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in cooperation with the Cleveland Institute of Music Presents Guitar Weekend Raphaëlla Smits Guitar Liliana Rodriguez Jorge Cardoso Soprano Guitar Friday, March 10 at 8:00 pm Forest Hill Church 3031 Monticello Boulevard at Lee Road Cleveland Heights, Ohio Manuel Barrueco Guitar Saturday, March 11 at 8:00 pm Cleveland Institute of Music 11021 East Boulevard Cleveland, Ohio Jason Vieaux Guitar Faculty Recital Sunday, March 12 at 4:00 pm Cleveland Institute of Music Guitars International by arrangement with Armin Kelly Exceptional New Individually Handcrafted Classical Guitars from Around the World ENGLAND MEXICO Ambridge Hernandez Aram Dean Fischer SWEDEN Gee Fredholm Rodgers (tuners) Southwell SPAIN Chiesa FRANCE Marin Montero Fanton d'Andon GERMANY U.S.A. Gropius Byers Panhuyzen Elliott Wagner Milburn Monrad ITALY Ruck Bottelli Vazquez Rubio Galli Strings Velazquez Tacchi White Cleveland, Ohio U.S.A. By Appointment • 216.752.7502 www.guitarsint.com [email protected] Acknowledgments & Welcome Guitars International wishes to thank the many members of the Cleveland Institute of Music’s administration, faculty, staff and student body who have worked so conscientiously to bring about this sixth annual Guitar Weekend. In particular: David Cerone and Frank Caputo for their long standing support of this event, Katrina Heinzen of Concerts and Events for her production of the Saturday, March 11 and Sunday, March 12 concerts and all three master classes, Susan Schwartz for help with the press, Barbara Hosta for help with our mailing list, Elizabeth Osborne for mention in CIM Notes, Brenda Watson for fielding with such good cheer our many phone calls and questions, and CIM Guitar Department Head Jason Vieaux for contributing as always so generously of his time, energy, enthusiasm and art. We also wish to thank Music Director Anne Wilson and Forest Hill Church for so kindly donating their sanctuary for Friday evening’s concert, Mary Denham Bonner and the Museum Advisory Council of the Western Reserve Historical Society for so graciously sponsoring Saturday morning’s Symposium on Early Instruments and Notation. One of the unique aspects of the Distinguished Artists Series, of which this Guitar Weekend is a part, is that it is to the best of our knowledge the only classical guitar series in North America to provide scholarly program notes on both the composers and the music to be performed. For their substantial contribution of time, expertise and patience in researching, writing and proof reading these notes, Guitars International wishes to extend a very special thanks to this year’s annotators. In order of event: Tom Poore, Dr. Brad DeRoche, Dr. Richard Long and Erik Mann. In addition, many thanks go to the following individuals and organizations for their indispensable kindnesses over the years too many to recount here but not forgotten: Donald Rosenberg, Wilma Salisbury, John Kappes, Merlene Santiago, Mark Rapp and the Plain Dealer, the Cleveland Free Times, Cris Glaser and Cleveland Scene, Elaine Guregian and the Akron Beacon Journal, the News Herald, A. Grace Lee Mims, Jenny Northern, Jim Mehrling and Jennifer Jumba of WCLV 104.9FM, Dave DeOreo of WCPN 90.3 FM, the Greater Cleveland Classical Guitar Society, Bill Capone and Arlene Paskalian of Arts Management Group, Inc., Asgerdur Sigurdardottir, Jonathan Wentworth Associates, Bruce Egre and Azica Records, Tommaso Galli and Stefania Mercuri of Galli Strings, Richard and Karen Cyr of Strings By Mail, Debbie Dietz and Alpha Graphics downtown; and teachers, friends and long time supporters of this event: Matt Ablan, Don Better, Kathy and Martin Davin, Bob Gruca, Christoph Harlan, Jean Price and Stuart Vokes. Finally, we wish to extend a warm welcome and very special thanks to this year’s eight performing artists and to all of you who have traveled from near and far (Florida, Indiana, Kentucky, Michigan, New York, North Carolina, Ohio, Ontario, Pennsylvania, West Virginia and Wisconsin at last count) to attend this year’s celebration of art music, solo and ensemble, for the classical guitar. Enjoy the Weekend. – Armin Kelly, Guitars International OTHER GUITAR WEEKEND EVENTS SATURDAY, MARCH 11 AT 10AM Symposium on Early Instruments and Notation Sponsored by The Museum Advisory Council of the Western Reserve Historical Society. Free And Open To The Public. Presented by Erik Mann, with guest artists: Kenneth Bé (Renaissance guitar, lute, and vihuela) and Stephen Toombs (Baroque guitar) Western Reserve Historical Society, 10825 East Boulevard, Cleveland, Ohio (across the street from CIM) This Symposium will introduce the performer and the listener to some of the tens of thousands of beautiful Renaissance and Baroque works for solo guitar, lute and vihuela that are not available in modern notation. Coffee and pastries will be available for purchase. SATURDAY, MARCH 11 AT 1PM Raphaëlla Smits: master class, CIM Studio 113. CIM guitar students will perform. Free and open to the public. SATURDAY, MARCH 11 AT 4PM Jason Vieaux: master class, CIM Studio 113. Non CIM guitar students will perform. Free and open to the public. SUNDAY, MARCH 12 AT NOON Manuel Barrueco: master class, CIM Kulas Hall. CIM guitar students will perform. Free and open to the public. Artists’ Biographies In Order Of Event CONCERT Friday, March 10, 8pm at Forest Hill Church Jorge Cardoso has given concerts and lectured on classical guitar technique, interpretation, Latin American Music, Baroque Music, and Music Composition at conferences, seminars and classes around the world. He has composed over 350 works: suites and pieces for solo guitar; duets (two guitars, guitar and violin, guitar and harpsichord, guitar and flute); trio and quartets; string quartet; quintets (guitar and strings, guitar and wind instruments); concertos (for two guitars and strings, for guitar and orchestra); an orchestra for strings and songs for voice and guitar. He is the recipient of the highest awards at various competitions and festivals. In addition to credits as a concert guitarist, composer and musicologist, he is a medical doctor. Jorge Cardoso is president of GUIA (Guitarristas de América), an international organization dedicated to the diffusion of music of the Americas. Website: http:// pagina.dej_cardoso. The soprano, Liliana Rodriguez, was born in Cordoba, Argentina. As the lead vocalist of the Argentine folklore group, Grupo Azul, she has made various recordings, radio and television appearances and toured internationally. In addition to performing popular Argentine music, she has made a name for herself as a soloist in Mozart’s Cosi Fan Tutte (Despina) and Zauberflöte (Papagena), Contes d’hoffman (Giuletta), Carl Orff’s Carmina Burana, Manuel de Falla’s El Sombrero de Tres Picos, El Amor Brujo and Brecht/Weill’s Die Sieben Todsunden (Ana). She has also worked with the ensemble for ancient baroque music, Musica Segreta. In 1992 she moved to Paris and joined the ensemble, Alternancia, performing the music of Juan Jose Mosalini and Marisa Manchada; she also makes regular appearances with Esquina, the trio for contemporary tango. Website: http://perso.wanadoo.fr/liliana. rodriguez/. Belgian classical guitarist Raphaëlla Smits is called quite rightly “une Grande Musicienne.” Praised by the New York Times as “uncommonly musical,” she was the first woman to be awarded the coveted First Prize in Spain’s Certamen Internacional de Guitarra Francisco Tárrega Competition. Since then she has toured the world many times over, performing frequently in the music capitols of Western and Eastern Europe and in North and South America. A persuasive advocate of both the modern eight string and the 19th century classical guitars, she studied music at the Royal Conservatories of Antwerp and Brussels, was a student of José Tomás at the Catedra Andrés Segovia in Spain, and went on to win prizes in the Granada and Palma Mallorca International Competitions. Ms. Smits’ much sought after recordings on the Accent label are distinguished for their “lyricism, sentiment and passion” (American Record Guide). Raphaëlla Smits is Professor of Guitar and Chamber Music at the renowned Lovain Lemmens Institute in Belgium. Website: www.rsmits.com. SYMPOSIUM ON EARLY INSTRUMENTS AND NOTATION Saturday, March 11, 10am sponsored by The Museum Advisory Council at the Western Reserve Historical Society Kenneth Bé is a graduate of Yale University and worked as a paintings conservator at The Cleveland Museum of Art for eighteen years. Currently, he makes a living as a freelance restorer of paintings in Cleveland, Ohio. In addition to his expertise as an art conservator, Mr. Bé is also an accomplished lutenist. He has been an active performer of Renaissance and Baroque lute music for 30 years. He counts among his coaches lutenist Paul O’Dette and has performed in lute duet concerts with Ronn McFarlane. Mr. Bé has performed in the Boston Early Music Festival and has given recitals across the U.S., in Japan and in Europe. Erik Mann is professor of Guitar Literature and Guitar Pedagogy at the Cleveland Institute of Music under department head Jason Vieaux. He also heads the guitar departments at Edinboro University and Mercyhurst College, both in Northwest Pennsylvania, where he teaches majors in Classical Guitar Performance and Music Education. In addition, he teaches for The Cleveland Music School Settlement, and during the summer teaches for the music department of the Pennsylvania Governor’s School of the Arts - a program which draws the most talented high school students from around the state of Pennsylvania. Website: www.emann.net. Stephen Toombs holds degrees in music and musicology from Washington University (St. Louis) and a soloist diploma from the Netherlands Royal Conservatory (the Hague) where he studied lute and basso continuo with Toyohiko Satoh. He is the director of the early music quartet Ensemble Lautenkonzert and is active as a solo and accompanying lutenist, theorbist and baroque guitarist. Mr. Toombs is the music librarian for Case Western Reserve University. CONCERT Saturday, March 11, 8pm at the Cleveland Institute of Music Manuel Barrueco is recognized internationally as a leading figure in the guitar world today.
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  • Bulletin 2006/Music/Pages

    Bulletin 2006/Music/Pages

    ale university July 20, 2006 2007 – Number 4 bulletin of y Series 102 School of Music 2006 bulletin of yale university July 20, 2006 School of Music Periodicals postage paid New Haven, Connecticut 06520-8227 ct bulletin of yale university bulletin of yale New Haven Bulletin of Yale University The University is committed to basing judgments concerning the admission, education, and employment of individuals upon their qualifications and abilities and affirmatively seeks to Postmaster: Send address changes to Bulletin of Yale University, attract to its faculty, staff, and student body qualified persons of diverse backgrounds. In PO Box 208227, New Haven ct 06520-8227 accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against any individual on PO Box 208230, New Haven ct 06520-8230 account of that individual’s sex, race, color, religion, age, disability, status as a special disabled Periodicals postage paid at New Haven, Connecticut veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation. Issued seventeen times a year: one time a year in May, November, and December; two times University policy is committed to affirmative action under law in employment of women, a year in June; three times a year in July and September; six times a year in August minority group members, individuals with disabilities, special disabled veterans, veterans of the Vietnam era, and other covered veterans. Managing Editor: Linda Koch Lorimer Inquiries concerning these policies may be referred to Valerie O.