2018 UHA Sessions
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The 2021 Ohio Governor's Youth Art Exhibition
SPONSORS • AMACO/ Brent • Art Academy of Cincinnati • Ashland University • Blick Art Materials • Bowling Green State University, School of Art • Buckeye Ceramic Supply • Cleveland Institute of Art • College for Creative Studies - Detroit, MI • Columbus Clay Company • Columbus College of Art and Design • Kansas City Art Institute (KCAI) - Kansas City, MO • Kendall College of Art and Design of Ferris State University - Grand Rapids, MI • Laguna College of Art and Design - Laguna Beach, CA • Mansfield Art Center • Mayco Colors • Maryland Institute, College of Art - Baltimore, MD • McConnell Arts Center of Worthington • Milwaukee Institute of Art and Design (MIAD) • The Modern College of Design - Kettering, OH • Mount St. Joseph University - Cincinnati, OH • Myers School of Art, The University of Akron • Ohio Art Education Association • Ohio Ceramic Supply • Ohio Designer Craftsmen • Ohio Northern University - Ada, OH • Ohio State Fair Youth Arts Exhibition • Ohio University, School of Art + Design - Athens, OH • Savannah College of Art and Design (SCAD) • School of the Art Institute of Chicago (SAIC) • School of Visual Arts (SVA) - New York, NY • Support for Talented Students, Inc. (STS) • University of Dayton Online Exhibition Opens • University of St. Francis, School of Creative Arts - Ft. Wayne, IN Sunday April 25, 2021 • University of Toledo Department of Art at www.govart.org • Wright State University - Dayton, OH • The Governor of the State of Ohio • The Ohio Department of Education 2021 Top 25 Award of Excellence The 2021 Ohio Governor’s Youth Art Exhibition April 25 through May 21, 2021 Virtual Exhibition and Awards are available for viewing at www.govart.org The Exhibition • is a non-profit organization established in 1970 to promote the arts and to reward the youth of Ohio for their achievements in the visual arts. -
1867-12-18, [P ]
Home and Other Itema. Saw, you and Doc. make a good team Mews and Item*. i take part in it Ole Bull, the world- 'fh* Dlckriu. | Those irreverent lads who called names W. \V. Bornartl, of<j<ranper,Minn., call Jhc limes. The Commonwealth Ins. Co. is a new and Both Houses will ndjonrn on the ?0th renowned Norwegian violinist, arrived in New York 1ms fairly Out-Bostoned Bos after a certain "bald head"' of old, deserv* Hotel Loo£*l ed to see as last week on liis wny east.— 1 THERE IS A NKWLY FINISHED llOTlt A# | strong institution established in Decorah.1 iirst., until the 6th of January One J New York last week, en route for Chicago, ton in the Dickens excitement. The sale ed their untimely end, because nt thnt time When he returns we will say he is a pret of tickets for the Dickens readings com no panacea had been discovered to restore X.I 3VI E 8PRINO8, McOHEOUK, DEC. 18, 1867 Is that young and thriving city to be the week ago the street cars of New York was where he is expected to arrive some time ty good man, if he will permit it. We are menced at Steinwav Ilall at nine o'clock the human Iiair upon the bald spots. But Oi* nit McOreook Rahwit, INHtMy. Insurance center of the whole west? Suo blockaded with snow The Chicago Dai-1 this week The commissioner of pen- this morning, and lon^ before the hour a now, Ring's Vegetable Ambrosia is known •ltvar? trliid to *te the Chesterfield Mer- That wants to be sold lor eauh or exchanged for a' . -
Ald. Michael Murphy Chair, Milwaukee Arts Board
Department of City Development 809 North Broadway, Milwaukee, WI 53202 (414) 286-5794 Fax (414) 286-5467 Tom Barrett, Mayor Ald. Michael Murphy, Chair www.milwaukee.gov/MAB Contact: Ald. Michael Murphy Chair, Milwaukee Arts Board (414) 286-2074 For Immediate Release City of Milwaukee Arts Board awards $238,000 to 35 arts organizations Summer arts programs for youth, free performances of Shakespeare’s Much Ado About Nothing, and a series of cross-neighborhood dinners in connection with the classic American play Our Town are among 35 projects awarded funding recently by the City of Milwaukee Arts Board. At its May meeting the MAB considered the recommendations of an eight-member citizen review panel and voted to award $238,000 in grants ranging from $3,500 to $7,000. MAB grants require a dollar-for-dollar cash match from other sources, and the combined budgets of the 35 selected projects this year is more than $3.48 million. There were a total of 41 eligible requests from Milwaukee nonprofit arts organizations to fund art, music, dance, arts education and other projects. “I’m always impressed by the quality work our local arts community puts forth,” said Ald. Michael Murphy, Milwaukee Arts Board Chair. “We’re pleased to be able to support their efforts.” This year marks the 27th annual grant awards. Since 1991, the Milwaukee Arts Board has awarded more than $4.95 million to 127 different organizations. Grantees will be honored by Mayor Tom Barrett, Ald. Murphy and others at a 4:30 p.m. reception June 12 at the Marcus Center for the Performing Arts followed by an awards program and celebration at 5 p.m. -
UWM Libraries Digital Collections
OCTOBER/NOVEMBER 1996 COMPLIMENTARY VOLUME 1 1, ISSUE 1 CASTS OF CONTENTS CHARACTER ;Sfe5 m wm ::ft|f liiiiiiii! isiSiiiaiia ^m W 5S** m till ®m ililii*****"" . .•li.'-ftiiiill '"* •'• : "*"****> €15116 "^""^^feiSS?**! *£& Robert Cottingham, Art (detail), 1992. MAM, Landfall Press Archive, Gift of Jack Lemon. An Exhibition Featuring the Work of Former Artists-in-Residence in the FEHTU RES John Michael Kohler Arts Center's Arts/Industry Program at Kohler Co. Reflections on the Milwaukee Art Museum 12 September 29,1996 - January 5,1997 Photographs by Francis Ford 14 A Tale of Two Cities: Milwaukee vs. Milwaukee 16 TRE' ARENZ • LAWRENCE ARGENT • NANCY DWYER It Could Have Been a Parking Lot 17 PETER FLANARY • LESLIE FRY • MICHAEL GARR Beyond Bovines 18 MARTHA GLOWACKI • RONALD GONZALEZ INDIRA FREITAS JOHNSON • KEN LITTLE A Fine Line 19 EVA MELAS • CINDI MORRISON • JOEL OTTERSON Reflections on the Haggerty Museum of Art 20 CAROLYN OTTMERS • ALBERT PFARR • PAUL SEBBEN Fixing The Leaks 21 BUSTER SIMPSON • JANET WILLIAMS • ANDY YODER Essay/Steven Foster/Studies 22 OPENING CELEBRATION DEPARTMENTS Friday, October 4,1996 • 5:30-8:30 p.m. Refreshments • Music by The Mosleys Plexus/Reflexus 4 Free Admission Grants/Opportunities 6 Post Facto 24 Concurrent Exhibitions Calendar/Out There 28 Anna Torma: Notes and Visions Madison/Chicago 33 Kate Moran: Nine Dolls Full of Color Who Understand Touch through October 27 Rudy Rotter: Mahogany to Mink November 3, 1996 - February 2, 1997 ON THE COVER Opening and Exhibition Preview Front: David Schweitzer, Director, 1986. Photograph by Francis Ford. with Rudy Rotter and Guest Curator Debra Brehmer Back: Les Petite Bon-Bon, 1971. -
José Lerma B
José Lerma b. 1971, Seville, Spain Lives and works in Chicago, IL, and San Juan, Puerto Rico EDUCATION 2003 CORE Residency Program, Glassell School, Museum of Fine Arts, Houston, TX 2003 Skowhegan School of Painting and Sculpture, ME Fortaleza 302 Residency Program, San Juan, Puerto Rico 2002 MFA, MA, University of Wisconsin, Madison, WI 1995 University of Wisconsin Law School, Madison, WI 1994 BA, Political Science, Tulane University, New Orleans, LA COLLECTIONS Whitney Museum of American Art, New York, NY Saatchi Collection, London, UK Museum of Fine Arts Houston, TX Milwaukee Art Museum, WI Chazen Museum of Art, Madison, WI Arario Collection, Seoul, South Korea Aby Rosen, New York, NY Phillip Isles, New York, NY Dakkis Joannou, Athens, Greece Fidelity Investments, NY Colección VAC, Valencia, Spain A. De la Cruz Collection, Puerto Rico Phillara Collection, Düsseldorf, Germany Colección Berezdivin, Santurce, Puerto Rico Colección Cesar y Mima Reyes, San Juan, Puerto Rico SOLO AND TWO-PERSON EXHIBITIONS 2019 José Lerma, Galería Leyendecker, Islas Canarias, Spain 2018 José Lerma – Io e Io, Diablo Rosso, Panama City, Republic of Panama 2017 Nunquam Prandium Liberum, Kavi Gupta, Chicago, IL The Last Upper, Brand New Gallery, Milan, Italy 2016 José Lerma: La Venida Cansa Sin Ti, Kemper Museum of Art, Kansas City, MO Museo de Arte Contemporaneo, San Juan, Puerto Rico Huevolution, Halsey McKay Gallery, East Hampton, NY Josh Reames & Jose Lerma, Luis De Jesus Los Angeles, Los Angeles, CA 2014 La Bella Crisis, Museum of Contemporary Art Detroit, -
Bronze & Iron Valves
C-BIV-0319 C-BIV-0319 AHEAD OF THE FLOW® Bronze & Iron Valves Business-to-Business Solutions Look to NIBCO for technology leadership. The velocity with which e-business evolves demands that new products and serv- ices be continuously developed and introduced to keep our customers at the center of our business efforts. NIBCO provides an entire suite of business-to-business solutions that is changing the way we interact with customers. NIBCOpartner.comsm is an exclusive set of secure web applications that allow quick access to customer-specific information and online order processing. This self-service approach gives you 24/7 access to your order status putting you in total control of your business. Real time information includes: • Online order entry • Current price checks • Viewable invoices & reports • Order status • Inventory availability • Online library of price sheets, catalogs & submittals Electronic Data Interchange (EDI) makes it possible to trade business documents at the speed of light. This technology cuts the cost of each transaction by eliminating the manual labor and paper- work involved in traditional order taking. This amounts to cost-savings, increased accuracy and better use of resources. With EDI, you can trade: • Purchase orders • Product activity data • PO Acknowledgements • Advanced ship notices • Invoices • Remittance advice Vendor Managed Inventory (VMI), a sophisticated service for automated inventory management, reduces your overhead by transferring inventory management, order entry and forecasting to NIBCO. This is an on-going, interactive partnership with NIBCO. Through automation, VMI brings results: • Improves customer service • Cuts transaction costs • Optimum inventory efficiencies • Peace of mind • Better forecasting • Relief from day-to-day management NIBCO INC. -
ABSTRACT Title of Dissertation: PRISMS and POLYPHONY
ABSTRACT Title of Dissertation: PRISMS AND POLYPHONY: THE LIVED EXPERIENCES OF HIGH SCHOOL BAND STUDENTS AND THEIR DIRECTOR AS THEY PREPARE FOR AN ADJUDICATED PERFORMANCE Stephen W. Miles Doctor of Philosophy, 2012 Dissertation directed by: Professor Francine Hultgren Department of Teaching and Learning, Policy and Leadership College of Education University of Maryland This hermeneutic phenomenological inquiry is called by the question: What are the lived experiences of high school band students and their director as they prepare for an adjudicated performance? While there are many lenses through which the phenomenon of music preparation and music making has been explored, a relatively untapped aspect of this phenomenon is the experience as lived by the students themselves. The experiences and behaviors of the band director are so inexorably intertwined with the student experience that this essential contextual element is also explored as a means to understand the phenomenon more fully. Two metaphorical constructs – one visual, one musical – provide a framework upon which this exploration is built. As a prism refracts a single color of light into a wide spectrum of hues, views from within illumine a variety of unique perspectives and uncover both divergent and convergent aspects of this experience. Polyphony (multiple contrasting voices working independently, yet harmoniously, toward a unified musical product) enables understandings of the multiplicity of experiences inherent in ensemble performance. Conversations with student participants and their director, notes from my observations, and journal offerings provide the text for phenomenological reflection and interpretation. The methodology underpinning this human science inquiry is identified by Max van Manen (2003) as one that “involves description, interpretation, and self-reflective or critical analysis” (p. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days. -
Ald. Michael Murphy Chair, Milwaukee Arts Board
Department of City Development 809 North Broadway, Milwaukee, WI 53202 (414) 286-5794 Fax (414) 286-5467 Tom Barrett, Mayor Ald. Michael Murphy, Chair www.milwaukee.gov/MAB Contact: Ald. Michael Murphy Chair, Milwaukee Arts Board (414) 286-2074 For Immediate Release City of Milwaukee Arts Board announces 2016 Artists of the Year and Friends of the Arts Awards Della Wells and Dasha Kelly have been named 2016 Artists of the Year, the City of Milwaukee Arts Board announced recently. Thallis Hoyt Drake and Andy Nunemaker were named 2016 Friends of the Arts. They will be honored Tuesday, June 14 at a 4:30 p.m. reception in the atrium of the Marcus Center for the Performing Arts followed by an awards program and celebration at 5 p.m. Representatives of 33 city-based arts organizations who received arts board grants will also be honored. “We’re glad to shine a light on these four individuals, who have contributed so much to our entire community,” said Ald. Michael Murphy, who chairs the Milwaukee Arts Board. Della Wells is a self-taught artist who began drawing and painting in earnest at the age of 42. Her work ranges from collage and pastels to quilting. Her creative process stems from her personal experiences embellished through the art of storytelling. In 2011, an award winning play inspired by her life, '' Don't Tell Me I Can't Fly'', premiered in Milwaukee. The play was commissioned by First Stage children’s theater and written by Y York. She illustrated a children's book, "Electric Angel" by Nanci Mortimer, to be released by Wooden Nickel Press in late June. -
Milwaukee Electric Tool Corporation Product Catalog 2005-2006
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Editorial and Design Principles in Precursors Of
PRECURSORS TO THE RISE OF ENGLISH WORLD ATLASES; Theatres, Atlases, Cosmographies, Geographies, and Sets of Maps Dalia Varanka, Research Geographer U.S. Geological Survey 1400 Independence Road Rolla, Mo 65401 Tel. 573.308.3897 Email [email protected] Acnowledgement: This paper is based on doctoral dissertation research formulated under the supervision of J.B. Harley. The dissertation work was supported in part by a grant from the National Science Foundation and with fellowships from the John Carter Brown Library, Brown University; the Hermon Dunlap Smith Center for the History of Cartography, The Newberry Library; and the Graduate College of the University of Wisconsin-Milwaukee. The context of the rise of world atlases in England suggests that they were tied to wider scholarly and social issues covering the period of roughly 1630 through 1730. This short history discusses the cosmographical background and Continental foundations of the rise of world atlases in England, and a survey of relevant English precursors to those atlases. A risk exists of rooting definitions of atlases firmly in cartography, subsuming other defining concepts, such as scientific philosophy and social values. An alternative way to look at atlases is that they are part of the larger corpus of their other contemporary works. The word ‘atlas’ was applied to only a part of our extant corpus of bound or unbound collections of maps of the world made in late seventeenth- century England. A more frequent term is "set of maps," (or Tabularum Geographicarum). ‘Geography’ is also used. Bound sets of maps, which are called Atlas Factice, are almost never called atlases by their makers or producers. -
Print the Fifth Third Sculpture Walk
A Chicago native, Ryden taught and was Flower (see 16, above). Dorf lives and sculpture by Bernie Carreño represents At the northeast corner of Good Hall artist-in-residence at several Midwestern works in Denver, Colorado. He has been the culmination of the change that occurs facing Hanna Avenue is Brian Ferriby’s universities, including Southern Illinois represented by many galleries and his as we move from our youth through painted steel sculpture, Caterpillar, 23 . University and University of Missouri. work can be found in numerous private our middle years and into the “golden Ferriby, from Berklem, Michigan, uses He is currently artist-in-residence and and corporate collections. years.” Although the golden years have copper and steel mined in the Upper Bank Fifth Third professor of art at Anderson University Along Hanna Avenue in front of Esch much to offer, they are also a time of Peninsula. He employs techniques and lives in Yorktown, Indiana. Hall sits Precautions, 19 , a welded physical deterioration and pain. The cast elemental to the region, from those of the On the second floor of Esch Hall steel and cast iron sculpture by Bernie iron and bronze parts represent bones, earliest blacksmiths to ironworkers who stands Big Red Prop Flower, 16 , a Carreño. Precautions represents the while the steel portions represent joints built factories, skyscrapers, and bridges. composite of found objects altered and need of individuals to consider whether and radiated pain. “I believe my sculpture is a continuation painted. This sculpture by Jennifer Meyer, they or the world they live in are ready Northeast of the Christel DeHaan of these innovations,” Ferriby says.