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Capital Investment for Health: Case Studies from Europe
European on Health Systems and Policies CAPITAL INVESTMENT FOR HEALTH Case studies from Europe Bernd Rechel Jonathan Erskine Barrie Dowdeswell Stephen Wright Martin McKee Observatory Studies Series No 18 Capital investment for health Th e European Observatory on Health Systems and Policies supports and promotes evidence- based health policy-making through comprehensive and rigorous analysis of health systems in Europe. It brings together a wide range of policy-makers, academics and practitioners to analyse trends in health reform, drawing on experience from across Europe to illuminate policy issues. Th e European Observatory on Health Systems and Policies is a partnership between the World Health Organization Regional Offi ce for Europe, the Governments of Belgium, Finland, Norway, Slovenia, Spain and Sweden, the Veneto Region of Italy, the European Investment Bank, the World Bank, the London School of Economics and Political Science and the London School of Hygiene & Tropical Medicine. Capital investment for health Case studies from Europe Bernd Rechel, Jonathan Erskine, Barrie Dowdeswell, Stephen Wright, Martin McKee Keywords: HEALTH INFRASTRUCTURE – economics INVESTMENTS HEALTH ECONOMICS HEALTH FACILITIES PLANNING EUROPE © World Health Organization 2009, on behalf of the European Observatory on Health Systems and Policies All rights reserved. Th e European Observatory on Health Systems and Policies welcomes requests for permission to reproduce or translate its publications, in part or in full. Address requests about publications to: Publications, WHO Regional Offi ce for Europe, Scherfi gsvej 8, DK-2100 Copenhagen Ø, Denmark Alternatively, complete an online request form for documentation, health information, or for permission to quote or translate, on the Regional Offi ce web site (http://www.euro.who.int/pubrequest). -
Complete Issue
Culture Unbound: Journal of Current Cultural Research Thematic Section: Exhibiting Europe Edited by Stefan Krankenhagen Extraction from Volume 3, 2011 Linköping University Electronic Press ISSN 2000-1525 (www) URL: http://www.cultureunbound.ep.liu.se/ Copyright Culture Unbound: Journal of Current Cultural Research is published under the auspices of Linköping University Electronic Press. All Authors retain the copyright of their articles. The publishers will keep this document online on the Internet - or its possible replacement – for a considerable time from the date of publication barring exceptional circumstances. The online availability of the document implies a permanent permission for anyone to read, to download, to print out single copies for your own use and to use it unchanged for any non-commercial research and educational purpose. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional on the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about the Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its WWW home page: www.ep.liu.se/. © 2011 The Authors. Culture Unbound, Extraction from Volume 3, 2011 Thematic Section: Exhibiting Europe Stefan Krankenhagen Exhibiting Europe: The Development of European Narratives in Museums, Collections, and Exhibitions ................................................................................................. 269 Torgeir Rinke Bangstad Routes of Industrial Heritage: On the Animation of Sedentary Objects .............................. -
WORKPLACES in EUROPE Welcome ® to the European Great Place to Work Magazine!
MAGAZINEEuropean Great Place to Work ® Magazine, Spring 2009 100 BESTWORKPLACES IN EUROPE Welcome ® to the European Great Place to Work Magazine! It is our privilege to celebrate the winners of the Best Workplaces in Europe 2009, our annual list of the most outstanding companies to work for in 16 nations across Europe. These orga- nisations represent the “best of the best” among European workplaces, as determined by employee surveys and a comprehensive evaluation of workplace practices. In this publication, you’ll read about some of the creative ways that these companies sup- port their employees, whether by “rolling out the red carpet” to new hires, keeping everyone informed about the company’s affairs, or providing training and recognition to help people grow in their jobs. While our primary goal is to honor what makes these 100 companies so special, we also hope their stories will spark ideas, insight, and inspiration for other companies. After all, as the com- panies featured here have discovered, creating a great workplace can produce many busi- table of contents FOREWORD ness benefits, including higher levels of productivity, loyalty, and dedication among employ- ees. 2 Foreword No matter where your organisation is on the “path” to becoming a great workplace, we wel- 3 Table of contents come your interest and participation in our mission. The Great Place to Work® Institute is dedi- 4 The Best Workplaces at a glance cated to building a better society by helping companies transform their workplaces. We offer 5 Methodology a range of services – including consulting, surveys, research, and more – to help companies 7 Best Large Workplaces in Europe 2009 fairness enrich their employees’ lives while fostering a high level of trust across the organisation. -
2 Fifteenth Berkeley Festival & Exhibition 2
2 FIFTEENTH BERKELEY FESTIVAL & EXHIBITION 2 june 3–10, 2018 Festival Advisory Committee, Board of Directors & Staff ...............................................................................................2 Festival Supporters ...........................................................................................................................................................3 Welcome ..........................................................................................................................................................................6 Festival Calendar .............................................................................................................................................................8 Main Stage Players Sunday, June 3 Seattle Historical Arts for Kids ...............................................................................................................................14 California Bach Society ..........................................................................................................................................17 Monday, June 4 Christine Brandes & Elizabeth Blumenstock ..........................................................................................................23 Tuesday, June 5 San Francisco Conservatory Baroque Ensemble Students and Alumni ...................................................................27 Davis Senior High School Baroque Ensemble ........................................................................................................30 -
View/Download Concert Program
Christmas in Medieval England Saturday, December 19, 2009 at 8 pm First Church in Cambridge, Congregational Christmas in Medieval England Saturday, December 19, 2009 at 8 pm First Church in Cambridge, Congregational I. Advent Veni, veni, Emanuel | ac & men hymn, 13th-century French? II. Annunciation Angelus ad virginem | dt bpe 13th-century monophonic song, Arundel MS / text by Philippe the Chancellor? (d. 1236) Gabriel fram Heven-King | pd ss bpe Cotton fragments (14th century) Gaude virgo salutata / Gaude virgo singularis isorhythmic motet for Annunciation John Dunstaple (d. 1453) Hayl, Mary, ful of grace Trinity roll (early 15th century) Gloria (Old Hall MS, no. 21) | jm ms ss gb pg Leonel Power (d. 1445) Ther is no rose of swych vertu | dt mb pg bpe Trinity roll Ibo michi ad montem mirre | gp jm ms Power III. Christmas Eve Veni redemptor gencium hymn for first Vespers of the Nativity on Christmas Eve, Sarum plainchant text by St Ambrose (c. 340-97) intermission IV. Christmas Dominus dixit ad me Introit for the Mass at Cock-Crow on Christmas Day, Sarum plainchant Nowel: Owt of your slepe aryse | dt pd gp Selden MS (15th century) Gloria (Old Hall MS, no. 27) | mn gp pd / jm ss / mb ms Blue Heron Pycard (?fl. 1410-20) Pamela Dellal | pd ss mb bpe Ecce, quod natura Martin Near Selden MS Gerrod Pagenkopf Missa Veterem hominem: Sanctus Daniela Tošić anonymous English, c. 1440 Ave rex angelorum | mn mb ac Michael Barrett Egerton MS (15th century) Allen Combs Jason McStoots Missa Veterem hominem: Agnus dei Steven Soph Nowel syng we bothe al and som Mark Sprinkle Trinity roll Glenn Billingsley Paul Guttry Barbara Poeschl-Edrich, Gothic harp Scott Metcalfe,director Pre-concert talk by Daniel Donoghue, Professor of English, Harvard University sponsored by the Cambridge Society for Early Music Blue Heron Renaissance Choir, Inc. -
Theatre of Magic Programme Notes
Theatre of Magic PROGRAMME NOTES The English flocked to the theatres when they were reopened after the Restoration. Old plays by Shakespeare, Beaumont, and Fletcher were reworked and eventually supplemented by works by new playwrights. Music, dance, and spectacle were gradually added to complement the drama. The English had not yet embraced opera as it was understood on the Continent, but the amount of music added to the plays became too significant to ignore, and the English writer Roger North invented the term “semi-opera” to describe these entertainments of “half Musick and half Drama.” The leading parts continued to be spoken by actors, while vocal music was allotted to minor characters, whose contributions were essentially diversions, rarely essential to the action. To this was added instrumental music to accompany dance, set the mood, or accompany scene changes. Our concerts this week open with excerpts from two of these semi-operas, both adaptations of Shakespeare’s magical plays, The Tempest and A Midsummer Night’s Dream. Matthew Locke was arguably England’s leading composer at the time of the Restoration in 1660. He became very active in London’s commercial theatres, contributing music for countless plays. He is best known today for the instrumental music he wrote for The Tempest, produced by Thomas Shadwell in 1674. The text of the semi-opera was adapted by Shadwell from an earlier adaptation (1667) of Shakespeare’s original by John Dryden and William Davenant. Shadwell’s version of the play remained popular for some 75 years. Locke’s opening Curtain Tune is particularly striking: it is a musical depiction of the storm that precedes the play, complete with detailed instructions to the performers (including the instruction to play “Violently” at the height of the storm). -
Summary Announcement
Evropski centar European Center za mir i razvoj for Peace and Development Terazije 41 Centre Européen 11000 Beograd, Serbia pour la Paix et le Développement Centro Europeo ECPD Headquarters para la Paz y el Desarrollo Европейский центр мира и развития University for Peace established by the United Nations ECPD International Conference FUTURE OF THE WORLD BETWEEN GLOBALIZATION AND REGIONALIZATION (Belgrade, City Hall, 28-29 October 2016) POST CONFERENCE SUMMARY ANNOUNCEMENT The XII ECPD International Conference examined pathways between Regionalization and Globalization as determinants for the future of the world. The asked what stands in the way of integration, whether we can simultaneously think globally and think regionally and what are the strengths and weakness in the inherent processes and present outcomes over the many domains of society (which approaches to the challenges involved could be most effective for all parts of society) and in all parts of the world. In continuation, the Balkan world received a check up and (and the pressures affecting the region were assessed and global pulse was measured. Tensions between the Russian Federation and the United States of America, migration resulting from armed conflict and poverty in the Middle East, tensions within the European Union after the UK Brexit vote, and the new strategic paradigm of macro-regionalization were high on the agenda. The role of China was agreed to be of key importance in the global system. A number of presentations / additional discussion covered the ongoing global socio-economic crisis and a description of potentially accelerating global catastrophe; the survival of humanity and man’s future together with its rough edges and the paradoxes of life; our responsibility as a precondition for peace, the new Cold War and allocation of guilt; migration as an exceedingly complex problem, peace in the Middle East and the lack of Global Governance. -
Culture and the Policies of Change Culture and the Policies of Change Conference Reader Conference Reader
CultureWatchEurope Conference 2010 Culture and the Policies of Change Culture and the Policies of Change Culture and the Policies Conference Reader Conference Reader Brussels, 6-7 September 2010 European European Economic Commission and Social Committee EUNIC CultureWatchEurope Conference 2010 “Culture and the Policies of Change” Conference Reader TABLE OF CONTENTS Foreword................................................................................................................................................. 5 by Robert PALMER, Director of Culture and Cultural and Natural Heritage, Council of Europe Contribution on the Conference: Culture and the Policies of Change................................................... 7 by Jan TRUSZCZYŃSKI, Director-General for Education and Culture, European Commission Report on the Conference ...................................................................................................................... 9 by Steve GREEN, EUNIC Work Group Session Notes.................................................................................................................. 23 Background Papers.............................................................................................................................. 49 The Empathic Civilization by Jeremy RIFKIN................................................................................... 49 Empathic Education: the Transformation of Learning in an Interconnected World by Jeremy RIFKIN............................................................................................................................ -
Lully's Psyche (1671) and Locke's Psyche (1675)
LULLY'S PSYCHE (1671) AND LOCKE'S PSYCHE (1675) CONTRASTING NATIONAL APPROACHES TO MUSICAL TRAGEDY IN THE SEVENTEENTH CENTURY ' •• by HELEN LLOY WIESE B.A. (Special) The University of Alberta, 1980 B. Mus., The University of Calgary, 1989 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS • in.. • THE FACULTY OF GRADUATE STUDIES SCHOOL OF MUSIC We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, 1991 © Helen Hoy Wiese, 1991 In presenting this hesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. (Signature) Department of Kos'iC The University of British Columbia Vancouver, Canada Date ~7 Ocf I DE-6 (2/68) ABSTRACT The English semi-opera, Psyche (1675), written by Thomas Shadwell, with music by Matthew Locke, was thought at the time of its performance to be a mere copy of Psyche (1671), a French tragedie-ballet by Moli&re, Pierre Corneille, and Philippe Quinault, with music by Jean- Baptiste Lully. This view, accompanied by a certain attitude that the French version was far superior to the English, continued well into the twentieth century. -
M a R C H 2 0
march 2005 Published by the American Recorder Society, Vol. XLVI, No. 2 XLVI, Vol. American Recorder Society, by the Published Order your recorder discs through the ARS CD Club! The ARS CD Club makes hard-to-find or limited release CDs by ARS members available to ARS members at the special price listed (non-members slightly higher). Add Shipping and Handling:: $2 for one CD, $1 for each additional CD. An updated listing of all available CDs may be found at the ARS web site: <www.americanrecorder.org>. NEW LISTING! ____THE GREAT MR. HANDEL Carolina Baroque, ____LUDWIG SENFL Farallon Recorder Quartet Dale Higbee, recorders. Sacred and secular music featuring Letitia Berlin, Frances Blaker, Louise by Handel. Live recording. $15 ARS/$17 Others. ____HANDEL: THE ITALIAN YEARS Elissa Carslake and Hanneke van Proosdij. 23 lieder, ____SOLO, Berardi, recorder & Baroque flute; Philomel motets and instrumental works of the German DOUBLE & Baroque Orchestra. Handel, Nel dolce dell’oblio & Renaissance composer. TRIPLE CONCER- Tra le fiamme, two important pieces for obbligato TOS OF BACH & TELEMANN recorder & soprano; Telemann, Trio in F; Vivaldi, IN STOCK (Partial listing) Carolina Baroque, Dale Higbee, recorders. All’ombra di sospetto. Dorian. $15 ARS/$17 Others. ____ARCHIPELAGO Alison Melville, recorder & 2-CD set, recorded live. $24 ARS/$28 others. traverso. Sonatas & concerti by Hotteterre, Stanley, ____JOURNEY Wood’N’Flutes, Vicki Boeckman, ____SONGS IN THE GROUND Cléa Galhano, Bach, Boismortier and others. $15 ARS/$17 Others. Gertie Johnsson & Pia Brinch Jensen, recorders. recorder, Vivian Montgomery, harpsichord. Songs ____ARLECCHINO: SONATAS AND BALLETTI Works by Dufay, Machaut, Henry VIII, Mogens based on grounds by Pandolfi, Belanzanni, Vitali, OF J. -
Restoration Keyboard Music
Restoration Keyboard Music This series of concerts is based on my researches into 17th century English keyboard music, especially that of Matthew Locke and his Restoration colleagues, Albertus Bryne and John Roberts. Concert 1. "Melothesia restored". The keyboard music by Matthew Locke and his contemporaries. Given at the David Josefowitz Recital Hall, Royal Academy of Music on Tuesday SEP 30, 2003 Music by Matthew Locke (c.1622-77), Frescobaldi (1583-1643), Chambonnières (c.1602-72), William Gregory (fl 1651-87), Orlando Gibbons (1583-1625), Froberger (1616-67), Albert Bryne (c.1621-c.1670) This programmes sets a selection of Matthew Locke’s remarkable keyboard music within the wider context of seventeenth century keyboard playing. Although Locke confessed little admiration for foreign musical practitioners, he is clearly endebted to European influences. The un-measued prelude style which we find in the Prelude of the final C Major suite, for example, suggest a French influence, perhaps through the lutenists who came to London with the return of Charles II. Locke’s rhythmic notation belies the subtle inflections and nuances of what we might call the international style which he first met as a young man visiting the Netherlands with his future regal employer. One of the greatest keyboard players of his day, Froberger, visited London before 1653 and, not surprisingly, we find his powerful personality behind several pieces in Locke’s pioneering publication, Melothesia. As for other worthy composers of music for the harpsichord and organ, we have Locke's own testimony in his written reply to Thomas Salmon in 1672, where, in addition to Froberger, he mentions Frescobaldi and Chambonnières with the Englishmen John Bull, Orlando Gibbons, Albertus Bryne (his contemporary and organist of Westminster Abbey) and Benjamin Rogers. -
Instrumenta Musica
O VOS AMICI MEI CARISSIMI MOTETS, CANZONAS AND SONATAS BY VENETIAN MASTERS FROM THE TIME OF MONTEVERDI MOTETTEN, CANZONEN UND SONATEN VENEZIANISCHER MEISTER ZUR ZEIT MONTEVERDIS MOTETS, CANZONES ET SONATES DE MAÎTRES VÉNITIENS AU TEMPS DE MONTEVERDI GIOVANNI BATTISTA RICCIO (c. 1570 – c. 1630) 1. Sonata a 4 3:44 CARLO FILAGO (1589 – 1644) 2. Exaudi Domine voce meam 3:30 A 4. Doi Canti Tenor è Basso 3. Laudate coeli 2:47 A 3. Doi Canti è Basso GIOVANNI BATTISTA RICCIO 4. Canzon La Fineta 2:53 A Do Violin & Trombon 5. Canzon La Savoldi 2:21 A Do Violin & Trombon 6. Canzon La Pichi, in Ecco con il Tremolo 2:53 A Do Violin & Trombon CARLO FILAGO 7. Sub tuum praesidium confugimus 3:25 Concertato Doi Voce con Violino & un Tromb. 8. Ego sum qui sum 4:36 A 4. Concertato Doi Voce Canto e Ten. & Doi Istromenti Bassi CLAUDIO MERULO (1533 – 1604) 9. Toccata 3:34 CARLO FILAGO 10. Diligam te Domine 2:58 Concertato Doi Voce Tenore & Tre Tromboni 11. Confitemini Domino 4:33 Concertato Doi Voce & Quattro Istromenti Gravi GIOVANNI BATTISTA RICCIO 12. Canzon La Grileta 2:36 A Doi Violini In Ecco GIOVANNI BASSANO (c. 1558 – 1617) 13. Anchor che col partire 4:19 Per sonar più parti BIAGIO MARINI (1597 – 1665) 14. La Foscarina 4:52 Sonata A 3. Con il Tremolo Doi Violini ò Cornetti è Trombone ò Fagotto CARLO FILAGO 15. O vos amici mei carissimi 3:09 A 3. Canto Tenore è Basso 16. Quam pulchra es 3:34 A Doi Canti GIOVANNI PICCHI (c.