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CJ ENM (035760 KS) Music Business Secures More Global IP

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Company Report Sep 24, 2019 CJ ENM (035760 KS) Media/entertainment Music business secures more global IP To own IP of 5 boy/girl group in 1H20 After “Wanna One” disbanded (Dec 31, 2018), CJ ENM launched new band group “X1,” consisting of the highest-ranking members from reality audition show “Produce X 101” in 2019. Sales of X1’s debut album (launched on Aug 27, 2019) exceeded 520,000 units, the highest initial sales volume for a debut album. Although police are investigating a vote-rigging scandal at Produce 101, album sales volume, a leading indicator of fandom, remains solid. Album sales volume of “IZ*ONE,” a girl group consisting of the 12 highest-ranking members from the finale of “Produce 48,” now stand at 800,000 (320,000 in Korea + 480,000 in Japan) in 2019. As IZ*ONE is set to release its third Japanese single on Sep 25, its 2019 album sales in Korea and Japan are likely to hit 1mn. Even if X1 and IZ*ONE release no more albums in 2019, their combined album sales in 2019 will likely reach 1.5mn, about 60% of Wanna One’s 2018 album sales Rating BUY (M) volume in Korea and Japan (2.44mn albums). Combined album sales volume of X1 and Target price 303,000 (M) IZ*ONE in 2020 should easily surpass Wanna One’s 2018 album sales. Current price (Sep 23) W171,500 CJ ENM plans to launch 3 more boy bands from Sep 2019 to 1Q20, including one made Upside potential 77% up of the top-11 trainees of Produce 101 Japan; “TOO” (Ten Oriented Orchestra), composed of the winners from audition show “World Klass”; and one sourced from global auditions of Belief Lab (JV of CJ ENM and Big Hit Entertainment). 1) Produce 101 Japan is a joint Market cap (Wbn) 3,761 project between CJ ENM and Japan’s Yoshimoto Kogyo. Its first and last shows will be Shares outstanding 21,929,154 broadcast on Japanese terrestrial TV channel TBS, while other episodes will air on GyaO, Avg daily T/O (2M, Wbn) 11 Yahoo Japan’s video streaming site. 2) TOO will debut through Mnet’s new survival show Avg daily volume (2M, shrs) 63,749 World Klass (first show on Oct 4). Ten members will be chosen from 20 candidates. CJ 52-week high (won) 259,000 ENM producer Jung Chang-hwan, formerly of SM Entertainment, will take part in making the 52-week low (won) 150,900 show. 3) Belief Lab’s project will likely begin after World Klass wraps up, through a new TV Foreign ownership (%) 18.1 show. Through these projects, CJ ENM will secure IP for five idol groups within 1H20. Major shareholders (%) Profit growth begins CJ ENM’s music business will start to see profit grow after CJ Corp & others 42.7 2019 as it secures idol group IP. We expect CJ EN&M to create synergies between its idol and broadcast businesses. As for the “Produce 101” series, contract terms with artists Stock performance are lengthening each season, and the profit distribution ratio is becoming more favorable to (%) 1M 3M 12M CJ ENM. Moreover, the music division is hiring more producers, adding sub-labels, Absolute 7.9 (3.0) (33.8) cooperating with Big Hit Entertainment, and may acquire additional entertainment firms. Relative 1.8 8.7 (15.0) These will boost CJ ENM’s capabilities in nurturing idol groups, as well as in production and Abs (US$) 9.4 (5.4) (38.1) marketing. CJ ENM is becoming more of a content company than a TV ad agency, and is performing well in digital advertising and content sales, as well as the music business. These factors should boost its valuation multiples going forward. Quarterly earnings Forecasts and valuations (K-IFRS, consolidated) (Wbn) (Wbn) 3Q19E % YoY % QoQ Consens vs consens (%) FY ends Dec 2017A 2018A 2019E 2020E Sales 1,219 13.0 -3.3 1,156 5.5 Sales 2,260 3,427 4,909 4,080 OP 86 12.2 -11.3 86 -0.6 OP 224 251 365 354 Net profit, CI 131 163 211 270 Pre-tax net profit 93 28.3 -1.5 89 4.7 P/E (x) 9.4 20.0 17.4 13.6 Net profit, CI 53 26.5 -16.0 64 -16.7 P/B (x) 1.2 1.6 1.1 1.0 OPM (%) 7.0 -0.1 %pt -0.7 %pt 7.5 -0.5 %pt EV/EBITDA (x) 4.6 6.6 5.0 5.2 NPM (%) 4.4 +0.5 %pt -0.6 %pt 5.5 -1.1 %pt ROE (%) 13.5 8.6 7.4 8.7 Source: Yuanta Securities CJ ENM (035760 KS) CJ ENM (035760 KS) pro forma financial statements (K-IFRS, consolidated) Statement of comprehensive income Statement of financial position FY ends Dec (Wbn) 2017A 2018A 2019E 2020E 2021E FY ends Dec (Wbn) 2017A 2018A 2019E 2020E 2021E Sales 2,260 3,427 4,909 4,080 4,433 Current assets 664 1,807 2,229 2,339 4,447 Cost of sales 988 1,998 3,068 2,496 2,705 Cash & cash equivalents 114 453 533 811 2,832 Gross profit 1,272 1,429 1,841 1,584 1,728 Accts rec & other 372 941 1,111 958 1,036 SG&A 1,047 1,178 1,476 1,229 1,332 Inventory 76 94 106 92 100 Operating profit 224 251 365 354 396 Non-current assets 2,138 4,948 5,259 5,266 3,416 EBITDA 469 777 1,187 1,082 2,512 Tangible assets 816 1,398 1,544 1,544 156 Non-op profit/loss -40 -34 -11 24 24 Investment in affiliates 96 1,241 1,288 1,296 1,353 Forex gain/loss 0 -2 0 0 0 Other non-current 192 276 272 272 272 Net interest income -14 -20 -15 -31 -31 Total assets 2,802 6,755 7,488 7,605 7,863 Equity-meth gain/loss 6 -2 51 75 75 Current liabilities 732 2,022 2,474 2,306 2,301 Other -33 -9 -47 -20 -20 Accts payable & other 446 941 981 954 1,090 Net prof before income tax 184 217 354 378 420 ST financial liabilities 22 693 780 639 497 Income tax 41 33 118 92 102 Liquid LT liabilities 152 201 441 441 441 Net profit from continuing ops 143 184 236 287 318 Non-current liabilities 586 1,308 1,324 1,324 1,324 Net profit from discontinued ops 0 0 0 0 0 LT financial liabilities 0 270 299 299 299 Net profit 143 184 236 287 318 Debentures 511 762 559 559 559 NP for controlling interest 131 163 211 270 299 Total liabilities 1,318 3,329 3,797 3,630 3,624 Total comprehensive income 142 134 269 276 308 Equity, controlling interest 1,028 2,763 2,984 3,216 3,478 Total comprehensive income, CI 131 113 248 253 282 Paid-in capital 31 111 111 111 111 Note: Operating profit calculation same as K-GAAP (sales - COGS - SG&A exp) Capital surplus 80 2,245 2,245 2,245 2,245 Retained earnings 924 1,070 1,257 1,500 1,762 Equity, non-controlling interest 456 662 706 760 760 Total equity 1,484 3,426 3,690 3,976 4,238 Net debt 489 1,384 1,502 1,083 -1,079 Total debt 686 1,933 2,218 2,077 1,936 Cash flow statement Valuation FY ends Dec (Wbn) 2017A 2018A 2019E 2020E 2021E FY ends Dec 2017A 2018A 2019E 2020E 2021E Operating cash flow 330 587 872 1,110 2,437 EPS (won) 21,054 11,514 9,637 12,311 13,636 Net profit 143 184 236 287 318 BPS (won) 170,555 140,757 151,974 163,788 177,168 Depreciation & amortization 166 180 211 209 1,597 EBITDA/shr (won) 75,472 55,033 54,137 49,334 114,529 Forex gain/loss 0 4 -4 0 0 SPS (won) 363,607 242,601 223,855 186,045 202,141 Affiliate invest gain/loss -6 2 -51 -75 -75 DPS (won) 3,000 1,200 1,400 1,850 2,050 Inc (dec) in net working cap -94 -81 -214 152 60 P/E (x) 9.4 20.0 17.4 13.6 12.3 Other 121 298 693 537 537 P/B (x) 1.2 1.6 1.1 1.0 0.9 Investing cash flow -256 -158 -869 -710 -191 EV/EBITDA (x) 4.6 6.6 5.0 5.2 1.4 Investment -55 8 -14 18 18 P/S (x) 0.5 0.9 0.7 0.9 0.8 Inc in tangible assets -183 -229 -192 -209 -209 Dec in tangible assets 1 3 0 0 0 Key financial data Other -19 59 -663 -519 0 FY ends Dec 2017A 2018A 2019E 2020E 2021E Financing cash flow -62 -89 103 -180 -189 Sales (% YoY) 2.3 51.6 43.3 -16.9 8.7 Inc (dec) in ST fin liab -137 131 83 -141 -141 Operating profit (%YoY) 25.5 11.8 45.4 -3.0 11.7 Inc (dec) in LT fin liab 93 -11 58 0 0 Net profit, CI (%YoY) 458.6 24.3 29.9 27.7 10.8 Inc (dec) in equity 0 0 0 0 0 Gross margin (%) 56.3 41.7 37.5 38.8 39.0 Cash dividend -18 -21 -29 -33 -42 Operating margin (%) 9.9 7.3 7.4 8.7 8.9 Other 0 -188 -8 -6 -6 Net margin, CI (%) 5.8 4.7 4.3 6.6 6.7 Other cash flow -1 0 -27 58 -37 EBITDA margin (%) 20.8 22.7 24.2 26.5 56.7 Inc (dec) in cash & equivalents 11 339 79 278 2,021 ROIC (%) 10.7 8.5 6.9 7.3 11.4 Beginning cash & equivalents 103 114 453 533 811 ROA (%) 4.7 3.4 3.0 3.6 3.9 Ending cash & equivalents 114 453 533 811 2,832 ROE (%) 13.5 8.6 7.4 8.7 8.9 NOPLAT 224 251 365 354 396 Debt-to-equity (%) 88.8 97.2 102.9 91.3 85.5 FCF 142 428 660 940 2,267 Net debt-to-equity (%) 47.6 50.1 50.3 33.7 -31.0 OP/financing cost (x) 11.1 7.5 15.4 7.5 8.4 Note: CI = controlling interest EPS, BPS, P/E and P/B are based on controlling interest For valuation metrics such as P/E, historical figures are based on annual average prices and estimates, on current price For ROA or ROE, assets and equity are averages of end-of-year figures for the given year and the year prior Source: Yuanta Securities 2 Company Report P/E band chart P/B band chart (W'000) (W'000) 1,400 Price (adj) 700 Price (adj) 7.3 x 1.0 x 1,200 18.1 x 600 1.6 x 28.9 x 2.2 x 1,000 39.8 x 500 2.8 x 50.6 x 3.4 x 800 400 600 300 400 200 200 100 0 0 Jan-12 Jan-15 Jan-18 Jan-21 Jan-12 Jan-15 Jan-18 Jan-21 CJ ENM (035760 KS) ratings and target price history Difference (%) TP time Date Rating TP (won) frame vs avg vs high (won) price (low) 400,000 Current Price 2019/09/24 BUY 303,000 1 yr 350,000 Target Price 2019/05/10 BUY 303,000 1 yr 300,000 2019/02/15 BUY 338,000 1 yr -32.79 -27.87 250,000 2019/01/10 BUY 285,000 1 yr -25.05 -19.93 200,000 2018/11/08 BUY 310,000 1 yr -31.53 -24.52 150,000 2018/08/09 BUY 291,000 1 yr -16.27 -8.42 100,000 50,000 2018/07/02 HOLD 289,000 1 yr -13.10 - Analyst 0 changed Sep-17 Mar-18 Sep-18 Mar-19 Sep- 2017/08/30 BUY 237,000 1 yr -8.06 17.97 Note: Difference = (actual price* - target price) / target price x 100 * 1) The average price until the day target price was suggested 2) The highest (lowest) price until the day target price was suggested Source: Yuanta Securities Current distribution of Yuanta Securities Korea ratings Rating Share (%) STRONG BUY 0.6 BUY 88.0 HOLD 11.4 SELL 0.0 Total 100.0 Note: As of Sep 21 Excluding reports written or published by overseas affiliates 3 CJ ENM (035760 KS) Disclosures & disclaimers This research report has been prepared for informational purposes only; it does not constitute an offer or a solicitation of an offer to buy or sell any securities or other financial instruments.
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    CJ ENM (035760 KQ ) Strong and flexible content leader Media Initiate coverage with Buy and TP of W310,000 Company Report We initiate our coverage on CJ ENM with a Buy rating and target price of W310,000. In order to derive our target price, we applied the sum-of-the-parts (SOTP) method by April 3, 2019 summing up the values of the media (W1.9tr; CJ E&M previously), and commerce (W1.1tr; CJ O Shopping previously) businesses, as well as equity holdings (W3.75tr). In our view, shares of CJ ENM, which was created via the merger CJ E&M and CJ O (Initiate) Buy Shopping in July 2018, have entered a recovery phase. We believe that year 2019 will mark the begin ning of operating profit contribution of the media business (broadcasting, film, music) exceeding 50% (versus 38.6% in 2018), which is highly likely to drive a Target Price (12M, W) 310,000 valuation rerating going forward. It is also encouraging that CJ ENM is now positioned to finance its content investments - which will likely show a steady increase to support Share Price (04/03/19, W) 236,500 strong revenue and operating profit growth (an estimated CAGR of 9.8% and 20.9% over the next two years) - with increased cash flows (pre-merger CJ O Shopping). Expected Return 31% Strong content player remains resilient in face of platform changes Changes in content platforms and competition among different platforms will continue OP (19F, Wbn) 385 going forward; technological advances usher in the evolution of content distribution Consensus OP (19F, Wbn) 377 platform, leading to constant ch anges in content delivery channels and business models.
  • “Produce 101 S2”: Una Empatía Generada a Partir Del Montaje Audiovisual

    “Produce 101 S2”: Una Empatía Generada a Partir Del Montaje Audiovisual

    PONTIFICIA UNIVERSIDAD CATÓLICA DEL PERÚ FACULTAD DE CIENCIAS Y ARTES DE LA COMUNICACIÓN “Produce 101 S2”: una empatía generada a partir del montaje audiovisual TESIS PARA OPTAR EL TÍTULO PROFESIONAL DE LICENCIADA EN COMUNICACIÓN AUDIOVISUAL AUTORA HILDA ZITHNEY COLLANTES MALPARTIDA ASESOR JUAN FERNANDO BOSSIO MONTES DE OCA Lima, julio, 2020 RESUMEN Ante la abrumadora presencia de reality shows en las parrillas televisivas, los recursos audiovisuales utilizados se van reinventando para captar una mayor atención del público. El montaje audiovisual se posiciona entre los más importantes a tomar en cuenta no solo por ser la herramienta que construye el discurso del producto audiovisual, sino que, además, es un recurso que logra generar estímulos emocionales en el espectador que contribuyen al éxito del programa. Es por ello que la presente investigación busca descubrir de qué manera la construcción del montaje en el programa “Produce 101” ha logrado generar en el espectador una empatía hacia los participantes del programa, factor sustancial para el desarrollo del nuevo tipo de reality show que la industria musical y televisiva de Corea del Sur ha presentado. Se recurre a conceptos que aborden al montaje tanto de manera operativa como psicológica, centrándose en las intenciones que posee el montajista para aproximarse al espectador. Se realizó un análisis de contenido sobre la estructura del montaje de los últimos cuatro episodios del programa y la realización de dos grupos focales que ayudan a ver la respuesta de los espectadores ante el análisis realizado. Finalmente, se pudo concluir que la construcción del montaje del programa “Produce 101 S2” recurre a una discontinuidad de la línea temporal utilizado para reforzar y recalcar momentos importantes y los efectos ocasionados por estos, logrando que el espectador se vincule tanto con la acción como con las reacciones presentadas y, por ende, con los participantes.
  • Top 1000 Searches in Youtube UK

    Top 1000 Searches in Youtube UK

    Top 1000 Searches in YouTube UK https://www.iconicfreelancer.com/top-1000-youtube-singapore/ # Keyword Volume 1 pewdiepie 105000 2 bts 73000 3 wwe 64000 4 blackpink 61000 5 senorita 55000 6 singapore 54000 7 noc 51000 8 新加坡 40000 9 markiplier 40000 10 nba 37000 11 twice 37000 12 jianhao tan 36000 13 msnbc 35000 14 hong kong 34000 15 jj lin 34000 16 billie eilish 33000 17 music 33000 18 hong kong protest 33000 19 baby shark 29000 20 pewdiepie vs t series 29000 21 jay chou 28000 22 asmr 28000 23 liverpool 26000 24 trump 25000 25 ksi 24000 26 alan walker 24000 27 cnn 23000 28 taylor swift 23000 29 香港 23000 30 old town road 23000 31 buzzfeed 22000 32 dantdm 22000 33 izone 22000 34 ed sheeran 21000 35 avengers endgame 21000 36 itzy 21000 37 yongyea 21000 38 study music 21000 39 t series 20000 40 james charles 20000 41 food king 20000 42 eric chou 20000 43 trevor noah 20000 44 one piece 20000 45 lofi 19000 46 斗罗大陆 19000 47 kill this love 19000 48 snsd 19000 49 ssundee 19000 50 iu 19000 51 ariana grande 19000 52 vanossgaming 18000 53 buzzfeed unsolved 18000 54 espn 18000 55 dota 2 18000 56 noobfromua 18000 57 sunflower 18000 58 vijay tv 17000 59 tamil songs 17000 60 tsl 17000 61 mamamoo 17000 62 wah banana 17000 63 game of thrones 17000 64 running man 17000 65 tasty 16000 66 bohemian rhapsody 16000 67 red velvet 16000 68 tv9 live telugu 16000 69 bad guy 16000 70 a whole new world 16000 71 try guys 16000 72 fortnite 16000 73 gem 16000 74 stephen colbert 16000 75 way back home 15000 76 got7 lullaby 15000 77 jacksepticeye 15000 78 puthiya thalaimurai
  • [Shortmemo] Muddied by Manipulation: Recent Controversies Across Industries in South Korea

    [Shortmemo] Muddied by Manipulation: Recent Controversies Across Industries in South Korea

    This material is exclusively prepared for Ringle Customers Material for your English session [ShortMemo] Muddied by Manipulation: Recent controversies across industries in South Korea [source : https://www.kstarlive.com/news/2019/11/14/previously-denied-pd-ahn-joonyoung-has-now-partially-admitted-vote- rigging-in-produce-101-season-1-and-2-298818] 0 본 자료는 저작권 법에 의해 보호되는 저작물로, Ringle 사에 저작권이 존재합니다. 해당 자료에 대한 무단 복제/배포를 금하며, 해당 자료로 수익을 얻거나 이에 상응하는 혜택을 누릴 시 Ringle 과 사전 협의가 없는 경우 고소/고발 조치 될 수 있습니다. This material is exclusively prepared for Ringle Customers [Summary in English] Two recent cases of manipulation in the Korean entertainment industry shocked the rest of society. ● The final rankings and debut members for the K-pop idol group debut show Produce 101 on Mnet, a popular music channel, were manipulated through real-time voter rigging. ⇒ An aspiring idol who failed to win the competition ended up debuting through manipulation. ● Some brokers manipulated the Top 100 charts by hoarding certain singers’ albums and infinitely streaming their songs. ⇒ Lesser known singers topped the music charts, beating famous idol groups such as BTS and Blackpink. The manipulation of Mnet’s idol group debut shows Produce 101 was an incident involving inappropriate requests between the show’s head producer and certain entertainment agencies. ● Original Intention of Produce 101: One hundred and one idol trainees from various entertainment agencies compete for three months, with viewers voting in [1] real time by text message and determining the final top 11 participants to debut as a group.