Traduction De Joseph Loth
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(1913). Tome II
Notes du mont Royal www.notesdumontroyal.com 쐰 Cette œuvre est hébergée sur « No- tes du mont Royal » dans le cadre d’un exposé gratuit sur la littérature. SOURCE DES IMAGES Canadiana LES MABINOGION LES Mabinogion du Livre Rouge de HERGEST avec les variantes du Livre Blanc de RHYDDERCH Traduits du gallois avec une introduction, un commentaire explicatif et des notes critiques FA R J. LOTH PROFESSEUR Ali COLLÈGE DE FRANCE ÉDITION ENTIÈREMENT REVUE, CORRXGÉE ET AUGMENTÉE FONTEMOING ET Cie, ÉDITEURS PARIS4, RUE LE son, 4 1913 . x 294-? i3 G 02; f! LES MABINOGION OWEIN (1’ ET LUNET i2) ou la Dame de la Fontaine L’empereur Arthur se trouvait à Kaer Llion (3)sur W’ysc. Or un jour il était assis dans sa chambre en. (1) Owen ab Urycn est un des trois gingndqyrn (rois bénis) de l’île (Triades Mab., p. 300, 7). Son barde, Degynelw, est un des trois gwaewrudd ou hommes à la lance rouge (Ibid., p. 306, 8 ; d’autres triades appellent ce barde Tristvardd (Skene. Il, p. 458). Son cheval, Carnavlawc, est un des trois anreilhvarch ou che- vaux de butin (Livre Noir, Skene,ll, p. 10, 2). Sa tombe est à Llan Morvael (Ibid., p. 29, 25 ; cf. ibid, p. 26, 6 ; 49, 29, 23). Suivant Taliesin, Owein aurait tué Ida Flamddwyn ou Ida Porte-brandon, qui paraît être le roi de Northumbrie, dont la chronique anglo- saxonne fixe la mort à l’année 560(Petrie, Mon. hist. brit., Taliesin, Skene, Il, p. 199, XLIV). Son père, Uryen, est encore plus célè- bre. -
Date Night a King Arthurs Short Story by K. M. Shea
Date Night A King Arthurs Short Story by K. M. Shea Britt didn’t know what to expect when Merlin said he would pick her up for their date that night—their first date ever, really. It had crossed her mind that he could arrive in a horse- drawn carriage, a Mercedes-Benz, or anything in between. So she was somewhat surprised when he pulled up on the street in front of her apartment complex in a silver Toyota SUV. It was a nice car. It still sported the new car smell, and it had a leather interior and heated seats. But it was surprisingly...practical. “So you really have a driver’s license?” Britt asked as she buckled her seatbelt. “Indeed,” Merlin said. He waited until she was situated before shifting the car into drive. “All of us are certified citizens of the United States. We all pay taxes, and we all have our driver’s license. Well, excluding Morgan, that is. She keeps failing her driver’s test, but that’s because she drives like a maniac.” “How did you manage to get IDs?” Britt asked. “The Lady of the Lake,” Merlin said. “A number of her handmaidens work for the US government. “I don’t know if that’s reassuring or terrifying,” Britt said. Merlin made a turn, navigating through the maze of city streets. “Oh, the US is not the only pie she has her thumb in. Most of her power lays in her real estate holdings and in the great number of favors the various faerie royalty throughout the world owe her.” “I’m starting to think she would’ve made a wonderful High King of Britain,” Britt said. -
Llyfrgell Genedlaethol Cymru = the National Library of Wales Cymorth
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Winifred Coombe Tennant Papers, (GB 0210 WINCOOANT) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 05, 2017 Printed: May 05, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows ANW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/winifred-coombe-tennant-papers-2 archives.library .wales/index.php/winifred-coombe-tennant-papers-2 Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Winifred Coombe Tennant Papers, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 5 Nodiadau | Notes ............................................................................................................................................ -
New Perspectives on Modern Wales
New Perspectives on Modern Wales New Perspectives on Modern Wales: Studies in Welsh Language, Literature and Social Politics Edited by Sabine Asmus and Katarzyna Jaworska-Biskup New Perspectives on Modern Wales: Studies in Welsh Language, Literature and Social Politics Edited by Sabine Asmus and Katarzyna Jaworska-Biskup Reviewer: Prof. dr. Eduard Werner This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Sabine Asmus, Katarzyna Jaworska-Biskup and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2191-5 ISBN (13): 978-1-5275-2191-9 CONTENTS INTRODUCTION ............................................................................................ 1 CHAPTER ONE ............................................................................................. 3 Welsh or British in Times of Trouble? Shaping Welsh Culture and Identity during the Second World War Martin Andrew Hanks CHAPTER TWO .......................................................................................... 31 Local or National? Gender, Place and Identity in Post-Devolution Wales’ Literature Rhiannon Heledd Williams CHAPTER THREE -
LITERATURE SINCE 1500 by DAVID R
Welsh Studies LITERATURE SINCE 1500 By DAVID R. JOHNSTON, Lecturer in Welsh in the University College ofCardiff B. Jarvis, 'Dysgeidiaeth Cristnoges o Ferch a'i gefndir', YB, I3: 2 Ig--26, discusses Renaissance attitudes towards women's educa tion, with particular reference to Richard Owen's Welsh translation (preserved in a MS of I 552) of De Instructione Feminae Christianae by Juan Luis Vives. D. Evans, 'Mwyalchen wen mewn caets', NLWJ, 23: 329-33, publishes the text of a cywydd by the late I 6th-c. Glamorgan poet Sils ap Sion about a caged white blackbird. The cywydd deuair jjrion metre and the tunes to which it was sung from the I 6th c. onwards are discussed by M. Evans, 'Deuair fyrion ac alawon', Canu Gwerin, 8: I6-3r. M. Burdett-Jones, '"Sacrafen Penyd" ', YB, I 3: 227-3 I, shows that a now lost Welsh translation of the recusant text, A Short Treatise of the Sacrament of Penance, made by the Renaissance scholar Thomas Wiliems, was in the hands of the I8th-c. lexicographer Thomas Lloyd, who refers to the manuscript translation to illustrate words in his copy ofJohn Davies's Dictionar ium Duplex. Two documentary references to Thomas Wiliems, dated I602 and I604, are printed and discussed by G. C. G. Thomas, 'Dau gyfeiriad at Syr Tomas Wiliems, Trefriw, ym mhapurau'r sesiwn fawr am swydd Ddinbych', NLW}, 23:425-27. Isaac Thomas concludes his study of the translation of the scriptures in 'Y fersiwn o'r Hen Destament Hebraeg ym Meibl Cymraeg I62o', ib., 24: I-45· T. -
Catalogue of Photographs of Wales and the Welsh from the Radio Times
RT1 Royal Welsh Show Bulls nd RT2 Royal Welsh Show Sheep shearing nd RT3 Royal Welsh Show Ladies choir nd RT4 Royal Welsh Show Folk dance 1992 RT5 Royal Welsh Show Horses nd RT6 Royal Welsh Show Horses 1962 RT7 LLangollen Tilt Dancers 1962 RT8 Llangollen Tilt Estonian folk dance group 1977 RT9 Llangollen Eisteddfod Dancers 1986 RT10 Royal Welsh Show Horse and rider 1986 RT11 Royal Welsh Show Horse 1986 RT12 Royal Welsh Show Pigs 1986 RT13 Royal Welsh Show Bethan Charles - show queen 1986 RT14 Royal Welsh Show Horse 1986 RT15 Royal Welsh Show Sheep shearing 1986 RT16 Royal Welsh Show Sheep shearing 1986 RT17 Royal Welsh Show Produce hall 1986 RT18 Royal Welsh Show Men's tug of war 1986 RT19 Royal Welsh Show Show jumping 1986 RT20 Royal Welsh Show Tractors 1986 RT21 Royal Welsh Show Log cutting 1986 RT22 Royal Welsh Show Ladies in welsh costume, spinning wool 1986 RT23 Royal Welsh Show Horses 1986 RT24 Royal Welsh Show Horses 1986 RT25 Royal Welsh Show Men's tug of war 1986 RT26 Royal Welsh Show Audience 1986 RT27 Royal Welsh Show Horses 1986 RT28 Royal Welsh Show Vehicles 1986 RT29 Royal Welsh Show Sheep 1986 RT30 Royal Welsh Show General public 1986 RT31 Royal Welsh Show Bulls 1986 RT32 Royal Welsh Show Bulls 1986 RT33 Merionethshire Iowerth Williams, shepherd nd RT34 LLandrindod Wells Metropole hotel nd RT35 Ebbw Vale Steel works nd RT36 Llangollen River Dee nd RT37 Llangollen Canal nd RT38 Llangollen River Dee nd RT39 Cardiff Statue of St.David, City Hall nd RT40 Towyn Floods 1990 RT41 Brynmawr Houses and colliery nd RT42 Llangadock Gwynfor Evans, 1st Welsh Nationalist MP 1966 RT43 Gwynedd Fire dogs from Capel Garman nd RT44 Anglesey Bronze plaque from Llyn Cerrigbach nd RT45 Griff Williams-actor nd RT46 Carlisle Tullie House, museum and art gallery nd RT47 Wye Valley Tintern Abbey nd 1 RT48 Pontypool Trevethin church nd RT49 LLangyfelach church nd RT50 Denbighshire Bodnant gardens nd RT51 Denbighshire Glyn Ceiriog nd RT52 Merthyr New factory and Cyfartha castle nd RT53 Porthcawl Harbour nd RT54 Porthcawl Harbour nd RT55 Gower Rhosili bay nd RT56 St. -
The Matter of Britain
THE MATTER OF BRITAIN: KING ARTHUR'S BATTLES I had rather myself be the historian of the Britons than nobody, although so many are to be found who might much more satisfactorily discharge the labour thus imposed on me; I humbly entreat my readers, whose ears I may offend by the inelegance of my words, that they will fulfil the wish of my seniors, and grant me the easy task of listening with candour to my history May, therefore, candour be shown where the inelegance of my words is insufficient, and may the truth of this history, which my rustic tongue has ventured, as a kind of plough, to trace out in furrows, lose none of its influence from that cause, in the ears of my hearers. For it is better to drink a wholesome draught of truth from a humble vessel, than poison mixed with honey from a golden goblet Nennius CONTENTS Chapter Introduction 1 The Kinship of the King 2 Arthur’s Battles 3 The River Glein 4 The River Dubglas 5 Bassas 6 Guinnion 7 Caledonian Wood 8 Loch Lomond 9 Portrush 10 Cwm Kerwyn 11 Caer Legion 12 Tribuit 13 Mount Agned 14 Mount Badon 15 Camlann Epilogue Appendices A Uther Pendragon B Arthwys, King of the Pennines C Arthur’s Pilgrimages D King Arthur’s Bones INTRODUCTION Cupbearer, fill these eager mead-horns, for I have a song to sing. Let us plunge helmet first into the Dark Ages, as the candle of Roman civilisation goes out over Europe, as an empire finally fell. The Britons, placid citizens after centuries of the Pax Romana, are suddenly assaulted on three sides; from the west the Irish, from the north the Picts & from across the North Sea the Anglo-Saxons. -
The Early Arthur: History and Myth
1 RONALD HUTTON The early Arthur: history and myth For anybody concerned with the origins of the Arthurian legend, one literary work should represent the point of embarkation: the Historia Brittonum or History of the British . It is both the earliest clearly dated text to refer to Arthur, and the one upon which most efforts to locate and identify a histor- ical fi gure behind the name have been based. From it, three different routes of enquiry proceed, which may be characterised as the textual, the folkloric and the archaeological, and each of these will now be followed in turn. The Arthur of literature Any pursuit of Arthur through written texts needs to begin with the Historia itself; and thanks primarily to the researches of David Dumville and Nicholas Higham, we now know more or less exactly when and why it was produced in its present form. It was completed in Gwynedd, the north-western king- dom of Wales, at the behest of its monarch, Merfyn, during the year 830. Merfyn was no ordinary Welsh ruler of the age, but an able and ruthless newcomer, an adventurer who had just planted himself and his dynasty on the throne of Gwynedd, and had ambitions to lead all the Welsh. As such, he sponsored something that nobody had apparently written before: a com- plete history of the Welsh people. To suit Merfyn’s ambitions for them, and for himself, it represented the Welsh as the natural and rightful owners of all Britain: pious, warlike and gallant folk who had lost control of most of their land to the invading English, because of a mixture of treachery and overwhelming numbers on the part of the invaders. -
An Exposition to Transform the Arts of a Nation a Small Open Space in A
An Exposition to Transform the Arts of a Nation A small open space in a crowded downtown city with trains, cars, boats, and even a rollercoaster drowning out the sense of calm usually found outside. But within this small open space, there is a circle of 12 large stones hosting ceremonies for the arts and initiating a new tradition to the Western Hemisphere. The 1913 Pittsburgh International Eisteddfod was held between July 2nd and July 5th at Exposition Hall near Pittsburgh’s point. The festival and competition spread throughout the Exposition buildings and outside to the Gorsedd Stone Circle held near the Fort Pitt Blockhouse. The 1913 Eisteddfod stands out among the Eisteddfodau of history as the establishment of the American Order of the Bards and the first American Bardic Circle. The Eisteddfod is a traditional Welsh celebration and the first official National Eisteddfod was held in 1176. Following the first Eisteddfod in 1176, many eisteddfodau were held throughout Wales, under the patronage of Welsh gentry and noblemen. The Eisteddfod eventually developed into a folk festival on a grand scale. After declining in popularity in the 18th century, it was revived in the early years of the 19th. In 1880, the National Eisteddfod Association was formed and since then an Eisteddfod has been held every year, except for 1914 and 1940. The Pittsburgh International Eisteddfod was held in Pittsburgh due to Mrs. David Davis and her son James J. Davis. Mrs. Davis attended Eisteddfodau when she was young in Wales and explained her sentimental thoughts on the Eisteddfodau prompting her son, James J Davis, to propose hosting an International Eisteddfod in Pittsburgh. -
The Bard of the Black Chair: Ellis Evans and Memorializing the Great War in Wales
Volume 3 │ Issue 1 │ 2018 The Bard of the Black Chair: Ellis Evans and Memorializing the Great War in Wales McKinley Terry Abilene Christian University Texas Psi Chapter Vol. 3(1), 2018 Article Title: The Bard of the Black Chair: Ellis Evans and Memorializing the Great War in Wales DOI: 10.21081/AX0173 ISSN: 2381-800X Key Words: Wales, poets, 20th Century, World War I, memorials, bards This work is licensed under a Creative Commons Attribution 4.0 International License. Author contact information is available from the Editor at [email protected]. Aletheia—The Alpha Chi Journal of Undergraduate Scholarship • This publication is an online, peer-reviewed, interdisciplinary undergraduate journal, whose mission is to promote high quality research and scholarship among undergraduates by showcasing exemplary work. • Submissions can be in any basic or applied field of study, including the physical and life sciences, the social sciences, the humanities, education, engineering, and the arts. • Publication in Aletheia will recognize students who excel academically and foster mentor/mentee relationships between faculty and students. • In keeping with the strong tradition of student involvement in all levels of Alpha Chi, the journal will also provide a forum for students to become actively involved in the writing, peer review, and publication process. • More information and instructions for authors is available under the publications tab at www.AlphaChiHonor.org. Questions to the editor may be directed to [email protected]. Alpha Chi is a national college honor society that admits students from all academic disciplines, with membership limited to the top 10 percent of an institution’s juniors, seniors, and graduate students. -
A Welsh Classical Dictionary
A WELSH CLASSICAL DICTIONARY DACHUN, saint of Bodmin. See s.n. Credan. He has been wrongly identified with an Irish saint Dagan in LBS II.281, 285. G.H.Doble seems to have been misled in the same way (The Saints of Cornwall, IV. 156). DAGAN or DANOG, abbot of Llancarfan. He appears as Danoc in one of the ‘Llancarfan Charters’ appended to the Life of St.Cadog (§62 in VSB p.130). Here he is a clerical witness with Sulien (presumably abbot) and king Morgan [ab Athrwys]. He appears as abbot of Llancarfan in five charters in the Book of Llandaf, where he is called Danoc abbas Carbani Uallis (BLD 179c), and Dagan(us) abbas Carbani Uallis (BLD 158, 175, 186b, 195). In these five charters he is contemporary with bishop Berthwyn and Ithel ap Morgan, king of Glywysing. He succeeded Sulien as abbot and was succeeded by Paul. See Trans.Cym., 1948 pp.291-2, (but ignore the dates), and compare Wendy Davies, LlCh p.55 where Danog and Dagan are distinguished. Wendy Davies dates the BLD charters c.A.D.722 to 740 (ibid., pp.102 - 114). DALLDAF ail CUNIN COF. (Legendary). He is included in the tale of ‘Culhwch and Olwen’ as one of the warriors of Arthur's Court: Dalldaf eil Kimin Cof (WM 460, RM 106). In a triad (TYP no.73) he is called Dalldaf eil Cunyn Cof, one of the ‘Three Peers’ of Arthur's Court. In another triad (TYP no.41) we are told that Fferlas (Grey Fetlock), the horse of Dalldaf eil Cunin Cof, was one of the ‘Three Lovers' Horses’ (or perhaps ‘Beloved Horses’). -
A Study of the Genre of T. H. White's Arthurian Books a Thesis
A Study of the Genre of T. H. White's Arthurian Books A Thesis for the Degree of Ph. D from the University of Wales Susan Elizabeth Chapman June 1988 Summary T. H. White's Arthurian books have been consistently popular with the general public, but have received limited critical attention. It is possible that such critical neglect is caused by the books' failure to conform to the generic norms of the mainstream novel, the dominant form of prose fiction in the twentieth century. This thesis explores the way in which various genres combine in The. Once alai Future King.. Genre theory, as developed by Northrop Frye and Alastair Fowler, is the basis of the study. Neither theory is applied fully, but Frye's and Fowler's ideas about the function of genre as an interpretive tool underpin the study. The genre study proper begins with an examination of the generic repertoire of the mainstream novel. A study of The. Qnce gknj Future King in relation to this form reveals that it exhibits some of its features, notably characterization and narrative, but that it conspicuously lacks the kind of setting typical of the mainstream novel. A similar approach is followed with other subgenres of prose fiction: the historical novel; romance; fantasy; utopia. In each case Thy Once angj Future King is found to exhibit some key features, unique to that form, although without sufficient of its characteristics to be described fully in those terms. The function of the comic and tragic modes within The. Qnce änd Future King is also considered.