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Recorder in Oxford Music Online Oxford Music Online
14.3.2011 Recorder in Oxford Music Online Oxford Music Online Grove Music Online Recorder article url: http://www.oxfordmusiconline.com:80/subscriber/article/grove/music/23022 Recorder. A woodwind instrument with a thumb-hole and (generally) seven finger-holes. It is the chief Western member of the class of duct flutes, i.e. flutes with a whistle mouthpiece, being distinguished from most other members particularly by its thumb-hole. Invented (or imported to Europe) during the Middle Ages, it was one of the most common wind instruments of the Renaissance and continued to play an important role in the Baroque. After being little used during the Classical and Romantic periods, it was resuscitated in the early 20th century and featured prominently in the early-music revival. Today it is a widely popular educational and amateur instrument and has attracted a skilled body of professionals. Recorders are made in different sizes, with compasses corresponding to different vocal ranges. There are four main instruments in use today: the descant (known in the USA as the ‘soprano’; lowest note c″); treble (in the USA ‘alto’; lowest note f′), tenor (lowest note c′) and bass ( f). Sopranino ( f″) and great bass ( c) instruments are also fairly common. The treble and tenor are written for as non-transposing instruments, but music for the sopranino, descant, bass and great bass is customarily written an octave below their sounding pitch. See also ORGAN STOP . I. The instrument 1. Nomenclature. The verb ‘to record’, meaning ‘to remember for oneself, to recall to another’, derives from the Latin recordari , ‘to remember’; thus a recorder was a rememberer or relater, such as a minstrel or, by extension, his instrument (E. -
2 Fifteenth Berkeley Festival & Exhibition 2
2 FIFTEENTH BERKELEY FESTIVAL & EXHIBITION 2 june 3–10, 2018 Festival Advisory Committee, Board of Directors & Staff ...............................................................................................2 Festival Supporters ...........................................................................................................................................................3 Welcome ..........................................................................................................................................................................6 Festival Calendar .............................................................................................................................................................8 Main Stage Players Sunday, June 3 Seattle Historical Arts for Kids ...............................................................................................................................14 California Bach Society ..........................................................................................................................................17 Monday, June 4 Christine Brandes & Elizabeth Blumenstock ..........................................................................................................23 Tuesday, June 5 San Francisco Conservatory Baroque Ensemble Students and Alumni ...................................................................27 Davis Senior High School Baroque Ensemble ........................................................................................................30 -
An Historical and Analytical Study of Renaissance Music for the Recorder and Its Influence on the Later Repertoire Vanessa Woodhill University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1986 An historical and analytical study of Renaissance music for the recorder and its influence on the later repertoire Vanessa Woodhill University of Wollongong Recommended Citation Woodhill, Vanessa, An historical and analytical study of Renaissance music for the recorder and its influence on the later repertoire, Master of Arts thesis, School of Creative Arts, University of Wollongong, 1986. http://ro.uow.edu.au/theses/2179 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] AN HISTORICAL AND ANALYTICAL STUDY OF RENAISSANCE MUSIC FOR THE RECORDER AND ITS INFLUENCE ON THE LATER REPERTOIRE by VANESSA WOODHILL. B.Sc. L.T.C.L (Teachers). F.T.C.L A dissertation submitted in partial fulfillment of the requirements for the degree of Master of Arts in the School of Creative Arts in the University of Wollongong. "u»«viRsmr •*"! This thesis is submitted in accordance with the regulations of the University of Wotlongong in partial fulfilment of the requirements for the degree of Master of Arts. I hereby certify that the work embodied in this thesis is the result of original research and has not been submitted for a higher degree at any other University or similar institution. Copyright for the extracts of musical works contained in this thesis subsists with a variety of publishers and individuals. Further copying or publishing of this thesis may require the permission of copyright owners. Signed SUMMARY The material in this thesis approaches Renaissance music in relation to the recorder player in three ways. -
Fomrhi-110.Pdf
v^uaneny INO. nu, iNovcmDer ^uuo FoMRHI Quarterly BULLETIN 110 Christopher Goodwin 2 COMMUNICATIONS 1815 On frets and barring; some useful ideas David E McConnell 5 1816 Modifications to recorder blocks to improve sound production Peter N Madge 9 1817 What is wrong with Vermeer's guitar Peter Forrester 20 1818 A new addition to the instruments of the Mary Rose Jeremy Montagu 24 181*9 Oud or lute? - a study J Downing 25 1820 Some parallels in the ancestry of the viol and violin Ephraim Segerman 30 1821 Notes on the polyphont Ephraim Segerman 31 1822 The 'English' in English violette Ephraim Segerman 34 1823 The identity of tlie lirone Ephraim Segerman 35 1824 On the origins of the tuning peg and some early instrument name:s E Segerman 36 1825 'Twined' strings for clavichords Peter Bavington 38 1826 Wood fit for a king? An investigation J Downing 43 1827 Temperaments for gut-strung and gut-fretted instruments John R Catch 48 1828 Reply to Hebbert's Comm. 1803 on early bending method Ephraim Segerman 58 1829 Reply to Peruffo's Comm. 1804 on gut strings Ephraim Segerman 59 1830 Reply to Downing's Comm. 1805 on silk/catgut Ephraim Segerman 71 1831 On stringing of lutes (Comm. 1807) and guitars (Comms 1797, 8) E Segerman 73 1832 Tapered lute strings and added mas C J Coakley 74 1833 Review: A History of the Lute from Antiquity to the Renaissance by Douglas Alton Smith (Lute Society of America, 2002) Ephraim Segerman 77 1834 Review: Die Renaissanceblockfloeten der Sammlung Alter Musikinstrumenten des Kunsthistorisches Museums (Vienna, 2006) Jan Bouterse 83 The next issue, Quarterly 111, will appear in February 2009. -
Yamaha 2018 Price List
two thousand eighte2en 01 8 accessories retail price lis t effective date: July 1, 2018 TABLE OF CONTENTS BRASSWIND MOUTHPIECES 1-4 REEDS 17-21 TRUMPET 1 SOPRANO CLARINET 17 CORNET, SHORT SHANK 2 CLARINET 17 CORNET, LONG SHANK 2 ALTO CLARINET 17 FLUGELHORN 2 BASS CLARINET 18 ALTO 2 CONTRA CLARINET 18 HORN 2-3 SOPRANINO SAXOPHONE 18 MELLOPHONE 3 SOPRANO SAXOPHONE 18 TROMBONE, SMALL SHANK TENOR 3 ALTO SAXOPHONE 19 TROMBONE, LARGE SHANK TENOR 3 TENOR SAXOPHONE 19-20 BASS TROMBONE 4 BARITONE SAXOPHONE 20 EUPHONIUM 4 BASS SAXOPHONE 20 TUBA 4 DOUBLE REEDS 20-21 SILENT BRASS ™ & MUTES 5-6 WOODWIND ACCESSORIES 22-30 SILENT BRASS SYSTEMS 5 LIGATURES 21-23 SILENT BRASS MUTES 5 MOUTHPIECE CAPS 24-25 TRADITIONAL MUTES 5-6 NECKSTRAPS 25-26 INSTRUMENT OILS & LUBRICANTS 26 BRASSWIND ACCESSORIES 7-9 MAINTENANCE KITS 26 BRASS INSTRUMENT OILS & LUBRICANTS 7 POLISHES & POLISHING CLOTHS 27 BRASS INSTRUMENT MAINTENANCE KIT 7 CLEANING SWABS 27 POLISHES & POLISHING CLOTHS 7 MAINTENANCE SUPPLIES 27-28 BRASS INSTRUMENT BRUSHES & CLEANING TOOLS 8 LIP PLATE & MOUTHPIECE PATCHES 28 PREMIUM MICROFIBER BRASS SWABS 8 REED TRIMMERS & SHAPERS 29 MISCELLANEOUS BRASS INSTRUMENT ACCESSORIES 9 REED CASES & STORAGE 29 BRASS INSTRUMENT LYRES 9 MISCELLANEOUS WOODWIND ACCESSORIES 29 INSTRUMENT LYRES 30 BRASSWIND CASES 10 WOODWIND CASES 31 WOODWIND MOUTHPIECES 11-16 PICCOLO CLARINET 11 RECORDERS & PIANICAS 32-33 SOPRANO CLARINET 11 PIANICAS 32 CLARINET 11-12 20 SERIES PLASTIC RECORDERS 32 ALTO CLARINET 12 300 SERIES PLASTIC RECORDERS 32 BASS CLARINET 12 400 SERIES PLANT-BASED -
September 2007 Published by the American Recorder Society, Vol
september 2007 Published by the American Recorder Society, Vol. XLVIII, No. 4 XLVIII, Vol. American Recorder Society, by the Published Edition Moeck 2825 Celle · Germany Tel. +49-5141-8853-0 www.moeck.com NEW FROM MAGNAMUSIC American Songs Full of Songs Spirit & Delight Fifteen pieces For TTB/SST freely arranged for The twenty lovely recorder trio, SAT, pieces in this by Andrew aptly named set Charlton. Classics demonstrate why like America, Michael East in Battle Hymn of the his time was Republic, America arguably one of the Beautiful, The the most popular Caisson Song, of the Elizabethan Columbia, the Gem composers. of the Ocean, The Marines Hymn, Chester, Complete edition from the original score, with Battle Cry of Freedom, All Quiet along the intermediate difficulty. 3 volumes. $8.95 each Potomac, I'm a Yankee Doodle Dandy, Vol. 1 ~ TTB Vol. 2 ~ TTB Vol. 3 ~ SST Marching through Georgia, and more! TR00059 TR00069 TR00061 Item No. JR00025 ~ $13.95 IN STOCK NOW! An inspiring and instructive guide for everyone who plays the recorder (beginner, intermediate, experienced) and wants to play more beautifully. The Recorder Book is written with warmth and humor while leading you in a natural, methodical way through all the finer points of recorder playing. From selecting a recorder to making it sing, from practicing effectively to playing ensemble, here is everything you need. This is a most enjoyable read, whether you are an amateur or an expert. The repertoire lists have been updated, out-of-print editions have been removed, and edition numbers have been changed to reflect the most recent edition numbering. -
Early Music Instruments on Permanent Loan to EMSQ from QUT Enquiries
Early Music Instruments on permanent loan to EMSQ from QUT Enquiries about hiring instruments should be directed to Michael Yelland - email [email protected], mobile 0404 072 209 Monthly Item Maker's marks EMSQ Code Comments rental Deposit Viols Bass viol Inside label "Geoff Wills Lota 1973" BV1 $30 $120 Bass viol Inside label "Geoff Wills 1979" BV2 $30 $120 Tenor viol Inside label "Geoff Wills 1980" TeV1 $30 $120 Treble viol Inside label "Geoff Wills 1983" TrV1 $30 $120 Treble viol Geoff Wills 1976 TrV2 $30 $120 Bass viol Geoff Wills BV3 $30 $120 Tenor viol Geoff Wills - no label TeV2 $30 $120 Bass viol Geoff Wills BV4 $30 $120 Sopranino recorders Sopranino recorder Aulos Snino1 $10 $40 Not available Sopranino recorder Aulos Snino2 $10 $40 Not available Descant recorders Descant recorder Moeck SR1 Renaissance style, three joints $20 $80 Not available Descant recorder Hohner SR2 Baroque style, plastic rings, three joints $20 $80 Descant recorder Hohner SR3 Baroque style, plastic rings, three joints $20 $80 Descant recorder Moeck SR4 Baroque style, ivory rings, three joints $20 $80 Descant recorder Dolmetsch SR5 Baroque style. TJ16572, MJ16572, TJBJ16577 $10 $40 Not available Treble recorders Treble recorder Dolmetsch AR1 Baroque style, ivory mouthpiece $20 $80 Treble recorder Hohner AR2 Plastic rings, has been recorked $20 $80 Treble recorder AR3 Plastic rings, has been recorked, chips off bottom Hohner joint $20 $80 Treble recorder Moeck AR4 Ivory rings $20 $80 Treble recordeer Moeck AR5 Renaissance style, brass rings, flared -
Instrumenta Musica
O VOS AMICI MEI CARISSIMI MOTETS, CANZONAS AND SONATAS BY VENETIAN MASTERS FROM THE TIME OF MONTEVERDI MOTETTEN, CANZONEN UND SONATEN VENEZIANISCHER MEISTER ZUR ZEIT MONTEVERDIS MOTETS, CANZONES ET SONATES DE MAÎTRES VÉNITIENS AU TEMPS DE MONTEVERDI GIOVANNI BATTISTA RICCIO (c. 1570 – c. 1630) 1. Sonata a 4 3:44 CARLO FILAGO (1589 – 1644) 2. Exaudi Domine voce meam 3:30 A 4. Doi Canti Tenor è Basso 3. Laudate coeli 2:47 A 3. Doi Canti è Basso GIOVANNI BATTISTA RICCIO 4. Canzon La Fineta 2:53 A Do Violin & Trombon 5. Canzon La Savoldi 2:21 A Do Violin & Trombon 6. Canzon La Pichi, in Ecco con il Tremolo 2:53 A Do Violin & Trombon CARLO FILAGO 7. Sub tuum praesidium confugimus 3:25 Concertato Doi Voce con Violino & un Tromb. 8. Ego sum qui sum 4:36 A 4. Concertato Doi Voce Canto e Ten. & Doi Istromenti Bassi CLAUDIO MERULO (1533 – 1604) 9. Toccata 3:34 CARLO FILAGO 10. Diligam te Domine 2:58 Concertato Doi Voce Tenore & Tre Tromboni 11. Confitemini Domino 4:33 Concertato Doi Voce & Quattro Istromenti Gravi GIOVANNI BATTISTA RICCIO 12. Canzon La Grileta 2:36 A Doi Violini In Ecco GIOVANNI BASSANO (c. 1558 – 1617) 13. Anchor che col partire 4:19 Per sonar più parti BIAGIO MARINI (1597 – 1665) 14. La Foscarina 4:52 Sonata A 3. Con il Tremolo Doi Violini ò Cornetti è Trombone ò Fagotto CARLO FILAGO 15. O vos amici mei carissimi 3:09 A 3. Canto Tenore è Basso 16. Quam pulchra es 3:34 A Doi Canti GIOVANNI PICCHI (c. -
29 September 2019
29 September 2019 12:01 AM Selim Palmgren (1878-1951) Cinderella (Overture) Finnish Radio Symphony Orchestra, George de Godzinsky (conductor) FIYLE 12:05 AM Giovanni Picchi (c.1571-1643) 3 Ballos - Ballo alla Polacca; Ballo Ongaro; Ballo ditto il Pichi Rinaldo Alessandrini (harpsichord) DEWDR 12:12 AM Nino Rota (1911-1979) Concerto for bassoon and orchestra Christopher Millard (bassoon), CBC Vancouver Orchestra, Mario Bernardi (conductor) CACBC 12:30 AM Giovanni Pierluigi da Palestrina (c.1590-1664) Magnificat primi toni for 4 voices Marco Beasley (tenor), Davide Livermoore (tenor), Fabian Schofrin (alto), Annemieke Cantor (alto), Daniele Carnovich (bass), Diego Fasolis (conductor) CHRTSI 12:38 AM Joseph Haydn (1732-1809) Divertimento in C major, aka London Trio No 1 (Hob.4 No 1) Carol Wincenc (flute), Philip Setzer (violin), Carter Brey (cello) GBBBC 12:47 AM Stefan Kisielewski (1911-1991) Suite from the ballet "Fun Fair" Polish Radio National Symphony Orchestra Katowice, Michal Nesterowicz (conductor) PLPR 01:00 AM Jean Sibelius (1865-1957) 13 Pieces for piano (Op.76) Eero Heinonen (piano) FIYLE 01:20 AM Antonin Dvorak (1841-1904) Symphony no 5 in F major, Op 76 Rotterdam Philharmonic Orchestra, James Conlon (conductor) NLNOS 02:01 AM Wolfgang Amadeus Mozart (1756-1791) String Quartet no.19 in C major K.456, 'Dissonance' Artis Quartet ESCAT 02:29 AM Fritz Kreisler (1875-1962) String Quartet in A minor Artis Quartet ESCAT 02:55 AM Johannes Brahms (1833-1897) String Quartet no.2 in A minor Artis Quartet ESCAT 03:25 AM Bohuslav Martinu -
Music for the Cimbalo Cromatico and the Split-Keyed Instruments in Seventeenth-Century Italy," Performance Practice Review: Vol
Performance Practice Review Volume 5 Article 8 Number 1 Spring Music for the Cimbalo Cromatico and the Split- Keyed Instruments in Seventeenth-Century Italy Christopher Stembridge Follow this and additional works at: http://scholarship.claremont.edu/ppr Part of the Music Practice Commons Stembridge, Christopher (1992) "Music for the Cimbalo Cromatico and the Split-Keyed Instruments in Seventeenth-Century Italy," Performance Practice Review: Vol. 5: No. 1, Article 8. DOI: 10.5642/perfpr.199205.01.08 Available at: http://scholarship.claremont.edu/ppr/vol5/iss1/8 This Article is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusion in Performance Practice Review by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Early Baroque Keyboard Instruments Music for the Cimbalo Cromatico and Other Split- Keyed Instruments in Seventeenth-Century Italy* Christopher Stembridge The Concept of the Cimbalo Cromatico Although no example of such an instrument is known to have survived intact, the cimbalo cromatico was a clearly defined type of harpsichord that apparently enjoyed a certain vogue in Italy during the late sixteenth and early seventeenth centuries.1 The earliest use of the term is found in the titles of two toccatas per il cimbalo cromatico included by Ascanio Mayone in his Secondo Libro di Diversi Capricci per Sonare published in Naples in 1609.2 Subsequently the term was used in publications by This is the first of three related articles. The second and third, to be published in subsequent issues of Performance Practice Review, will deal with the instruments themselves. -
18-08-07 EVE De Profundis.Indd
VANCOUVER BACH FESTIVAL 2018 tuesday august 7 at 7:30 pm | christ church cathedral the artists de profundis: 17th-century sacred music for solo bass Stephan MacLeod bass Heinrich Schütz (1585–1672): Attendite, popule meus Veronika Skuplik violin Giovanni Picchi (c.1571–1643): Matthew Jennejohn cornetto Sonata XV from Canzoni da sonar con ogni sorte d’istromenti (1625) – edited by Nathan Wilkes Romina Lischka viola da gamba Johann Walter (1496–1570), Francis Jacob (c.1494–1541) organ Lupus Hellinck , Balthasar Resinarius (c.1485–1544): Lucas Harris lute Three settings of Martin Luther, Aus tiefer Not (adapted from Psalm 130, De profundis) Cappella Borealis: Sisto Reina (d.after 1664): Jeremy Berkman De profundis Alex Fisher Ellen Marple Heinrich Schütz (1585–1672): Nathan Wilkes Fili mi, Absalon sackbuts interval Supported by Biagio Marini (1594–1663): Canzon terza à 4 Tarquinio Merula (c.1595–1665): Credidi, propter locutus sum Visiting Foreign Artists Program Thomas Selle (1599–1663): Domine exaudi Supported by Bryan & Gail Atkins Giovanni Martino Cesare (c.1590–1667): La Ioannina Pre-concert chat with Andreas Hammerschmidt (1611–1675): host Matthew White at 6:45: Gott sey mir gnädig Alex Fisher Heinrich I. F. von Biber (1644–1704): Nisi Dominus THE UNAUTHORISED USE OF (1625–1673) ANY VIDEO OR AUDIO RECORDING Johann Rudolf Ahle : DEVICE IS STRICTLY PROHIBITED Herr, nun lässt du deinen Diener earlymusic.bc.ca De Profundis: 17th-century sacred music for solo bass Vancouver Bach Festival 2018 1 programme notes by alex fisher 400 years ago, religious war broke out on the European continent. The uneasy settlement reached in the mid-sixteenth century by the Holy Roman Empire’s Catholics and Protestants failed to hold, and a foul mixture of political intrigue and religious resentment led to thirty years of horror in the German theatre. -
Recorders & More
Enjoy the recorder New Models Denner Alto Denner-Edition Alto 442/415 Denner-Line Alto 415 Denner Bass Cap Dream-Edition Recorders & more for beginners to professional players Recorders Accessories Recorder Clinic Recorder-World Museum, Seminars www.mollenhauer.com Useful information / Maintenance / Oiling Editorial Enjoy the Recorder Come on in … “Mollenhauer Recorders” is more than just a workshop. It is a lively meeting point for performers of every age, from hobby- ists to pros, from all around the world. Over the years, many thousands of recorder players have visited our workshops, our Recorder-World Museum and our seminars! Our journal, “Windkanal”, is a well-known and respected forum presenting the colourful world of the recorder in all its diversity. Our website is a valuable resource for information about the recor- der and is used by friends of the recorder the world over. Ours is an open workshop. We strive to bring you the fascinat- ing world of recorder making while at the same time entering into a dialogue with you – about our instruments, about ideas, about visions … Communication at a personal level is important to us. Part- nership and cooperation are central to how we operate ... not only within our own team: we welcome your questions! Since we see cooperation and innovation as being very closely related, we seek out and form partnerships with especially cre- ative people such as recorder makers Maarten Helder, Friedrich von Huene, Adriana Breukink, Nik Tarasov and Joachim Paetzold. Furthermore, we consider each and every recorder player, teacher and music dealer that shares with us their experiences and ideas – thus sharing in the further development of our instruments as well – to be our partners.