DOCSLIB.ORG

Newsletter Number Nineteen September 1983 ISSN 0161-1704

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Newsletter Number Nineteen September 1983 ISSN 0161-1704 / newsletter Number Nineteen September 1983 ISSN 0161-1704 Thanks to all who contributed to this issue of the Newsletter. The Newsletter is an occasional publication of the MUsic OCLC Users Group. Editor: Sue Stanau, MUsic LibraTY, Indiana University, Bloomington, IN 4?405. Communications concerning the contents of the Newsletter should be addressed to the editor. Correspondence on subscription or member­ ship should be forwarded to Joseph W. Scott, Treasurer, MUsic Library, U-l2, University of Connecticut, Storrs, CT 06268. Subscription is by membership (dues: $5.00 for individual members, $lO.OO for institutional members; back numbers are available for $l.50 per copy) * * * * * * * * FROM THE CHAIR It's been hot everywhere this summer; be coming your way soon. Be sure to vote! here in the Midwest we've been having "dog Over the weekend of August 27 the Exec­ days" and things had slowed down somewhat. utive Board met in Cleveland to formalize Now, vacation time is just about over, school the budget process now required by our new is starting up again and very soon we'll all bylaws. The 1983 budget is now complete be involved in a new flurry of organizational and all expenditures have been authorized by activity. Despite the heat MOUG's committees the board. The 1984 budget has been project­ and Executive Board have been very active all ed and will be ready for final action in the summer. The REMUS Committee (Ruth Henderson, spring. We also discussed the plans for our chair) has very nearly completed its planning 1984 Annual Meeting which will be something for the project, including the mid-summer of a departure from the norm for MOUG. The submission of a new funding proposal. Executive Board has accepted OCLC's long­ Richard Jones (University of Wisconsin­ standing invitation to meet at their head­ Milwaukee and current chair of MOUG 1 s OMRAC quarters in Dublin. This will be only the Committee) has been appointed by the Executive second time that MOUG has met at OCLC head­ Board to be the director of the REMUS project quarters (the last time in 1979) and the first when it gets underway. Michael Fling (chair) opportunity for MOUG to see the new head­ and Ellen Rappaport were appointed Ad-hoc quarters in Dublin. To broaden the scope of Committee on Music Union Listing. Their ap­ our programs we will be meeting in conjunction pointment comes in response to the interest with the On-Line Audiovisual Catalogers (OLAC) in union listing that was prevalent during users group. OLAC is comprised of AV spe­ our 1983 Annual Meeting in Philadelphia. They cialists using online shared cataloging will prepare a report on the feasibility of services (OCLC, RLIN, WLN, UTLAS , etc.) This utilizing the union listing capability in will also be OLAC's first meeting in Dublin. music libraries. Chris McCawley (chair), The tentative dates for the meeting are Linda Barnhart and Joan Swanekamp are the April 30-May 1, 1984. Plan now to attend, members of the 1983 MOUG Nominating Committee . and watch future newsletters for further They have been compiling the slate of details. nominees for fall elections. Ballots will My last communication discussed some of 1 2 .. the problems music users were having with described elsewhere in this newsletter (it the online Library of Congress Name Authority will include the equally long-awaited File (NAF) Several MOUG members contacted "enhance," which will make it possible for their representatives to the OCLC Users REMUS to get underway) Neither release 1 or Council concerning these problems. At their 2 contains any modification of searching in May 23-25 meeting the Users Council adopted the NAF t hat woul d help to alleviate the the following resolution: probl ems we have . Meanwhile, more composers are approaching the 256 record limit. As MUSIC ACCESS/NAME AUTHORITY FILE before, I strongly urge all who read this to write to both their network coordinator and STATEMENT OF THE PROBLEM: Because OCLC's to OCLC directly to express their dissatis­ presently established name authority search faction with the Music/NAF situation. I hope capability only permits searching on the name that the next time I write, we will have better portions of the name authority records, the news on this front. file size is rapidly increasing, and there is a system imposed display limitation of --Richard Smiraglia 256 records, music catalogers are increasing­ ly unable to access the appropriate LC Name Authority record for many composers. MOUG EXECUTIVE BOARD: 1982-1984 Reliance on the Library of Congress's micro­ form versions of the Name Authority file, as CHAIRPERSON a back-up, does not seem to be a satisfactory Richard P . Smiraglia solution, since the microform version is Music Cataloguing Section currently one year out of date. University of Illinois at Urbana-Champaign 2136 Music Building RESOLUTION: 1114 West Nevada WHEREAS Library of Congress authority Urbana, IL 61801 records for personal, corporate, conference and uniform title names contain, when appli­ VICE-CHAIRPERSON/CHAIR-ELECT cable, subfield "t", title of work, and Joan Swanekamp WHEREAS, OCLC users' access to this val­ Co-Head, Technical Processing uable information is restricted because sub­ Sibley Music Library field "t" is not indexed, The Eastman School of Music IT IS HEREBY moved that the OCLC Users University of Rochester Council urge OCLC to implement an author Rochester, NY 14604 title search capability that would include subfield "t" as well as subfield "a" for the SECRETARY/NEWSLETTER EDITOR lxx (Established heading), 4xx (See from Sue Ellen Stancu reference), and 5xx (See also from reference) Sound Recordings Cataloger fields in the OCLC Online Name Authority File, Music Library or some alternative that would solve the Indiana University problem. Bloomington, IN 47405 The Users Council action came as good TREASURER news to MOUG and served to demonstrate the Joseph W. Scott potential effectiveness of working more Assistant Music Librarian closely with the networks to resolve the Music Library, U-12 problems of music users. Unfortunately , OCLC University of Connecticut has received almost no correspondence from Storrs, CT 06268 music users concerning the problems with the NAF. Other projects have taken precedence CONTINUING EDUCATION COORDINATOR over the correction of the problems we have Timothy Robson with the NAF. The "Online Report of OCLC Music Librarian System Condition" for 83¢823 described the Kulas Music Library first release of 1983/84 system enhancements Haydn Hall (which included the long-awaited "merge hold­ Case Western Reserve University ings" capability); the second release is Cleveland, OH 44106 FINANCTAI REPORT LETTER TO THE EDITOR: OCLC INPUT STANDARDS l-st Quarter 1983 The d.evelopment and inplementati-on of l+th quarter (rg8e): 22OO.8B Balance end of three long awaited improvements in the OCLC system voul-d make possible a greater degree Income 1st quarter: of flexibility in the input standards for Meeting 3295.50 the cataloging of music material-. If used Memberships 2853.00 wisety, this flexibility could. vastly improve \6.>o Back issues the OCLC systemf s ability to al1ow d,ifferent fnterest 2L.28 kind"s of libraries vhich collect music to Total income: 6z16.zB cooperatively support each otherr s use of uni.on I think that quarter: the online catalog. Expend.itures lst music OCLC users need to begin thinking about General- 2\ .05 hov these nev components can be used. to their Nevsletter 3\8.50 advantage. Intelligently demonstrated. need. 2696.73 Meeting may exped.ite their d.evelopment and implemen- Total- expenditures: 3069.28 tation a.r:d. help to insure that vhen iraple- mented they are put to the best possible use. Balance end of lst quarter: t3h?.88 The three long avaited. components to which f refer are O2X field. indexing, the enhance 2nd QlL.arter 1983 function and sophisticated matching algo- Balance end. of Ist quarter: 531+7.88 rithms. I voul-d ]-ike to think that these components, combined. with more flexible input fncome 2nd quarter: standards, can help OCLC support more varied Menberships 385 .00 kinds of music users. Back issues 19.ro For many libraries the OCLC input stan- Interest 82.10 dards are much higher than those vhich that Total income: )+86.50 library vould set for its own cataloging need.s. This is particularly true for various Expenditures 2nd quarter: non-book materials, including musicaf sound, General 172.18 re"ord.it gs. Some smaller public and conmu- Ner+sletter I+>>.gO nity college libraries, among others, collect Meeting 1)+81.7\ fairly large nr::nbers of current sound record.- Total expend.itures: 2rog.82 ings of a great variety of music. Most of their sound recordings are selected for use, Bal-ance end of 2nd quarter: 37^.66 most often for borroving, by library users by browsing through displays of record"ings as one might --Joseph W. Scott arranged in broad categories Treasurer see in a record shop. These libraries have little need, much l-ess the staff time' expertise or bibliographic resources required., to give these sound. record.ings full- catalog- ing at the so called ftnational bibliographic record-fr level, i.e. the quality of Library published. Often MUS]C CATAIOGING PIIBLICATION of Congress full- catalogi-ng. NEW these libraries have circufation systems or library system agreements which require that Catal-osins Music. A Manual for Use entire colfection be with MCR 2 by Richard. P. Smiraglia' cataloging for their is nov available from done through OCLC to get into highly trun- GBN{-9369g5-t6-t) reeord based or inter- Soldier Creek Press, Box 863, Laxe Crystat, cated circulation Minn. 5605r. Price: 20.00 prepaid.; library loan systems.
Load more

Recommended publications
  • Classical New Release
    harmonia mundi UK SEPTEMBER 15 Classical new release available September 15, call-off 5th Sept BBC MUSIC MAGAZINE, September Orchestral ALBUM OF THE WEEK, Sunday Times, 15th June Actes Sud ASM15 Stravinsky The Rite of Spring & Petrushka Les Siecles/Francois Xavier-Roth Opera Bel Air Classiques BAC110 DVD / BAC410 BLURAY Strauss Elektra Evelyn Herlitzius etc; Orchestre de Paris/Esa-Pekka Salonen Choral & Song Myrios MYR12 An die Geliebte Julian Prégardien & Christoph Schnackertz GRAMOPHONE EDITOR’S CHOICE AUDITE92659 Mendelssohn Complete Chamber Music for Strings, Vol 4 Mandelring Quartet BBC RADIO 3, BUILDING A LIBRARY: AUDITE 95627 Siegfried Idyll/Lucerne, Abbado 12 july DISTRIBUTED LABELS: ACCENT RECORDS, ACTES SUD, AGOGIQUE, ALIA VOX, AMBRONAY, APARTE, ARTE VERUM, AUDITE, BEL AIR, THE CHOIR OF KINGS COLLEGE CAMBRIDGE, CONVIVIUM, CHRISTOPHORUS, CSO RESOUND, DELPHIAN, DUCALE, EDITION CLASSICS, EVIDENCE, FLORA, FRA MUSICA, GLOSSA, harmonia mundi, HAT[NOW]ART, HERITAGE, LA DOLCE VOLTA, LA MUSICA, LES ARTS FLORISSANTS EDITIONS, LSO LIVE, MARIINSKY, MIRARE, MODE, MUSO, MYRIOS, NAÏVE, ONYX, OPELLA NOVA, ORFEO, PAN CLASSICS, PRADIZO, PARATY, PHILHARMONIA BAROQUE, PHIL.HARMONIE, PRAGA DIGITALS, RADIO FRANCE, RAM, REAL COMPAÑIA ÓPERA DE CÁMARA, RCO LIVE, SFZ MUSIC, SIGNUM, STRADIVARIUS, UNITED ARCHIVES, WALHALL ETERNITY, WERGO, WIGMORE HALL LIVE, WINTER & WINTER, YSAYE RELEASE DATE 15TH SEPTEMBER 2014 From the Imperial Court Music for the House of Hapsburg Stile Antico One of Europe’s most extraordinary ruling dynasties, the Hapsburgs ruled greater or lesser portions of Europe from the 11th century until 1918, their heyday coinciding with the supreme musical flourishing of the 16th century. Their rule saw a particular increase during the reign of Maximilian I, secured first by his marriage to Mary of Burgundy in 1477 and then by the union of their son Philip ‘the Handsome’ with Joanna ‘the Mad’ of Castille.
    [Show full text]
  • Classical Releases JUNE 9
    Classical releases JUNE 9 DISTRIBUTED LABELS: ACCENT RECORDS, ACTES SUD, ALIA VOX, APARTE, BELVEDERE, KINGS COLLEGE CAMBRIDGE, CHRISTOPHORUS, CSO RESOUND, EDITION CLASSICS, EVIDENCE CLASSIQUES, FRA MUSICA, GLOSSA, harmonia mundi, LA DOLCE VOLTA, LES ARTS FLORISSANTS, LSO LIVE, MARIINSKY, MIRARE, MYRIOS, NAÏVE, ONYX, PAN CLASSICS, PRAGA DIGITALS, RUBICON CLASSICS, SIGNUM CLASSICS, UNITED ARCHIVES, WIGMORE HALL LIVE available June 9th 2017 RELEASE DATE 9TH JUNE 2017 BARTOK: Complete String Quartets Heath Quartet The string quartet was of central importance to Bartók throughout his career. His six quartets were written (between 1907 and 1939) at crucial turning points in the composer’s creative development. From the elegiac tone of Quartet no.1 (reflecting an unhappy love affair) to the sadness and wry parody of no.6, composed on the eve of World War II, by way of the mirror forms and atmospheric ‘night music’ of nos.4 and 5, they represent perhaps the biggest interpretative challenge in the genre alongside the Beethoven quartets. A challenge triumphantly met here by the Heath Quartet. Future plans include complete cycles of Jörg Widmann’s string quartets at Kilkenny Festival, Berlin’s Boulez Saal and Wigmore Hall, as well as numerous appearances at summer festivals in the United Kingdom and beyond. Their debut recording of Tippett’s string quartets (Wigmore Hall Live) received widespread acclaim and won the Gramophone Chamber Disk of the Year in 2016. A subsequent release on Harmonia Mundi of Tchaikovsky Quartets 1 & 3 was selected as Disk of the Week by both The Sunday Times and BBC Radio 3. CD1: Label: harmonia mundi 1-3 String Quartet no.1 op.7 Sz.40, BB 52 I.
    [Show full text]
  • Classical New Release
    harmonia mundi UK JUNE 30 2014 Classical new release Maria Joao Pires joins Onyx available 30th June & July 14, call-off 20th June BBC MUSIC MAGAZINE, CHOICES July Naïve V5344 Mister Paganini: Laurent Korcia Glossa GCD922803 Gesualdo Responsoria: La Compagnia del Madrigale GRAMOPHONE, EDITOR’S CHOICE, July Orfeo C878141A Strauss Also sprach, Don Juan, Till Eulenspiegel: CBSO, Andris Nelsons IRR OUTSTANDING, June BBC MUSIC MAGAZINE CHOICE June Opera Magazine, DISC OF THE MONTH Signum SIGCD372 Bartok Bluebeard’s Castle: Sir John Tomlinson, Philharmonia, Esa-Pekka Salonen IRR OUTSTANDING, June Pan Classics PC10305 C.P.E. Bach Works for Keyboard & Violin: Leila Schayegh ALBUM OF THE WEEK, Sunday Times, 11th May GLOSSA GCD921119 Mozart The Last Three Symphonies: Orchestra of the 18th Century, Frans Brüggen BBC RADIO 3, CD OF THE WEEK, CD REVIEW Naive V5373 Handel Tamerlano / Sabata, Cencic, Minasi DISTRIBUTED LABELS: ACCENT RECORDS, ACTES SUD, AGOGIQUE, ALIA VOX, AMBRONAY, APARTE, ARTE VERUM, AUDITE, BEL AIR, THE CHOIR OF KINGS COLLEGE CAMBRIDGE, CONVIVIUM, CHRISTOPHORUS, CSO RESOUND, DELPHIAN, DUCALE, EDITION CLASSICS, FLORA, FRA MUSICA, GLOSSA, harmonia mundi, HAT[NOW]ART, LA DOLCE VOLTA, LES ARTS FLORISSANTS EDITIONS, LSO LIVE, MARIINSKY, MIRARE, MODE, MUSO, MYRIOS, NAÏVE, ONYX, OPELLA NOVA, ORFEO, PAN CLASSICS, PRADIZO, PARATY, PEARL, PHILHARMONIA BAROQUE, PHIL.HARMONIE, PRAGA DIGITALS, RADIO FRANCE, RAM, REAL COMPAÑIA ÓPERA DE CÁMARA, RCO LIVE, SFZ MUSIC, SIGNUM, STRADIVARIUS, UNITED ARCHIVES, WAHOO, WALHALL ETERNITY, WERGO, WIGMORE HALL LIVE, WINTER & WINTER, YSAYE RELEASE DATE 14TH JULY 2014 LISZT: Sonata in B minor, Late pieces Paul Lewis Editor’s Choice, Gramophone *****, The Guardian Radio 3 Disc of the Week Gramophone Critics’ Choice Pianist Recommended "The poetry and grandeur of his playing put Paul Lewis's Liszt among the Greats…even in a crowded market place (where Horowitz, Gilels, Richter, Argerich, Brendel and Pollini, etc, jostle for attention) Paul Lewis's recording stands out for its breadth, mastery and shining musicianship.
    [Show full text]
  • Public Events
    Public Events April 2017 Subscribe to this publication by emailing Carol Chen at [email protected] Table of Contents Overview Highlighted April 2017 Events .................................................................... 3 Children’s Events .......................................................................................... 4 Earth Month .................................................................................................. 5 Northwestern Events Arts Music Performances .................................................................................... 7 The 2017 American Liszt Society Festival Theatre .......................................................................................................... 12 Film ............................................................................................................... 14 Exhibits ......................................................................................................... 16 Arts and Music Lectures ............................................................................... 19 Neighborhood and Community Relations Living 1603 Orrington Avenue, Suite 1730 Leisure and Social ......................................................................................... 22 Evanston, IL 60201 Norris Mini Courses www.northwestern.edu/communityrelations Around Campus ARTica (art studio) Norris Outdoors Alan Anderson Religious Services ........................................................................................ 25 Executive Director [email protected]
    [Show full text]
  • Guide to Early Music in Flanders
    GUIDE TO EARLY MUSIC IN FLANDERS SECOND EDITION 2009 CONTENTS 6 PREFACE 7 INTRODUCTION: A Devil and a Pederast: On historical performance practice in Flanders and its international ramifications PART 1 ARTISTS 14 Ensembles 30 Orchestras 34 Conductors 41 Soloists Singers 42 Sopranos 45 Tenors / Countertenors 47 Baritones / Bass Instrumentalist 50 Players of Keyboard Instruments 56 Players of String Instruments 60 Players of Wind Instruments PART 2 ORGANISATIONS AND STRUCTURES 68 Concert Organisations 69 Arts Centres and Concert Halls 71 Festivals 73 Research Institutions, Documentation Centres and Libraries 79 Music Education 80 Conservatories 81 Postgraduate Education 81 Universities 82 Media 85 Booking Agencies 86 Publishers 87 Record Companies 88 Instrument Makers PART 3 ADDITIONAL INFORMATION 93 ‘Flemish’ Music from the Middle Ages until circa 1750 97 On Cultural Policy in Flanders 4 FLANDERS? GATEWAY TO EUROPE Belgium is a federal state in the heart of Europe. Flanders is the northern, Dutch-speaking part of Belgium. The Flemish Community counts more than 6 million inhabitants and is run by a government of its own with a number of specific competences, such as culture, education, media… Brussels, capital of Belgium and of Flanders as well, is home to the European Commission and many international cultural institutions. 5 PREFACE Smaller than a postage stamp! That’s how minute Flanders looks on a map of the world, if you can discover it at all. However, a felicitous turn of his- tory has made this region into an exciting crossroads of different cultures. This is why Flanders is so rich in creative talent and abundant with cultural activities.
    [Show full text]
  • Festival 2011 Program
    THE LONG ISLAND Guitar Festival Harris Becker Festival Director April 13-17, 2011 THE LONG ISLAND GUITAR FESTIVAL HAS BEEN FUNDED IN PART BY : The Augustine Foundation Murphy’s Music & Violin Shop This event is supported by a grant from Long Island University’s John P. McGrath Fund The School of Visual and Performing Arts and The Department of Music of the C.W. Post Campus of Long Island University For more information on the Long Island Guitar Festival visit www.liu.edu/gfest LONG ISLAND GUITAR FESTIVAL SCHEDULE OF EVENTS Wednesday, April 13 8:15 p.m. CONCERT : Musicians from “A Midsummer M2usic D0ream” 11 Performers include: Harris Becker, Dale Stuckenbruck, Veronica Salas, Laura Lessard, New York Virtuosi/Kammermusik and Barbara Fusco • Great Hall Thursday, April 14 8:15 p.m. CONCERT : Paul O’Dette, Lute • Great Hall Friday, April 15 11 a.m. MASTER CLASS : Paul O’Dette • Fine Arts 3:30 p.m. MASTER CLASS: “The Music of J. S. Bach” with violinist Dale Stuckenbruck • Fine Arts 8 p.m. CONCERT: Raphaella Smits, Guitar • Hillwood Cinema Saturday, April 16 9:30 a.m. MASTER CLASS: Raphaella Smits • Study Lounge 11:30 a.m. WORKSHOP : High School Ensemble Workshop • Hillwood Recital Hall 12:30 p.m. Lunch Break 1 p.m. WORKSHOP: “Electric Guitar Techniques” with James Erickson. Bring your guitars! • Study Lounge 3 p.m. CONCERT: Emerging Artist - Julian Boyoga • Cinema 4:15 p.m. CONCERT: High School Ensemble Concert, Bishop McGuinness High School from Greensboro North Carolina and Brentwood High School Guitar Ensemble • Hillwood Recital Hall 8:15 p.m.
    [Show full text]
  • Classical New Releases
    harmonia mundi UK OCTOBER 7 Classical new releases DISTRIBUTED LABELS: ACCENT RECORDS, ACTES SUD, ALIA VOX, APARTE, BELVEDERE, THE CHOIR OF KINGS COLLEGE CAMBRIDGE, CHRISTOPHORUS, CSO RESOUND, EDITION CLASSICS, EVIDENCE CLASSIQUES, FRA MUSICA, GLOSSA, harmonia mundi, HERITAGE, LA DOLCE VOLTA, LES ARTS FLORISSANTS EDITIONS, LSO LIVE, MARIINSKY, MIRARE, MYRIOS, NAÏVE, ONYX, PAN CLASSICS, PRAGA DIGITALS, RCO LIVE, SIGNUM CLASSICS, UNITED ARCHIVES, UNICORN, WIGMORE HALL LIVE available October 7th 2016, call-off September 23rd RELEASE DATE 7TH OCTOBER 2016 GESUALDO: Terzo Libro di Madrigali (1595) La Compagnia del Madrigale With Carlo Gesualdo’s 'Third Book of madrigals', La Compagnia del Madrigale continue their dynamic view of late Renaissance Italian repertory, which has seen the vocal ensemble garlanded with critical praises and prizes since the time of its initial Glossa release – Gesualdo’s Sixth Book – three years ago. Although Gesualdo’s Third Book came out but one year after his first two books, it manifests a transitional style that led into the 'late style' of the Fifth and Sixth Books. In his essay Marco Bizzarini develops this idea and points to the darkening of Gesualdo’s psychological profile at the time, which is mirrored in the melancholic nature of the madrigals in the Third Book. In the texts, joy and grief are frequently intermingled - yet each time freshly considered -and although there are named writers such as Battista Guarini present, many of the texts are anonymous; the inference being that Gesualdo himself might have been their author. Musically, the development is signalled especially by a greater use of violent dissonance than before, and demonstrating that Gesualdo could creatively reflect highly-charged emotions in music through counterpoint: no need for monody for him.
    [Show full text]
  • Classical New Release
    harmonia mundi UK JUNE 2 2014 Classical new release available 2nd & 16 June, call-off 23rd May GRAMOPHONE, EDITOR’S CHOICE, June harmonia mundi HMC902162 Haydn Seven Last Words / Cuarteto Casals Wigmore Hall Live WHLIVE0066 Byrd, Bach, Ligeti / Mahan Esfahani Glossa GCD922902 La Bella più bella / Roberta Invernizzi BBC MUSIC MAGAZINE, June Chamber: harmonia mundi HMC902162 Haydn Seven Last Words / Cuarteto Casals Opera: Signum Classics SIGCD372 Bartók Bluebeard’s Castle / Sir John Tomlinson, Philharmonia / Esa-Pekka Salonen Choral & Song: Signum Classics SIGCD375 A Purcell Collection / Voces8 IRR OUTSTANDING, May issue harmonia mundi HMC902175 Oboe and Harp / Céline Moinet Edition Classics EDN1047 Vibrez / Cellophony DISTRIBUTED LABELS: ACCENT RECORDS, ACTES SUD, AGOGIQUE, ALIA VOX, AMBRONAY, APARTE, ARTE VERUM, AUDITE, BEL AIR, THE CHOIR OF KINGS COLLEGE CAMBRIDGE, CONVIVIUM, CHRISTOPHORUS, CSO RESOUND, DELPHIAN, DUCALE, EDITION CLASSICS, FLORA, FRA MUSICA, GLOSSA, harmonia mundi, HAT[NOW]ART, LA DOLCE VOLTA, LES ARTS FLORISSANTS EDITIONS, LSO LIVE, MARIINSKY, MIRARE, MODE, MUSO, MYRIOS, NAÏVE, ONYX, OPELLA NOVA, ORFEO, PAN CLASSICS, PRADIZO, PARATY, PEARL, PHILHARMONIA BAROQUE, PHIL.HARMONIE, PRAGA DIGITALS, RADIO FRANCE, RAM, REAL COMPAÑIA ÓPERA DE CÁMARA, RCO LIVE, SFZ MUSIC, SIGNUM, STRADIVARIUS, UNITED ARCHIVES, WAHOO, WALHALL ETERNITY, WERGO, WIGMORE HALL LIVE, WINTER & WINTER, YSAYE RELEASE DATE 2ND JUNE 2014 SHOSTAKOVICH: Symphonies 4, 5, 6 Mariinsky Orchestra Valery Gergiev Valery Gergiev continues his acclaimed Shostakovich symphony cycle with his sixth release, a 2-SACD set of consecutive symphonies 4, 5 & 6. Shostakovich's symphonies are often emotionally powerful and the three symphonies performed here are a particularly compelling and riveting combination. The tortuous difficulty of adhering to vaguely articulated political dictats shaped the evolution of Shostakovich’s music.
    [Show full text]
  • Nun Komm, Der Heiden Heiland ‹
    JOHANN SEBASTIAN BACH CANTATAS BWV 61 - 36 - 62 - 132 La Petite Bande Sigiswald Kuijken › Nun komm, der Heiden Heiland ‹ 1 Johann Sebastian Bach · Cantatas BWV 61 „Nun komm, der Heiden Heiland“ „1st Sunday in Advent BWV 36 „Schwingt freudig euch empor“ „1st Sunday in Advent BWV 62 „Nun komm, der Heiden Heiland“ „1st Sunday in Advent BWV 132 „Bereitet die Wege, bereitet die Bahn!“ „4th Sunday in Advent La Petite Bande Vocal & instrumental ensemble Dir. Sigiswald Kuijken Gerlinde Sämann soprano Petra Noskaiová alto Christoph Genz tenor Jan Van der Crabben bass 2 COMMENTARY on the Cantatas presented here Advent Cantatas BWV 61, 36, 62 and 132 and Leipzig) were tuned to a pitch which was about The season of Advent includes the four last a semitone higher than our “official” pitch today of weeks before Christmas: Jesus Christ “arrives” A=440 Hz. (Latin: advenit). The church year begins with the four In Weimar and many other places it was usual Advent Sundays as preparation for the birth of Christ, that the instrumentalists and singers played at this which is celebrated on the 25th December. high pitch of the organ (A=about 465 Hz). Compos- In the Lutheran churches in Leipzig cantatas ers, therefore, took this practical aspect into account were only performed on the first Sunday in Advent with the notation of their compositions. In the proc- in Bach’s time. In Weimar, however, there were, in ess some wind players have to transpose their low- the years which Bach spent there, cantata services tuned instruments (mostly oboes in the French tra- on all four Sundays in Advent.
    [Show full text]
  • Classical New Releases
    harmonia mundi UK JUNE 10 Classical new releases available June 10th 2016, call-off June 3rd BBC Music Magazine June 2016 Choral & Song Choice harmonia mundi HMC802236/37 Bach St John Passion René Jacobs “It’s a beautifully recorded version.” BBC R3 Record Review, 19th March 2016 “The results are predictably dramatic, and the narrative is gripping thanks to Werner Güra’s commanding interpretation of the Evangelist.” Sunday Times Opera Choice Pan Classics PC10320 Sebastian Duron Lágrimas Amor Eva Juarez, A Corte Musical, Rogério Gonçalves On the occasion of the 300th anniversary of Duron’s death in 1716, Rogério Conçalves and his ensemble A Corte Musical, present a fine selection of arias taken from his zarzuelas, that confirm Durón as one of the most important Spanish composers of stage music. Chamber Choice ONYX4159 Debussy, Elgar and Respighi Violin Sonatas James Ehnes, Andrew Armstrong “James Ehnes and Andrew Armstrong make of them a satisfying recital disc that showcases Ehnes’s warm tone and purposeful phrasing” The Guardian, 17/01/2016 ACCENT RECORDS, ACTES SUD, ALIA VOX, APARTE, BELVEDERE, THE CHOIR OF KINGS COLLEGE CAMBRIDGE, CHRISTOPHORUS, CSO RESOUND, EDITION CLASSICS, EVIDENCE CLASSIQUES, FRA MUSICA, GLOSSA, harmonia mundi, HERITAGE, LA DOLCE VOLTA, LES ARTS FLORISSANTS EDITIONS, LSO LIVE, MARIINSKY, MIRARE, MYRIOS, NAÏVE, ONYX, PAN CLASSICS, PRAGA DIGITALS, RCO LIVE, SIGNUM CLASSICS, UNITED ARCHIVES, UNICORN, WIGMORE HALL LIVE Gramophone June 2016 Editor’s Choice Accent ACC24301 Zelenka Missa Divi Xaverii, ZWV12. Litaniae de
    [Show full text]
  • Katalog 0607.Indd
    CATALOGUE 2006 · 2007 INTRODUCTION 3-5 COMPOSERS A-Z 6-38 THE BACH CANTATAS PROJECT 9-14 ANTHOLOGIES INSTRUMENTAL 40-51 ANTHOLOGIES VOCAL 52-57 ARTISTS 59-63 COMPOSER INDEX 64-65 DISTRIBUTORS 66-67 ACCENT-RECORDS c/o Note-1 Musikvertrieb GmbH Heuauer Weg 21 / D-69124 Heidelberg [email protected] / www.accent-records.com 2 From the very start of the ACCENT label in ers such as Johann Sebastian Bach and Georg 1979, it was clear that it would specialize almost Philipp Telemann. exclusively in Early Music, employing historic Yet the rarities are recorded for ACCENT performance practices. The artists, who record not only for their unfamiliarity, but much more or have recorded for ACCENT, were from the because they are important works, criminally outset among the most renowned interpreters neglected until now, and recorded at the per- of Early Music: the brothers Barthold, Sigiswald sonal request of the performers. ACCENT has and Wieland Kuijken, René Jacobs, Jos van Im- always been committed to the personal wishes merseel, Konrad Junghänel, Erik van Nevel and of its many performers since its foundation. his Ensemble Currende, Maria Cristina Kiehr with Colombina, Paul Dombrecht, Marcel Pon- ACCENT wishes you much pleasure from seele with his Ensemble il Gardellino, but also this voyage of discovery. younger artists such as Ewald Demeyere, Marc Hantaï, Frank Theuns and Private Musicke with Further interesting and particularly good Pierre Pitzl, among others. value CDs from the ACCENT list can be found The ACCENT catalogue would like to take from 2007 in the ACCENT plus catalogue.
    [Show full text]
  • 2006 Wknd Program.Indd
    in cooperation with the Cleveland Institute of Music Presents Guitar Weekend Raphaëlla Smits Guitar Liliana Rodriguez Jorge Cardoso Soprano Guitar Friday, March 10 at 8:00 pm Forest Hill Church 3031 Monticello Boulevard at Lee Road Cleveland Heights, Ohio Manuel Barrueco Guitar Saturday, March 11 at 8:00 pm Cleveland Institute of Music 11021 East Boulevard Cleveland, Ohio Jason Vieaux Guitar Faculty Recital Sunday, March 12 at 4:00 pm Cleveland Institute of Music Guitars International by arrangement with Armin Kelly Exceptional New Individually Handcrafted Classical Guitars from Around the World ENGLAND MEXICO Ambridge Hernandez Aram Dean Fischer SWEDEN Gee Fredholm Rodgers (tuners) Southwell SPAIN Chiesa FRANCE Marin Montero Fanton d'Andon GERMANY U.S.A. Gropius Byers Panhuyzen Elliott Wagner Milburn Monrad ITALY Ruck Bottelli Vazquez Rubio Galli Strings Velazquez Tacchi White Cleveland, Ohio U.S.A. By Appointment • 216.752.7502 www.guitarsint.com [email protected] Acknowledgments & Welcome Guitars International wishes to thank the many members of the Cleveland Institute of Music’s administration, faculty, staff and student body who have worked so conscientiously to bring about this sixth annual Guitar Weekend. In particular: David Cerone and Frank Caputo for their long standing support of this event, Katrina Heinzen of Concerts and Events for her production of the Saturday, March 11 and Sunday, March 12 concerts and all three master classes, Susan Schwartz for help with the press, Barbara Hosta for help with our mailing list, Elizabeth Osborne for mention in CIM Notes, Brenda Watson for fielding with such good cheer our many phone calls and questions, and CIM Guitar Department Head Jason Vieaux for contributing as always so generously of his time, energy, enthusiasm and art.
    [Show full text]