DOCSLIB.ORG

Days & Hours for Social Distance Walking Visitor Guidelines Lynden

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days. Guide and/or service dogs are welcome. Days & Hours for ACCESS Vehicles are allowed only in the parking lots. Driving on access roads or any walkways is Social Distance Walking strictly prohibited. The house and restrooms are wheelchair accessible. The sculptures are located on grassy lawns without paths, and many of the surfaces are uneven. Shoes must be Daily 10 am-4 pm worn at all times. Closed Thursday COURTESY The Lynden Sculpture Garden is a smoke-free facility, indoors and out. Children must be Social Distance Walking Visitor Guidelines accompanied by an adult and be within reach at all times for their safety. All refuse must be deposited in the appropriate receptacles. As a courtesy to other visitors, please silence your • Observe social distancing—from fellow cell phones. visitors and Lynden staff—at all times. PHOTOGRAPHY • Wear a mask. Personal photography/videography with handheld equipment is permitted, but reproduction • Don’t touch the sculpture. or publication of still or moving images of the house, permanent collection, gardens, grounds or temporary exhibitions is strictly prohibited (this includes posting images on the internet, Facebook, Flickr, YouTube or any other electronic/digital platform). Listen to audio at lynden.tours • Seasonal: These works are stored Permanent Collection inside during the winter months Temporary Sculptures 1. Alexander Archipenko 19. Barbara Hepworth 37. Robert Murray C. Will Pergl (Russian 1887–1964) (British 1903–1975) (Canadian 1936– ) Framework in 12-point Perspective, 2012 Queen of Sheba, 1961 Conversation with Magic Stones, Windfall, 1966 Painted steel Bronze Figure 3 and Magic Stone 3, 1973 Painted aluminum Bronze D. Folayemi Wilson 2. Max Bill 38. Forrest Myers Eliza’s Peculiar Cabinet of Curiosities, 2016 (Swiss 1908–1994) 20. Barbara Hepworth (American 1941– ) Cabin, objects, media Rhythm In Space, 1967 (British 1903–1975) Quartet, 1967/2013 Closed during pandemic. Black diorite Sea Form (Atlantic), 1964 Painted steel Bronze Portia Cobb 3. Samuel Buri • 39. Masayuki Nagare Lizzie’s Garden, 2017 (Swiss 1935– ) 21. Linda Howard (Japanese 1923–2018) South Carolina Sea Islands heritage garden Des Vaches: Mo, Ni, Que, 1971–1976 (American 1934– ) Ancestor, 1965 Polyester & impregnated fiberglass Round About, 1976 Black granite with paint Aluminum E. Jenna Knapp 40. Masayuki Nagare Labyrinth Society of Lynden Sculpture 4. Deborah Butterfield 22. Linda Howard (Japanese 1923–2018) Garden, 2019 (American 1949– ) (American 1934– ) Bench-Stone, 1964-1965 Labyrinth Hara, 1989 Sky Fence, 1976 Granite Bronze Aluminum F. Brenda Baker Gift of Lynde B. Uihlein 41. Marta Pan • Seedpod, 2013 23. Lyman Kipp (French, b. Hungary 1923–2008) Buckthorn, honeysuckle, autumn olive 5. Aldo Calo (American 1929-2014) Floating Sculpture No. 3, 1972 (Italian 1910–1983) Lodgepole, 1968 Painted polyester G. Gary John Gresl Orizzontale, 1964 Painted steel The Body Farm at Lynden, 2017 Bronze 42. Beverly Pepper Three installations, mixed media, fencing, 24. Bernard Kirschenbaum (American 1924–2020) signage 6. Aldo Calo (American 1924–2016) Compound Junior, 1970 (Italian 1910–1983) Twist for Max, 1974 Honed stainless steel Tensione, 1962 Anodized aluminum Removed for conservation MULTIPLE LOCATIONS Bronze 25. Bernard Kirschenbaum 43. George Rickey • Sara Caron 7. Emilie Clark • (American 1924–2016) (American 1907–2002) Hiking Trail, 2017 (American 1969– ) Way Four, 1976 Peristyle–Three Lines, 1963-1964 Wooden trail markers Research Station, 2013 Stainless steel Stainless steel Wood and metal on wheels; Amy Cropper & Stuart Morris wooden worm stool 26. Alexander Liberman 44. James Rosati Inverse, 2011 (American, b. Kiev 1912–1999) (American 1912–1988) Removed during pandemic. Painted ash and hawthorn Axeltree, 1967 Untitled, 1975–1976 8. Katy Cowan Painted steel Corten steel (American 1982– ) Paul Druecke , 2014 Reflector, 2017 27. Alexander Liberman 45. Ernest C. Shaw Garden Path Cast bronze, enamel spray paint (American, b. Kiev 1912–1999) (American 1942– ) Mulch, etched granite, custom-installed Orbits, 1967 Arch, 1976 door, plantings, striping paint 9. Lindsay Daen Painted steel Steel (heavy/mild) (American 1923–2001) Removed during conservation. Yevgeniya Kaganovich The Lovers, 1964 46. Ernest C. Shaw Divergent Fates: Tree Intuits Chair, 2019 Bronze 28. Alexander Liberman (American 1942– ) Clusters of trees altered through bending (American, b. Kiev 1912–1999) Epicenter, 1976 and grafting 10. Mark di Suvero Ritual II, 1966 Steel (heavy/mild) (American, b. Shanghai 1933– ) Painted steel Marsha McDonald Lover, 1971–1973 47. Ernest C. Shaw net(s), 2019 Painted steel 29. Heinz Mack (American 1942– ) Nets (German 1931– ) Epicenter II, 1976 11. Mark di Suvero Knife Tree, 1966 Steel (heavy/mild) (American, b. Shanghai 1933– ) Chrome-plated steel Poland, 1966 48. Ernest C. Shaw Steel and wire 30. Heinz Mack (American 1942– ) (German 1931– ) III Columns, 1976 12. Sorel Etrog Three Graces “Thalia” “Aglaia” Steel (heavy/mild) (Canadian, b. Romania 1933-2014) and “Euphrosyne”, 1965 Embrace, 1966–1967 Stainless steel 49. Arlie Sinaiko Bronze (American, b. Russia 1902–1984) 31. Gerhardt Marcks Flight, 1966 13. Sorel Etrog (German 1889–1981) Bronze (Canadian, b. Romania 1933-2014) Bremen Town Musicians, 1951 Currently not on view The Source, 1964 Bronze Bronze 50. Tony Smith 32. Clement Meadmore (American 1912–1980) 14. Charles Ginnever (Australian 1929–2005) The Wandering Rocks: “Crocus” “Slide” (American 1931– 2019) Double Up, 1970 “Dud” “Shaft” and “Smohawk”, Olympus, 1976 Corten steel 1967– 1969 (five separate pieces) Corten steel Mild steel 33. Clement Meadmore 15. Duayne Hatchett (Australian 1929–2005) 51. Tal Streeter (American 1925-2015) Upstart, 1967 (American, 1934-2014) Rainbow, 1970 Corten steel Delicate Balance, 1966--68 Aluminum with enamel paint Painted steel 34. Antoni Milkowski 16. Bernhard Heiliger (American 1935–2001) 52. George Sugarman (German 1915–1995) Salem No. 7, 1967 (American 1912–1999) Unfolding, 1968 Corten steel Trio, 1972–1973 Bronze Painted aluminum 35. Henry Moore 17. Bernhard Heiliger (British 1898–1986) 53. Isaac Witkin (German 1915–1995) Large Torso: Arch, 1962-1963 (American, b. South Africa 1936–2006) Vegetative Sculpture I, 1959 Bronze Kumo, 1970 Bronze Corten steel 36. Henry Moore 18. John Henry (British 1898–1986) (American 1943– ) Two-Piece Reclining Figure No. 9, 1967 Pin Oak I, 1976 Bronze Painted aluminum.
Recommended publications
  • “Sonny” Martin, Jr. Career Army Officer, World War II 1995 OH

    “Sonny” Martin, Jr. Career Army Officer, World War II 1995 OH

    Wisconsin Veterans Museum Research Center Transcript of an Oral History Interview with Orville W. “Sonny” Martin, Jr. Career Army Officer, World War II 1995 OH 624 1 OH 624 Martin, Orville W., (1923-1999). Oral History Interview, 1995. User Copy: 9 sound cassettes (ca. 489 min.); analog, 1 7/8 ips, mono. Master Copy: 4 sound cassettes (ca. 489 min.); analog, 1 7/8 ips, mono. Transcript: 0.1 linear ft. (1 folder). Abstract: Orville W. “Sonny” Martin Jr., an Oshkosh, Wisconsin native, describes his experiences growing up in a military family; serving in the 3 rd Platoon, A Company, 59 th Armored Infantry Battalion, 13 th Armored Division during World War II; training the 4th Field Artillery Battalion and the 35 th Quartermaster Pack Company during the Korean War; serving in Taiwan in 1959; and working at the Pentagon during the Vietnam War. Martin describes the service of his father, a Neenah (Wisconsin) native, during World War I and his parents’ wedding at Camp Stotsenburg (Clark Air Force Base) in the Philippines. Martin touches upon his military ancestry including a great-great-uncle, “General” Warren Healy, who was a drummer boy during the Civil War and became Paymaster General of New York during the Spanish-American War. Martin grew up an “Army brat” on various bases, including: West Point (New York), Fort Ethan Allen (Vermont), Fort Sill (Oklahoma), Schofield Barracks (Hawaii), Fort Hoyle (Maryland), Baton Rouge (Louisiana), and Fort Leavenworth (Kansas). He discusses at length his schooling and social interactions among children of officers and enlisted men. Martin details family life on the base which he calls a “very moral society.” Martin tells stories of corporal punishment and officers disciplining others’ children, a practice that faded in the 1960s.
  • Conservation of Twentieth-Century Outdoor Painted Sculpture Meeting Report June 4–5, 2012 © 2015 J

    Conservation of Twentieth-Century Outdoor Painted Sculpture Meeting Report June 4–5, 2012 © 2015 J

    Meeting Report The Conservation of Twentieth-Century Outdoor Painted Sculpture Metropolitan Museum of Art, New York June 4-5, 2012 Tom Learner and Rachel Rivenc The Conservation of Twentieth- Century Outdoor Painted Sculpture M e e t i n g Re p o r t T h e M e t r o p o l i t a n M u s e u m o f A r t , N e w Yo r k June 4–5, 2012 Tom Learner and Rachel Rivenc THE GETTY CONSERVATION INSTITUTE LOS ANGELES The Conservation of Twentieth-Century Outdoor Painted Sculpture Meeting Report June 4–5, 2012 © 2015 J. Paul Getty Trust The Getty Conservation Institute 1200 Getty Center Drive, Suite 700 Los Angeles, CA 90049-1684 United States Telephone 310 440-7325 Fax 310 440-7711 E-mail [email protected] www.getty.edu/conservation Cover image: Roy Lichtenstein, Three Brushstrokes (1984), Getty Center, 2011 © Roy Lichtenstein Foundation Publication Coordinator: Gary Mattison The Getty Conservation Institute works to advance conservation practice in the visual arts, broadly interpreted to include objects, collections, architecture, and sites. It serves the conservation community through scientifi c research, education and training, model fi eld projects, and the broad dissemination of the results of both its own work and the work of others in the fi eld. And in all its endeavors, it focuses on the creation and dissemination of knowledge that will benefi t professionals and organizations responsible for the conservation of the world’s cultural heritage. The Conservation of Twentieth-Century Outdoor Painted Sculpture Meeting Report June 4–5, 2012 Contents
  • Passion and Glory! Spectacular $Nale to National Series

    Passion and Glory! Spectacular $Nale to National Series

    01 Cover_DC_SKC_V2_APP:Archery 2012 22/9/14 14:25 Page 1 AUTUMN 2014 £4.95 Passion and glory! Spectacular $nale to National Series Fields of victory At home and abroad Fun as future stars shine Medals galore! Longbow G Talent Festival G VI archery 03 Contents_KC_V2_APP:Archery 2012 24/9/14 11:44 Page 3 CONTENTS 3 Welcome to 0 PICTURE: COVER: AUTUMN 2014 £4.95 Larry Godfrey wins National Series gold Dean Alberga Passion and glory! Spectacular $nale to National Series Wow,what a summer! It’s been non-stop.And if the number of stories received over the past few Fields of victory weeks is anything to go by,it looks like it’s been the At home and abroad same for all of us! Because of that, some stories and regular features Fun as future have been held over until the next issue – but don’t stars shine Medals galore! worry,they will be back. Longbow G Talent Festival G VI archery So what do we have in this issue? There is full coverage of the Nottingham Building Society Cover Story National Series Grand Finals at Wollaton Hall, including exclusive interviews with Paralympians John 40 Nottingham Building Society National Series Finals Stubbs and Matt Stutzman.And, as many of our young archers head off to university,we take a look at their options. We have important – and possibly unexpected – news for tournament Features organisers, plus details about Archery GB’s new Nominations Committee. 34 Big Weekend There have been some fantastic results at every level, both at home and abroad.We have full coverage of domestic successes as well the hoard of 38 Field Archery international medals won by our 2eld, para and Performance archers.
  • Walker's Point Strategic Action Plan MILWAUKEE

    Walker's Point Strategic Action Plan MILWAUKEE

    MILWAUKEE comprehensive Department of City Development Plan • June, 2015 Walker’s Point Strategic Action Plan A Plan for the Area ii Acknowledgments Neighborhood Associations and Continuum Architects + Planners Interest Groups Ursula Twombly, AIA, LEED AP Arts@Large Walker’s Point Association GRAEF The Mandel Group Greater Milwaukee Committee Larry Witzling, Principal The Harbor District Initiative Craig Huebner, Planner/Urban Designer 12th District Alderman Jose Perez University of Wisconsin - Milwaukee Urban Development Studio City of Milwaukee Department of City Development Carolyn Esswein, AICP, CNU-A, Faculty Member in Charge Rocky Marcoux, Commissioner Vanessa Koster, Planning Manager Sam Leichtling, Long Range Planning Manager Mike Maierle, former Long Range Planning Manager Greg Patin, Strategic Planning Manager Dan Casanova, Economic Development Specialist Janet Grau, Plan Project Manager Nolan Zaroff, Senior Planner GIS, Eco- nomic Development Jeff Poellmann, Planning Intern (Urban Design) Andrew Falkenburg, Planning Intern (GIS/Mapping, Editing) City of Milwaukee Redevelopment Authority David Misky, Assistant Executive Director - Secretary Department of Public Works Mike Loughran, Special Projects Manager Walker’s Point Kristin Bennett, Bicycle Coordinator Strategic Action Plan Historic Preservation Carlen Hatala, Historic Preservation Principal Researcher iii Plan Advisory Group Sean Kiebzak, Arts@Large Juli Kaufmann, Fix Development Dan Adams, Harbor District Initiative Joe Klein, HKS/Junior House Dean Amhaus, Milwaukee Water Council Anthony A. LaCroix Nick & JoAnne Anton, La Perla Scott Luber, Independence First Samer Asad, Envy Nightclub Barry Mandel, The Mandel Group Luis “Tony” Baez, El Centro Hispano Megan & Tyler Mason, Wayward Kitchen Tricia M. Beckwith, Wangard Partners Robert Monnat, The Mandel Group Kristin Bennett, Bike Ped Coordinator Cristina Morales Brigette Breitenbach, Company B Lorna Mueller, The Realty Company, LLC Mike Brenner, Brenner Brewing Co.
  • Housing & Neighborhoods

    Housing & Neighborhoods

    HOUSING & NEIGHBORHOODS “Civilization needs an honorable dwelling place, and the conditions of making that place ought to depend on what is most honorable in our nature: on love, hope, generosity, and aspiration” – James Howard Kunstler 5555 MILWAUKEEMIMILLWWAAUUKKEEE CITYWIDECCIITTYYWWIIDEDE PPOLICYOOLLICICY PPLPLANLAANN VISION FOR OVERVIEW AND INTRODUCTION Milwaukee has a long and rich history of ethnic SUCCESS settlements that have created strong diverse neighborhoods throughout the city. The traditional This plan envisions the active urban pattern of development in the city located good quality housing near employment centers and public preservation and support of Milwaukee’s transit options. The most dynamic city neighborhoods many safe, diverse, thriving, culturally tend to have strong neighborhood centers, vibrant commercial main streets, parks, churches and schools, rich and walkable neighborhoods that and cultural facilities all of which supported a core sense provide residents with ample housing, of community and neighborhood identity. These strong urban neighborhoods have been retained as Milwaukee recreational, and lifestyle alternatives. has grown and redeveloped through the years and have ensured that Milwaukee has a wide range of housing and traditional neighborhood choices. The vision of success for Housing and Neighborhoods includes: HOUSING Housing is an important land use occupying 41% of the developable land area of the city and accounting for Quality Housing Choices approximately 70% of the assessed value. The City of Milwaukee has over 249,000 housing units, according Neighborhoods will have a range of high- to the 2008 U.S. Census American Community Survey, quality, well maintained housing options 70% of which are single family, condominium or duplex buildings, the remaining 30% are in multifamily buildings.
  • Untroubled Irving Penn Works from the Pinault

    Untroubled Irving Penn Works from the Pinault

    Untroubled Irving Penn Works from the Pinault Collection 17 January - 28 April 2019 opening on January 16, 5 - 9 PM Curated by Matthieu Humery At Mina Image Centre In collaboration with the Pinault Collection Sponsored by: Banque Libano-Française On January 16, 2019 Mina Image centre will be launching its first exhibition “Untroubled” curated by Matthieu Humery and dedicated to one of the major photographers in the 20th century, Irving Penn, whose work will show for the first time in the Arab World. The exhibition will run till April 28, 2019. A press conference will be held at Mina Image Centre on Tuesday, January 15th at 11:00 a.m. The Curator of the exhibition Matthieu Humery and Mina's director Manal Khader will be available to answer all your questions. “Untroubled” draws from “Resonance”, an exhibition organized by the Pinault Collection at Palazzo Grassi in Venice in 2014, and includes 50 images combining platinum prints, gelatin silver prints, dye transfer prints. The show is not a retrospective and does not follow a chronological order, but aims to underline the development of styles, interests and techniques used by Irving Penn by focusing on the main themes tackled by the artist during his entire career: Small Trades, Corner Portraits, Still Life, Hands of Miles Davis, Icons, Decomposition, Vanities/ Memento Mori, Cranium Architecture, World Societies, thereby revealing the diversity in Irving Penn’s work, which is in itself an invaluable legacy to the world of photography. Penn subjects appear at first glance to be quite disparate: celebrities (Pablo Picasso, Alfred Hitchcock, Salvador Dali, Georgia O’Keeffe…), skulls, and cigarette butts… But to Penn, “It is all one thing”.
  • INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119

    INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119

    INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www.
  • 1867-12-18, [P ]

    1867-12-18, [P ]

    Home and Other Itema. Saw, you and Doc. make a good team Mews and Item*. i take part in it Ole Bull, the world- 'fh* Dlckriu. | Those irreverent lads who called names W. \V. Bornartl, of<j<ranper,Minn., call­ Jhc limes. The Commonwealth Ins. Co. is a new and Both Houses will ndjonrn on the ?0th renowned Norwegian violinist, arrived in New York 1ms fairly Out-Bostoned Bos­ after a certain "bald head"' of old, deserv* Hotel Loo£*l ed to see as last week on liis wny east.— 1 THERE IS A NKWLY FINISHED llOTlt A# | strong institution established in Decorah.1 iirst., until the 6th of January One J New York last week, en route for Chicago, ton in the Dickens excitement. The sale ed their untimely end, because nt thnt time When he returns we will say he is a pret­ of tickets for the Dickens readings com­ no panacea had been discovered to restore X.I 3VI E 8PRINO8, McOHEOUK, DEC. 18, 1867 Is that young and thriving city to be the week ago the street cars of New York was where he is expected to arrive some time ty good man, if he will permit it. We are menced at Steinwav Ilall at nine o'clock the human Iiair upon the bald spots. But Oi* nit McOreook Rahwit, INHtMy. Insurance center of the whole west? Suo blockaded with snow The Chicago Dai-1 this week The commissioner of pen- this morning, and lon^ before the hour a now, Ring's Vegetable Ambrosia is known •ltvar? trliid to *te the Chesterfield Mer- That wants to be sold lor eauh or exchanged for a' .
  • Sculptor Nina Slobodinskaya (1898-1984)

    Sculptor Nina Slobodinskaya (1898-1984)

    1 de 2 SCULPTOR NINA SLOBODINSKAYA (1898-1984). LIFE AND SEARCH OF CREATIVE BOUNDARIES IN THE SOVIET EPOCH Anastasia GNEZDILOVA Dipòsit legal: Gi. 2081-2016 http://hdl.handle.net/10803/334701 http://creativecommons.org/licenses/by/4.0/deed.ca Aquesta obra està subjecta a una llicència Creative Commons Reconeixement Esta obra está bajo una licencia Creative Commons Reconocimiento This work is licensed under a Creative Commons Attribution licence TESI DOCTORAL Sculptor Nina Slobodinskaya (1898 -1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 TESI DOCTORAL Sculptor Nina Slobodinskaya (1898-1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 Programa de doctorat: Ciències humanes I de la cultura Dirigida per: Dra. Maria-Josep Balsach i Peig Memòria presentada per optar al títol de doctora per la Universitat de Girona 1 2 Acknowledgments First of all I would like to thank my scientific tutor Maria-Josep Balsach I Peig, who inspired and encouraged me to work on subject which truly interested me, but I did not dare considering to work on it, although it was most actual, despite all seeming difficulties. Her invaluable support and wise and unfailing guiadance throughthout all work periods were crucial as returned hope and belief in proper forces in moments of despair and finally to bring my study to a conclusion. My research would not be realized without constant sacrifices, enormous patience, encouragement and understanding, moral support, good advices, and faith in me of all my family: my husband Daniel, my parents Andrey and Tamara, my ount Liubov, my children Iaroslav and Maria, my parents-in-law Francesc and Maria –Antonia, and my sister-in-law Silvia.
  • The 'Nirbhaya' Movement: an Indian Feminist Revolution Garima Bakshi

    The 'Nirbhaya' Movement: an Indian Feminist Revolution Garima Bakshi

    'Nirbhaya' Movement The 'Nirbhaya' Movement: An Indian Feminist Revolution Garima Bakshi In December 2012, New Delhi witnessed a horrifc crime – a female medical student was violently gang-raped on a moving bus and then dumped onto the highway, injured and unconscious. While she didn’t survive the attack, Nirbhaya, as she was named by the media, sparked a revolution in India and its neighboring countries. Tis paper delves into the many aspects of the movement, examining it as a whole by drawing on the theories of Castells, Jenkins, Papacharissi, and Sundaram. It examines the protests that took place on digital forums which then transcended onto the streets, the afective nature of the movement, and international responses it elicited. Garima Bakshi is a Master's candidate at New York University's Media, Culture, and Communication department. Her research focuses on the intersections between feminism, youth movements, and creative protest in South Asia. gnovis • 43 Volume 17, Issue 2 •Spring 2017 n the night of December 16, 2012, protestors took to candlelight vigils and medical student Jyoti Singh and her peaceful demonstrations at India Gate, friend Avanindra Pandey, looking eventually leading to a change in criminal Ofor transportation home, boarded a private laws, and the setting up of a fast track court bus in South Delhi. Immediately after the to prosecute the attackers (Harris and four other men in the bus turned of the lights Kumar, 2015). and snatched Singh’s and Pandey’s phones. Tey beat them up with iron rods, leaving Te outrage that followed the attack opened Pandey half-unconscious (“Delhi Gangrape up a previously nonexistent space for victims Victims Friend Relives the Horrifying 84 and those close to them to speak out against Minutes of December 16 Night”, 2017).
  • Under the Arch

    Under the Arch

    Summer, 1982 Hours of operation A free publication to May 29-September 6 provide information Visitor Center, 8:00 a.m. under about the Jefferson to 10:00 p.m. National Expansion Tram Ride, 8:30 a.m. to Memorial 9:30p.m. the Museum of Westward Expansion, 8:00 a.m. to 1arc h 10:00 p.m. Inside this GATEWAY ARCH: issue How long does it take to ride to the top? Where do I A Monument purchase tickets? These and other often asked questions are answered in "Riding to For Our Time the Top." The Museum of Westward Expansion recreates one of the country's most colorful eras. The next page provides a map of the museum and two articles that explain how to view it. See It Today May 29-September 6: Monument to the Dream, a 30-minute film, documents the construction of the Gateway Arch. Shows begin at 8:15 a.m., 9:15 a.m., 10:45 a.m., 12:15 p.m., 1:45 p.m., 2:30 p.m., 3:15 p.m., 4:45 •i p.m., 6:15 p.m., 7:45 p.m. and 8:45 p.m. in Tucker Theater adja­ i cent to the Gateway Arch lobby. Charles M. Russell: American Artist, a 20-minute film, interprets i the life and significance of a well- known artist of the West. Shows s begin at 10:00 a.m., 11:30 a.m., •2 1:00 p.m., 4:00 p.m., 5:30 p.m. CO and 7:00 p.m.
  • Fishing the Red River of the North

    Fishing the Red River of the North

    FISHING THE RED RIVER OF THE NORTH The Red River boasts more than 70 species of fish. Channel catfish in the Red River can attain weights of more than 30 pounds, walleye as big as 13 pounds, and northern pike can grow as long as 45 inches. Includes access maps, fishing tips, local tourism contacts and more. TABLE OF CONTENTS YOUR GUIDE TO FISHING THE RED RIVER OF THE NORTH 3 FISHERIES MANAGEMENT 4 RIVER STEWARDSHIP 4 FISH OF THE RED RIVER 5 PUBLIC ACCESS MAP 6 PUBLIC ACCESS CHART 7 AREA MAPS 8 FISHING THE RED 9 TIP AND RAP 9 EATING FISH FROM THE RED RIVER 11 CATCH-AND-RELEASE 11 FISH RECIPES 11 LOCAL TOURISM CONTACTS 12 BE AWARE OF THE DANGERS OF DAMS 12 ©2017, State of Minnesota, Department of Natural Resources FAW-471-17 The Minnesota DNR prohibits discrimination in its programs and services based on race, color, creed, religion, national origin, sex, public assistance status, age, sexual orientation or disability. Persons with disabilities may request reasonable modifications to access or participate in DNR programs and services by contacting the DNR ADA Title II Coordinator at [email protected] or 651-259-5488. Discrimination inquiries should be sent to Minnesota DNR, 500 Lafayette Road, St. Paul, MN 55155-4049; or Office of Civil Rights, U.S. Department of the Interior, 1849 C. Street NW, Washington, D.C. 20240. This brochure was produced by the Minnesota Department of Natural Resources, Division of Fish and Wildlife with technical assistance provided by the North Dakota Department of Game and Fish.