Sunny Wilkinson Quartet – Biography
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Part 2 of Selected Discography
Part 2 of Selected Discography Milt Hinton Solos Compiled by Ed Berger (1949-2017) - Librarian, journalist, music producer, photographer, historian, and former Associate Director, Institute of Jazz Studies, Rutgers University. This is a chronological list of representative solos by Hinton as a sideman in a variety of settings throughout his career. Although not definitive, Milt was such a consistent soloist that one could cite many other equally accomplished performances. In some cases, particularly from the 1930s when bass solos were relatively rare, the recordings listed contain prominent bass accompaniment. November 4, 1930, Chicago Tiny Parham “Squeeze Me” (first Hinton recording, on tuba) 78: Recorded for Victor, unissued CD: Timeless CBC1022 (Tiny Parham, 1928–1930) January–March 1933, Hollywood Eddie South “Throw a Little Salt on the Bluebird’s Tail” (vocal) “Goofus” CD: Jazz Oracle BDW8054 (Eddie South and His International Orchestra: The Cheloni Broadcast Transcriptions) May 3, 1933, Chicago Eddie South “Old Man Harlem” (vocal) 78: Victor 24324 CD: Classics 707 (Eddie South, 1923–1937) June 12, 1933, Chicago Eddie South “My, Oh My” (slap bass) 78: Victor 24343 CD: Classics 707 (Eddie South, 1923-1937) March 3, 1937 Cab Calloway “Congo” 78: Variety 593 CD: Classics 554 (Cab Calloway, 1934–1937) January 26, 1938 Cab Calloway “I Like Music” (brief solo, slap bass) 78: Vocalion 3995 CD: Classics 568 (Cab Calloway, 1937–1938) August 30, 1939 Cab Calloway “Pluckin’ the Bass” (solo feature —slap bass) 78: Vocalion 5406 CD: Classics -
TIRESIAN SYMMETRY (Cuneiform Rune 346) Format: CD
Bio information: JASON ROBINSON Title: TIRESIAN SYMMETRY (Cuneiform Rune 346) Format: CD Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: JAZZ / AVANT-JAZZ Saxophonist/Composer Jason Robinson Takes a Mythic Journey with New Album: Tiresian Symmetry featuring Robinson with All-Star Band: George Schuller, Ches Smith, Marty Ehrlich, Liberty Ellman, Drew Gress, Marcus Rojas, Bill Lowe, JD Parran A ubiquitous and often pivotal figure in the stories and myths of ancient Greece, the blind prophet Tiresias was blessed and cursed by the gods, experiencing life as both a man and a woman while living for hundreds of years. In saxophonist/composer Jason Robinson’s polydirectional masterpiece Tiresian Symmetry, he doesn’t seek to tell the soothsayer’s story. Rather for his seventh album as a leader, he’s gathered an extraordinary cast of improvisers to investigate the nature of narrative itself in a jazz context. The music’s richly suggestive harmonic and metrical relationships elicit a wide array of responses, but ultimately listeners find their own sense of order and meaning amidst the sumptuous sounds. For Robinson, a capaciously inventive artist who has flourished in a boggling array of settings, from solo excursions with electronics and free jazz quartets to roots reggae ensembles and multimedia collectives, Tiresian Symmetry represents his most expansive project yet. “I was attracted to the myth of the soothsayer, who tells the future even when it’s not welcome information,” Robinson says. “But on a more technical level I was intrigued by the numerical relationships. -
John Clark Brian Charette Finn Von Eyben Gil Evans
NOVEMBER 2016—ISSUE 175 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JOHN BRIAN FINN GIL CLARK CHARETTE VON EYBEN EVANS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East NOVEMBER 2016—ISSUE 175 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : John Clark 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : Brian Charette 7 by ken dryden General Inquiries: [email protected] On The Cover : Maria Schneider 8 by john pietaro Advertising: [email protected] Encore : Finn Von Eyben by clifford allen Calendar: 10 [email protected] VOXNews: Lest We Forget : Gil Evans 10 by eric wendell [email protected] LAbel Spotlight : Setola di Maiale by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Festival Report Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, CD Reviews Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Miscellany 33 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Event Calendar 34 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Contributing Writers Robert Bush, Laurel Gross, George Kanzler, Matthew Kassel, Mark Keresman It is fascinating that two disparate American events both take place in November with Election Contributing Photographers Day and Thanksgiving. -
Holt Atherton Special Collections Ms4: Brubeck Collection
HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 1: PAPERS SUBSERIES E: CLIPPINGS BOX 3a : REVIEWS, 1940s-1961 1.E.3.1: REVIEWS, 1940s a- “Jazz Does Campus Comeback but in new Guise it’s a ‘Combo,’” Oakland Tribune, 3-24-47 b- Jack Egan. “Egan finds jury…,” Down Beat, 9-10-47 c- “Local boys draw comment,” <n.s.> [Chicago], 12-1-48 d- Edward Arnow. “Brubeck recital is well-received,” Stockton Record, 1-18-49 e- Don Roessner. “Jazz meets J.S. Bach in the Bay Region,” SF Chronicle, 2- 13-49 f- Robert McCary. “Jazz ensemble in first SF appearance,” SF Chronicle, 3-6- 49 g- Clifford Gessler. “Snap, skill mark UC jazz concert,” <n.s.> [Berkeley CA], n.d. [4-49] h- “Record Reviews---DB Trio on Coronet,” Metronome, 9-49, pg. 31 i- Keith Jones. “Exciting and competent, says this critic,” Daily Californian, 12- 6-49 j- Kenneth Wastell. “Letters to the editor,” Daily Californian, 12-8-49 k- Dick Stewart. “Letters to the editor,” Daily Californian, 12-9-49 l- Ken Wales. “Letters to the editor,” Daily Californian, 12-14-49 m- “Record Reviews: The Month’s best [DB Trio on Coronet],” Metronome, Dec. 1949 n- “Brubeck Sounds Good” - 1949 o- Ralph J. Gleason, “Local Units Give Frisco Plenty to Shout About,” Down Beat, [1949?] 1.E.3.2: REVIEWS, 1950 a- “Record Reviews: Dave Brubeck Trio,” Down Beat, 1-27-50 b- Bill Greer, "A Farewell to Measure from Bach to Bop," The Crossroads, January 1950, Pg. 13 c- Keith Jones. “Dave Brubeck,” Bay Bop, [San Francisco] 2-15-50 d- “Poetic License in Jazz: Brubeck drops in on symphony forum, demonstrates style with Bach-flavored bop,” The Daily Californian, 2-27-50 e- Barry Ulanov. -
LP Inventory
Allen Red Ride, Red, Ride RCA $ 5 Allen Red With Coleman Hawkins Smithsonian $ 5 Allen Red Live at the Roundtable Forum Records $ 5 Allen Steve With Gus Bivona - Music For Swingers Mercury $ 5 Allison Mose Ever Since The World Ended Blue Note $ 5 Alpert Herb Going Places A&M Records $ 5 Alpert Herb South of the Border A&M Records $ 5 Armstrong Louis Ambassador Satch Columbia Hi Fidelity $ 5 Armstrong Louis With the Dukes of Dixieland Audio Fidelity $ 5 Armstrong Louis Greatest Of Columbia Records $ 5 Armstrong Louis Hot Fives and Hot Sevens Columbia Masterpieces $ 5 Armstrong Louis Live Recording Polskie Records $ 5 Armstrong Louis Plays W.C. Handy Columbia $ 5 Armstrong Louis The Greatest of L. Armstrong Columbia $ 5 Armstrong Louis The Hot 5’s and Hot 7’s Columbia Masterpieces $ 5 Armstrong Louis Giants of Jazz Series Time-Life $ 10 Armstrong Louis Town Hall Concert RCA $ 5 Artin Tom Condon’s Hot Lunch Slide Records $ 5 Astaire Fred Starring Fred Astaire Columbia $ 5 Auld George Manhattan Coral Records $ 5 Ballou Monte Moving Willie’s Grave $ 5 Barefield Eddie Indestructible Eddie Barefield Famous Records $ 5 Barnet Charlie Best Of MCA $ 5 Basie Count Basie's Basement feat. Jimmy Rushing $ 5 Basie Count Basie's Best Columbia $ 5 Basie Count Best Of Decca $ 5 Basie Count Blues By Basie Columbia (set of four ’78 discs $ 10 Basie Count Good Morning Blues $ 5 Basie Count In Kansas City 1930-32 RCA $ 5 Basie Count The Count RCA Camden $ 5 Basie Count The Count’s Men $ 5 Basie Count & Duke Ellington Great Jazz 1940 Jazz Anthology $ 5 Basie -
Grant Kicks Off FSU's Project of Building Sustainable Energy
For and about FSU people A publication of the FSU Division of Communications and Media Relations Volume 49, Number 28, April 29, 2019 Copy deadline: noon Wednesday, Candis Johnson at [email protected] Student Research Showcased in Undergraduate Symposium at FSU Student research and experiential learning projects will be the focus of FSU’s annual Undergraduate Research Symposium on Friday, May 3, from 11 a.m. to 2 p.m. in the Lane University Center. The symposium provides participants the opportunity to present their work to their peers and share experiences across disciplines. All three academic colleges will be represented for the first time this year. The event is free and open to members of the public, who may come at any time during the three-hour window. The symposium will feature the work of 248 students who were mentored by 52 members of the faculty or staff across all three colleges and 15 departments. The poster presentations, oral presentations and physical displays will represent work completed during 2018 and 2019. Some of the wide variety of topics to be covered will include a skills assessment of regional workforce among employers and employees, a conservative treatment of a rare type II odontoid fracture, inventories of amphibians and reptiles, a presentation on ignorance in interracial relationships, community colleges vs. universities, drone construction and remote sensing applications, the history of Deep Creek Lake, revealing the geometry of spiral galaxies using fourier transforms and much more. Students will be stationed at their research displays in Lane Manicur Hall to explain their findings to interested individuals. -
Selected Discography
Part 1 of Selected Discography Milt Hinton as Leader or Co-leader Compiled by Ed Berger (1949-2017) - Librarian, journalist, music producer, photographer, historian, and former Associate Director, Institute of Jazz Studies, Rutgers University. It is estimated that between 1930 and 1995, Milt Hinton performed on more than nine hundred jazz record sessions. He made at least as many records, especially during the ’50s and ’60s, that featured hundreds of non-jazz performers, as well as countless jingles and film and television soundtracks. Specific and comprehensive information about Hinton’s recordings outside of jazz is nearly impossible to obtain. A partial list of non-jazz performers with whom he recorded includes: Paul Anka, Pearl Bailey, Harry Belafonte, Tony Bennett, Brook Benton, Archie Blyer, Teresa Brewer, Diahann Carroll, the Clancy Brothers, Nat King Cole, Perry Como, Sam Cooke, Bing Crosby, Vic Damone, Bobby Darin, Sammy Davis Jr., the Drifters, Percy Faith, Eddie Fisher, Connie Francis, Judy Garland, Jackie Gleason, Arthur Godfrey, Eydie Gormé, Skitch Henderson, John Lee Hooker, Lena Horne, Langston Hughes, Mahalia Jackson, Jack Jones, Frankie Laine, Steve Lawrence, Guy Lombardo, Johnny Mathis, Paul McCartney, Bette Midler, the Mills Brothers, Mantovani, Willie Nelson, Patti Page, Leontyne Price, Leon Redbone, Della Reese, Debbie Reynolds, Frank Sinatra, Kate Smith, Barbra Streisand, Sonny Terry and Brownie McGhee, Bobby Vinton, Dionne Warwick, Roger Williams, Jackie Wilson, and Hugo Winterhalter. The recording location is the New York City area unless otherwise noted. CDs have the same title as the LPs unless otherwise noted. [MH comp] indicates that Hinton was the composer or co-composer of a piece. -
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo, George & The Flames of Araby Orchestra Joy of Belly Dancing 12" 1975 Abdo, Geroge & The Flames of Araby Orchestra Art of Belly Dancing 12" 1973 Abney, Don, Jimmy Raney, Oscar Pettiford Music Minus One: A Rhythm Background Record For Any Musician Or Vocalist 12" 19NA Abrams, Muhal Richard Duet 12" 1981 Adderley, Cannonball The Cannonball Adderley Collection - Vol. 7: Cannonball in Europe 12" 1986 Somethin' Else 12" 1984 Domination 12" 1964 Cannonball Adderley Quintet In Chicago 12" 1959 African Waltz 12" 1961 Cannonball Takes Charge 12" 1959 Adderley, Cannonball Quintet Mercy, Mercy, Mercy! Live at 'The Club' 12" 19NA Ade, King Sunny Synchro System 12" 1983 Adelade Robbins Trio, Barbara Carroll Trio Lookin' for a Boy 12" 1958 Akiyosh, Toshiko-Lew Tabackin Big Band Road Time 12" 2 LPs 1976 Akiyoshi, Toshiko Lew Tabackin Big Band Tales of a Courtesan (Oirantan) 12" 1976 Albam, Manny Jazz Heritage: Jazz Greats of Our Time, Vol. 2 12" 1958 Alexander, Monty Alexander The Great 12" 1965 Facets 12" 1980 Monty Strikes Again: Monty Alexander Live In Germany 12" 1976 Duke Ellington Songbook 12" 1984 Spunky 12" 1965 Alexander, Monty & Ernest Ranglin Just Friends 12" 1981 Alexandria, Lorez The Band Swings Lorez Sings 12" 1988 Alexandria the Great 12" 1964 Lorez Sings Pres: A Tribute to Lester Young 12" 1987 For Swingers Only 12" 1963 Page 1 of 67 Title Format Released Alexandria, Lorez This Is Lorez 12" 1958 More Of The Great Lorez Alexandria 12" 1964 Allen, "Red" With Jack Teagarden And Kid Ory At Newport 12" 1982 Allen, Henry "Red" Giants Of Jazz 3 LP Box Set 1981 Ride, Red, Ride in Hi-Fi 12" 1957 Ridin' With Red 10" 1955 Allison, Mose V-8 Ford Blues 12" 1961 Back Country Suite 12" 1957 Western Man 12" 1971 Young Man Mose 12" 1958 Almeida, Laurindo with Bud Shank Brazilliance, Vol. -
5. Duke Ellington in Cleveland
5. Duke Ellington in Cleveland Cleveland Press I CSU Archives Duke Ellington and his orchestra at Cleveland's Palace Theatre in 1937. Front row (L-R): Freddie Guy, Barney Bigard, Johnny Hodges, Otto Hardwick and Harry Carney. Second row: Rex Stewart, Ray Nance, Arthur Whetsol, Joe Nanton, Juan Tizol, Lawrence Brown. Back row: Billy Taylor, Sonny Greer and Hayes Alvis. (Note two bassists) dward Kennedy Ellington was probably the most Clevelander Noble Sissie, the son of the pastor of creative force in jazz history. For more than 40 Cleveland's Cory Methodist Church, who opened the Eyears, he made monumental contributions as a door for Ellington and other black entertainers by composer, arranger, pianist and bandleader in a variety producing an all-black Broadway review, Shuffle Along, of musical forms. Christoph von Dohnanyi, the world in 1921. famous classical conductor and the music director ofthe When Ellington, a native ofWashington, D.C., went Cleveland Orchestra, told me in 1985 that he believed to New York, he met violinist and orchestra leader Will Ellington was "one ofthe really great people in music." Marion Cook. Ellington said Cook was one of his Ellington biographer John Edward Hasse said it was strongest musical influences. He called him "Dad Cook" and said the Oberlin graduate gave him lectures in music. But, according to Ellington, the most important thing Cook told him was, "Don't try to be anybody else but yourself," advice that Ellington followed throughout his career. Ellington had many local connections. When he was leading his band at Harlem's Cotton Club in 1928, he hired a four-foot ten-inch left-handed trumpet player from Ohio' s Wilberforce University. -
Downbeat.Com February 2016 U.K. £3.50
FEBRUARY 2016 U.K. £3.50 DOWNBEAT.COM FEBRUARY 2016 VOLUME 83 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ŽanetaÎuntová Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, -
Jazz Enciclopedia
John Abercrombie Джон Эберкромби Родился: 16 декабря 1944 в Порт Честере,штат Нью-Йорк Удивительное умение Джона Эберкромби сочетать в своем творче- стве многообразие джазовых направлений сделало его одним из самых влиятельных акустических и электро гитаристов 70-х и начала 80-х годов. Записи Эберкромби на ECM помогли этому рекорд лейблу обрести свою уникальную нишу в продвижении прогрессивного камерного джаза. В по- следнее время свет его звезды несколько угас - этому есть свои причины. Его излишняя дань консерватизму доминирует над джазом, но Эберкромби по-прежнему остается гранд-персоной с высокой творческой энергетикой. Есть понятие "стиля Эберкромби": он основан исключительно на джазе и содержит в себе весь арсенал современной импровизационной музыки. Но главное - он всегда подразумевает и демонст- рирует нечто большее, чем могут вместить все диапазоны музыки - от фолка и рока до Вос- точной и Западной классической музыки. С 1962 по 1966 год Эберкромби учился в Бостон- ском музыкальном колледже (Berklee College of Music), и во время учебы гастролировал с блюзменом Джонни Хэммондом (Johnny Hammond). В 1969 году Эберкромби переезжает в Нью-Йорк и некоторое время играет в группах, возглавляемых барабанщиками Чико Хамиль- тоном и Билли Кобэмом. Группа, в которой он впервые обратил на себя внимание, называлась "Spectrum", а первый альбом, где Эберкромби заявил о себе как бэнд-лидер, назывался "Timeless. Альбом был записан с барабанщи- ком Джеком ДеДжонетте и клавишником Яном Хаммером. Затем последовал "Gateway" в со- ставе другого трио с Джеком ДеДжонетте и ба- систом Дэйвом Холландом, заменившим Яна Хаммера. Тонкий и проникновенный стиль Эберкромби дает наибольший эффект в малых формах: в составе Gateway трио, или в дуэте с гитаристом Ральфом Таунером. -
Acoustic Sounds Catalog Update
Analogue Productions and Quality Record Pressings are proud to announce the newest incarnation of titles to be pressed at 45 RPM on 200-gram vinyl. Ladies and gentlemen: The Doors! Additionally, these will also be available on Multichannel Hybrid SACD. The Doors Strange Days Waiting For The Sun Soft Parade Morrison Hotel L.A. Woman AAPP 74007-45 AAPP 74014-45 AAPP 74024-45 AAPP 75005-45 AAPP 75007-45 AAPP 75011-45 $50.00 $50.00 $50.00 $50.00 $50.00 $50.00 (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) Multichannel Hybrid Multichannel Hybrid Multichannel Hybrid No SACD available No SACD available Multichannel Hybrid SACD SACD SACD for this title for this title SACD CAPP 74007 SA CAPP 74014 SA CAPP 74024 SA CAPP 75011 SA $30.00 $30.00 $30.00 $30.00 Cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best tape copy. Sax and Doors producer/engineer Bruce Botnick went through a meticulous setup to guarantee a positively stunning reissue series. This is an all-tubes process. These masters were recorded on tube equipment and the tape machine used for transfer for these releases is a tube machine, as is the cutting system. Tubes, baby! A truly authentic reissue project. Also available: Mr. Mojo Risin’: The Doors By The Doors The Story Of L.A. Woman The Doors by The Doors – a Featuring exclusive interviews with Ray huge, gorgeous volume in which Manzarek, John Densmore, Robby Krieger the band tells its own story – is colleagues and collaborators, exclusive per- now available.