maguelone est organisé par l’Association “Les Amis du Festival de Maguelone” Direction du Festival : Philippe Leclant avec le concours du Ministère de la Culture et de la Communication du Département de l’Hérault des Villes de Palavas-les-Flots et de Villeneuve-les-Maguelone du Réseau Européen de Musique Ancienne (REMA) en collaboration avec l'Association des Compagnons de Maguelone en partenariat avec e-mecenes.com partenaires média Un regard sur les saisons passées English Concert Ensemble 415 Hespèrion XXI Eric Bellocq Chichester Cathedral Choir Paul O’Dette Ensemble Concordia Ensemble William Byrd La Grande Ecurie Alla Francesca Françoise Masset Stéphanie-Marie Degand et la Chambre du Roy Gérard Lesne Ensemble XVIII-21 Violaine Cochard Concerto Rococo Daedalus Hélène Schimtt Ensemble Amarillis Chœurs Orthodoxes Pascal Montheilhet Dialogos Amandine Beyer du Monastère de Zagorsk Jérome Hantaï Céline Frisch Chœur du Patriarcat Russe Olivier Baumont Marianne Muller Jordi Savall The Tallis Scholars La Simphonie du Marais Les Paladins L’Arpeggiata Musica Antiqua de Cologne Ensemble Huelgas Ensemble Faenza Blandine Rannou Chœurs Liturgiques La Colombina Guido Balestracci Ensemble Marin Mersenne Arméniens d’Erevan Pierre Hantaï Neapolis Ensemble Les Sacqueboutiers de Toulouse Ensemble Organum Les Talens Lyriques Ensemble Jachet de Mantoue Paolo Pandolfo La Fenice Patrizia Bovi, Gigi Casabianca Fretwork Quatuor Madrigalesca A Sei -
MUSICA MUNDI WORLD RANKING LIST - TOP 1000 Choirs 1 / 38
MUSICA MUNDI WORLD RANKING LIST - TOP 1000 Choirs 1 / 38 Position Choir Conductor Country Points 1 Jauniešu Koris KAMER.. Maris Sirmais Latvia 1221 2 University of Louisville Cardinal Singers Kent Hatteberg USA 1173 3 Guangdong Experimental Middle School Choir Ming Jing Xie China 1131 4 Stellenbosch University Choir André van der Merwe South Africa 1118 4 Elfa's Singers Elfa Secioria Indonesia 1118 6 Stellenberg Girls Choir André van der Merwe South Africa 1113 7 Victoria Junior College Choir Nelson Kwei Singapore 1104 8 Hwa Chong Choir Ai Hooi Lim Singapore 1102 9 Mansfield University Choir Peggy Dettwiler USA 1095 10 Magnificat Gyermekkar Budapest Valéria Szebellédi Hungary 1093 11 Coro Polifonico di Ruda Fabiana Noro Italy 1081 12 Ars Nova Vocal Ensemble Katalin Kiss Hungary 1078 13 Shtshedrik Marianna Sablina Ukraine 1071 14 Coral San Justo Silvia Francese Argentina 1065 Swingly Sondak & Stevine 15 Manado State University Choir (MSUC) Indonesia 1064 Tamahiwu 16 VICTORIA CHORALE Singapore Nelson Kwei Singapore 1060 17 Kearsney College Choir Angela Stevens South Africa 1051 18 Damenes Aften Erland Dalen Norway 1049 19 CÄCILIA Lindenholzhausen Matthias Schmidt Germany 1043 20 Kamerny Khor Lipetsk Igor Tsilin Russia 1042 20 Korallerna Eva Svanholm Bohlin Sweden 1042 22 Pilgrim Mission Choir Jae-Joon Lee Republic of Korea 1037 23 Gyeong Ju YWCA Children's Choir In Ju Kim Republic of Korea 1035 24 Kammerkoret Hymnia Flemming Windekilde Denmark 1034 Elfa Secioria & Paulus Henky 25 Elfa's Singers Indonesia 1033 Yoedianto 26 Music Project Altmark West Sebastian Klopp Germany 1032 27 Cantamus Girls' Choir Pamela Cook Great Britain 1028 28 AUP Ambassadors Chorale Arts Society Ramon Molina Lijauco Jr. -
Newsletter Number Nineteen September 1983 ISSN 0161-1704
/ newsletter Number Nineteen September 1983 ISSN 0161-1704 Thanks to all who contributed to this issue of the Newsletter. The Newsletter is an occasional publication of the MUsic OCLC Users Group. Editor: Sue Stanau, MUsic LibraTY, Indiana University, Bloomington, IN 4?405. Communications concerning the contents of the Newsletter should be addressed to the editor. Correspondence on subscription or member ship should be forwarded to Joseph W. Scott, Treasurer, MUsic Library, U-l2, University of Connecticut, Storrs, CT 06268. Subscription is by membership (dues: $5.00 for individual members, $lO.OO for institutional members; back numbers are available for $l.50 per copy) * * * * * * * * FROM THE CHAIR It's been hot everywhere this summer; be coming your way soon. Be sure to vote! here in the Midwest we've been having "dog Over the weekend of August 27 the Exec days" and things had slowed down somewhat. utive Board met in Cleveland to formalize Now, vacation time is just about over, school the budget process now required by our new is starting up again and very soon we'll all bylaws. The 1983 budget is now complete be involved in a new flurry of organizational and all expenditures have been authorized by activity. Despite the heat MOUG's committees the board. The 1984 budget has been project and Executive Board have been very active all ed and will be ready for final action in the summer. The REMUS Committee (Ruth Henderson, spring. We also discussed the plans for our chair) has very nearly completed its planning 1984 Annual Meeting which will be something for the project, including the mid-summer of a departure from the norm for MOUG. -
The Aquitanian Sacred Repertoire in Its Cultural Context
THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, IN HOC ANNI CIRCULO, AND CANTUMIRO SUMMA LAUDE by ANDREA ROSE RECEK A THESIS Presented to the School ofMusic and Dance and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Master of Arts September 2008 11 "The Aquitanian Sacred Repertoire in Its Cultural Context: An Examination ofPetri clavigeri kari, In hoc anni circulo, and Cantu miro summa laude," a thesis prepared by Andrea Rose Recek in partial fulfillment ofthe requirements for the Master ofArts degree in the School ofMusic and Dance. This thesis has been approved and accepted by: Dr. Lori Kruckenberg, Chair ofth xamining Committee Committee in Charge: Dr. Lori Kruckenberg, Chair Dr. Marc Vanscheeuwijck Dr. Marian Smith Accepted by: Dean ofthe Graduate School 111 © 2008 Andrea Rose Recek IV An Abstract ofthe Thesis of Andrea Rose Recek for the degree of Master ofArts in the School ofMusic and Dance to be taken September 2008 Title: THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, INHOC ANNI CIRCULO, AND CANTU MIRa SUMMA LAUDE Approved: ~~ _ Lori Kruckenberg Medieval Aquitaine was a vibrant region in terms of its politics, religion, and culture, and these interrelated aspects oflife created a fertile environment for musical production. A rich manuscript tradition has facilitated numerous studies ofAquitanian sacred music, but to date most previous research has focused on one particular facet of the repertoire, often in isolation from its cultural context. This study seeks to view Aquitanian musical culture through several intersecting sacred and secular concerns and to relate the various musical traditions to the region's broader societal forces. -
Jazz Concert
Regency Series Regency String Quartet “Reformation & Revolution” Sunday, October 15, 2017, at 8pm Jennie Lee Hansen Recital Hall, Mary Baker Russell Music Center Pacific Lutheran University School of Arts and Communication / Department of Music presents Regency Series Regency String Quartet “Reformation & Revolution” Svend Rønning & Mary Manning, violins; Betty Agent, viola; Richard Treat, cello Sunday, October 15, 2017, at 8pm Jennie Lee Hansen Recital Hall, Mary Baker Russell Music Center Welcome to Jennie Lee Hansen Recital Hall. Please disable the audible signal on all watches, pagers and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. PROGRAM Selections from The Art of Fugue, BWV 1080 ......................................................... Johann Sebastian Bach (1685-1750) arr. Richard Klemm & Carl Weymar I. Contrapunctus I VI. Doppelfuge I X. Gegenfuge II XV. Kanon IV der Umkehrung und Vergröβerung XVI. Spiegelfuge I String Quartet in G Major, K. 387 (“Spring”) ................................................. Wolfgang Amadeus Mozart (1756-1791) Allegro vivace assai Menuetto: Allegro Andante cantabile Molto allegro INTERMISSION String Quartet No. 1, op. 50 ................................................................................................. Sergei Prokofiev (1891-1953) Allegro Andante molto—Vivace Andante About the Artists Svend Rønning, violin, is Chair of the Faculty of Stringed Instruments and Professor of Music at Pacific Lutheran University. He studied violin with Ann Tremaine at Pacific Lutheran University and with Syoko Aki, Sidney Harth and Jaap Schröder at Yale University, where he earned his Doctor of Musical Arts degree. Svend is a founding and former member of the Rivanna String Quartet, in residence at the University of Virginia and is currently Artistic Director of the Second City Chamber Music Series, Tacoma’s award winning producer of classical chamber music. -
Antonio Vivaldi (1678-1741)
Ospedale della Pietà in Venice Opernhaus Prag Antonio Vivaldi (1678-1741) Complete Opera – Antonio Vivaldi – Complete Opera – Index - Complete Operas by Antonio Vivaldi Page Preface 3 Cantatas 1 RV687 Wedding Cantata 'Gloria e Imeneo' (Wedding cantata) 4 2 RV690 Serenata a 3 'Mio cor, povero cor' (My poor heart) 5 3 RV693 Serenata a 3 'La senna festegiante' 6 Operas 1 RV697 Argippo 7 2 RV699 Armida al campo d'Egitto 8 3 RV700 Arsilda, Regina di Ponto 9 4 RV702 Atenaide 10 5 RV703 Bajazet - Il Tamerlano 11 6 RV705 Catone in Utica 12 7 RV709 Dorilla in Tempe 13 8 RV710 Ercole sul Termodonte 14 9 RV711 Farnace 15 10 RV714 La fida ninfa 16 11 RV717 Il Giustino 17 12 RV718 Griselda 18 13 RV719 L'incoronazione di Dario 19 14 RV723 Motezuma 20 15 RV725 L'Olimpiade 21 16 RV726 L'oracolo in Messenia 22 17 RV727 Orlando finto pazzo 23 18 RV728 Orlando furioso 24 19 RV729 Ottone in Villa 25 20 RV731 Rosmira Fedele 26 21 RV734 La Silvia (incomplete) 27 22 RV736 Il Teuzzone 27 23 RV738 Tito Manlio 29 24 RV739 La verita in cimento 30 25 RV740 Il Tigrane (Fragment) 31 2 – Antonio Vivaldi – Complete Opera – Preface In 17th century Italy is quite affected by the opera fever. The genus just newly created is celebrated everywhere. Not quite. For in Romee were allowed operas for decades heard exclusively in a closed society. The Papal State, who wanted to seem virtuous achieved at least outwardly like all these stories about love, lust, passions and all the ancient heroes and gods was morally rather questionable. -
Classical New Release
harmonia mundi UK SEPTEMBER 15 Classical new release available September 15, call-off 5th Sept BBC MUSIC MAGAZINE, September Orchestral ALBUM OF THE WEEK, Sunday Times, 15th June Actes Sud ASM15 Stravinsky The Rite of Spring & Petrushka Les Siecles/Francois Xavier-Roth Opera Bel Air Classiques BAC110 DVD / BAC410 BLURAY Strauss Elektra Evelyn Herlitzius etc; Orchestre de Paris/Esa-Pekka Salonen Choral & Song Myrios MYR12 An die Geliebte Julian Prégardien & Christoph Schnackertz GRAMOPHONE EDITOR’S CHOICE AUDITE92659 Mendelssohn Complete Chamber Music for Strings, Vol 4 Mandelring Quartet BBC RADIO 3, BUILDING A LIBRARY: AUDITE 95627 Siegfried Idyll/Lucerne, Abbado 12 july DISTRIBUTED LABELS: ACCENT RECORDS, ACTES SUD, AGOGIQUE, ALIA VOX, AMBRONAY, APARTE, ARTE VERUM, AUDITE, BEL AIR, THE CHOIR OF KINGS COLLEGE CAMBRIDGE, CONVIVIUM, CHRISTOPHORUS, CSO RESOUND, DELPHIAN, DUCALE, EDITION CLASSICS, EVIDENCE, FLORA, FRA MUSICA, GLOSSA, harmonia mundi, HAT[NOW]ART, HERITAGE, LA DOLCE VOLTA, LA MUSICA, LES ARTS FLORISSANTS EDITIONS, LSO LIVE, MARIINSKY, MIRARE, MODE, MUSO, MYRIOS, NAÏVE, ONYX, OPELLA NOVA, ORFEO, PAN CLASSICS, PRADIZO, PARATY, PHILHARMONIA BAROQUE, PHIL.HARMONIE, PRAGA DIGITALS, RADIO FRANCE, RAM, REAL COMPAÑIA ÓPERA DE CÁMARA, RCO LIVE, SFZ MUSIC, SIGNUM, STRADIVARIUS, UNITED ARCHIVES, WALHALL ETERNITY, WERGO, WIGMORE HALL LIVE, WINTER & WINTER, YSAYE RELEASE DATE 15TH SEPTEMBER 2014 From the Imperial Court Music for the House of Hapsburg Stile Antico One of Europe’s most extraordinary ruling dynasties, the Hapsburgs ruled greater or lesser portions of Europe from the 11th century until 1918, their heyday coinciding with the supreme musical flourishing of the 16th century. Their rule saw a particular increase during the reign of Maximilian I, secured first by his marriage to Mary of Burgundy in 1477 and then by the union of their son Philip ‘the Handsome’ with Joanna ‘the Mad’ of Castille. -
Federico Maria Sardelli
F EDERICO M ARIA S A R D E L L I – Conductor In 1984 Federico Maria Sardelli, originally a flutist, founded the Baroque orchestra Modo Antiquo, with which he appears, as both soloist and conductor, at major festivals throughout Europe and in such concert halls as Concertgebouw Amsterdam, Théâtre des Champs-Elysées Paris, Tchaikovsky Concert Hall Moscow and Auditorium Parco della Musica in Rome. He is regularly invited as a guest conductor by many prestigious symphony orchestras, including Orchestra Barocca dell’Accademia di Santa Cecilia di Roma, Gewandhaus Lipzig, Maggio Musicale Fiorentino, Filarmonica Arturo Toscanini, Orchestra Filarmonica di Torino, Staatskapelle Halle, Kammerakademie Potsdam, Real Filarmonia de Galicia, Orchestra dei Pomeriggi Musicali di Milano. Federico Maria Sardelli has been a notable protagonist in the Vivaldi renaissance of the past few years: he conducted the world premiere recording and performance of many Vivaldi’s operas. In 2005, at Rotterdam Concertgebouw, he conducted the world premiere of Motezuma , rediscovered after 270 years. In 2006 he conducted the world premiere of Vivaldi’s L’Atenaide at Teatro della Pergola in Florence. In 2012 he recorded the last eight Vivaldi works reappeared ( New Discoveries II , Naïve) and conducted the world premiere of the new version of Orlando Furioso , rediscovered and reconstituted by him (Festival de Beaune, Naïve recording). In 2007 he has been Principal Conductor of Händel Festspiele in Halle, where he conducted Ariodante. Among the most important production he has conducted, Giasone by Francesco Cavalli at Vlaamse Opera Antwerp, Olivo e Pasquale at Festival Donizetti Bergamo, Dido and Aeneas at Teatro Regio Turin, La Dafne and Alceste at Maggio Musicale Fiorentino, Händel’s Teseo at Tchaikovsky Concert Hall in Moscow.