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The 2021 Ohio Governor's Youth Art Exhibition
SPONSORS • AMACO/ Brent • Art Academy of Cincinnati • Ashland University • Blick Art Materials • Bowling Green State University, School of Art • Buckeye Ceramic Supply • Cleveland Institute of Art • College for Creative Studies - Detroit, MI • Columbus Clay Company • Columbus College of Art and Design • Kansas City Art Institute (KCAI) - Kansas City, MO • Kendall College of Art and Design of Ferris State University - Grand Rapids, MI • Laguna College of Art and Design - Laguna Beach, CA • Mansfield Art Center • Mayco Colors • Maryland Institute, College of Art - Baltimore, MD • McConnell Arts Center of Worthington • Milwaukee Institute of Art and Design (MIAD) • The Modern College of Design - Kettering, OH • Mount St. Joseph University - Cincinnati, OH • Myers School of Art, The University of Akron • Ohio Art Education Association • Ohio Ceramic Supply • Ohio Designer Craftsmen • Ohio Northern University - Ada, OH • Ohio State Fair Youth Arts Exhibition • Ohio University, School of Art + Design - Athens, OH • Savannah College of Art and Design (SCAD) • School of the Art Institute of Chicago (SAIC) • School of Visual Arts (SVA) - New York, NY • Support for Talented Students, Inc. (STS) • University of Dayton Online Exhibition Opens • University of St. Francis, School of Creative Arts - Ft. Wayne, IN Sunday April 25, 2021 • University of Toledo Department of Art at www.govart.org • Wright State University - Dayton, OH • The Governor of the State of Ohio • The Ohio Department of Education 2021 Top 25 Award of Excellence The 2021 Ohio Governor’s Youth Art Exhibition April 25 through May 21, 2021 Virtual Exhibition and Awards are available for viewing at www.govart.org The Exhibition • is a non-profit organization established in 1970 to promote the arts and to reward the youth of Ohio for their achievements in the visual arts. -
Principal Facts of the Earth's Magnetism and Methods Of
• * Class Book « % 9 DEPARTMENT OF COMMERCE U. S. COAST AND GEODETIC SURVEY E. LESTER JONES, Superintendent PRINCIPAL FACTS OF THE EARTH’S MAGNETISM AND METHODS OF DETERMIN¬ ING THE TRUE MERIDIAN AND THE MAGNETIC DECLINATION [Reprinted from United States Magnetic Declination Tables and Isogonic Charts for 1902] [Reprinted from edition of 1914] WASHINGTON GOVERNMENT PRINTING OFFICE 1919 ( COAST AND GEODETIC SURVEY OFFICE. DEPARTMENT OF COMMERCE U. S. COAST AND GEODETIC SURVEY »» E. LESTER JONES, Superintendent PRINCIPAL FACTS OF THE EARTH’S MAGNETISM AND METHODS OF DETERMIN¬ ING THE TRUE MERIDIAN AND THE MAGNETIC DECLINATION [Reprinted from United States Magnetic Declination Tables and Isogonic Charts for 1902 ] i [ Reprinted from edition of 1914] WASHINGTON GOVERNMENT PRINTING OFFICE 4 n; «f B. AUG 29 1913 ft • • * C c J 4 CONTENTS. Page. Preface. 7 Definitions. 9 Principal Facts Relating to the Earth’s Magnetism. Early History of the Compass. Discovery of the Lodestone. n Discovery of Polarity of Lodestone. iz Introduction of the Compass..... 15 Improvement of the Compass by Petrius Peregrinus. 16 Improvement of the Compass by Flavio Gioja. 20 Derivation of the word Compass. 21 Voyages of Discovery. 21 Compass Charts. 21 Birth of the Science of Terrestrial Magnetism. Discovery of the Magnetic Declination at Sea. 22 Discovery of the Magnetic Declination on Land. 25 Early Methods for Determining the Magnetic Declination and the Earliest Values on Land. 26 Discovery of the Magnetic Inclination. 30 The Earth, a Great Magnet. Gilbert’s “ De Magnete ”.'. 34 The Variations of the Earth’s Magnetism. Discovery of Secular Change of Magnetic Declination. 38 Characteristics of the Secular Change. -
José Lerma B
José Lerma b. 1971, Seville, Spain Lives and works in Chicago, IL, and San Juan, Puerto Rico EDUCATION 2003 CORE Residency Program, Glassell School, Museum of Fine Arts, Houston, TX 2003 Skowhegan School of Painting and Sculpture, ME Fortaleza 302 Residency Program, San Juan, Puerto Rico 2002 MFA, MA, University of Wisconsin, Madison, WI 1995 University of Wisconsin Law School, Madison, WI 1994 BA, Political Science, Tulane University, New Orleans, LA COLLECTIONS Whitney Museum of American Art, New York, NY Saatchi Collection, London, UK Museum of Fine Arts Houston, TX Milwaukee Art Museum, WI Chazen Museum of Art, Madison, WI Arario Collection, Seoul, South Korea Aby Rosen, New York, NY Phillip Isles, New York, NY Dakkis Joannou, Athens, Greece Fidelity Investments, NY Colección VAC, Valencia, Spain A. De la Cruz Collection, Puerto Rico Phillara Collection, Düsseldorf, Germany Colección Berezdivin, Santurce, Puerto Rico Colección Cesar y Mima Reyes, San Juan, Puerto Rico SOLO AND TWO-PERSON EXHIBITIONS 2019 José Lerma, Galería Leyendecker, Islas Canarias, Spain 2018 José Lerma – Io e Io, Diablo Rosso, Panama City, Republic of Panama 2017 Nunquam Prandium Liberum, Kavi Gupta, Chicago, IL The Last Upper, Brand New Gallery, Milan, Italy 2016 José Lerma: La Venida Cansa Sin Ti, Kemper Museum of Art, Kansas City, MO Museo de Arte Contemporaneo, San Juan, Puerto Rico Huevolution, Halsey McKay Gallery, East Hampton, NY Josh Reames & Jose Lerma, Luis De Jesus Los Angeles, Los Angeles, CA 2014 La Bella Crisis, Museum of Contemporary Art Detroit, -
Bronze & Iron Valves
C-BIV-0319 C-BIV-0319 AHEAD OF THE FLOW® Bronze & Iron Valves Business-to-Business Solutions Look to NIBCO for technology leadership. The velocity with which e-business evolves demands that new products and serv- ices be continuously developed and introduced to keep our customers at the center of our business efforts. NIBCO provides an entire suite of business-to-business solutions that is changing the way we interact with customers. NIBCOpartner.comsm is an exclusive set of secure web applications that allow quick access to customer-specific information and online order processing. This self-service approach gives you 24/7 access to your order status putting you in total control of your business. Real time information includes: • Online order entry • Current price checks • Viewable invoices & reports • Order status • Inventory availability • Online library of price sheets, catalogs & submittals Electronic Data Interchange (EDI) makes it possible to trade business documents at the speed of light. This technology cuts the cost of each transaction by eliminating the manual labor and paper- work involved in traditional order taking. This amounts to cost-savings, increased accuracy and better use of resources. With EDI, you can trade: • Purchase orders • Product activity data • PO Acknowledgements • Advanced ship notices • Invoices • Remittance advice Vendor Managed Inventory (VMI), a sophisticated service for automated inventory management, reduces your overhead by transferring inventory management, order entry and forecasting to NIBCO. This is an on-going, interactive partnership with NIBCO. Through automation, VMI brings results: • Improves customer service • Cuts transaction costs • Optimum inventory efficiencies • Peace of mind • Better forecasting • Relief from day-to-day management NIBCO INC. -
ABSTRACT Title of Dissertation: PRISMS and POLYPHONY
ABSTRACT Title of Dissertation: PRISMS AND POLYPHONY: THE LIVED EXPERIENCES OF HIGH SCHOOL BAND STUDENTS AND THEIR DIRECTOR AS THEY PREPARE FOR AN ADJUDICATED PERFORMANCE Stephen W. Miles Doctor of Philosophy, 2012 Dissertation directed by: Professor Francine Hultgren Department of Teaching and Learning, Policy and Leadership College of Education University of Maryland This hermeneutic phenomenological inquiry is called by the question: What are the lived experiences of high school band students and their director as they prepare for an adjudicated performance? While there are many lenses through which the phenomenon of music preparation and music making has been explored, a relatively untapped aspect of this phenomenon is the experience as lived by the students themselves. The experiences and behaviors of the band director are so inexorably intertwined with the student experience that this essential contextual element is also explored as a means to understand the phenomenon more fully. Two metaphorical constructs – one visual, one musical – provide a framework upon which this exploration is built. As a prism refracts a single color of light into a wide spectrum of hues, views from within illumine a variety of unique perspectives and uncover both divergent and convergent aspects of this experience. Polyphony (multiple contrasting voices working independently, yet harmoniously, toward a unified musical product) enables understandings of the multiplicity of experiences inherent in ensemble performance. Conversations with student participants and their director, notes from my observations, and journal offerings provide the text for phenomenological reflection and interpretation. The methodology underpinning this human science inquiry is identified by Max van Manen (2003) as one that “involves description, interpretation, and self-reflective or critical analysis” (p. -
AFP 2017 Full Brochure | Treasury and Finance Conference
CTP FP&A CTP FP&A FP&A CTP CTP 12 20+ 125+ 6,500 INNOVATIVE HOURS OF EDUCATIONAL TREASURY FEATURED NETWORKING SESSIONS AND FINANCE SPEAKERS EVENTS PROFESSIONALS Register by September 15 to save $200 + www.AFP2017.org FP&A Contents CTP CTP 1–3 4–6 7–16 17–19 20–21 What We Are CTPFeatured Educational Pre-Conference AFP Executive CTP Excited About Speakers Sessions Workshops Institute 22–23 24–27 28-29 30-31 32-33 Networking Exhibitors and Experience Convince Registration Events Sponsors San Diego Your Boss Information FP&A AFP 2017 Task Force Did you know that the AFP 2017 program is created by a select group of your corporate practitioner peers? Their goal is to create an educational agenda that addresses the challenges, trends and innovations in the treasury and finance profession. CO-CHAIR CO-CHAIR Emmanuel Caprais Saumya Mohan Vice President Americas Region Strategic and Treasurer Financial Planning & Tesla Analysis ITT Corporation FP&A TREASURY MANAGEMENT PAYMENTS TRACK GLOBAL TREASURY & FINANCIAL PLANNING & TRACK Charles Ellert, PMP FINANCE/RISK MANAGEMENT ANALYSIS TRACK Stephen Chiu, CTP Manager, Payment Strategy TRACKS Irena Barisic, FP&A Director, Global Treasury Verizon Communications, Inc. Ping Chen Deputy Chief Financial Officer World Vision International Debbie Kamilaris Senior Director, Capital The Brookings Institution Clifford Ejikeme, CTP Senior Finance Manager Markets & Treasury Planning Emmanuel Caprais Vice President, Treasury Consumer Business Pfizer, Inc. Vice President Strategic and A&E Television Networks, LLC Development Frederick Schacknies Financial Planning & Analysis FP&A Saumya Mohan Johnson & Johnson Vice President & Assistant ITT Corporation Americas Region Treasurer Tom Wolfe, CTP Treasurer Peter Geiler, FP&A Hilton Worldwide, Inc. -
Work Session WS Milwaukie City Council
Work Session WS Milwaukie City Council COUNCIL WORK SESSION AGENDA City Hall Conference Room JUNE 5, 2018 10722 SE Main Street www.milwaukieoregon.gov Page # 1. 4:00 p.m. Construction Updates 1 Staff: Charles Eaton, Engineering Director 2. 5:00 p.m. Housing Affordability Strategic Plan (HASP) Draft Discussion 4 Staff: Alma Flores, Community Development Director 3. 5:30 p.m. Adjourn EXECUTIVE SESSION Upon adjournment of the Work Session, Council will meet in Executive Session pursuant to Oregon Revised Statute (ORS) 192.660 (2)(a) to consider the employment of a public officer, employee, staff member or individual agent. Americans with Disabilities Act (ADA) Notice The City of Milwaukie is committed to providing equal access to all public meetings and information per the requirements of the ADA and Oregon Revised Statutes (ORS). Milwaukie City Hall is wheelchair accessible and equipped with Assisted Listening Devices; if you require any service that furthers inclusivity please contact the Office of the City Recorder at least 48 hours prior to the meeting by email at [email protected] or phone at 503-786- 7502 or 503-786-7555. Most Council meetings are streamed live on the City’s website and cable-cast on Comcast Channel 30 within Milwaukie City Limits. Executive Sessions The City Council may meet in Executive Session pursuant to ORS 192.660(2); all discussions are confidential and may not be disclosed; news media representatives may attend but may not disclose any information discussed. Executive Sessions may not be held for the purpose of taking final actions or making final decisions and are closed to the public. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days. -
Milwaukee Electric Tool Corporation Product Catalog 2005-2006
Catalog Cover05_001_188 #2 6/10/05 5:10 PM Page 1 Product Catalog 2005-2006 Corporation Milwaukee Electric Tool MILWAUKEE ELECTRIC TOOL CORPORATION 13135 West Lisbon Road • Brookfield, WI 53005-2550 • Phone: 262-781-3600 • Fax: 262-783-8555 • CUSTOMER SERVICE: Phone: 800-SAWDUST • Fax: 800-638-9582 CANADA: 755 Progress Avenue • Scarborough, Ontario M1H 2W7 • Phone: 416-439-4181 • Fax: 416-439-6210 MEXICO: Blvd. Abraham Lincoln, #13 • Colonia Los Reyes, Zona Industrial • Tlalnepantla, C.P. 54073 • Edo. de Mexico • Telefono (55) 5565-1414 • Fax (55) 5565-0925 www.milwaukeetool.com CAT2005-06/6-05/350M/VH/Printed in U.S.A. MILWAUKEE ELECTRIC TOOL CORPORATION Catalog Cover05_002_187 6/8/05 5:12 PM Page 1 V28 Li-ion RUN TIME DIFFERENCE COMPARE THE TECHNOLOGY. INTRODUCING V28Power.com POWERFUL TOOLS CHOOSE FROM SIX REVOLUTIONARY REVOLUTIONARY 18V NiCd BATTERY FUEL GAUGE BATTERY VOLTS THE NEXT CORDLESS LITHIUM-ION 28 VOLT BAND SAW HAMMER-DRILL CIRCULAR SAW Finally, a cordless band saw that’s The V28 hammer-drill provides awesome Cut faster, longer and with as fast and powerful as Milwaukee’s power with its 28 volt motor giving you more power than any 24 volt corded. V28 gives you 4-3/4” x 600 in.-lbs. of max. torque and up to saw on the market. Get up to 4-3/4” deep-cutting capacity for 27,000 BPM. It drills up to twice the twice the run time of an 18 volt high speed cutting where and when number of holes as an 18 volt. with no extra battery weight. -
Editorial and Design Principles in Precursors Of
PRECURSORS TO THE RISE OF ENGLISH WORLD ATLASES; Theatres, Atlases, Cosmographies, Geographies, and Sets of Maps Dalia Varanka, Research Geographer U.S. Geological Survey 1400 Independence Road Rolla, Mo 65401 Tel. 573.308.3897 Email [email protected] Acnowledgement: This paper is based on doctoral dissertation research formulated under the supervision of J.B. Harley. The dissertation work was supported in part by a grant from the National Science Foundation and with fellowships from the John Carter Brown Library, Brown University; the Hermon Dunlap Smith Center for the History of Cartography, The Newberry Library; and the Graduate College of the University of Wisconsin-Milwaukee. The context of the rise of world atlases in England suggests that they were tied to wider scholarly and social issues covering the period of roughly 1630 through 1730. This short history discusses the cosmographical background and Continental foundations of the rise of world atlases in England, and a survey of relevant English precursors to those atlases. A risk exists of rooting definitions of atlases firmly in cartography, subsuming other defining concepts, such as scientific philosophy and social values. An alternative way to look at atlases is that they are part of the larger corpus of their other contemporary works. The word ‘atlas’ was applied to only a part of our extant corpus of bound or unbound collections of maps of the world made in late seventeenth- century England. A more frequent term is "set of maps," (or Tabularum Geographicarum). ‘Geography’ is also used. Bound sets of maps, which are called Atlas Factice, are almost never called atlases by their makers or producers. -
Print the Fifth Third Sculpture Walk
A Chicago native, Ryden taught and was Flower (see 16, above). Dorf lives and sculpture by Bernie Carreño represents At the northeast corner of Good Hall artist-in-residence at several Midwestern works in Denver, Colorado. He has been the culmination of the change that occurs facing Hanna Avenue is Brian Ferriby’s universities, including Southern Illinois represented by many galleries and his as we move from our youth through painted steel sculpture, Caterpillar, 23 . University and University of Missouri. work can be found in numerous private our middle years and into the “golden Ferriby, from Berklem, Michigan, uses He is currently artist-in-residence and and corporate collections. years.” Although the golden years have copper and steel mined in the Upper Bank Fifth Third professor of art at Anderson University Along Hanna Avenue in front of Esch much to offer, they are also a time of Peninsula. He employs techniques and lives in Yorktown, Indiana. Hall sits Precautions, 19 , a welded physical deterioration and pain. The cast elemental to the region, from those of the On the second floor of Esch Hall steel and cast iron sculpture by Bernie iron and bronze parts represent bones, earliest blacksmiths to ironworkers who stands Big Red Prop Flower, 16 , a Carreño. Precautions represents the while the steel portions represent joints built factories, skyscrapers, and bridges. composite of found objects altered and need of individuals to consider whether and radiated pain. “I believe my sculpture is a continuation painted. This sculpture by Jennifer Meyer, they or the world they live in are ready Northeast of the Christel DeHaan of these innovations,” Ferriby says. -
Going Through the Motions Some Further Considerations About the Perpetuum Mobile of Cornelis Drebbel, Based on a Manuscript Discovered by Dr
Going through the motions Some further considerations about the perpetuum mobile of Cornelis Drebbel, based on a manuscript discovered by Dr. Alexander Marr by Dr. James M. Bradburne (figures added by F. Franck) London Knowledge Lab, Institute of Education 4 June 2006 The Perpetuum Mobile is not the only invention of Cornelis Drebbel (1572-1633), nor perhaps even the most significant, but it is certainly the one for which he was best known by his contemporaries, and the one of which he remained most proud. It is also the instrument about which most has been written – both by his contemporaries and by modern scholars. What was Drebbel’s famous instrument, how did it actually work, and why was it so important to the late Renaissance court? What can we add to the extensive accounts of Drebbel and his most famous work? Figure 2. PPM by Villard de Honnecourt Figure 1. PPM by Pierre de Maricourt The search for a device that would continue to move by means of its own power dates to Antiquity. Early attempts date as far back as the Archimedes screw, and Arabic sources tell of countless attempts to create perpetual motions using mills and water. The principles commonly used to power perpetual motion machines were often discovered independently of one another, and dissemination fragmentary or discontinuous when it occurred at all. For example, in the 12th century the Indian astronomer and mathematician Bhaskara (1114-1185) described a Perpetuum Mobile made of a wheel with containers attached to its rim, partly filled with mercury. Only a few decades later, in 1235, Villard de Honnecourt described a similar overbalanced wheel with seven hammers attached to its rim.