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Newsletter Number Nineteen September 1983 ISSN 0161-1704
/ newsletter Number Nineteen September 1983 ISSN 0161-1704 Thanks to all who contributed to this issue of the Newsletter. The Newsletter is an occasional publication of the MUsic OCLC Users Group. Editor: Sue Stanau, MUsic LibraTY, Indiana University, Bloomington, IN 4?405. Communications concerning the contents of the Newsletter should be addressed to the editor. Correspondence on subscription or member ship should be forwarded to Joseph W. Scott, Treasurer, MUsic Library, U-l2, University of Connecticut, Storrs, CT 06268. Subscription is by membership (dues: $5.00 for individual members, $lO.OO for institutional members; back numbers are available for $l.50 per copy) * * * * * * * * FROM THE CHAIR It's been hot everywhere this summer; be coming your way soon. Be sure to vote! here in the Midwest we've been having "dog Over the weekend of August 27 the Exec days" and things had slowed down somewhat. utive Board met in Cleveland to formalize Now, vacation time is just about over, school the budget process now required by our new is starting up again and very soon we'll all bylaws. The 1983 budget is now complete be involved in a new flurry of organizational and all expenditures have been authorized by activity. Despite the heat MOUG's committees the board. The 1984 budget has been project and Executive Board have been very active all ed and will be ready for final action in the summer. The REMUS Committee (Ruth Henderson, spring. We also discussed the plans for our chair) has very nearly completed its planning 1984 Annual Meeting which will be something for the project, including the mid-summer of a departure from the norm for MOUG. -
Noted Primatologist Sarah Blaffer Hrdy to Deliver 2001-2002 Cressman Lecture in the Humanities
Newsletter: Fall 2001 THE OREGON HUMANITIES CENTER Noted Primatologist Sarah Blaffer Hrdy to Deliver 2001-2002 Cressman Lecture in the Humanities Steven Shankman The Oregon Humanities Center is very pleased to present primatologist Sarah Blaffer Hrdy as the Director Distinguished Professor, CAS 2001-2002 Luther S. and Dorothy Cecelia Cressman Lecturer in the Humanities. Her slide English; Classics lecture, "Maternal Love and Ambivalence in the Pleistocene, the 18th Century, and Right Julia J. Heydon Now," will take place on Friday, November 16, 2001 at 4 p.m. in 177 Lawrence Hall. From a broad Associate Director comparative and evolutionary perspective, Professor Hrdy will explore the biological, social, and behavioral aspects of motherhood and maternal commitment, both in primates and in humans, across Ruthann L. Maguire Administrative Program Specialist time and cultures. The lecture will also examine the clash between career and motherhood. 2001-2002 Advisory Board Hrdy graduated summa cum laude from Radcliffe in 1969, and received her PhD in Anthropology Barbara Altmann from Harvard in 1975. Her Langurs of Abu: Female and Male Strategies of Reproduction (1977) Romance Languages was the first book to analyze the behavior of wild primates as an ongoing dialectic between male and Dianne Dugaw female "strategists." In The Woman that Never Evolved, Hrdy debunked evolutionary stereotypes English about passive females, and stressed the extent to which female primates were sexually assertive and Warren Ginsberg competitive in those spheres which actually mattered to them. Her most recent book, Mother Nature, English won the Howells Prize for best book in biological anthropology, and was chosen by Publisher's Weekly and Library Journal as one of the Best Books of 1999. -
Classical New Release
harmonia mundi UK SEPTEMBER 15 Classical new release available September 15, call-off 5th Sept BBC MUSIC MAGAZINE, September Orchestral ALBUM OF THE WEEK, Sunday Times, 15th June Actes Sud ASM15 Stravinsky The Rite of Spring & Petrushka Les Siecles/Francois Xavier-Roth Opera Bel Air Classiques BAC110 DVD / BAC410 BLURAY Strauss Elektra Evelyn Herlitzius etc; Orchestre de Paris/Esa-Pekka Salonen Choral & Song Myrios MYR12 An die Geliebte Julian Prégardien & Christoph Schnackertz GRAMOPHONE EDITOR’S CHOICE AUDITE92659 Mendelssohn Complete Chamber Music for Strings, Vol 4 Mandelring Quartet BBC RADIO 3, BUILDING A LIBRARY: AUDITE 95627 Siegfried Idyll/Lucerne, Abbado 12 july DISTRIBUTED LABELS: ACCENT RECORDS, ACTES SUD, AGOGIQUE, ALIA VOX, AMBRONAY, APARTE, ARTE VERUM, AUDITE, BEL AIR, THE CHOIR OF KINGS COLLEGE CAMBRIDGE, CONVIVIUM, CHRISTOPHORUS, CSO RESOUND, DELPHIAN, DUCALE, EDITION CLASSICS, EVIDENCE, FLORA, FRA MUSICA, GLOSSA, harmonia mundi, HAT[NOW]ART, HERITAGE, LA DOLCE VOLTA, LA MUSICA, LES ARTS FLORISSANTS EDITIONS, LSO LIVE, MARIINSKY, MIRARE, MODE, MUSO, MYRIOS, NAÏVE, ONYX, OPELLA NOVA, ORFEO, PAN CLASSICS, PRADIZO, PARATY, PHILHARMONIA BAROQUE, PHIL.HARMONIE, PRAGA DIGITALS, RADIO FRANCE, RAM, REAL COMPAÑIA ÓPERA DE CÁMARA, RCO LIVE, SFZ MUSIC, SIGNUM, STRADIVARIUS, UNITED ARCHIVES, WALHALL ETERNITY, WERGO, WIGMORE HALL LIVE, WINTER & WINTER, YSAYE RELEASE DATE 15TH SEPTEMBER 2014 From the Imperial Court Music for the House of Hapsburg Stile Antico One of Europe’s most extraordinary ruling dynasties, the Hapsburgs ruled greater or lesser portions of Europe from the 11th century until 1918, their heyday coinciding with the supreme musical flourishing of the 16th century. Their rule saw a particular increase during the reign of Maximilian I, secured first by his marriage to Mary of Burgundy in 1477 and then by the union of their son Philip ‘the Handsome’ with Joanna ‘the Mad’ of Castille. -
Classical Releases JUNE 9
Classical releases JUNE 9 DISTRIBUTED LABELS: ACCENT RECORDS, ACTES SUD, ALIA VOX, APARTE, BELVEDERE, KINGS COLLEGE CAMBRIDGE, CHRISTOPHORUS, CSO RESOUND, EDITION CLASSICS, EVIDENCE CLASSIQUES, FRA MUSICA, GLOSSA, harmonia mundi, LA DOLCE VOLTA, LES ARTS FLORISSANTS, LSO LIVE, MARIINSKY, MIRARE, MYRIOS, NAÏVE, ONYX, PAN CLASSICS, PRAGA DIGITALS, RUBICON CLASSICS, SIGNUM CLASSICS, UNITED ARCHIVES, WIGMORE HALL LIVE available June 9th 2017 RELEASE DATE 9TH JUNE 2017 BARTOK: Complete String Quartets Heath Quartet The string quartet was of central importance to Bartók throughout his career. His six quartets were written (between 1907 and 1939) at crucial turning points in the composer’s creative development. From the elegiac tone of Quartet no.1 (reflecting an unhappy love affair) to the sadness and wry parody of no.6, composed on the eve of World War II, by way of the mirror forms and atmospheric ‘night music’ of nos.4 and 5, they represent perhaps the biggest interpretative challenge in the genre alongside the Beethoven quartets. A challenge triumphantly met here by the Heath Quartet. Future plans include complete cycles of Jörg Widmann’s string quartets at Kilkenny Festival, Berlin’s Boulez Saal and Wigmore Hall, as well as numerous appearances at summer festivals in the United Kingdom and beyond. Their debut recording of Tippett’s string quartets (Wigmore Hall Live) received widespread acclaim and won the Gramophone Chamber Disk of the Year in 2016. A subsequent release on Harmonia Mundi of Tchaikovsky Quartets 1 & 3 was selected as Disk of the Week by both The Sunday Times and BBC Radio 3. CD1: Label: harmonia mundi 1-3 String Quartet no.1 op.7 Sz.40, BB 52 I. -
Classical New Release
harmonia mundi UK JUNE 30 2014 Classical new release Maria Joao Pires joins Onyx available 30th June & July 14, call-off 20th June BBC MUSIC MAGAZINE, CHOICES July Naïve V5344 Mister Paganini: Laurent Korcia Glossa GCD922803 Gesualdo Responsoria: La Compagnia del Madrigale GRAMOPHONE, EDITOR’S CHOICE, July Orfeo C878141A Strauss Also sprach, Don Juan, Till Eulenspiegel: CBSO, Andris Nelsons IRR OUTSTANDING, June BBC MUSIC MAGAZINE CHOICE June Opera Magazine, DISC OF THE MONTH Signum SIGCD372 Bartok Bluebeard’s Castle: Sir John Tomlinson, Philharmonia, Esa-Pekka Salonen IRR OUTSTANDING, June Pan Classics PC10305 C.P.E. Bach Works for Keyboard & Violin: Leila Schayegh ALBUM OF THE WEEK, Sunday Times, 11th May GLOSSA GCD921119 Mozart The Last Three Symphonies: Orchestra of the 18th Century, Frans Brüggen BBC RADIO 3, CD OF THE WEEK, CD REVIEW Naive V5373 Handel Tamerlano / Sabata, Cencic, Minasi DISTRIBUTED LABELS: ACCENT RECORDS, ACTES SUD, AGOGIQUE, ALIA VOX, AMBRONAY, APARTE, ARTE VERUM, AUDITE, BEL AIR, THE CHOIR OF KINGS COLLEGE CAMBRIDGE, CONVIVIUM, CHRISTOPHORUS, CSO RESOUND, DELPHIAN, DUCALE, EDITION CLASSICS, FLORA, FRA MUSICA, GLOSSA, harmonia mundi, HAT[NOW]ART, LA DOLCE VOLTA, LES ARTS FLORISSANTS EDITIONS, LSO LIVE, MARIINSKY, MIRARE, MODE, MUSO, MYRIOS, NAÏVE, ONYX, OPELLA NOVA, ORFEO, PAN CLASSICS, PRADIZO, PARATY, PEARL, PHILHARMONIA BAROQUE, PHIL.HARMONIE, PRAGA DIGITALS, RADIO FRANCE, RAM, REAL COMPAÑIA ÓPERA DE CÁMARA, RCO LIVE, SFZ MUSIC, SIGNUM, STRADIVARIUS, UNITED ARCHIVES, WAHOO, WALHALL ETERNITY, WERGO, WIGMORE HALL LIVE, WINTER & WINTER, YSAYE RELEASE DATE 14TH JULY 2014 LISZT: Sonata in B minor, Late pieces Paul Lewis Editor’s Choice, Gramophone *****, The Guardian Radio 3 Disc of the Week Gramophone Critics’ Choice Pianist Recommended "The poetry and grandeur of his playing put Paul Lewis's Liszt among the Greats…even in a crowded market place (where Horowitz, Gilels, Richter, Argerich, Brendel and Pollini, etc, jostle for attention) Paul Lewis's recording stands out for its breadth, mastery and shining musicianship. -
Public Events
Public Events April 2017 Subscribe to this publication by emailing Carol Chen at [email protected] Table of Contents Overview Highlighted April 2017 Events .................................................................... 3 Children’s Events .......................................................................................... 4 Earth Month .................................................................................................. 5 Northwestern Events Arts Music Performances .................................................................................... 7 The 2017 American Liszt Society Festival Theatre .......................................................................................................... 12 Film ............................................................................................................... 14 Exhibits ......................................................................................................... 16 Arts and Music Lectures ............................................................................... 19 Neighborhood and Community Relations Living 1603 Orrington Avenue, Suite 1730 Leisure and Social ......................................................................................... 22 Evanston, IL 60201 Norris Mini Courses www.northwestern.edu/communityrelations Around Campus ARTica (art studio) Norris Outdoors Alan Anderson Religious Services ........................................................................................ 25 Executive Director [email protected] -
Questo CD È Dedicato Alla Memoria Di Anthony Newcomb, Profondo
p h o t o : A l e s s a n d r o V i o l i Questo CD è dedicato alla memoria di Anthony Newcomb, profondo conoscitore e appassionato del madrigale italiano, eccellente studioso dei compositori legati alla città di Ferrara e grande amico e sostenitore della Compagnia del Madrigale. This CD is dedicated to the memory of Anthony Newcomb, a respected scholar of the Italian madrigal. He had a deep knowledge of composers connected with the city of Ferrara and was a friend and supporter of La Compagnia del Madrigale. La Compagnia del Madrigale Rossana Bertini, soprano [rb] Francesca Cassinari, soprano [fc] Elena Carzaniga, alto [ec] Giuseppe Maletto, tenor [gm] Raffaele Giordani, tenor [rg] Daniele Carnovich, bass [dc] 7ef7 Recorded in Cumiana (Confraternita dei Santi Rocco e Sebastiano), Italy, on 24-28 April 2018 (Gesualdo: Secondo libro ), 24-26 June 2018 (Nenna, De Macque, Palazzotto, D’India), and 20 September 2018 (Gesualdo: O dolorosa gioia ) Engineered by Giuseppe Maletto Produced by La Compagnia del Madrigale Music transcriptions by Giuseppe Maletto Executive producer & editorial director: Carlos Céster Design: Rosa Tendero Photos on pages 11, 17, 28, 37: Giorgio Vergnano Translations: Mark Wiggins (essay, eng ), Andrea Friggi (poetry, eng ), Pierre Élie Mamou ( fra ), Susanne Lowien ( deu ) © 2019 note 1 music gmbh Ringraziamo Davide Ficco e Giorgio Taramasso per il supporto tecnico. Un grazie agli amici «Scipioni» per il loro contributo alla riscoperta di questi tesori madrigalistici. Carlo Gesualdo (1566-1613) Secondo Libro di Madrigali a cinque voci – Ferrara, 1594 7ef7 01 Se per lieve ferita [no. 3] fc, ec, gm, rg, dc 4:15 02 Non mi toglia il ben mio [no. -
Guide to Early Music in Flanders
GUIDE TO EARLY MUSIC IN FLANDERS SECOND EDITION 2009 CONTENTS 6 PREFACE 7 INTRODUCTION: A Devil and a Pederast: On historical performance practice in Flanders and its international ramifications PART 1 ARTISTS 14 Ensembles 30 Orchestras 34 Conductors 41 Soloists Singers 42 Sopranos 45 Tenors / Countertenors 47 Baritones / Bass Instrumentalist 50 Players of Keyboard Instruments 56 Players of String Instruments 60 Players of Wind Instruments PART 2 ORGANISATIONS AND STRUCTURES 68 Concert Organisations 69 Arts Centres and Concert Halls 71 Festivals 73 Research Institutions, Documentation Centres and Libraries 79 Music Education 80 Conservatories 81 Postgraduate Education 81 Universities 82 Media 85 Booking Agencies 86 Publishers 87 Record Companies 88 Instrument Makers PART 3 ADDITIONAL INFORMATION 93 ‘Flemish’ Music from the Middle Ages until circa 1750 97 On Cultural Policy in Flanders 4 FLANDERS? GATEWAY TO EUROPE Belgium is a federal state in the heart of Europe. Flanders is the northern, Dutch-speaking part of Belgium. The Flemish Community counts more than 6 million inhabitants and is run by a government of its own with a number of specific competences, such as culture, education, media… Brussels, capital of Belgium and of Flanders as well, is home to the European Commission and many international cultural institutions. 5 PREFACE Smaller than a postage stamp! That’s how minute Flanders looks on a map of the world, if you can discover it at all. However, a felicitous turn of his- tory has made this region into an exciting crossroads of different cultures. This is why Flanders is so rich in creative talent and abundant with cultural activities. -
Festival 2011 Program
THE LONG ISLAND Guitar Festival Harris Becker Festival Director April 13-17, 2011 THE LONG ISLAND GUITAR FESTIVAL HAS BEEN FUNDED IN PART BY : The Augustine Foundation Murphy’s Music & Violin Shop This event is supported by a grant from Long Island University’s John P. McGrath Fund The School of Visual and Performing Arts and The Department of Music of the C.W. Post Campus of Long Island University For more information on the Long Island Guitar Festival visit www.liu.edu/gfest LONG ISLAND GUITAR FESTIVAL SCHEDULE OF EVENTS Wednesday, April 13 8:15 p.m. CONCERT : Musicians from “A Midsummer M2usic D0ream” 11 Performers include: Harris Becker, Dale Stuckenbruck, Veronica Salas, Laura Lessard, New York Virtuosi/Kammermusik and Barbara Fusco • Great Hall Thursday, April 14 8:15 p.m. CONCERT : Paul O’Dette, Lute • Great Hall Friday, April 15 11 a.m. MASTER CLASS : Paul O’Dette • Fine Arts 3:30 p.m. MASTER CLASS: “The Music of J. S. Bach” with violinist Dale Stuckenbruck • Fine Arts 8 p.m. CONCERT: Raphaella Smits, Guitar • Hillwood Cinema Saturday, April 16 9:30 a.m. MASTER CLASS: Raphaella Smits • Study Lounge 11:30 a.m. WORKSHOP : High School Ensemble Workshop • Hillwood Recital Hall 12:30 p.m. Lunch Break 1 p.m. WORKSHOP: “Electric Guitar Techniques” with James Erickson. Bring your guitars! • Study Lounge 3 p.m. CONCERT: Emerging Artist - Julian Boyoga • Cinema 4:15 p.m. CONCERT: High School Ensemble Concert, Bishop McGuinness High School from Greensboro North Carolina and Brentwood High School Guitar Ensemble • Hillwood Recital Hall 8:15 p.m. -
Renaissance Listening List
CHORAL LITERATURE FROM 500–1650 A Recommended Listening List Prepared by Jason A. Anderson June 10, 2003, rev. August 10, 2004 Orpheus serenades Pluto and Persephone in the Underworld. This list attempts to expose students of all levels to the choral music from the Middle Ages to the Early Baroque. The list is in no way exhaustive. Meticulous students will seek out additional readings and recordings. Each week covers a specific country, genre, or concept. At the end of each week, students will find corresponding listening activities to aid in broadening knowledge of a particular topic. Any of these topics could be further developed as a final presentation or graduate oral examination topic. No part of this may be reproduced without written permission of the author. 1 CHORAL LITERATURE FROM 500-1650 Recommended Listening List By Jason Anderson Week 1 • From Monody to Polyphony Contained on Disc 1 GREGORIAN CHANT 1 Hymn: Pange lingua and Crux fidelis 2 Sequence: Victimae Paschali laudes 3 Antiphon: Alma redemptoris Mater LITURGICAL DRAMA 4-5 “In principio omnes” from Ordo Virtutum by Hildegard von Bingen [1098–1179] ORGANUM 6 Duplum: Viderunt omnes by Léonin [fl. 1163–1190] 7-9 Quadruplum: Sederunt by Pérotin [fl. 1190–1225] MOTETS 10 Gratissima virginis… by Philippe de Vitry [1291–1361] 11 Quam pulchra es by John Dunstable [c. 1390–1453] 12 Nuper rosarum flores by Guillaume Dufay [c. 1400–1474] 13 Gaudete, Christus est natus (Anonymous) MASS SETTINGS WITH SOURCE MATERIAL 14 L’Homme armé (Anonymous) 15-17 “Agnus Dei” from Missa L’Homme armé by Guillaume de Machaut 18 Se la face ay pale by Guillaume Dufay 19-24 “Gloria” from Missa Se la face ay pale by Guillaume Dufay SECULAR FORMS 25 Dame, de qui toute ma joie vient by Guillaume de Machaut 26-28 Non avrà ma’ pieta by Francesco Landini [1325–1397] 29 Ne je ne dors by Guillaume Dufay CORRESPONDING LISTENING ACTIVITIES The three Gregorian chants listed above have specific liturgical uses. -
La Venexiana
La Venexiana Discography | August 2020 Giovanni Battista Bononcini La conversione di Maddalena (Oratorio) GLOSSA GCD 920944 Emanuela Galli | soprano Francesca Lombardi Mazzulli | soprano Marta Fumagalli | alto Matteo Bellotto | bass Bononcini, Steffani, A due alti GLOSSA GCD 920942 Marcello etc. Filippo Mineccia | countertenor Raffaele Pe | countertenor Francesco Cavalli Sospiri d’amore - Duette GLOSSA GCD 920940 Giulia Semenzata | soprano Raffaele Pe | countertenor Claudio Monteverdi Il Ritorno d’Ulisse in Patria GLOSSA GCD 920920 Luzzasco Luzzaschi Concerto delle Dame GLOSSA GCD 920919 Francesco Cavalli Artemisia GLOSSA GCD 920918 Claudio Monteverdi u.a. Round M - Monteverdi meets Jazz GLOSSA GCD P30917 Claudio Monteverdi L’Incoronazione di Poppea GLOSSA GCD 20916 Claudio Monteverdi Scherzi Musicali GLOSSA GCD 920915 Claudio Monteverdi Selva Morale e Spirituale GLOSSA GCD 920914 Claudio Monteverdi Primo e Nono Libro dei Madrigali GLOSSA GCD 920921 Claudio Monteverdi Quinto Libro dei Madrigali GLOSSA GCD 920925 Claudio Monteverdi L'Orfeo GLOSSA GES 920913-F Gramophone Award CHOC - Monde de la Musique Claudio Monteverdi Ottavo Libro dei Madrigali GLOSSA GCD 920928 Preis der Deutschen Schallplattenkritik Claudio Monteverdi Sesto Libro dei Madrigali GLOSSA GCD 920926 Konzertdirektion Andrea Hampl • Karl-Schrader-Str. 6 • D - 10781 Berlin phone: +49 30 - 478 26 99 • mobile: +49 172 - 380 56 45 • fax: +49 30 - 478 37 92 • [email protected] • www.konzertdirektion.de Member of the German and European Association of Artist Managers page -
Symposium Booklet.Pdf
CONTENTS Call for Papers .......................................................................................................... 3 Acknowledgements .................................................................................................. 4 Conference Timetable .............................................................................................. 5 Day 1 ............................................................................................................. 5 Day 2 ............................................................................................................. 6 Day 3 ............................................................................................................. 8 Day 4 ........................................................................................................... 10 Day 5 ........................................................................................................... 12 Locations ................................................................................................................ 13 Abstracts ................................................................................................................. 16 ICTM Paper Presentations .......................................................................... 16 IMS/ICTM Joint Panels ................................................................................ 35 Concert Programme ............................................................................................... 52 About the Performers