The 'Nirbhaya' Movement: an Indian Feminist Revolution Garima Bakshi

Total Page:16

File Type:pdf, Size:1020Kb

The 'Nirbhaya' Movement: an Indian Feminist Revolution Garima Bakshi 'Nirbhaya' Movement The 'Nirbhaya' Movement: An Indian Feminist Revolution Garima Bakshi In December 2012, New Delhi witnessed a horrifc crime – a female medical student was violently gang-raped on a moving bus and then dumped onto the highway, injured and unconscious. While she didn’t survive the attack, Nirbhaya, as she was named by the media, sparked a revolution in India and its neighboring countries. Tis paper delves into the many aspects of the movement, examining it as a whole by drawing on the theories of Castells, Jenkins, Papacharissi, and Sundaram. It examines the protests that took place on digital forums which then transcended onto the streets, the afective nature of the movement, and international responses it elicited. Garima Bakshi is a Master's candidate at New York University's Media, Culture, and Communication department. Her research focuses on the intersections between feminism, youth movements, and creative protest in South Asia. gnovis • 43 Volume 17, Issue 2 •Spring 2017 n the night of December 16, 2012, protestors took to candlelight vigils and medical student Jyoti Singh and her peaceful demonstrations at India Gate, friend Avanindra Pandey, looking eventually leading to a change in criminal Ofor transportation home, boarded a private laws, and the setting up of a fast track court bus in South Delhi. Immediately after the to prosecute the attackers (Harris and four other men in the bus turned of the lights Kumar, 2015). and snatched Singh’s and Pandey’s phones. Tey beat them up with iron rods, leaving Te outrage that followed the attack opened Pandey half-unconscious (“Delhi Gangrape up a previously nonexistent space for victims Victims Friend Relives the Horrifying 84 and those close to them to speak out against Minutes of December 16 Night”, 2017). sexual violence. Following the protests, Tey brutally gang-raped Singh, inserting there was a remarkable increase in the an iron rod into her genitals, and then number of rapes being reported annually, threw both of them of of the bus onto indicating that survivors of sexual assault the main road (“Delhi Gangrape Victims were more willing to report it than before Friend Relives the Horrifying 84 Minutes (“‘Frightening and heartening’, Rape Cases of December 16 Night”, 2017). A highway Skyrocket in Post-December 16 Delhi,”, patrol van picked them up and took them 2013). In 2011, there were 572 rape cases to a hospital; Avanindra Pandey survived, reported in Delhi. Te number rose to 706 in but Jyoti Singh died on December 29 in a 2012, more than doubled to 1,441 in 2013, hospital in Singapore, where she was fown and increased to 1,813 in 2014 (Pandey for treatment (“Delhi Gangrape Victims et all, 2013) (“Delhi is Now India’s Rape Friend Relives the Horrifying 84 Minutes Capital, Show NCRB Data”, 2015). “What of December 16 Night”, 2017). After was novel about Nirbhaya was the nation- news of the crime broke, it sparked anger, wide as well as international attention it disgust, shame, and horror across the world. received in the new age of social media, Te media named Jyoti Singh ‘Nirbhaya’, compelling politicians and civil society alike meaning ‘the fearless one’; the movement to deliberate over a previously underreported that followed also came to be known by the issue”, writes Heba Adawy in Te Spark Of same moniker. Tis paper aims to analyze ‘Nirbhaya’: Indian Feminist Interventions, the December 16 Delhi gang-rape case Common Challenges And Prospects (2014). as a movement, by examining three of its Te heinous nature of Singh’s rape, its aspects- frst, its comparison it to the Arab urban and supposedly safe setting, and the Spring and Occupy Wall Street; second, its indiferent attitudes of the authorities held afective side as a digital media movement; responsible led to the voicing of demands and lastly, the international coverage of the for a structural change in the way that rape movement. is perceived. Te movement demanded that sexual violence be seen as an afront to a Tis case, in many ways, was the tipping woman’s autonomy, and as stripping her point for an urban population in the capital of her rightful agency, in opposition to the that had been dealing with rising crimes, commonly held patriarchal perception of corruption, and inadequate security for rape as a dishonor to the victim’s family. more than a decade (Sundaram, 2009). It incited raw emotions of anger and dissent Nivedita Menon in her book Seeing Like a at the State and Central governments, and Feminist points out the distinction between the police forces. Tousands of civilian how rape is viewed by patriarchal forces and 44 • gnovisjournal.org 'Nirbhaya' Movement feminists. “For patriarchal forces, rape is crime, a debate for changing juvenile laws evil because it is a crime against the honor had opened up. Most importantly, a space of the family, whereas feminists denounce for public discussion of sexual violence that rape because it is a crime against the had not existed before was created. autonomy and bodily integrity of a woman. Tis diference in understanding rape Similar to USA’s 2011 movement Occupy naturally leads to diametrically opposite Wall Street the Nirbhaya movement in proposals for fghting rape” (Menon, 2012). Delhi was also a leaderless movement with In the patriarchal framework, the victim a decentralized structure, comprising of is responsible for her rape, because either a networked community (Castells, 2012). she stepped outside the prescribed female While the Occupy movement targeted bounds of the private into the public or unfair capitalist practices and “set out to she didn't dress like a traditional woman occupy Wall Street, the key node of the should, hence tempting the rapist. In such global networks of fnancial domination of environments, where rape is seen to be the the world”, the Delhi movement mainly fault of the victim rather than the rapist, targeted a deep seated cultural acceptance women often choose not to report the crime, of sexual violence against women (Castells, and stay silent instead (Menon, 2012). 2012). Manuel Castells, in Networks of Outrage and Hope: Social Movements in the India's Arab Spring Internet Age, explores the roles that social media platforms like Twitter, and Tumblr Often hailed as India’s Arab Spring, the played in organizing and planning protests ‘Nirbhaya’ case was marked by unprecedented and the occupation of public spaces in the public outrage on social media as well as on Occupy movement. He describes the advent the ground (“Is Tis the Start of India’s ‘Arab of social media as leading to a participatory spring’?,”, 2013). Te protesters had several culture, since the public visibility of tweets demands that battled against insufcient and Tumblr posts enable a many-to-many and incompetent security; inadequate and model, increasing visibility and contribution. unreliable public transport; an insensitive Since these networks are horizontal in police force that often blamed rape victims structure, they are also more independent for the crime inficted upon them; and from state regimes than traditional media bureaucracy and red tape surrounding sexual like television and radio, providing spaces for assault and rape cases. Te intensity of these criticizing political powers and governmental protests led an otherwise lackadaisical authorities. Hence, for Castells, social media government to implement certain changes. plays a crucial role in mobilizing the masses, Justice Verma was appointed chairperson cultivating enhanced levels of participation. of a committee tasked with the reformation It also helps in the dissemination of of the anti-rape law. More female ofcers information that traditional news media were added to Delhi’s police force; security wouldn't report, like, for example, the was tightened and night patrolling was police tear gassing peaceful protesters. increased; the police now had to undergo Like in the Delhi December 2012 protests, gender sensitization courses; six fast track “Communication networks were the blood courts were set up to specifcally deal with vessels of the Occupy movement” (Castells, rape cases; laws against sexual assault were 2012). Both movements united people made stricter; and, since one of the accused across political ideologies and classes, and was seventeen years old at the time of the both faced “violence against a non-violent gnovis • 45 Volume 17, Issue 2 •Spring 2017 movement” at the hands of the police and he concedes that social media alone isn't other state security forces (Castells, 2012). enough, and that “a hybrid networked movement that links cyberspace and urban But, as Castells writes, the Occupy space in multiple forms of communication.” movement’s “fundamental achievement is required (Castells, 2012). Te use of online has been to rekindle hope that another spaces to channel energies onto physical life is possible” (Castells, 2012). Bad spaces is what distinguishes new ‘social weather conditions and clashes with the media movements' from the traditional police resulted in many abandoning the form of protest. movement altogether, raising the question of whether the movement was built to last. A Digital Movement While the achievements of the anti-sexual violence protests in Delhi still leave a lot Like in Occupy Wall Street, online spaces to be desired in terms of a cultural change, were used to channel potentials onto they did translate to tangible legal changes. public spaces. Historical spaces like India As Anthony Alessandrini points out in Gate and Jantar Mantar were occupied by Revolutionary Egypt: Connecting Domestic demonstrators, and protests were also held and International Struggles, unlike the Arab outside then Chief Minister Sheila Dixit’s Spring movements, the Occupy movement residence, and the police headquarters had neither the temporality nor the physical (“Delhi Gang Rape: India Gate Turns into labor required for it to sustain itself and result a Battleground”, 2016).
Recommended publications
  • Embrace the Adventure in Tulsa GENETIC TESTING
    REACHING OUTFALL 2019 GENETIC TESTING Coping Corner Fighting for Insurance, Fighting for Understanding Embrace the Adventure in Tulsa 302 West Main Street #100 Avon, CT 06001-3681 800.753.2357 • www.CdLSusa.org Director’s Message Have you ever watched a great performer and noticed the way they get a song out? How they reach for something that is deep inside themselves to share with us? I’ve always admired those who leave nothing on the table and give it their all. The same is true with sports. Consider Tom Brady of the New England Patriots or Kawhi Leonard of the Los Angeles Clippers – these are two of many athletes who give 100% all the time. As parents we are performers too. One of the greatest performances of our lifetime is raising children. Each child is unique and they don’t come with a how-to manual. Most of the time, we figure it out as we go along. In the end, whoever they turn out to be, our mark as their parent/caregiver will be indelibly left on them. P. Edmund proclaimed that “people do not decide to become extraordinary, they decide to Bonnie Royster, CdLS Foundation accomplish extraordinary things”. Executive Director In this issue, we explore the extraordinary choices of parents, who despite their child’s diagnosis went on to transform the circumstances in to something beautiful. You will Please note, Gifts that Count learn about Ethan, Breeze, Sebastian and Caleb. Their families stood tall through can be found in our electronic heartache and pain, and through it all found the inspiration and strength they version of Reaching Out; which needed to be #cdlsstrong.
    [Show full text]
  • GMS Council Summary 2015 07 09
    Greater&Milwaukee&Synod,&ELCA& Summary&of&the&Synod&Council&Meeting& July 9, 2015 Bishop Jeff Barrow’s Home 5715 Evarit Drive, Racine, Wisconsin Ignited by God’s love, Burning for Justice, We embrace the world Attendance( Name Cluster/Position Term Present Absent Anti- Ends 8/31 Racism Ms. Sue Schmidt-Decker Kenosha/West Racine 2017 X Pending The Rev. Steve Blyth Lake Country 2015 X 1/2013 Vacant Lake Country 2019 Ms. Ar Lee Milwaukee 1 2017 X 10/2014 The Rev. Lisa Bates-Froiland Milwaukee 2 2017 X 1/2011 The Rev. Carolyn Fredriksen Milwaukee 3 2015 X Pending Ms. Claire Zautke Milwaukee 3 2019 X Pending Mr. Al Van Lith Milwaukee 4 2015 X Pending The Rev. Bill Knapp Milwaukee 4 2019 X Pending Mr. Tom Gauthier Northern Lakeshore 2017 X 9/2013 The Rev. David Schoob Northwest 2017 X 9/2013 Ms. Lynn Hooper Racine 2017 X Pending The Rev. Sherrie Lorbeck Waukesha 2015 X 1/2007 The Rev. Angela Khabeb Waukesha 2019 X Pending The Rev. Jay McDivitt At Large 2015 X Pending Ms. Debra Taylor At Large 2015 X Pending Mr. Jerry Key At Large 2015 X 9/2013 The Rev. Lindsay Jordan At Large 2019 X Pending Mr. Steven Hruska At Large 2019 X Pending Vacant At Large 2019 Mr. Scott Manske Vice President 2017 (1) X Pending Mr. Matthew Brockmeier Secretary 2019 (2) X 1/2012 Mr. Lee Johnston Treasurer 2017 (2) X Pending The Rev. Jeff Barrow Bishop 2016 (1) X 1/2008 Mr. Jack Walch Youth Representative 2015 X Pending Ms.
    [Show full text]
  • Clear Black Smoke Mohammed Qasim Ashfaq
    CLEAR 1 BLACK 1 2 2 3 SMOKE 3 4 4 5 MOHAMMED 5 6 QASIM 6 7 7 8 ASHFAQ 8 9 9 10 10 11 11 12 12 13 13 14 14 15 15 16 16 17 17 18 18 19 19 20 20 21 21 22 22 23 23 24 24 25 25 26 26 27 27 28 28 CLEAR 1 BLACK 1 2 2 3 SMOKE 3 4 4 5 MOHAMMED 5 6 QASIM 6 7 7 8 ASHFAQ 8 9 9 10 10 11 11 12 12 13 13 14 14 15 15 16 16 17 First Edition 2017 17 18 18 19 Editor Shanay Jhaveri 19 20 Concept Shanay Jhaveri and Hannah Barry 20 21 Coordination Diana Córdoba Barrios 21 22 Photography Damian Griffiths 22 23 Studio photos Mohammed Qasim Ashfaq 23 24 ©The Isamu Noguchi Foundation and Garden Museum 24 25 / ARS, New York + DACS, London 25 26 Design Victoria Bridal 26 27 Typefaces Circular and Palatino Edited by 27 28 Printed by Ex Why Zed, Cambridge, United Kingdom Shanay Jhaveri 28 1 1 2 2 3 3 4 4 5 SCALING UP, TO SHIFT 5 5 6 Shanay Jhaveri 6 7 7 8 BLACK 9 8 9 Alexis Lowry 9 10 10 11 THINKING THROUGH PERFECT 13 11 12 WITH DONATIEN GRAU 12 13 13 14 MULTIPLE PERSPECTIVES: 33 14 15 ISAMU NOGUCHI AND THE JANTAR MANTAR 15 16 Devika Singh 16 17 17 18 POTENTIAL ART 39 18 19 Ben Eastham 19 20 20 21 PERFECTION 45 21 22 Charlie Clarke 22 23 23 24 SHIFT 51 24 25 Paul Hobson 25 26 26 27 27 28 28 SCALING UP, 1 TO SHIFT 2 3 4 SHANAY JHAVERI 5 6 7 8 9 Mohammed Qasim Ashfaq’s is a nascent practice, one that 10 is still revealing itself.
    [Show full text]
  • Marriage Certificates
    GROOM LAST NAME GROOM FIRST NAME BRIDE LAST NAME BRIDE FIRST NAME DATE PLACE Abbott Calvin Smerdon Dalkey Irene Mae Davies 8/22/1926 Batavia Abbott George William Winslow Genevieve M. 4/6/1920Alabama Abbotte Consalato Debale Angeline 10/01/192 Batavia Abell John P. Gilfillaus(?) Eleanor Rose 6/4/1928South Byron Abrahamson Henry Paul Fullerton Juanita Blanche 10/1/1931 Batavia Abrams Albert Skye Berusha 4/17/1916Akron, Erie Co. Acheson Harry Queal Margaret Laura 7/21/1933Batavia Acheson Herbert Robert Mcarthy Lydia Elizabeth 8/22/1934 Batavia Acker Clarence Merton Lathrop Fannie Irene 3/23/1929East Bethany Acker George Joseph Fulbrook Dorothy Elizabeth 5/4/1935 Batavia Ackerman Charles Marshall Brumsted Isabel Sara 9/7/1917 Batavia Ackerson Elmer Schwartz Elizabeth M. 2/26/1908Le Roy Ackerson Glen D. Mills Marjorie E. 02/06/1913 Oakfield Ackerson Raymond George Sherman Eleanora E. Amelia 10/25/1927 Batavia Ackert Daniel H. Fisher Catherine M. 08/08/1916 Oakfield Ackley Irving Amos Reid Elizabeth Helen 03/17/1926 Le Roy Acquisto Paul V. Happ Elsie L. 8/27/1925Niagara Falls, Niagara Co. Acton Robert Edward Derr Faith Emma 6/14/1913Brockport, Monroe Co. Adamowicz Ian Kizewicz Joseta 5/14/1917Batavia Adams Charles F. Morton Blanche C. 4/30/1908Le Roy Adams Edward Vice Jane 4/20/1908Batavia Adams Edward Albert Considine Mary 4/6/1920Batavia Adams Elmer Burrows Elsie M. 6/6/1911East Pembroke Adams Frank Leslie Miller Myrtle M. 02/22/1922 Brockport, Monroe Co. Adams George Lester Rebman Florence Evelyn 10/21/1926 Corfu Adams John Benjamin Ford Ada Edith 5/19/1920Batavia Adams Joseph Lawrence Fulton Mary Isabel 5/21/1927Batavia Adams Lawrence Leonard Boyd Amy Lillian 03/02/1918 Le Roy Adams Newton B.
    [Show full text]
  • Pennsylvania Magazine
    THE PENNSYLVANIA MAGAZINE OF HISTORY AND BIOGRAPHY. VOL. LII. 1928. No. 3 JOUKNAL FROM JERSEY TO THE MONONGAHALA, AUGUST 11, 1788. BY COLONEL ISRAEL SHREVE, Mansfield Township, Burlington County, New Jersey. According to the distance as set down in this journal from the Black Horse in Mansfield to this place is 320 miles. Please to Excuse the Incorrectness of this jour- nal as I have not time to Copy it, it is as near the Truth as I can Write, from your old Friend Israel Shreve. To friends and acquaintance in Mansfield, Burlington County, New Jersey. By Jacob Sheelor, who faithfully discharged his duty in carefully driving a waggon. Journal of travel from the Township of Mansfield, County of Burlington, in the State of New Jersey to the Township of Rottroven in the County of West- moreland, State of Pennsylvania, consisting of the fol- lowing persons—Israel Shreve and Mary his wife with there children viz., Kazia, Hester, Israel, George Greene, Eebecca and Henry, with John Fox and James Starkey, three two horse waggons and three Cows. William Shreve and Rhoda his wife with their chil- dren, viz., Anna and Richard. Joseph Beck and Cary his wife with their children Benjamin, Rebecca, Eliza- beth, Henry, Joseph and Ann, with one three horse waggon. Dannel Harvey and Sary his wife and three children, viz., Job with a Melatto boy named Thomas and Joseph and Ann Wheatly, John Shelvill and one VOL. LII.—13 193 194 Journal from Jersey to the Monongahala. three and one two horse waggon and one cow, in all 29 souls.
    [Show full text]
  • Ma Ster Plan
    MASTER PLAN 20 21 AVONDALE PUBLIC ART PUBLIC AVONDALE One of the things I love about public art is that it tells the story of a city; through it we express our dreams and aspirations; it challenges where we are going and why we’re going there. And sometimes it just provides visual or physical delight. The future of public art will be a lot like its past, except that it will look, sound, feel, and probably smell different—just as tomorrow we will be different from who we are today. ~Richard MCCoy Director of Landmark Columbus in Columbus, Indiana ACKNOWLEDGMENTS ` Kenneth Weise ` Jan Graham ` Pier Simeri Mayor Chairperson Marketing & Public Relations Director ` Veronica Malone ` Jim Painter Vice Mayor ` Brian Craig ` Israel Rios Fregozo Planning Manager ` Pat Dennis ` Denise Stanfi eld Council Member Staff ` DeAnn Franklin Digital Media Program ` Bryan Kilgore ` Kalila Aragon City Manager Council Member ` Gurjit Kaur ` Aaron White ` Tina Conde ` Jesse Lewis Employment & Business Council Member Members Development Manager Members ` Mike Pineda ` Robert Baer Council Member Budget Manager Council ` Curtis Nielson ` Anyessa Romo Council Member City Manager Intern ` Noelene Richards Graphic Design Art is an instrument for peace and creativity. ~Yaacov Agam Art Committee TABLE OF CONTENTS PAGE PAGE PAGE PAGE PAGE 2 3 5 7 9 Vision and Mission Introduction Public Art in Economic Impact Impetus for the Statement Avondale of the Arts Public Art Master Plan Update PAGE PAGE PAGE PAGE PAGE 12 14 15 16 18 Public Art in Action Public Input and the Summary
    [Show full text]
  • Days & Hours for Social Distance Walking Visitor Guidelines Lynden
    53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days.
    [Show full text]
  • “From Surface to Space”: Max Bill and Concrete Sculpture in Buenos Aires
    “FROM SURFACE TO SPACE”: MAX BILL AND CONCRETE SCULPTURE IN BUENOS AIRES “FROM SURFACE TO SPACE”: within it. Artists such as Carmelo Arden Quin, Claudio Girola, Enio Iommi, MAX BILL AND CONCRETE SCULPTURE IN BUENOS AIRES and Gyula Kosice, among others, created sculptures that emphasize the artwork’s existence as a material presence rather than a representation. Francesca Ferrari I propose that these sculptures invoke visual, tactile, and synesthetic responses in the viewers that are meant to look at and move around them, concretizing Bill’s ambition to propel a practice for which “space is not Man’s relationship to his environment, and thus to space, has considered as something outside of the artistic relationship, but as a basic undergone a profound transformation in our century. This is most component of artistic expression.”7 The experiments of Bill’s Argentine evident in art. Indeed, this new change in art may be what has peers greatly informed his understanding of space as an apparatus through revealed man’s new relationship to space. which to renew the function of art in society in the deeply politicized years —Max Bill, “From Surface to Space”1 that overlapped with and followed the Second World War.8 Thus, Bill’s relation with the Buenos Aires avant-garde should not be framed merely as In a 1951 essay titled “From Surface to Space,” the Swiss artist Max Bill that of a European model to which the Argentine artists reacted but also as traced the role of concrete art in what he perceived as a fundamental that of a theorist who reoriented his characterization of concrete art upon shift in the way that human beings relate to space.
    [Show full text]
  • European Central Bank Executive Board 60640 Frankfurt Am Main Germany Brussels, 30 August 2017 Confirmatory Application to Th
    The European Parliament Fabio De Masi - European Parliament - Rue Wiertz 60 - WIB 03M031 - 1047 Brussels European Central Bank Executive Board 60640 Frankfurt am Main Germany Brussels, 30 August 2017 Confirmatory application to the ECB reply dated 3 August 2017 Reference: LS/PT/2017/61 Dear Sir or Madam, We hereby submit a confirmatory application (Art. 7 (2) ECB/2004/3) based on your reply dated 3 August 2017, in which you fully refused access to the legal opinion “Responses to questions concerning the interpretation of Art. 14.4 of the Statute of the ESCB and of the ECB”. We submit the confirmatory application on the following grounds that the ECB has a legal obligation to disclose documents based on Article 2 (1) ECB/2004/3 in conjunction with Article 15 (3) TFEU. Presumption of the exceptions set out in Article 4 (2) ECB/2004/3 (undermining of the protection of court proceedings and legal advice) and Article 4 (3) ECB/2004/3 (undermining of the deliberation process) is unlawful. 1. Protection of legal advice, no undermining of legitimate interests – irrelevance of intentions, future deliberations and ‘erga omnes’ effects In your letter you state, “In the case at hand, public release of the legal opinion – which was sought by the ECB’s decision-making bodies and intended exclusively for their information and consideration – would undermine the ECB’s legitimate interest in receiving frank, objective and comprehensive legal advice. This especially so since this legal advice was not only essential for the decision-making bodies to feed
    [Show full text]
  • Editorial and Design Principles in Precursors Of
    PRECURSORS TO THE RISE OF ENGLISH WORLD ATLASES; Theatres, Atlases, Cosmographies, Geographies, and Sets of Maps Dalia Varanka, Research Geographer U.S. Geological Survey 1400 Independence Road Rolla, Mo 65401 Tel. 573.308.3897 Email [email protected] Acnowledgement: This paper is based on doctoral dissertation research formulated under the supervision of J.B. Harley. The dissertation work was supported in part by a grant from the National Science Foundation and with fellowships from the John Carter Brown Library, Brown University; the Hermon Dunlap Smith Center for the History of Cartography, The Newberry Library; and the Graduate College of the University of Wisconsin-Milwaukee. The context of the rise of world atlases in England suggests that they were tied to wider scholarly and social issues covering the period of roughly 1630 through 1730. This short history discusses the cosmographical background and Continental foundations of the rise of world atlases in England, and a survey of relevant English precursors to those atlases. A risk exists of rooting definitions of atlases firmly in cartography, subsuming other defining concepts, such as scientific philosophy and social values. An alternative way to look at atlases is that they are part of the larger corpus of their other contemporary works. The word ‘atlas’ was applied to only a part of our extant corpus of bound or unbound collections of maps of the world made in late seventeenth- century England. A more frequent term is "set of maps," (or Tabularum Geographicarum). ‘Geography’ is also used. Bound sets of maps, which are called Atlas Factice, are almost never called atlases by their makers or producers.
    [Show full text]
  • Sukkot in the Torah דַּבֵּ ר אֶל בְּנֵי יִשְׂרָאֵל
    BY RABBI ELAZAR MEISELS “For seven days you shall dwell in Sukkot… This is so that future generations will know Sukkot in the Torah that I had the Israelites live in booths when I brought them out of Egypt.” ּדַ ּבֵר ֶאל ּבְנֵי יִ ְש ׂרָ ֵאל לֵ ֹאמר ּ ַב ֲח ִמ ּׁ ָשה עָ ָש ׂר יוֹם לַ ֹחדֶשׁ ַה ּׁ ְש ִב ִיעי ַה ּזֶה ַחג ַה ּסֻכּוֹת Rabbi Eliezer holds that these booths were the Clouds of Glory which encircled ׁ ִשבְעַת יָ ִמים לַ ֹידוָד: ּ ַביּוֹם ָהרִאשׁוֹן ִמ ְקרָא ֹקדֶשׁ ּכָל ְמלֶאכֶת עֲ ֹבדָה ֹלא ַתעֲשׂוּ: and protected us throughout our stay in ׁ ִשבְעַת יָ ִמים ּ ַת ְקרִיבוּ ִא ּׁ ֶשה לַ ֹידוָד ּ ַביּוֹם ַה ּׁ ְש ִמינִי ִמ ְקרָא ֹקדֶשׁ יִ ְהיֶה לָכֶם the desert. Rabbi Akiva explains that the verse refers to the actual tents in which וְ ִה ְקרַבְ ּ ֶתם ִא ּׁ ֶשה לַ ֹידוָד עֲצֶרֶת ִהוא ּכָל ְמלֶאכֶת עֲ ֹבדָה ֹלא ַתעֲשׂוּ: ֵא ּלֶה מוֹעֲדֵי .we lived while sojourning the desert יְ ֹדוָד ֲא ׁ ֶשר ּ ִת ְקרְאוּ ֹא ָתם ִמ ְקרָ ֵאי ֹקדֶשׁ לְ ַה ְקרִיב ִא ׁ ֶשּה לַ ֹידוָד ֹעלָה ִוּמנְ ָחה זֶ ַבח Talmud, Tractate Sukkah 11b וּנְ ָס ִכים ּדְ ַבר יוֹם ּבְיוֹמוֹ: ִמ ּלְ ַבד ׁ ַש ּבְ ֹתת יְ ֹדוָד ִוּמ ּלְ ַבד ַמ ּ ְת ֵנוֹתיכֶם ִוּמ ּלְ ַבד ּכָל What is the significance of the tents נִדְרֵיכֶם ִוּמ ּלְ ַבד ּכָל נִדְ ֹב ֵתיכֶם ֲא ׁ ֶשר ּ ִת ּ ְתנוּ לַ ֹידוָד: ַאךְ ּ ַב ֲח ִמ ּׁ ָשה עָ ָש ׂר יוֹם לַ ֹחדֶשׁ in the desert that they deserve such a serious commemoration? The Sukkah ַה ּׁ ְש ִב ִיעי ּבְ ָא ְס ּפְכֶם ֶאת ּ ְת ַבוּאת ָה ָארֶץ ּ ָת ֹחגּוּ ֶאת ַחג יְ ֹדוָד ׁ ִשבְעַת יָ ִמים ּ ַביּוֹם reminds us of the great faith of the Jewish ָהרִאשׁוֹן ׁ
    [Show full text]
  • The Wfhissue
    A JOURNAL OF COMMUNICATIONS AND CORPORATE RELATIONS ISSUE 20 2020 The WFH Issue CHRIS KEMPCZINSKI: Year One as McDonald’s CEO SIR ALAN PARKER Interviews Adam Grant BRUNSWICK REVIEW REVIEW BRUNSWICK ADRIAN GORE Is Optimistic m ISSUE 20 DAMBISA MOYO on the Global Economy FLETCHER PREVIN: m IBM’s Pandemic Response 2020 AUDRA McDONALD on Broadway NEAL WOLIN on 2009 v 2020 SHELLYE ARCHAMBEAU: Unapologetically Ambitious SIR MARK ROWLEY The Unarmed Cop PHARMA v COVID-19 Brunswick is a strategic advisory firm focused on critical issues. Our purpose is to help the great value-creating organizations of the world play a more successful role in society. We advise on critical issues at the center of business, politics and society, and help our clients—the leaders of large, complex organizations—understand and navigate these interconnected worlds. To download and share Brunswick Review stories go to www.brunswickgroup.com/review You can follow us on Twitter @BrunswickGroup Highlights from this and previous issues are also available on LinkedIn editor in chief Kevin Helliker managing editor Carlton Wilkinson creative director Frank Tagariello senior writer, deputy editor Edward Stephens project manager Caitlin Koons editorial advisor Vanessa Quarrie The Brunswick Review is printed on Revive print production MerchantCantos 100% recycled, made using post-consumer printed by CPI Colour waste fibers and manufactured without the cover illustration Noma Bar use of any secondary bleaching. feedback [email protected] Copyright © Brunswick Group LLP 2020 2 2The Age of Acceleration BY SIR ALAN PARKER here are moments in history when 20everything seems to accelerate. Ten years in one.
    [Show full text]