LITERATURE SINCE 1500 by DAVID R

Total Page:16

File Type:pdf, Size:1020Kb

LITERATURE SINCE 1500 by DAVID R Welsh Studies LITERATURE SINCE 1500 By DAVID R. JOHNSTON, Lecturer in Welsh in the University College ofCardiff B. Jarvis, 'Dysgeidiaeth Cristnoges o Ferch a'i gefndir', YB, I3: 2 Ig--26, discusses Renaissance attitudes towards women's educa­ tion, with particular reference to Richard Owen's Welsh translation (preserved in a MS of I 552) of De Instructione Feminae Christianae by Juan Luis Vives. D. Evans, 'Mwyalchen wen mewn caets', NLWJ, 23: 329-33, publishes the text of a cywydd by the late I 6th-c. Glamorgan poet Sils ap Sion about a caged white blackbird. The cywydd deuair jjrion metre and the tunes to which it was sung from the I 6th c. onwards are discussed by M. Evans, 'Deuair fyrion ac alawon', Canu Gwerin, 8: I6-3r. M. Burdett-Jones, '"Sacrafen Penyd" ', YB, I 3: 227-3 I, shows that a now lost Welsh translation of the recusant text, A Short Treatise of the Sacrament of Penance, made by the Renaissance scholar Thomas Wiliems, was in the hands of the I8th-c. lexicographer Thomas Lloyd, who refers to the manuscript translation to illustrate words in his copy ofJohn Davies's Dictionar­ ium Duplex. Two documentary references to Thomas Wiliems, dated I602 and I604, are printed and discussed by G. C. G. Thomas, 'Dau gyfeiriad at Syr Tomas Wiliems, Trefriw, ym mhapurau'r sesiwn fawr am swydd Ddinbych', NLW}, 23:425-27. Isaac Thomas concludes his study of the translation of the scriptures in 'Y fersiwn o'r Hen Destament Hebraeg ym Meibl Cymraeg I62o', ib., 24: I-45· T. attempts to show in detail the amount and nature of the I 620 revision of William Morgan's I588 Old Testament. Just over one third of Morgan's text was changed, mostly to bring it into line with the English Authorized Version. The translators' main criterion is shown to be faithfulness to the Hebrew, including literal translation of idioms, but clarity and elegance were also important considerations. The orthography was brought closer to the standards of strict-metre poetry. Sixteen Welsh metrical versions of Psalm 23, ranging from the I 7th c. to the present day, are published by E. W.James in 'Dim pall ar Salm xxm', BCEC, 2:2 IS-22, adding to the 43 others already published in the same journal. D. W. Wiliam, 'Cerdd Robert Humphrey i'r schismaticiaid', Y Cofiadur, 50: I 2-I 7, prints the text of a poem of I 747 by H. attacking Nonconformists, and gives some details about the author. B. L.Jones, 'Benjamin Francis: yr alltud "ymhlith y Saeson'", YB, I 3: 232-46, summarizes the life and work of an I8th-c. poet and hymn-writer (in both Welsh and English), who spent most of his life as a Baptist Literature since 1500 s8g m1mster in Gloucestershire. Particular attention is given to F.'s Welsh hymns. The original version of the hymn 'Dilynaffy Mugail o 'modd' ( 1786) is compared with the version current today, showing that its poetic power has been considerably weakened by editorial interference. Jones shows that F.'s attitude towards language and metrics was more classical than that ofhis Methodist contemporaries. The work of one of the most important of the second generation of Methodist hymn-writers is considered by D. C. Griffiths in 'Emynau Pedr Fardd', Y Traethodydd, 140: I24-36. P. F.'s hymns are shown to be more polished than those of the 18th c., containing more doctrine at the expense of personal feelings. G. G. Evans has published two articles on the 18th-c. interludes. 'Er mwyniant i'r cwmpeini mwynion - sylwadau ar yr anterliwtiau', Taliesin, 51:31-43, describes an interlude written by Huw Jones of Llangwm and Sian Cadwaladr ofBala, c. I 765, and attempts to account for the popular­ ity of the interludes, laying particular stress upon the prominence of sexual elements. In 'Henaint a thranc yr anterliwt', ib., 54: 14-29, E. considers the attitude of the secular and religious authorities towards the interludes, and argues that their decline in the late 18th c. was principally due to opposition from the Church. The influence of Methodism on the work ofElis y Cowper and Twm o'r Nant is briefly discussed. A number of articles by G. Bowen on early eisteddfodau and bardic ceremonies contain valuable details of the literary life of the period: 'Beirdd Ynys Prydain ac Eisteddfod Caerwys', Taliesin, 52: 44-52, is on an attempt by David Samuel and William Owen Pughe to connect Gorsedd y Beirdd with the Caerwys Eisteddfod of 1798; similar connections are discussed in 'Eisteddfod Ceria Gorsedd Bron Aran 182 1', Barn, 2 70: 266-68, and 'Gorsedd Eisteddfod Caerfyrddin 1819', Barddas, 9g-wo: 1o-1 1; 'Gorseddau cynnar Mor­ gannwg, 1: I 795-1 797', Barn, 266: 1 16-18, and 'Gorseddau cynnar Morgannwg, n: 1798', ib., 269: 231-33, are on lolo Morganwg's bardic ceremonies, with extensive quotations from his papers; lolo Morganwg and his son Taliesin ab lolo are the central figures in 'Gorsedd Twynyrodyn, I825, ac Eisteddfodau Tafarn y Fotas, Merthyr'' Barddas, 97: 6-7; 'Gorsedd Dinorwig (I 799)'' ib., 98:5-7, is on the enmity between Iolo Morganwg and Dafydd Ddu Eryri, and Gwynedd poets' opposition to linguistic and literary innovations from south Wales and London. Mari Ellis, 'Angharad Llwyd, I78o-1866', Taliesin, 52: 1o-43 and 53: 2o-3 1, is a welcome study of a neglected figure, concentrating on Ll.'s literary and antiquarian activities in connection with the eisteddfodau of the period.]. E. Caerwyn Williams, Defnydd Nofelydd, Mold, Pwyllgor Y stafell Goffa D. 0., 8 pp., is on the people and events which influenced Daniel Owen's development as a novelist, emphasizing his family circumstances and his decision to .
Recommended publications
  • Llyfrgell Genedlaethol Cymru = the National Library of Wales Cymorth
    Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Winifred Coombe Tennant Papers, (GB 0210 WINCOOANT) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 05, 2017 Printed: May 05, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows ANW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/winifred-coombe-tennant-papers-2 archives.library .wales/index.php/winifred-coombe-tennant-papers-2 Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Winifred Coombe Tennant Papers, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 5 Nodiadau | Notes ............................................................................................................................................
    [Show full text]
  • New Perspectives on Modern Wales
    New Perspectives on Modern Wales New Perspectives on Modern Wales: Studies in Welsh Language, Literature and Social Politics Edited by Sabine Asmus and Katarzyna Jaworska-Biskup New Perspectives on Modern Wales: Studies in Welsh Language, Literature and Social Politics Edited by Sabine Asmus and Katarzyna Jaworska-Biskup Reviewer: Prof. dr. Eduard Werner This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Sabine Asmus, Katarzyna Jaworska-Biskup and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2191-5 ISBN (13): 978-1-5275-2191-9 CONTENTS INTRODUCTION ............................................................................................ 1 CHAPTER ONE ............................................................................................. 3 Welsh or British in Times of Trouble? Shaping Welsh Culture and Identity during the Second World War Martin Andrew Hanks CHAPTER TWO .......................................................................................... 31 Local or National? Gender, Place and Identity in Post-Devolution Wales’ Literature Rhiannon Heledd Williams CHAPTER THREE
    [Show full text]
  • Catalogue of Photographs of Wales and the Welsh from the Radio Times
    RT1 Royal Welsh Show Bulls nd RT2 Royal Welsh Show Sheep shearing nd RT3 Royal Welsh Show Ladies choir nd RT4 Royal Welsh Show Folk dance 1992 RT5 Royal Welsh Show Horses nd RT6 Royal Welsh Show Horses 1962 RT7 LLangollen Tilt Dancers 1962 RT8 Llangollen Tilt Estonian folk dance group 1977 RT9 Llangollen Eisteddfod Dancers 1986 RT10 Royal Welsh Show Horse and rider 1986 RT11 Royal Welsh Show Horse 1986 RT12 Royal Welsh Show Pigs 1986 RT13 Royal Welsh Show Bethan Charles - show queen 1986 RT14 Royal Welsh Show Horse 1986 RT15 Royal Welsh Show Sheep shearing 1986 RT16 Royal Welsh Show Sheep shearing 1986 RT17 Royal Welsh Show Produce hall 1986 RT18 Royal Welsh Show Men's tug of war 1986 RT19 Royal Welsh Show Show jumping 1986 RT20 Royal Welsh Show Tractors 1986 RT21 Royal Welsh Show Log cutting 1986 RT22 Royal Welsh Show Ladies in welsh costume, spinning wool 1986 RT23 Royal Welsh Show Horses 1986 RT24 Royal Welsh Show Horses 1986 RT25 Royal Welsh Show Men's tug of war 1986 RT26 Royal Welsh Show Audience 1986 RT27 Royal Welsh Show Horses 1986 RT28 Royal Welsh Show Vehicles 1986 RT29 Royal Welsh Show Sheep 1986 RT30 Royal Welsh Show General public 1986 RT31 Royal Welsh Show Bulls 1986 RT32 Royal Welsh Show Bulls 1986 RT33 Merionethshire Iowerth Williams, shepherd nd RT34 LLandrindod Wells Metropole hotel nd RT35 Ebbw Vale Steel works nd RT36 Llangollen River Dee nd RT37 Llangollen Canal nd RT38 Llangollen River Dee nd RT39 Cardiff Statue of St.David, City Hall nd RT40 Towyn Floods 1990 RT41 Brynmawr Houses and colliery nd RT42 Llangadock Gwynfor Evans, 1st Welsh Nationalist MP 1966 RT43 Gwynedd Fire dogs from Capel Garman nd RT44 Anglesey Bronze plaque from Llyn Cerrigbach nd RT45 Griff Williams-actor nd RT46 Carlisle Tullie House, museum and art gallery nd RT47 Wye Valley Tintern Abbey nd 1 RT48 Pontypool Trevethin church nd RT49 LLangyfelach church nd RT50 Denbighshire Bodnant gardens nd RT51 Denbighshire Glyn Ceiriog nd RT52 Merthyr New factory and Cyfartha castle nd RT53 Porthcawl Harbour nd RT54 Porthcawl Harbour nd RT55 Gower Rhosili bay nd RT56 St.
    [Show full text]
  • An Exposition to Transform the Arts of a Nation a Small Open Space in A
    An Exposition to Transform the Arts of a Nation A small open space in a crowded downtown city with trains, cars, boats, and even a rollercoaster drowning out the sense of calm usually found outside. But within this small open space, there is a circle of 12 large stones hosting ceremonies for the arts and initiating a new tradition to the Western Hemisphere. The 1913 Pittsburgh International Eisteddfod was held between July 2nd and July 5th at Exposition Hall near Pittsburgh’s point. The festival and competition spread throughout the Exposition buildings and outside to the Gorsedd Stone Circle held near the Fort Pitt Blockhouse. The 1913 Eisteddfod stands out among the Eisteddfodau of history as the establishment of the American Order of the Bards and the first American Bardic Circle. The Eisteddfod is a traditional Welsh celebration and the first official National Eisteddfod was held in 1176. Following the first Eisteddfod in 1176, many eisteddfodau were held throughout Wales, under the patronage of Welsh gentry and noblemen. The Eisteddfod eventually developed into a folk festival on a grand scale. After declining in popularity in the 18th century, it was revived in the early years of the 19th. In 1880, the National Eisteddfod Association was formed and since then an Eisteddfod has been held every year, except for 1914 and 1940. The Pittsburgh International Eisteddfod was held in Pittsburgh due to Mrs. David Davis and her son James J. Davis. Mrs. Davis attended Eisteddfodau when she was young in Wales and explained her sentimental thoughts on the Eisteddfodau prompting her son, James J Davis, to propose hosting an International Eisteddfod in Pittsburgh.
    [Show full text]
  • The Bard of the Black Chair: Ellis Evans and Memorializing the Great War in Wales
    Volume 3 │ Issue 1 │ 2018 The Bard of the Black Chair: Ellis Evans and Memorializing the Great War in Wales McKinley Terry Abilene Christian University Texas Psi Chapter Vol. 3(1), 2018 Article Title: The Bard of the Black Chair: Ellis Evans and Memorializing the Great War in Wales DOI: 10.21081/AX0173 ISSN: 2381-800X Key Words: Wales, poets, 20th Century, World War I, memorials, bards This work is licensed under a Creative Commons Attribution 4.0 International License. Author contact information is available from the Editor at [email protected]. Aletheia—The Alpha Chi Journal of Undergraduate Scholarship • This publication is an online, peer-reviewed, interdisciplinary undergraduate journal, whose mission is to promote high quality research and scholarship among undergraduates by showcasing exemplary work. • Submissions can be in any basic or applied field of study, including the physical and life sciences, the social sciences, the humanities, education, engineering, and the arts. • Publication in Aletheia will recognize students who excel academically and foster mentor/mentee relationships between faculty and students. • In keeping with the strong tradition of student involvement in all levels of Alpha Chi, the journal will also provide a forum for students to become actively involved in the writing, peer review, and publication process. • More information and instructions for authors is available under the publications tab at www.AlphaChiHonor.org. Questions to the editor may be directed to [email protected]. Alpha Chi is a national college honor society that admits students from all academic disciplines, with membership limited to the top 10 percent of an institution’s juniors, seniors, and graduate students.
    [Show full text]
  • Characters and Events in Wales
    HERITAGE FOR SCHOOLS TIMELINE Characters and Events in Wales This timeline shows some of Wales’ key characters and events ranging from Caradog and the Roman invasion of the Britons to World War II. Illustrations: Dref Wen Caradog Lord Rhys or battles Yr Arglwydd Rhys holds against a gathering at Cardigan the Roman Castle. This became the Invasion of first ever Eisteddfod. the Britons. Circa 462 AD 43 – 515 AD 1176 1188 St David was born during Gerald of Wales this period. The exact year is or Gerallt Gymro unknown. In 550 he founded (1146 – 1223) a monastery in St David’s, travelled Wales Pembrokshire on the site of the accompanying cathedral today. On Tuesday 1st the Archbishop of March 589 AD St David, believed Cantebury, writing to be over 100 years old, dies. about their journey. Llywelyn ap Gruffydd, also known as Llywelyn the Last (Llywelyn ein Llyw Olaf) is known as the last leader of a united Wales. In 1255, on the request of many leaders, he became known as the Prince of Wales. Killed by soldiers of Edward I in Cilmeri on 11th December 1282 where a memorial stands today. 1223 1283 1349 Edward I orders the The Black building of castles in Death arrives Wales. Between 1276 – 1295 in Wales. he built or repaired 17 Within a year castles. There are over 600 it would kill in Wales today. How many a third of the have you visited? How population. many can you name? Owain Glyndŵr is born. On 16th September Henry VIII created the 1400 he begins a rebellion against Henry Act of Union meaning IV and begins to fight for an independent Wales is officially Wales.
    [Show full text]
  • Myths and Legends of the Celtic Race by Thomas William Rolleston
    The Project Gutenberg EBook of Myths and Legends of the Celtic Race by Thomas William Rolleston This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Myths and Legends of the Celtic Race Author: Thomas William Rolleston Release Date: October 16, 2010 [Ebook 34081] Language: English ***START OF THE PROJECT GUTENBERG EBOOK MYTHS AND LEGENDS OF THE CELTIC RACE*** MYTHS & LEGENDS OF THE CELTIC RACE Queen Maev T. W. ROLLESTON MYTHS & LEGENDS OF THE CELTIC RACE CONSTABLE - LONDON [8] British edition published by Constable and Company Limited, London First published 1911 by George G. Harrap & Co., London [9] PREFACE The Past may be forgotten, but it never dies. The elements which in the most remote times have entered into a nation's composition endure through all its history, and help to mould that history, and to stamp the character and genius of the people. The examination, therefore, of these elements, and the recognition, as far as possible, of the part they have actually contributed to the warp and weft of a nation's life, must be a matter of no small interest and importance to those who realise that the present is the child of the past, and the future of the present; who will not regard themselves, their kinsfolk, and their fellow-citizens as mere transitory phantoms, hurrying from darkness into darkness, but who know that, in them, a vast historic stream of national life is passing from its distant and mysterious origin towards a future which is largely conditioned by all the past wanderings of that human stream, but which is also, in no small degree, what they, by their courage, their patriotism, their knowledge, and their understanding, choose to make it.
    [Show full text]
  • Eisteddfod Handout Prepared for Ninth Welsh Weekend for Everyone by Marilyn Schrader
    Eisteddfod handout prepared for Ninth Welsh Weekend for Everyone by Marilyn Schrader An eisteddfod is a Welsh festival of literature, music and performance. The tradition of such a meeting of Welsh artists dates back to at least the 12th century, when a festival of poetry and music was held by Rhys ap Gruffydd of Deheubarth at his court in Cardigan in 1176 but, with the decline of the bardic tradition, it fell into abeyance. The present-day format owes much to an eighteenth-century revival arising out of a number of informal eisteddfodau. The date of the first eisteddfod is a matter of much debate among scholars, but boards for the judging of poetry definitely existed in Wales from at least as early as the twelfth century, and it is likely that the ancient Celtic bards had formalized ways of judging poetry as well. The first eisteddfod can be traced back to 1176, under the auspices of Lord Rhys, at his castle in Cardigan. There he held a grand gathering to which were invited poets and musicians from all over the country. A chair at the Lord's table was awarded to the best poet and musician, a tradition that prevails in the modern day National Eisteddfod. The earliest large-scale eisteddfod that can be proven beyond all doubt to have taken place, however, was the Carmarthen Eisteddfod, which took place in 1451. The next recorded large-scale eisteddfod was held in Caerwys in 1568. The prizes awarded were a miniature silver chair to the successful poet, a little silver crwth to the winning fiddler, a silver tongue to the best singer, and a tiny silver harp to the best harpist.
    [Show full text]
  • Arthur, Roi Des Bretons D'armorique
    LA VOCATION DE L’ARBRE D’OR est de partager ses admirations avec les lecteurs, son admiration pour les grands textes nourrissants du passé et celle aussi pour l’œuvre de contem- porains majeurs qui seront probablement davantage appréciés demain qu’aujourd’hui. Trop d’ouvrages essentiels à la culture de l’âme ou de l’identité de cha- cun sont aujourd’hui indisponibles dans un marché du livre transformé en industrie lourde. Et quand par chance ils sont disponibles, c’est finan- cièrement que trop souvent ils deviennent inaccessibles. La belle littérature, les outils de développement personnel, d’identité et de progrès, on les trouvera donc au catalogue de l’Arbre d’Or à des prix résolument bas pour la qualité offerte. LES DROITS DES AUTEURS Cet e-book est sous la protection de la loi fédérale suisse sur le droit d’auteur et les droits voisins (art. 2, al. 2 tit. a, LDA). Il est également pro- tégé par les traités internationaux sur la propriété industrielle. Comme un livre papier, le présent fichier et son image de couverture sont sous copyright, vous ne devez en aucune façon les modifier, les utiliser ou les diffuser sans l’accord des ayant-droits. Obtenir ce fichier autrement que suite à un téléchargement après paiement sur le site est un délit. Trans- mettre ce fichier encodé sur un autre ordinateur que celui avec lequel il a été payé et téléchargé peut occasionner des dommages informatiques suscepti- bles d’engager votre responsabilité civile. Ne diffusez pas votre copie mais, au contraire, quand un titre vous a plu, encouragez-en l’achat.
    [Show full text]
  • Land of Our Fathers Capitalism and Its British State Have Radically Restructured the Reproduced
    22 August 1982 Marxism Today Gwyn A Williams Land of our Fathers Capitalism and its British state have radically restructured the reproduced. economy and the working population of Wales and reshaped those Under the pressure of a capitalism and a state adjusting to crisis, regions which are its human realities. The British state, its local state south-west Wales, draining its own hinterland, is clustering as a apparatus and its autonomous cultural agencies are central to the branch dependency of the London-Bristol axis; north and west process. Their net input into Wales is about 10% of its domestic Wales are being transformed into a recreation area experiencing a product and public expenditure per head is higher than the British major rentier colonisation, which provokes an increasingly violent average on everything except housing and the police.1 Whole sectors crisis in national and social reaction. The new technology scatters an of industry and great tracts of the country live on the state's agencies. archipelago of intensely localised manufacturing development Virtually the entire Welsh middle class is dependent on a British across the wide and emptying spaces of rural Wales and is engender­ state which subsidises the cultural Welsh nationalism of important ing a slow and smouldering disaffection, as it dismantles a local groups within it. working class and breeds a ghetto response which tends to acquire a Wales has been reshaped into a dependent branch extension of the national resonance. Rising around those who cling for their jobs to British economy. There has been a wholesale shift out of the coal the state and the service industries is a remorselessly growing under­ and steel which previously characterised the country into the third class of permanently unemployed and wasted human beings and a sector of services and administration and a massive entry of women generation of young people, in town and country, dumped like into the workforce.
    [Show full text]
  • Dorian Llywelyn Celticity the Second of Three Essays
    Dorian Llywelyn Celticity the second of three essays Three Landscapes project Stanford 2000 – Llywelyn - Three Landscapes Project - Two of Three 2 1.1 On Monday morning of the first week of August, 1984, in a stone circle in a park surrounded by houses, in the small Welsh coastal town of Fishguard, I was inducted as an Ovate of the Rank of Musicians, into the Order of Bards of the Island of Britain, and received a new title, by which I would henceforth be know in my dealings with that body - Telynor Tawe, the Harpist of the River Tawe, the river at whose mouth stands the city of Swansea, my home town. Wearing the green robes of my rank, I was detained at the entry point of the circle by the Herald Bard, a large sheathed ceremonial sword blocking my way until the point when my name was called. I climbed the steps up to the central stone, where the Archdruid Elerydd, a Presbyterian minister, dressed in gold satin and wearing a golden torque around his neck, wittily welcomed me, and announced my new title to the crowd. The Mistress of the Robes then placed my new headress, a sort of veil, on my head, and I went to stand with the rest of my ranks. The druidical ceremonies of the Gorsedd, the Order of the Bards of the Island of Britain, date back to the late 18th century, and are best understood in that context of social and political fervor. At an early point in the 19th century, the Gorsedd became attached to the national Eisteddfod of Wales: this cultural gathering is in itself reformatting of a medieval Welsh gathering of court poets and musicians, a recreation or restoration inspired by a group of literary Anglican parsons.
    [Show full text]
  • The Cry of the Cymry: the Linguistic, Literary, and Legendary Foundations of Welsh Nationalism As It Developed Throughout the 19Th Century
    Abilene Christian University Digital Commons @ ACU ACU Student Research, Theses, Projects, and Honors College Dissertations 4-2018 The rC y of the Cymry: The Linguistic, Literary, and Legendary Foundations of Welsh Nationalism as it Developed Throughout the 19th Century McKinley Terry Follow this and additional works at: https://digitalcommons.acu.edu/honors The Cry of the Cymry: The Linguistic, Literary, and Legendary Foundations of Welsh Nationalism as it Developed Throughout the 19th Century An Honors College Project Thesis Presented to The Department of History and Global Studies Abilene Christian University In Partial Fulfillment of the Requirements for Honors Scholar by McKinley Terry April 2018 Copyright 2018 McKinley Terry ALL RIGHTS RESERVED This Project Thesis, directed and approved by the candidate’s committee, has been accepted by the Honors College of Abilene Christian University in partial fulfillment of the requirements for the distinction HONORS SCHOLAR Dr. Jason Morris, Dean of the Honors College _______________________ Date Advisory Committee Dr. Kelly Elliott, Committee Chair Dr. William Carroll, Committee Member Dr. Ron Morgan, Department Head Abstract This paper examines the development of a national identity in Wales throughout the nineteenth and early twentieth centuries, beginning with the effects of the French Revolution and ending with the aftermath of the First World War. Using cultural theories such as Anderson’s “Imagined Communities” and Hobsawm and Ranger’s “Imagined Traditions,” this paper pays special attention to the Celtic traditions and myths that Welsh leaders utilized to cultivate a sense of nationalism and foster a political identity that gained prominence in the nineteenth century. This nationalism will also be presented in the context of cultural changes that Wales faced during this time, especially industrialization and Romanticism.
    [Show full text]