ANNUAL REPORT 2005 www.mam.org 1 2 Annual Report 2005 Contents

Board of Trustees ...... 4 Committees of the Board of Trustees ...... 4 President and Chairman’s Report ...... 6 Director’s Report ...... 9 Curatorial Report ...... 11 Exhibitions, Traveling Exhibitions ...... 14 Loans ...... 14 Acquisitions ...... 16 Publications ...... 35 Attendance ...... 36 Membership ...... 37 Education and Public Programs ...... 38 Year in Review ...... 39 Development ...... 43 Donors ...... 44 Support Groups ...... 51 Support Group Officers ...... 55 Staff ...... 58 Financial Report ...... 61 Financial Statements ...... 63

OPPOSITE: Ludwig Meidner, Self-Portrait (detail), 1912. See listing p. 16.

PREVIOUS PAGE: Art Museum, Quadracci Pavilion designed by as seen looking east down Avenue.

www.mam.org 3 Board of Trustees As of August 30, 2005

BOARD OF TRUSTEES COMMITTEES OF Earlier European Arts Committee Jean Friedlander AND COMMITTEES THE BOARD OF TRUSTEES Jim Quirk Milton Gutglass George T. Jacobi MILWAUKEE ART MUSEUM EXECUTIVE COMMITTEE Chair David Ritz Sheldon B. Lubar Sheldon B. Lubar Martha R. Bolles Helen Weber Chairman Chair Vice Chair and Secretary Barry Wind Andrew A. Ziegler Christopher S. Abele Barbara B. Buzard EDUCATION COMMITTEE President Donald W. Baumgartner Joanne Charlton Lori Bechthold Margaret S. Chester Christopher S. Abele Donald W. Baumgartner Frederic G. Friedman Stephen Einhorn Chair Vice President, Past President Terry A. Hueneke George A. Evans, Jr. Kim Abler Mary Ann LaBahn Eckhart Grohmann Frederic G. Friedman John Augenstein Marianne Lubar Frederick F. Hansen Assistant Secretary and James Barany P. M ichael Mahoney Avis M. Heller Legal Counsel José Chavez Betty Ewens Quadracci Arthur J. Laskin Terrence Coffman Mary Ann LaBahn James H. Schloemer Helen Peter Love Miriam Davidson Vice President, Exhibitions Allen M. Taylor Geoffrey Maclay Marlene Doerr W. Kent Velde Frank Murn Daniel Donder P. M ichael Mahoney Andrew A. Ziegler Lillian M. Schultz Edward J. Hanrahan Vice President, Investment William M. Treul Eugene Humphrey ACQUISITIONS AND Allen M. Taylor Judy Jorgensen COLLECTIONS COMMITTEE Modern and Vice President Sheri Klein Contemporary Committee Betty Ewens Quadracci Marianne Lubar Peggy Larson Secretary Chair Nicole Teweles Janet Matthews Chair George A. Evans, Jr. Steve McCormick W. Kent Velde Phillip Naylor Treasurer Vice Chair Donna Baumgartner Marilyn Bradley José A. Olivieri Karen Johnson Boyd Ellen Checota Michael Price MEMBERS AT LARGE Marilyn Bradley Karen Drummond Betty Ewens Quadracci Christopher S. Abele Andrea B. Bryant Sue Frautschi Andrew E. Randall Lori Bechthold Margaret Chester Jim Hatch Sally Schuler Gerry Broderick Stephen Einhorn Jane Kaiser Alfonzo Thurman Michael J. Cudahy Susan M. Jennings Jeff Kasch Curt S. Culver Arthur J. Laskin Tony Krausen EXHIBITIONS COMMITTEE Danny L. Cunningham Wayne R. Lueders Marianne Lubar Mary Ann LaBahn Dr. Marvin L. Fishman J. Thomas Maher III David Meissner Chair Judy Gordon Anthony J. Petullo Joanne Murphy Dorothy M. Stadler Edward J. Hanrahan Richard R. Pieper Dorothy Palay Vice Chair Terry A. Hueneke Sandra Robinson Barbara Recht Allen L. Samson Jeffrey Joerres Vicki Samson Christopher S. Abele Reva Shovers Judy Jorgensen Suzanne L. Selig Karen Johnson Boyd Frederick Vogel III Raymond R. Krueger Reva Shovers Dale R. Faught Robert A. Wagner Gail A. Lione Dorothy M. Stadler Jean Friedlander Hope Melamed Winter José A. Olivieri Eric Vogel Carmen Haberman Jill G. Pelisek Frederick Vogel IV George T. Jacobi ACQUISITIONS AND Anthony J. Petullo Hope Melamed Winter Judy Jorgensen COLLECTIONS SUBCOMMITTEES Andrew E. Randall Jeffrey Winter Jane L. Kaiser William L. Randall Decorative Arts Committee Raymond R. Krueger Roy Reiman Constance Godfrey Photography Committee Donna Meyer Joseph A. Rice Anthony J. Petullo Marcia Rimai Chair Kevin Miyazaki Chair Betty Ewens Quadracci Sandra Robinson Trish Alverson Dorothy Nelle Sanders James H. Schloemer Barbara Buzard Dick Blau Justin N. Segel Justin N. Segel Mary Terese Duffy Barbara Ciurej Suzanne L. Selig Suzanne L. Selig Barbara Elsner Larry D’Attilio Charlotte Zucker Dorothy M. Stadler Barbara Fuldner William Haberman Stacy G. Terris Henry E. Fuldner Carol Lewensohn ANNUAL CAMPAIGN Lynde B. Uihlein Dudley Godfrey, Jr. Lindsay Lochman COMMITTEE Cardi Smith Nicole Teweles Ellen Glaisner AUXILIARY SPOKESPERSONS Eric Vogel Anne Vogel Co-Chair Judith Croak Frederick Vogel III Frederick Vogel IV President, Collectors’ Corner Robert A. Wagner Suzanne L. Selig Prints and Drawings Committee Co-Chair Sally Schuler J. Thomas Maher III Chair, Docents Donna Baumgartner Chair Jean Friedlander Rosheen Styczinski Kent Anderson Judy Gordon President, Garden Club Roger L. Boerner Jill G. Pelisek Lois Ehlert James H. Schloemer Laurence Eiseman, Jr. Dorothy M. Stadler Marianne Epstein Stacy G. Terris Julie Evans Nicole Teweles

4 Milwaukee Art Museum PLANNED GIVING COMMITTEE PUBLIC AFFAIRS COMMITTEE Jill G. Pelisek LAYTON ART COLLECTION Andrea B. Bryant Raymond R. Krueger Helen Peters BOARD OF TRUSTEES Co-Chair Chair Gabriele Flagg Pfeiffer Henry E. Fuldner Joan M. Pick President Susan Jennings Christopher S. Abele Richard R. Pieper Co-Chair H. Carl Mueller Suzanne Pieper Constance Godfrey Betty Ewens Quadracci Betty Ewens Quadracci Frederick Vogel III Donn Dresselhuys Lynde B. Uihlein Vice Presidents Dale R. Faught Merlin Rostad Frederic G. Friedman Allen L. Samson Frederick Vogel III MARKETING COMMITTEE William Haberman Douglas Seaman Treasurer Judy Jorgensen Anthony J. Petullo Floyd A. Segel Raymond Kehm Chair Mary Ladish Selander Constance Godfrey Allan H. Selig Secretary Jill G. Pelisek Craig Adelman Suzanne L. Selig Andrea B. Bryant David Gordon L. William Teweles HUMAN RESOURCES AND Dale R. Faught Curator of the Collection Nicole Teweles REMUNERATION COMMITTEE Carmen Haberman Barbara Tooman George A. Evans, Jr. Terry A. Hueneke Edward J. Hanrahan Mrs. Erwin Uihlein Thomas B. Fitzgerald Chair Terry A. Hueneke Anne Vogel Dudley J. Godfrey, Jr. John Melamed Frederick Vogel III Kate Huston Jeffrey Joerres H. Carl Mueller Elmer L. Winter David V. Uihlein, Jr. Sheldon B. Lubar Dorothy M. Stadler P. M ichael Mahoney Hope Melamed Winter Polly Van Dyke Anthony J. Petullo William Van Dyke MILWAUKEE ART MUSEUM PRESIDENTS AND Frederick Vogel IV COUNCIL INVESTMENT COMMITTEE CHAIRMAN SINCE 1968 Robert A. Wagner Dr. Alfred Bader Roger L. Boerner P. M ichael Mahoney Jay Baker 1968–1971 Chair Patty Baker Mark G. Doll Joan Barnett Arnold D. K. Mason* Richard J. Glaisner Donald Baumgartner 1971–1973 Wayne R. Lueders Donna Baumgartner Robert V. Krikorian* Allen M. Taylor Polly Beal 1973–1977 W. Kent Velde Roger L. Boerner Karen Johnson Boyd Sheldon B. Lubar FINANCE COMMITTEE Marilyn Bradley 1977–1980 Orren J. Bradley W. Kent Velde Lloyd W. Herrold Chair Margaret Chester The Honorable Richard D. 1980–1983 Donald W. Baumgartner Cudahy David T. Kahler Richard J. Glaisner James D. Ericson 1983–1986 Mary Ann LaBahn George A. Evans, Jr. Sheldon B. Lubar Robert Feitler Robert Feitler P. M ichael Mahoney Jean Friedlander 1986–1989 Marcia Rimai Lloyd A. Gerlach Susan M. Jennings Allen M. Taylor Constance Godfrey 1989–1992 Andrew A. Ziegler Dudley J. Godfrey, Jr. Dr. Christopher Graf Allen L. Samson AUDIT COMMITTEE Christoph H. Guenther 1992–1995 Lloyd W. Herrold Danny L. Cunningham P. M ichael Mahoney Robert D. Hevey Chair 1995–1998 George T. Jacobi Keith Burns Richard G. Jacobus Frank D. Pelisek* Sheldon B. Lubar Susan M. Jennings 1998–2001 Andrew E. Randall David T. Kahler Stacy G. Terris George Kaiser Donald W. Baumgartner W. Kent Velde Jane Kaiser 2001–2004 Joe Kindig III Sheldon B. Lubar NOMINATIONS AND Senator Herbert H. Kohl 2004–2005; Chairman, 2005– GOVERNANCE COMMITTEE Ruth DeYoung Kohler Andrew A. Ziegler Virginia Krikorian Andrew A. Ziegler Chair Arthur J. Laskin 2005– Jeffrey Joerres Phoebe R. Lewis * Deceased Marianne Lubar Eileen Liebman Sheldon B. Lubar Marianne Lubar Suzanne L. Selig Sheldon B. Lubar Allen M. Taylor P. M ichael Mahoney Sally Manegold William M. Manly Paul Meissner John L. Murray Gil Palay

www.mam.org 5 President and Chairman’s Report

You will see that this report is signed by both of us. The demands on the Museum’s leadership have grown with the expansion, and we have instituted a dual leadership structure that works well for the Museum and for us. The title “Chairman” has been brought back into use. At the Annual Meeting in May 2005, Sheldon Lubar moved from being President to Chairman. In that capacity, he chairs the board meetings. Andrew Ziegler became President. While both Chairman and President are active on the Finance and Nominations and Governance Committees, the President is taking a lead role in the Annual Campaign. Proper governance is an increasing concern for all organizations, not-for-profit as well as for-profit. The Nominations Committee, now expanded into a Nominations and Governance Committee, reviews the roles of all Museum committees and has, in collaboration with the committees, created new commission statements for them. An Audit Committee separate from the Finance Committee has also been created. The Finance Committee is chaired by Danny Cunningham, Senior Partner of Deloitte and Touche. The Audit Committee has the opportunity of meeting with the auditors without management being present. The Finance Committee meets monthly to review performance against the budget. There is full transparency of accounts with the whole Sheldon B. Lubar board receiving detailed schedules covering income and expenditure, balance sheet, and movement of funds between restricted and unrestricted accounts, as well as details on debt. Confirmations of endowment balances are sent directly from fund managers to the Investment Committee. Each member of the board must sign a conflict of interest statement. None of these formal mechanisms substitute for an active and engaged group of trustees, prepared to speak up and ask questions—and we believe that we have such a group. The most dramatic financial news of the fiscal year was the announcement on the day of the Annual Meeting that the campaign to retire the debt, led by Sheldon Lubar, had reached the important milestone of $25 million in new pledges. The basis of the campaign had been to retire the debt completely, and only when the milestone of $25 million was reached would the pledges become due. Interest on the original debt and on pledges outstanding meant that more than the $25 million would have to be raised, and the campaign continued beyond the end of the fiscal year. It looks very likely that all remaining debt will be paid off by the end of the 2006 calendar year. Sheldon Lubar would like to recognize the following contributors who each gave $1 million or more to the Campaign to Retire the Debt (a full list of Noble Patrons appears on page 49): Christopher S. Abele, Donald W. and Donna Baumgartner, Michael J. Cudahy, Andrew A. Ziegler Sheldon B. and Marianne Lubar, Reiman Foundation, Betty Ewens Quadracci, Lynde B. Uihlein, David and Julia Uihlein, Andrew A. and Carlene Ziegler. The support of such benefactors and many others who came back a second or third time to give money is a testament to their love for the Museum that has come to mean so much for the entire Milwaukee community. The Museum itself is now the official icon of the City of Milwaukee. We do not wish to be famed for the building alone. It is a work of art, but we want the world to know about the excellence of our Collection and exhibitions. We now have a new Chief Curator, Joseph D. Ketner II, who joined the Museum in June 2005 to lead us in the further development of our artistic mission. We are delighted that Joe has joined us and look forward to an exciting new era of the Museum. We would like to take this opportunity to thank our fellow trustees for their hard work and dedication. We would also like to acknowledge the imaginative and innovative work done by our excellent staff, and by our docents and volunteers.

SHELDON B. LUBAR ANDREW A. ZIEGLER CHAIRMAN OF THE BOARD OF TRUSTEES PRESIDENT OF THE BOARD OF TRUSTEES

6 Milwaukee Art Museum Alfred Leslie, , 1959. See listing p. 16.

www.mam.org 7 Michael Wolf, Night #3, 2004. See listing p. 23.

8 Milwaukee Art Museum Director’s Report

The day that the campaign to retire the debt reached its $25 million milestone was numerologically significant: May 5, 2005, or 05.05.05. Perhaps it was, therefore, a lucky day, but much more than luck led to this achievement. Sheldon Lubar volunteered to lead the campaign, and the debt now is one of gratitude to him. I would like to add my thanks to him and to the generous donors. When I took up the reins as Director in October 2002, it was clear that the Museum’s number one priority had to be to repay the debt, but that the precondition for doing so was to establish a reputation for artistic vitality, sound management, financial transparency, and accessibility to the community. We continue to make progress on all these fronts. How do we know? What are the metrics of success for a museum? This, the title of a Getty Leadership Institute paper, is a big subject of debate in the museum world. Success is much harder to quantify than for a business, where shareholder value is the ultimate measure. A museum by its very nature has a variety of objectives, a series of constituencies, a mixture of public and behind-the-scenes activities. During the year, the Museum embarked on a strategic review that will help set direction and ways of measuring our way along it. In the meantime, this Annual Report with its blend of words, illustrations, and statistics attempts to give a rounded picture. David Gordon Exhibitions command the attention of the press and the public. Understandably so. They bring together in one place works of art that are far away for contemplation and study, such as the bronzes for the Degas exhibition from Sao Paulo in Brazil (this exhibition was sponsored by Northwestern Mutual Foundation and Argosy Foundation). They focus attention on a category of art, such as Masterpieces of American Art, 1770–1920: From The Detroit Institute of Arts (M&I Bank and Michael Best & Friedrich LLP). They allow curatorial inventiveness and focus on a significant development of contemporary art, such as CUT/Film as Found Object (Friends of Art), an exhibition of video artists who re-use existing film footage or formats. They bring together objects to illustrate a scholarly perspective, such as The Arts and Crafts Movement in Europe and America, 1880–1920: Design for the Modern World (Sue and Bud Selig). This last was held in the Bradley Galleries, by kind permission of Mrs. Bradley’s grandchildren, David and Lynde Uihlein. Among the other exhibitions, two in particular stand out. The first is Eva Zeisel: The Playful Search for Beauty, held in the Decorative Arts Gallery, one of the series supported by the Chipstone Foundation. Not only were her designs beautiful, but Eva Zeisal herself came to the Museum to give a talk just before her 99th birthday to a packed audience in the Lubar Auditorium that rose to its feet to sing “Happy Birthday.”She then signed books and pottery. The other was Made in Japan: The Postwar Creative Print Movement (the Blakemore Foundation and Toshiba International Foundation), an exhibition that drew heavily on the Museum’s own splendid Collection of prints made just after World War II. On Site: Liam Gillick, the third site-specific work in the Schroeder Galleria, was particularly admired for its innovative use of the space: a set of 30 phrases in black aluminum suspended adjacent to each of the 30 bays. The sight of those receding words, telling a fascinating story, was very moving. Important though exhibitions are for the reasons cited above and as marketable attractions, they are evanescent. Of course many visitors having paid the price of entry for the exhibitions in the Baker/Rowland Galleries will visit the Permanent Collection, but we would like to put more emphasis on the Collection itself. This is one of the views formed at an early stage by Joseph D. Ketner II, who became Chief Curator in June 2005. With the boom in the market for art, museums are becoming ever more dependent on the generosity of collectors and donors for acquisitions. The Museum’s strength in nineteenth- and early twentieth-century art has been reinforced by an important gift of a 1912 Self-Portrait by Ludwig Meidner. The gift is from Marvin and Janet Fishman, who have been collecting German Expressionist works long before they became as sought

www.mam.org 9 after as they now are. Marvin is a trustee of the Museum. To celebrate the gift, a mini- Meidner exhibition was held in the Esther Leah Ritz Gallery. Untitled, an abstract by Manierre Dawson of the same year, was donated by Myra and Lewis J. Obi, M.D. Attendance at the Museum to see either exhibitions or the Collection or both rose by 2 percent to 322,620. As part of our benchmarking exercise, we compared attendance to other art museums of a similar caliber in other metro areas of like size. As a percentage of the metro population, attendance is 21.1 percent in Milwaukee compared with an average of 10.8 percent. And the Museum counts in its figures only ticketed admissions. There are many more people who come for Museum events such as Sundays, for rentals, and just to look at the Quadracci Pavilion. We are particularly proud of one segment of visitors: school tours. Each year over 55,000 children pour out of yellow buses to visit the Museum with their teachers, usually for a docent tour. The Museum makes a special effort to bring in children from the where funding for arts education has been cut to deplorably low levels. The rigid emphasis on the three R’s fails to take account of the fact that children can learn these subjects through , drama, and art. This is conclusively demonstrated by the program run by Creative Sharp with which the Museum is closely associated. Many visitors just come to take a look at the Quadracci Pavilion, or “The Calatrava” as it is popularly known. During the year, the Museum published with Rizzoli International a monograph on the building. With photography commissioned from the noted firm Hedrich Blessing and a lively text by Cheryl Kent, the book provides the visitor with an exciting story of how the building came to be. The trade edition went rapidly out of print, and Rizzoli has reprinted. As is well known, it is the War Memorial Center, and not the Museum, that is responsible for the heating and humidity conditions in which our extremely valuable Collection is kept. I am very happy to report that the County, aware of the risks to the artwork, has provided funding to the War Memorial Corporation to undertake much- needed replacement of the HVAC system. The Museum strives to stay within a balanced budget and succeeded during fiscal 2005. Strive is the right word. Since the endowment yields approximately $1 million a year, this leaves us some $6 million a year to raise from sales of tickets, weddings, ties (the store exploits my weakness for those), and chicken salads (from our exceptional café). All these areas are now together in a business enterprises department under strong management. An additional $6 million is raised through membership, donations for the annual campaign, sponsorship, and grants. Another part of our benchmarking study looked at how the Museum fares financially compared with a peer group. On every indicator of earned revenue, contributed revenue, and costs, the Milwaukee Art Museum came out at or near the good end of the table. The one measure on which we are poor compared with our peers is the size of our endowment. In closing, I would like to say a word about the culture of this cultural institution. There is no one right way to resolve the often conflicting objectives of a museum, but what counts is the way in which resolution is achieved. That should be after rigid analysis of the facts and then open discussion of matters of judgment, a discussion in which it is crucial to involve members of the board of trustees. In that, we are fortunate in having a hardworking group of trustees and a dedicated staff that feels increasingly empowered to have its say even if it means challenging the boss. Challenge and debate produces better decisions than obedient acquiescence.

DAVID GORDON DIRECTOR AND CEO

10 Milwaukee Art Museum Curatorial Report

The 2004–2005 season was very productive for the curatorial department with great exhibitions, new staff members, and important art acquisitions. The Museum’s exhibition season in the Baker/Rowland Gallery opened with a stunning exhibition of Masterpieces of American Art, 1770–1920: From The Detroit Institute of Arts. One of the premier collections of American art in the world, the exhibition featured important Hudson River School landscape paintings by Frederick E. Church and Thomas Cole and Barbizon paintings by Thomas Wilmer Dewing and Dwight Tryon. This exhibition brought to Milwaukee classic masterpieces of American art rarely seen on this shore of Lake Michigan. The exhibition Degas Sculptures followed featuring all 76 bronze sculptures by the French Impressionist, as well as 16 related paintings, drawings, and pastels. This exhibition explored Degas’ evolution as an artist and his creative genius for representing the figure in motion. At the end of the year, the Museum hosted The Arts and Crafts Movement in Europe and America, 1880–1920: Design for the Modern World. Organized by the Los Angeles County Museum of Art, the Museum opened the Bradley Galleries in order to present this wonderful display of the international arts and crafts movement at the turn of the twentieth century. During the summer of 2005, the Museum hosted the contemporary video exhibition, CUT/Film as Found Object. Organized by the Milwaukee Art Museum and curated by Stefano Basilico, CUT surveyed the recent use of found film footage that has been computer edited into new works of art. The exhibition traveled the country and earned a glowing review by Roberta Smith in . The Museum’s exhibitions of prints, drawings, and photographs, presented in the Koss Gallery and the Cudahy Gallery, covered a range of artists and subjects. Artists Interrogate: Politics and War and Artists Interrogate: Race and Identity were drawn from the Museum’s Collection. Curated by Sarah Kirk, assistant curator of prints, drawings, and photographs, the exhibitions concentrated on the ways in which artists have addressed complex social issues. Super Hits of the ’70s showcased the Museum’s excellent Collection of photographs from this seminal decade in American photography. Warrington Colescott Prints and Watercolors: A Brief History celebrated the artist’s generous donation of 178 prints (see p. 29 for more on this gift). Also notable was the exhibition, Made in Japan: The Postwar Creative Print Movement, which examined the emergence of Sÿsaku Hanga printmaking in Japan after World War II and noted its impact on the Western art market. The show’s accompanying publication, authored by Alicia Volk, was the first extended study of this subject published in English. In addition, Mark Lombardi: Global Networks, organized by Independent Curators International, presented the work of this young artist, who tragically died early in his career. Lombardi’s drawings diagram the intriguing political connections in a vast array of international events. Exhibitions in the Decorative Arts Gallery, supported by the Chipstone Foundation, included Eva Zeisel: The Playful Search for Beauty, organized by the Knoxville Museum of Art, which presented the work of the modernist ceramics designer; Tea Table Coffee Table, a lighthearted comparison of the domestic scene in the 1730s and the 1930s; and About Face: Toussaint L’Ouverture and the African-American Image, a provocative exploration centered around four ceramic jugs molded as portraits of the martyred Haitian leader, with an audio-visual introductory theater. During this year, the Museum’s curatorial staff grew. The Museum recruited Joseph D. Ketner II as the chief curator. Joe comes to Milwaukee from The of Brandeis University where he served as director. He will assume the curatorial duties in modern art. The curatorial staff also added Mary Weaver Chapin, assistant curator of early European art, who came to Milwaukee from The after earning her Ph.D. from the Institute of Fine Arts, New York University. Mary’s position is sponsored by a private donor. The prints, drawings, and photographs area hired Lisa Hostetler to curate the Museum’s photography Collection and to develop the photography exhibitions. Lisa comes to Milwaukee from the Metropolitan Museum of Art. She earned her Ph.D. in the history of photography from Princeton University.

www.mam.org 11 This year witnessed a number of excellent acquisitions. A stunning Roman marble bust of a man from the second century A.D., donated by Suzanne and Richard Pieper, is one of the best examples of ancient Roman in the Midwest. The Museum purchased two Biedermeier chairs that will enhance one of the strengths of the Museum’s Collection and will be featured in the forthcoming exhibition, Biedermeier: The Invention of Simplicity (fall 2006). 2004–2005 was a busy year for acquisitions in the area of prints, drawings, and photographs. In addition to the magnificent gift by Colescott, the Museum received a substantial gift of editioned prints and archival material from Jack Lemon and Landfall Press (see p. 27). A third major gift was an important group of prints by the mid-century Social Realists William Gropper and Raphael Soyer donated by Barbara Sorini, the widow of master intaglio printer Emilio Sorini. The works come from Sorini’s own collection and include unpublished prints by Gropper as well as editioned prints by Raphael Soyer. Highlights of the year in photography include the acquisition of an early vintage print by renowned photographer and Milwaukee native Ray Metzker (Chicago, 1957), as well as photographs by a number of contemporary artists including Paul Shambroom and Michael Wolf. The Museum was also the recipient of two important early modern paintings. Marvin and Janet Fishman generously donated the haunting Self-Portrait by Ludwig Meidner of 1912. The portrait is a critical example of the artist’s work, imbued with the angst of German Expressionism. The Untitled abstract painting of the same year by seminal American Modern Manierre Dawson demonstrates the formal development toward abstraction that marked another important development in Modern Art. Dawson, a Chicago modern, played an important role in introducing European modernism to the . The painting was donated by Myra Bairstow and Lewis J. Obi, M.D. The Museum’s Collection benefited from the addition of three significant acquisitions of twentieth-century design. The American Heritage Society and Layton Art Collection purchased Bird Bowl (1959), a major work by studio ceramicist Eugene Deutch, in honor of curator Glenn Adamson upon his departure from the Chipstone Foundation and the Milwaukee Art Museum. The Museum also acquired an iconic American design of the 1930s by Paul Schreckengost. Schreckengost’s boldly streamlined teapot was developed in a limited number and has become one of the most sought-after ceramics of the twentieth century. The Layton Art Collection generously provided funding for the reproduction of an important lamp that was originally part of George Mann Niedecken’s Combination Table and Daybed acquired by the Layton Art Collection in 1993. At that time, the lamp had long since gone missing. Using research materials in the Museum’s Prairie Archive, a reproduction of the lamp was produced by Oakbrook Esser Studios and installed with the Combination Table and Daybed in the feature exhibition, The Arts and Crafts Movement in Europe and America, 1880–1920: Design for the Modern World. The conservation department prepared over 800 works for exhibition over the past year. The conservation staff conserved significant numbers of artworks as well, notably for the exhibitions Made in Japan and Tea Table Coffee Table. Major conservation projects by contract conservators included two paintings, John Hoppner’s Portrait of Miss Jane Emma Orde and Georgia O’Keeffe’s Lake George Autumn. In the decorative arts Collection, the George Mann Niedecken-designed Fireplace Surround was given extensive structural reinforcement in preparation for re-grouting of the mosaic tile façade, and an American Flower and Urn Quilt was cleaned. Work also began on the re-organization of the paintings vault and long-range planning for archives storage vaults.

12 Milwaukee Art Museum Milwaukee Art Museum and the Chipstone Foundation

In 2001, the Milwaukee Art Museum started a collaboration with the Chipstone Foundation, a non-profit organization dedicated to collecting early decorative arts and promoting scholarship in the field. Located in Fox Point, just north of Milwaukee, Chipstone was founded in 1965 by the Milwaukee collectors Stanley and Polly Mariner Stone. Today, the Foundation’s holdings of early American furniture, historical prints, and British pottery are creatively interpreted and displayed alongside the Museum Collection. In addition, Chipstone publishes two annual scholarly journals, American Furniture and Ceramics in America.

www.mam.org 13 Exhibitions

FEATURE EXHIBITIONS SPECIAL EXHIBITIONS Made in Japan: The Postwar EDUCATION Creative Print Movement BAKER/ROWLAND AND BRADLEY COLLECTION PIEPER EDUCATION GALLERY APR. 28–AUG. 7, 2005 NORTH EXHIBITION GALLERIES GALLERIES Sponsored by the Blakemore Stories to Tell and Retell: Masterpieces of American Art, The Arts and Crafts Movement Foundation and Toshiba The Puppets of Ashley Bryan 1770–1920: From The Detroit in Europe and America, International Foundation SEPT. 2004–JAN. 2005 AND Institute of Arts 1880–1920: Design for FEB.–AUG. 2005 Warrington Colescott OCT. 23, 2004–JAN. 30, 2005 the Modern World Sponsored by Rockwell Prints and Watercolors: Organized by The Detroit MAY 19–SEPT. 5, 2005 Automation A Brief History Institute of Arts Organized by the Los Angeles AUG. 18–SEPT. 18, 2005 81st Annual Scholastic Sponsored by M & I Bank and County Museum of Art Sponsored by Print Forum Art Awards–Wisconsin Michael Best & Friedrich LLP Sponsored by Sue and Regional Exhibition Bud Selig Degas Sculptures CUDAHY GALLERY JAN. 29–FEB. 26, 2005 FEB. 19–JUNE 5, 2005 Additional support provided Also on view in the by Joan and Jack Stein and Super Hits of the ’70s: Organized by Joseph S. Cudahy Gallery the Jerome and Dorothy Holz Photographs from the Czestochowski and circulated Sponsored by the Marc Flesch Family Foundation Collection by International Arts, Memorial Fund of the Greater OCT. 8, 2004–JAN. 2, 2005 Memphis Milwaukee Foundation, James SCHROEDER GALLERIA Sponsored by Northwestern Artists Interrogate: and Avis Heller, Milwaukee Art Mutual Foundation and On Site: Liam Gillick Race and Identity Museum Docents, and James Argosy Foundation SEPT. 2004–FEB. 2006 JULY 7–OCT. 9, 2005 and Carol Wuensch. Partial funding provided by an Sponsored by Rockwell indemnity from the Federal PRINTS, DRAWINGS Automation TRAVELING EXHIBITIONS Council on the Arts and AND PHOTOGRAPHS Paintings by Wisconsin Humanities DECORATIVE ARTS KOSS GALLERY Artists from the Milwaukee Art Museum CUT/Film as Found Object Artists Interrogate: DECORATIVE ARTS GALLERY JUNE 25–SEPT. 11, 2005 Milwaukee Public Library Politics and War Eva Zeisel: The Playful OCT. 30, 2001–OCT. 30, 2005 Organized by the Milwaukee SEPT. 17–DEC. 26, 2004 Search for Beauty Art Museum with the OCT. 8, 2004–FEB. 6, 2005 CUT/Film as Found Object assistance of the Museum Mark Lombardi: Museum of Contemporary Organized by the Design Lab of Contemporary Art, Global Networks Art, North Miami, Fla. at the Knoxville Museum of Art North Miami JAN. 13–APR. 10, 2005 NOV. 13, 2004–JAN. 30, 2005 Presented by Friends of Art, Organized and circulated Tea Table Coffee Table with additional support from by Independent Curators FEB. 24–JUNE 12, 2005 International, New York Exhibitions organized by the the Wisconsin Arts Board with About Face: Tousaint funds from the State of Sponsored by Judith Milwaukee Art Museum unless L’Ouverture and the African- otherwise noted. Wisconsin Rothschild Foundation, American Image additional support from the JUNE 30–NOV. 27, 2005 ICI International Associates and the ICI Independents

Loans Loans are listed chronologically by date of loan.

Robert Smithson Willie Cole 50 Years of Screenprinting Adolph Gottlieb Museum of Contemporary University of Wyoming Art in the U.S. Red Halo-White Ground, 1966 Art, Los Angeles, Calif. Museum, Laramie, Wyo. (Master’s thesis exhibition), Screenprint SEPT. 12–DEC. 12, 2004 SEPT. 18–DEC. 23, 2004 University of Wisconsin, M1967.59 Milwaukee Art History Gallery, With subsequent travel to Dallas With subsequent travel to Worcester Ruth Grotenrath Museum of Art, Dallas, Texas (Jan. Art Museum, Worcester, Mass. (Nov. Milwaukee, Wis. The Pond, ca. 1949 14–Apr. 3, 2005) and The Whitney 12, 2005–Jan. 7, 2006), University of OCT. 22–DEC. 3, 2004 Museum of American Art, N.Y. (June Kentucky Art Museum, Lexington, Screenprint 23–Oct. 16, 2005). Ky. (Jan. 29–Mar. 19, 2006), and the Richard Anuskiewicz M1949.12 Herbert F. Johnson Museum of Art, Untitled, 1965 Robert Smithson Jacob Lawrence Cornell University, Ithaca, N.Y. (Apr. Screenprint The 1920s...The Migrants Arrive Non-Site: Line of Wreckage 8–June 3, 2006). M1967.15 (Bayonne, New Jersey), 1968 and Cast Their Ballots; from the Painted aluminum, broken Willie Cole Ilya Bolotowsky Kent Bicentennial Portfolio: concrete, framed map, and Domestic Dancers, 1998 Red Tondo, 1979 Spirit of Independence, 1974, three photo panels Scorches on canvas Screenprint published 1975 M1969.65 M1999.1 M1980.225 Screenprint M1975.114 James Turrell Presence Warrington Colescott Gallery 400, University of The Speed Art Museum, Atom Boy, 1949 at Chicago, Chicago, Ill. Louisville, Ky. Screenprint Sweet Dreams, Baby! (Pow!), SEPT. 15–OCT. 23, 2004 OCT. 12–NOV. 14, 2004 M2004.389 1965, published 1966 Screenprint James Turrell Gerhard Richter Gene Davis M1981.226 10 prints from the First Light Atem (Breath), 1989 Signal, 1973 series, 1989–90 Oil on canvas Screenprint Schomer Lichtner Aquatints M1990.13 M1995.77 The Birds, 1946 M2002.126.1; M2002.126.10–.18 Screenprint M1946.8

14 Milwaukee Art Museum Marisol [Escobar] John Wilde : Clay, Fire, Gertrude Abercrombie Caris Hevieu, 1967 September Eve, 1992–93 Salt and Wood Witches Switches, 1952 Screenprint Oil on canvas Elvehjem Museum of Art, Oil on Masonite panel M2000.43 M1993.177 University of Wisconsin, M1979.30 Madison, Wis. Dean Meeker Die Brücke Marshall Glasier Trojan Horse, 1953 Museo Thyssen Bornemisza, MAR. 12–JUNE 5, 2005 Life of the Cabbage, 1944 Screenprint Madrid, Spain With subsequent travel to Mint Oil on Masonite panel Museum of Craft & Design, M1997.152 FEB. 1–MAY 15, 2005 M1944.8 Charlotte, N.C. (Oct. 8–Dec. 31, 2005). With subsequent travel to Museo John Steuart Curry and the Nacional de Arte de Calaluña, Don Reitz For Love, 1965, published 1966 University of Wisconsin Bull- Barcelona, Spain (June 7–Sept. 4, Urn with Three Handles, ca. 1970 Screenprint Breeding Machine, 1948 2005) and the Brücke Museum, Stoneware M1980.251 Oil on Masonite panel Berlin, (Oct. 1, 2005–Jan. M1987.22 M1959.50 Marko Spalatin 15, 2006). Hope and Healing: No. IV; from the series, Karl Priebe Ernst Ludwig Kirchner The Plague and Italian Palancar, 1978 The , 1942 Street at Schönberg City Park, Painting 1500–1750 Screenprint 1912–13 Casein on cardboard M1980.264b Worcester Art Museum, M1943.3 Oil on canvas Worcester, Mass. M1964.55 APR. 2–SEPT. 25, 2005 John Wilde Jackie III, 1966 Wildeworld, 1953–1955 Transmission—Laurence Francesco Solimena Screenprint Rathsack and Liz Bachuber Oil on canvas M1980.252 and Child with Saints M1965.2 Institute of Visual Art, Januarius and Sebastian, James Watrous and Friends: University of Wisconsin, ca. 1700 Karl Priebe, Gertrude The Legacy and Influence of Milwaukee, Milwaukee, Wis. Oil on canvas Abercrombie, Dudley Huppler, James Watrous FEB. 4–MAY 15, 2005 M1964.35 Marshall Glasier, Sylvia Fein, a Wisconsin Academy of Sciences, Laurence Rathsack Friend, Arnold Dadian and Arts & Letters, Madison, Wis. Animal Sculpture in Myself, 1966 Chalk Land, 1966 the Folk Art Tradition NOV. 12, 2004–JAN. 9, 2005 Watercolor on paper Oil on wood panel Brandywine River Museum, M1979.33 John Wilde M1969.7 Chadds Ford, Pa. James Watrous; from the Robert Bechtle: MAY 27–JULY 24, 2005 suite Artist’s Friends, 1997 Fondation de l’Hermitage, A Retrospective Unknown Artist (Maine) Silverpoint on prepared paper San Francisco Museum of Lausanne, Switzerland M1998.102 Deer, ca. 1880 JUNE 24–OCT. 23, 2005 Modern Art, San Francisco, Calif. Wood, nails, paint, and glue CUT/Film as Found Object in FEB. 12–JUNE 5, 2005 M1989.144 Gustave Caillebotte Contemporary Video With subsequent travel to Modern Boating on the Yerres, 1877 Museum of Contemporary Art Museum, Fort Worth, Texas (June Herter’s Company Oil on canvas Art, North Miami, Fla. 26–Aug. 28, 2005) and the Corcoran Great Horned Owl, ca. 1940 M1965.25 Gallery of Art, Washington, D.C. NOV. 30, 2004–JAN. 30, 2005 Wood, paint, glass, and (Mar. 4–June 4, 2006). claw beak The American West With subsequent travel to Milwaukee M1989.300 Compton Verney, Warwick, Art Museum (June 25–Sept. 11, 2005) Robert Bechtle England and Philbrook Museum of Art, Tulsa, X-Mas in Gilroy, 1971 Unknown Artist JUNE 25–AUG. 29, 2005 Okla. (Jan. 22–Mar. 26, 2006). Oil on canvas Coiled Root Snake, ca. 1930 Candice Breitz M2000.14 Carved and painted wood Arthur F. Tait Soliloquy Trilogy, 2000 The Quilts of Gee’s Bend M1989.158 The Pursuit, 1855 Digital video disc Memphis Brooks Museum Oil on canvas Unknown Artist M1971.24a M2003.95 of Art, Memphis, Tenn. Monkey, ca. 1900 Jennifer McCoy and FEB. 13–MAY 8, 2005 Painted wood, glass eyes, Arthur F. Tait Kevin McCoy With subsequent travel to the rope, and nails The Last War Whoop, 1855 Horror Chase, 2002 Museum of Fine Arts, Boston, M1989.147 Oil on canvas Storebought ready-made Boston, Mass. (June 1–Aug. 21, M1971.24b 2005), The Julie Collins Smith Aaron Augustus Wilson metal and plastic suitcase, Museum at Auburn University, Spring Robin, ca. 1910 The Great American Thing: LCD screen, and computer Auburn, Ala. (Sept. 11–Dec. 4, 2005), Painted wood with metal legs Modern Art and National hardware and software and the High Museum of Art, M1989.157 Identity M2003.97 , Ga. (Mar. 25–June 18, 2006). Figge Arts Center, Unkown Artist (Indiana) Davenport, Iowa Christian Marclay Rachel Carey George Squirrel, ca. 1930 AUG. 28, 2005–JAN. 1, 2006 Telephones, 1995 Untitled (Two-Sided Work Carved and varnished wood, Video Clothes Quilt), ca. 1935 beads With subsequent travel to the Tacoma Art Museum, Tacoma, M2003.96 Denim, wool trousers, M1989.159 Wash. (Jan. 29–May 21, 2006). mattress ticking, and cotton High Drama: Eugene Berman Unknown Artist M2003.139 Arthur Dove and the Legacy of the Thoroughbred Horse, ca. 1890 Sunrise, 1924 Melancholic Sublime Flowermyth—van Gogh Carved and painted wood Oil on panel Georgia Museum of Art, to Jeff Koons M1989.153 M1960.32 Athens, Ga. Fondation Beyeler, Basel, With Friends JAN. 15–MAR. 20, 2005 Switzerland Lois Mailou Jones Elvehjem Museum of Art, With subsequent travel to Marion FEB. 27–MAY 22, 2005 The Ascent of Ethiopia, 1932 University of Wisconsin, Koogler McNay Art Museum, San Oil on canvas Antonio, Texas (May 18–Aug. 14, Joan Miró Madison, Wis. M1993.191 2005), Long Beach Museum of Art, Still Life with Flowers, 1918 JUNE 18–SEPT. 18, 2005 Long Beach, Calif. (Sept. 10–Oct. 31, Oil on canvas 2005), and the Allentown Art Museum, M1977.124 Allentown, Pa. (Feb. 6–May 14, 2006). www.mam.org 15 Milwaukee Art Museum Acquisitions 2004–2005

The acquisition list includes gifts and purchases from September 1, 2004, to August 31, 2005. Dimensions are in inches, with height, width, and depth in that order, unless otherwise indicated. For drawings and prints, dimensions indicate sheet size (except where indicated); for photographs, the image size. Prints and drawings are on paper, with exceptions noted. Primary materials only are listed for decorative arts.

PAINTINGS Do-Ho Suh Raphael Soyer Sergio Gonzalez-Tornero (Korean, b. 1962) (American, b. Russia, (American, b. Chile, 1927) Manierre Dawson Untitled, 2004 1899–1997) El Tigre (II), 1981 (American, 1887–1969) Handblown glass Untitled (Study of two female Color etching and aquatint 1 13 7 Attack, 1912 H. 7 x 19 /2 in. diam. figures), ca. 1975 18 /16 x 20 /8 in. Oil on canvas Anonymous Gift Graphite drawing on paper Gift of Print Forum 3 11 58 x 48 in. M2005.85 21 /8 x 14 /16 in. M2005.2 Gift of Myra Bairstow and Lewis J. Obi, M.D. Gift of Barbara Sorini, in memory of M2004.584 Emiliano Sorini William Gropper DRAWINGS M2005.7 (American, 1897–1977) Douglas Holst Airborne Witch, second state, (American, b. 1965) George Ashdown Audsley 1965 Nine Pairs of Pentominoes, (Scottish-American, PRINTS Color etching, drypoint, and 2005 1838–1925) aquatint Pierre Alechinsky 3 1 Latex paint Plan for plaster ventilating 5 /4 x 13 /16 in. 72 x 103 in. panels of Layton Gallery (Belgian, b. 1927) M2005.48 Purchase, Doerfler Fund skylights (detail), ca. 1885 De Toutes Parts, 1983 Bear Hug, 1965 M2005.119 Pen and ink with watercolor Hand-colored etching 26 x 38 in. Color etching on tissue paper 13 7 16 8 Ludwig Meidner 7 3 Gift of James DeYoung and Leslie Davis 3 / x 5 / in. 25 /16 x 35 /4 in. (sheet) M2004.605 M2005.20 (German, 1884–1966) Accessioned from Museum Service Self-Portrait, 1912 U2004.3 Breakfast, first version, 1965 Oil on canvas Sue Coe Color etching and aquatint 1 7 (American, b. England, 1951) 13 7 29 /2 x 22 /8 in. Byrdcliffe Colony 5 /16 x 3 /8 in. Gift of Marvin and Janet Fishman (American: Woodstock, NY, The Selection; from the M2005.9 M2004.583 1902–1952) series Scenes from the Rendering of a Byrdcliffe Slaughterhouse, 1991 Caesar, first state, 1965 Robert Melee Chestnut Desk, ca. 1904 Lithograph Color etching, open bite, and 5 3 (American, b. 1966) 28 /16 x 20 /16 in. aquatint Colored pencil and pencil on 1 3 High Life #2, 2004 paper adhered to cardstock M2004.588 15 /2 x 11 /4 in. M2005.40 90 x 48 x 5 in. support Veal Skinner; from the Gift of Meg and Kevin Kinney, Joanne 7 3 and Jim Murphy, Reva and Philip 8 /8 x 7 /8 in. series Scenes from the Caesar, second state, 1965 Shovers, and Diane and Randy Strauss Purchase, Layton Art Collection Slaughterhouse, 1991 Color etching, open bite, and M2005.86 L2004.1 Lithograph aquatint 1 1 1 3 Working Drawing for Byrdcliffe 27–28 /4 x 20 /2 in. 15 /2 x 11 /4 in. “Chestnut Chiffonier”, ca. 1904 M2004.587 M2005.41 SCULPTURE Gifts of Print Forum Pencil on tracing paper The Cat, 1965 1 3 16 /2 x 23 /4 in. Mark di Suvero War Street; plate 4 from the Color etching 13 9 Purchase, Layton Art Collection series The Tragedy of War, 11 /16 x 15 /16 in. (American, b. 1933) L2004.2 Untitled (Spinner), 1997 2000 M2005.42 Stainless steel Etching with hand-coloring Douglas Holst 3 5 Chairman Asleep, 1965 1 9 /8 x 12 /8 in. 16 /4 x 11 x 11 in. Color etching with open bite (American, b. 1965) Purchase, Gertrude Nunnemacher Gift of Ruth and Robert Vogele 3 13 Study for Nine Pairs of Schuchardt Fund, presented by William 3 /16 x 5 /16 in. M2004.592 Pentominoes, 2005 H. Schuchardt M2005.8 M2004.571 Acrylic on paper Don Quixote Falling, 1965 Roman 1 20 /16 x 26 in. Portrait of a Man, second Richard Diebenkorn Color etching and roulette Gift of the artist 3 9 11 /4 x 15 /16 in. century A.D. M2005.133 (American, 1922–1993) Marble Seated Woman in Armchair, M2005.45 1 H. 16 /2 in. Alfred Leslie 1965 Exotic Dancer, 1965 Gift of Suzanne and Richard Pieper (American, b. 1927) Lithograph Color etching 3 1 M2004.582 24 /4 x 19 /2 in. 7 7 Untitled, 1959 5 /8 x 3 /8 in. Purchase, with funds from an M2005.11 Oil on paper anonymous donor through Print Forum 1 18 x 20 in. (visible); 23 /4 x M2005.129 Farm Hand, 1965 3 25 /16 in. (framed) Color etching and soft-ground Gift of Tony and Sue Krausen 7 7 5 /8 x 3 /8 in. M2004.586 M2005.21

16 Milwaukee Art Museum and , Bowl, ca. 1941. See listing p. 24.

Ray K. Metzker, Chicago, 1957. See listing p. 23.

William Gropper, House Member, 1968. See listing p. 21.

Eugene Deutch, Bird Bowl, ca. 1954. See listing p. 24.

www.mam.org 17 Manierre Dawson, Attack, 1912. See listing p. 16.

Jason S. Yi Untitled [Birthday Party]; from the series Truthful Fiction, 2002. Untitled [Christmas]; from the series Truthful Fiction, 2002. Untitled [Drinking Beer with Dad]; from the series Truthful Fiction, 2002. See listings p. 24.

18 Milwaukee Art Museum Paul Shambroom, Van Buren, Indiana (population 955), Town Council, July 21, 1999, 1999. See listing p. 23.

Roman, Portrait of a Man, second century A.D. See listing p. 16.

Jean-François Millet, La cardeuse (Woman Carding Wool), 1855–1856. See listing p. 22.

www.mam.org 19 Richard Diebenkorn, Seated Woman in Armchair, 1965. See listing p. 16.

Ludwig Meidner, Self-Portrait (detail), 1912. See listing p. 16.

Attributed to Karl Friedrich Schinkel, Chair with Curved Back Rail, ca. 1800/1810. See listing p. 24.

Paul Schreckengost; Gem Clay Forming Company, Teapot, designed ca. 1938. See listing p. 24.

20 Milwaukee Art Museum Farm Hand, 1965 Intaglio plate for Tropical Allegory, 1968 Intaglio plate for Hassid Color etching and soft-ground Climate, 1965 Color etching and aquatint Dancing, 1968 3 3 13 3 5 /4 x 3 /4 in. Copper 3 /16 x 5 /4 in. Copper 7 7 M2005.22 3 /8 x 5 /8 in. M2005.34 6 x 4 in. M2005.66 M2005.83 Fisherman’s Daughter, 1965 Bass Player, 1968 Color etching, open bite, and Intaglio plate for Under Siege, Color etching and lift-ground Intaglio plate for House 7 7 roulette 1965 5 /8 x 3 /8 in. Member, 1968 1 3 11 /8 x 14 /4 in. Copper M2005.54 Copper 15 15 M2005.50 3 /16 x 6 in. 5 /16 x 4 in. Bass Player, 1968 M2005.63 M2005.71 Granny, 1965 Color etching and lift-ground 7 7 Color etching and soft-ground Model, 1965 5 /8 x 3 /8 in. Intaglio plate for Intimacy, 3 3 5 /4 x 3 /4 in. Color etching M2005.55 1968 7 7 M2005.18 3 /8 x 5 /8 in. Copper Cabaret, 1968 M2005.10 6 x 4 in. Granny, 1965 Color etching and soft-ground 15 15 M2005.79 Color etching and soft-ground Nude on a Wicker Chair, 1965 5 /16 x 3 /16 in. 3 3 5 /4 x 3 /4 in. Color etching M2005.27 Intaglio plate for Maternity, 15 15 M2005.19 5 /16 x 3 /16 in. 1968 Caryatid, second state, 1968 M2005.14 Copper Intaglio plate for Bear Hug, Color etching and aquatint 15 13 13 6 x 3 /16 in. 1965 Old Hopper, 1965 5 /16 x 3 /16 in. M2005.75 Copper Color etching and soft-ground M2005.33 7 15 7 7 3 /8 x 5 /16 in. 3 /8 x 5 /8 in. Intaglio plate for Ready for Dialog, 1968 M2005.69 M2005.15 Dinner, 1968 Color etching and open bite 7 15 Copper 8 16 Intaglio plate for Breakfast, Open Air Kitchen, 1965 5 / x 3 / in. 15 7 5 /16 x 3 /8 in. 1965 Color etching and soft-ground M2005.29 7 15 M2005.82 Copper 3 /8 x 5 /16 in. Faith, 1968 6 x 4 in. M2005.17 Intaglio plate for Rearing Color etching and open bite M2005.60 15 15 Horse, 1968 The Picnic, 1965 5 /16 x 3 /16 in. M2005.30 Copper Intaglio plate for Chairman Color etching, soft-ground, 15 15 5 /16 x 3 /16 in. Asleep, 1965 and roulette 13 11 The Hairdo, 1968 M2005.84 Copper 11 /16 x 15 /16 in. 15 Color etching and soft-ground 3 /16 x 6 in. M2005.43 15 15 Intaglio plate for Relationship, 5 /16 x 3 /16 in. M2005.59 1968 Push-Cart Peddler, 1965 M2005.53 Copper Intaglio plate for Farm Hand, Color etching, open bite, and Hassid Dancing, second state, 6 x 4 in. 1965 roulette 3 5 1968 M2005.78 Copper 11 /4 x 15 /8 in. 15 Color etching and aquatint 6 x 3 /16 in. M2005.49 15 15 Intaglio plate for Sun Lovers, 5 /16 x 2 /16 in. M2005.70 1968 Sabbath, 1965 M2005.37 Copper Intaglio plate for Granny, 1965 Color etching, lift-ground, and 11 15 House Member, 1968 3 /16 x 5 /16 in. Copper roulette 9 13 Color etching, lift-ground, M2005.73 6 x 4 in. 15 /16 x 11 /16 in. and aquatint M2005.68 M2005.47 15 15 Intaglio plate for Wrestlers, 5 /16 x 3 /16 in. 1968 Intaglio plate for Exotic Slicing the Catch, 1965 M2005.23 Copper Dancer, 1965 Color etching and lift-ground 11 13 Intaglio plate for Allegory, 4 x 6 in. Copper 15 /16 x 11 /16 in. 15 15 1968 M2005.72 5 /16 x 3 /16 in. M2005.46 Copper M2005.62 7 15 Intimacy, 1968 Tropical Climate, 1965 3 /8 x 5 /16 in. M2005.81 Color etching and open bite Intaglio plate for Model, 1965 Color etching and soft-ground 15 15 13 13 5 /16 x 3 /16 in. Copper 3 /16 x 5 /16 in. 15 15 Intaglio plate for Cabaret, M2005.32 3 /16 x 5 /16 in. M2005.16 1968 M2005.61 Masquerade, 1968 Under Siege, 1965 Copper 15 Color etching 16 Intaglio plate for Nude on a Color etching and open bite 5 / x 4 in. 7 7 15 15 5 /8 x 3 /8 in. Wicker Chair, 1965 3 /16 x 5 /16 in. M2005.74 M2005.56 Copper M2005.12 15 Intaglio plate for Caryatid, 6 x 3 /16 in. Masquerade, 1968 Under Siege, 1965 1968 M2005.64 Color etching Color etching and open bite Copper 7 7 15 15 7 7 5 /8 x 3 /8 in. Intaglio plate for Old Hopper, 3 /16 x 5 /16 in. 5 /8 x 3 /8 in. M2005.57 1965 M2005.13 M2005.80 Copper Maternity, 1968 15 15 Uprooted, 1965 Intaglio plate for Dialog, 1968 3 /16 x 5 /16 in. Color etching and open bite Color etching Copper 15 15 M2005.65 3 9 15 15 5 /16 x 3 /16 in. 11 /16 x 15 /16 in. 5 /16 x 3 /16 in. M2005.28 Intaglio plate for Open Air M2005.44 M2005.76 Kitchen, 1965 Peasant, 1968 Venus, 1965 Intaglio plate for Faith, 1968 Copper Color etching and aquatint 15 15 Color etching, lift-ground, Copper 7 15 3 /16 x /16 in. 5 /8 x 3 /16 in. aquatint, and roulette 6 x 4 in. M2005.67 7 5 M2005.52 11 /8 x 15 /8 in. M2005.77 M2005.39 House Party, 1967 Color etching, aquatint, and open bite 3 1 11 /8 x 15 /8 in. M2005.51

www.mam.org 21 Ready for Dinner, second state, Philip Pearlstein Tom Uttech Todd Hido 1968 (American, b. 1924) (American, b. 1942) (American, b. 1968) Color etching and aquatint Nude Lying on Black and Red Ajidamoo Minis, 2004–2005 Untitled #2431, 1999 3 3 5 /4 x 3 /4 in. Blanket, 1974 Seven-color lithograph Chromogenic print mounted 3 3 M2005.35 Four-color aquatint with line 19 /4 x 21 /4 in. on aluminum etching Gift of Print Forum 20 x 24 in. Ready for Dinner, third state, 1 22 x 29 /4 in. M2005.120 M2005.91 1968 Gift of Vicki and Allen Samson Color etching and aquatint M2004.590 Franz von Stuck Untitled #2621, 2000 3 3 5 /4 x 3 /4 in. (German, 1863–1928) Chromogenic print mounted M2005.36 Judy Pfaff Forellenweiher (Trout Stream), on aluminum 24 x 20 in. Rearing Horse, 1968 (American, b. England, 1946) ca. 1890 M2005.92 Color etching and aquatint Untitled, 2004 Etching 7 15 1 5 /8 x 3 /16 in. Color etching with relief roll 11 x 9 /4 in. Untitled #2314-c, 2002 M2005.38 on Asian paper Purchase, René von Schleinitz Memorial Chromogenic print mounted 3 Fund 10 x 20 /4 in. on aluminum Relationship, 1968 M2005.118 Gift of Print Forum 14 x 11 in. Color etching and open bite M2004.381 15 15 M2005.90 5 /16 x 3 /16 in. M2005.31 Roger Shimomura PHOTOGRAPHS Untitled #3091, 2002 Chromogenic print mounted Sun Lovers, 1968 (American, b. 1939) Edward Burtynsky on aluminum Color line etching, lift-ground, Mix and Match I, 2001 (Canadian, b. 1955) 14 x 11 in. and aquatint Six-color lithograph 1 1 Nickel Tailings #36, 1996 M2005.93 15 5 20 /2 x 28 /2 in. 3 /16 x 5 /8 in. Chromogenic print, printed M2005.26 Gift of Print Forum 2004 Untitled #3212-b, 2003 M2005.121 Chromogenic print mounted Tycoon, 1968 40 x 46 in. on aluminum Color etching and aquatint Jaune Quick-to-See Smith Purchase, Richard and Ethel Herzfeld 11 5 Foundation Grant 20 x 24 in. 5 /16 x 5 /8 in. (American Indian, b. 1940) M2005.127 Purchase, Richard and Ethel Herzfeld M2005.58 Survival Suite: Humor, 1996/97 Foundation Grant Wrestlers, 1969 Four-color lithograph Gaye Chan M2005.94 13 13 Color etching, lift-ground, and 35 /16 x 24 /16 in. (American, b. Hong Kong, aquatint Gift of Print Forum 1957) Peter Latner 3 7 M2005.122 (American, b. 1950) 3 /4 x 5 /8 in. Storm 1 & 2 (diptych), 2002 Henderson, Minnesota, 1997 M2005.24 Chromogenic prints Raphael Soyer 5 5 Gelatin silver print, printed 7 /16 x 7 /16 in. each Wrestlers, 1969 (American, b. Russia, Gift of the artist 2004 13 Lift-ground etching and 1899–1997) M2004.385 15 x 21 /16 in. aquatint Untitled (Two Women and a M2004.568 15 7 3 /16 x 5 /8 in. Gentleman), 1973 Barbara Ciurej and Lindsay Little Falls, Minnesota, 1998 M2005.25 Etching Lochman 13 5 Gelatin silver print, printed Gifts of Barbara Sorini, in memory of 5 /16 x 6 /8 in. Emiliano Sorini (American, b. 1956; American, M2005.6 2004 7 13 b. 1952) 14 /8 x 21 /16 in. Armin Landeck Untitled (Side View of Glory on a Budget no. 3 M2004.567 (American, 1905–1984) Gentleman), 1974 (Odalisque), 1979 Mississippi River at Dusk, Grant Fish, 1963 Etching Gelatin silver print 13 3 County, Wisconsin, 2000 Engraving 9 /16 x 7 /4 in. 10 x 13 in. 1 Gelatin silver print, printed 18 /8 x 24 in. M2005.3 Gift of the artists M2004.380 Gift of Kent and Dianne Anderson 2004 7 M2005.110 Untitled (Nude Woman Sitting 17 x 21 /16 in. on a Bed), 1975 Lynne Cohen M2004.566 Engraver’s Tools, 1974 Etching (Canadian, b. America, 1944) Purchase, Richard and Ethel Herzfeld 7 7 Foundation Grant Five engravings 6 /8 x 4 /8 in. Practice Range, ca. 1990 18 x 24 in. each M2005.5 Gelatin silver print in formica- Near Jamestown, North Purchase with funds from Laurence and faced frame Dakota, 2001 Roma Eiseman, Print Forum, and Russ Untitled (Side View of Woman 1 3 43 /2 x 51 /4 in. (framed) Jankowski, with matching funds from SBC with Kerchief), 1977 Gelatin silver print, printed Gift of the artist in memory of her M2005.109.1–.5 Etching 2004 brother, Lee Roger Cohen (1942–2004) 15 1 9 13 16 /16 x 22 /8 in. (image); 9 /16 x 6 /16 in. M2005.89 7 Jean-François Millet M2005.4 20 x 23 /8 in. (sheet) (French, 1814–1875) Gifts of Barbara Sorini, in memory of Robert Heinecken Gift of the artist Emiliano Sorini M2004.570 La cardeuse (Woman Carding (American, b. 1931) Wool), 1855–1856 She: My friend tells me that you Outskirts, Morris, Minnesota, Art Spiegelman Etching are a photographer, 1981 2003 1 15 (American, b. 1948) 10 /8 x 6 /16 in. Instant color print and Gelatin silver print, printed Gift of Erich Stern Fund in memory of Crossroads, 1997 Lucia K. Stern graphite on paper 2004 Three-color lithograph on 13 13 M2005.88 20 x 16 in. 17 /16 x 21 /16 in. white Rives BFK paper 3 Purchase, Richard and Ethel Herzfeld Purchase, Richard and Ethel Herzfeld 25 x 17 /4 in. Robert Motherwell Foundation Grant Foundation Grant Gift of Print Forum M2004.576 M2004.569 (American, 1915–1991) M2004.589 Ulysses; text by James Joyce, A Case Study in Finding an 1988 Appropriate TV Newswoman Artist book: letterpress text (Jane Pauley / Bryant Gumbel) with forty etched illustrations, from A CBS Docudrama in in a silk-bound slipcase Words and Pictures, 1984 Gift of Marianne H. Epstein Three cibachrome prints 5 13 M2004.591 32 /8 x 13 /16 in. M2004.577

22 Milwaukee Art Museum Clarence John Laughlin Duane Michals Srinagar Kashmir, 1980 Nind Asswashin, 1982 (American, 1905–1985) (American, b. 1932) Chromogenic print, printed Inkjet print, printed 2004 Spinning Circles, 1936 Now Becoming Then, 1976 2004 27 x 27 in. 7 15 Gelatin silver print, printed Gelatin silver print 9 /8 x 14 /16 in. M2004.600 15 1979 8 x 9 /16 in. M2005.105 3 1 Wigwas, 1982 13 /8 x 10 /16 in. Gift of Madeleine and David Lubar After Accident, Grand Trunk Inkjet print, printed 2004 M2005.95 M2004.585 Road, Bihar, 1991 27 x 27 in. Light on the Cylinders, 1937 Bob Natkin Chromogenic print, printed M2004.601 Gelatin silver print, printed (American, 1919–1996) 2004 7 7 Otchibik, 1983 1976 Untitled, 1953 9 /8 x 14 /8 in. 1 3 Inkjet print, printed 2004 13 /2 x 10 /16 in. M2005.102 Gelatin silver print 36 x 36 in. M2005.96 7 3 10 /16 x 13 /8 in. Goa, 1996 M2004.602 Starlight in Steel, 1937 Purchase, Richard and Ethel Herzfeld Chromogenic print, printed Foundation Grant Pangishimo Gisess, 1983 Gelatin silver print, printed M2005.108 2004 7 15 Inkjet print, printed 2004 1979 9 /8 x 14 /16 in. 44 x 44 in. 1 1 M2005.104 13 /2 x 10 /4 in. Bill Owens M2004.603 M2005.97 Purchase, Richard and Ethel Herzfeld (American, b. 1938) Foundation Grant Gifts of the artist Unending Stream, 1941 Because we live in the suburbs Gelatin silver print, printed we don’t eat much Chinese Aaron Siskind Minor White 1978 food. It’s not available in the (American, 1903–1991) (American, 1908–1976) 9 11 10 /16 x 13 /16 in. supermarkets so on Saturday Harlem Ballroom, ca. 1937 Frosted Window, 1961 M2005.98 we eat hot dogs., 1968/73 Gelatin silver print, printed Gelatin silver print 1 1 Gelatin silver print, printed 7 /2 x 9 /8 in. Around a Hole in Space, 1960 1970s 1999 11 x 8 in. Purchase, Richard and Ethel Herzfeld Gelatin silver print, printed 1 1 Foundation Grant 8 4 M2005.116 9 / x 13 / in. M2005.117 1978 M2004.572 1 7 10 /2 x 13 /8 in. Davenport 19, 1952 M2005.99 I bought the Doughboy pool for Gelatin silver print Michael Wolf David and the kids and now no 1 1 (American, b. Germany, 1954) Milwaukee Nostalgia Still Life, 13 /4 x 10 /4 in. one wants to take care of it…, M2005.115 Night #3, 2004 1964 1968/73 Purchase, Richard and Ethel Herzfeld Chromogenic print Gelatin silver print, printed Gelatin silver print, printed Foundation Grant 48 x 58 in. 1978 Purchase, Richard and Ethel Herzfeld 13 9 2004 13 /16 x 10 /16 in. 7 Tseng Kwong Chi Foundation Grant 10 x 12 /8 in. M2005.100 M2005.128 M2004.573 (Joseph Tseng) (Canadian, b. Hong Kong, Translucent Triangle, 1964 It’s hard to hunt in the suburbs Francesca Woodman Gelatin silver print, printed 1950–1990) because you’re always New York, New York [Statue (American, 1958–1981) 1979 Providence, Rhode Island, 9 3 trespassing, 1968/73 of Liberty], 1979 13 /16 x 10 /4 in. Gelatin silver print, printed Gelatin silver print, printed 1975/76 M2005.101 Gelatin silver print, printed Purchase, Richard and Ethel Herzfeld 2004 later 3 1 1 1 Foundation Grant 8 /4 x 11 /4 in. 35 /2 x 35 /2 in. 1997–2003 9 5 M2004.574 Purchase, Richard and Ethel Herzfeld 5 /16 x 5 /8 in. J. W. Lawson Purchase, Richard and Ethel Herzfeld Foundation Grant M2005.111 Foundation Grant M2005.126 (American, b. 1975) Rome, 1977/78 Abandoned Storefront, Paul Shambroom Gelatin silver print, printed Highway 16, Virginia, 2002 Tom Uttech (American, b. 1956) (American, b. 1942) 1997–2003 Chromogenic print 5 1 5 /8 x 5 /8 in. 15 Van Buren, Indiana (population Ajibik Wasseiasiwin, 1976 10 x 9 /16 in. 955), Town Council, July 21, M2005.114 M2004.384 Inkjet print, printed 2004 1999, 1999 27 x 27 in. New York, 1979/80 Abandoned Structure, Highway Inkjet print on canvas, printed M2004.594 Gelatin silver print, printed 16, Wisconsin, 2003 2004 Okwanim, 1976 1997–2003 Chromogenic print 33 x 66 in. 3 1 3 /4 x 9 /2 in. 15 Inkjet print, printed 2004 10 x 9 /16 in. Purchase, Richard and Ethel Herzfeld Foundation Grant M2005.112 M2004.383 27 x 27 in. M2004.575 M2004.595 Study for Temple Project, New Billboard #3, Interstate 94, Pagwaneiamagad, 1977 York, 1979/80 Wisconsin, 2003 Raghubir Singh Gelatin silver print, printed Chromogenic print (Indian, 1949–1999) Inkjet print, printed 2004 36 x 36 in. 1997–2003 12 x 12 in. Manek Chowk, Jaipur, 1970 15 15 M2004.596 3 /16 x 4 /16 in. M2004.382 Chromogenic print, printed M2005.113 Gifts of the artist 2004 Gibakwa, 1980 Purchase, Richard and Ethel Herzfeld 1 15 10 /4 x 14 /16 in. Inkjet print, printed 2004 Foundation Grant Ray K. Metzker M2005.103 44 x 44 in. (American, b. 1931) M2004.597 Chicago, 1957 Pilgrim and Ambassador Car, Gelatin silver print Kumbh Mela, Prayag, Uttar Nawakwa Ajibik, 1981 5 5 Pradesh, 1977 Inkjet print, printed 2004 7 /8 x 9 /8 in. Purchase, Richard and Ethel Herzfeld Chromogenic print, printed 44 x 44 in. Foundation Grant 2004 M2004.598 3 7 M2005.130 9 /4 x 14 /8 in. Ajibik Sibi, 1982 M2005.106 Inkjet print, printed 2004 36 x 36 in. M2004.599

www.mam.org 23 S. Yi DECORATIVE ART Gertrud Natzler and Attributed to Karl Friedrich (American, born Korea, Otto Natzler Schinkel b. 1963) African; Unknown (American, b. , (German, 1781–1841) Untitled [Birthday Party]; from Untitled [Painted Bark 1908–1971; American, Chair with Curved Back Rail, the series Truthful Fiction, Cloth], n.d. b. Austria, 1908) ca. 1800/1810 2002 Paint on bark cloth Bowl, ca. 1941 Black polished beechwood, Chromogenic print from 67 x 77 in. Glazed red stoneware modern upholstery 1 1 3 3 digital file Gift of Dorothy Nelle Sanders 12 x 8 /2 x 6 /2 in. diam. 35 x 17 /4 x 21 /8 in. 1 1 U2004.4 48 /8 x 38 /8 in. (framed) Gift of Dr. Ely and Marianne H. Epstein Gift of René von Schleinitz Memorial M2005.123 M2005.107 Fund, by exchange Alvar Aalto; Herman Miller Inc. M2004.593 Untitled [Christmas]; from the (Finnish, 1898–1976; Oakbrook Esser Studios series Truthful Fiction, 2002 American, Zeeland, Michigan) (American: Oconomowoc, Paul Schreckengost; Gem Chromogenic print from Aalto Armchair 41 Wisconsin) Clay Forming Company digital file (Reproduction of Alvar Aalto’s Reproduction Lamp for the (American, 1908–1983; 1 1 48 /8 x 38 /8 in. (framed) Paimio Chair,1933), 2005 George Mann Niedecken American: Sebring, Ohio) M2005.124 Laminated birch, birch Combination Table and Teapot, designed ca. 1938 plywood, and white lacquer Daybed, 2005 Glazed ceramic Untitled [Drinking Beer with 1 1 1 7 x 11 x 3 /2 in. Dad]; from the series Truthful 25 /4 x 23 x 33 /2 in. Oak, brass came, and Acquired by purchase and gift from opalescent and clear plate Purchase, by exchange Fiction, 2002 Herman Miller, Inc. M2004.604 Chromogenic print on U2005.1 glass 1 6 /4 x 18 x 32 in. photographic paper from Arthur J. Stone Purchase, Layton Art Collection digital file Josef Danhauser (American, 1847–1938) 1 1 L2005.1 48 /8 x 38 /8 in. (framed) (Austrian, 1780–1829) Bowl, ca. 1930 M2005.125 Side Chair, ca. 1825 Aronba Perri Silver Purchase, Richard and Ethel Herzfeld 1 Foundation Grant Walnut and birch veneer on (African: Tombia, Nigeria) 4 x 9 /2 in. dia. beech, modern upholstery Elegbe beni, 1983 Purchase with funds donated in 36 x 19 x 18 in. memory of Caroline Q. Fleager Cotton M2004.564 Gift of Helen Oberndorfer in Memory of her Sister Jeanette Oberndorfer 34 x 71 in. M2004.565 Gift of Dorothy Nelle Sanders U2004.1 Eugene Deutch (American, b. Hungary, Jim Rose 1904–1959) (American, b. 1966) Bird Bowl, ca. 1954 Sewing Desk, 2003 Glazed stoneware Steel with natural rust patina 1 1 1 1 1 2 2 2 14 x 8 /2 x 12 /4 in. diam. 42 / x 34 / x 26 / in. Gift of the American Heritage Society Gift of the artist and the Layton Art Collection in honor M2004.578 of Glenn Adamson M2005.131

24 Milwaukee Art Museum Edward Burtynsky, Nickel Tailings #36, 1996. See listing p. 22.

Sue Coe, The Selection; from the series Scenes from the Slaughterhouse, 1991. See listing p. 16.

Arthur J. Stone, Bowl, ca. 1930. See listing p. 24.

www.mam.org 25 Lesley Dill, Leave Me Ecstasy, 1997. See listing p. 27.

26 Milwaukee Art Museum Landfall Press

One of the core groups of art within the prints and drawings Collection is the Landfall Press Opening to the Unknown archive. Originally given in 1992, the Landfall Press Archive documents the entire edition Nourishment, 2001 1 assembly plate output of the Press, one of the premier art presses to participate in the revival of printmaking 1 collage drawing for beginning in the 1970s. In 2004–2005, Jack Lemon and the Press donated approximately photolithographic transfer 500 works of editioned prints, proofs, and studies by some of the leading artists of the last 1 collage element 1 collage element with half-century. This gift completes the archive for the past 30 years of the Press. assembly instructions 2 collage patterns 4 drawings for photolithographic transfer 2 elemental proofs 1 film for text plate Jessica Abel West of the Kalahari, 2001 2 photographic negatives 2 mylar pieces (American, b. 1969) 2 mylar drawings for 1 photographic positive 1 paper sample Frog , 1998 photolithographic transfer 13 preparatory materials 1 preparatory collage 1 mylar drawing for LP2004.7.1–.2 3 progressive proofs 6 preparatory studies photolithographic transfer 2 trial proofs 1 registration template William Christenberry 3 trial proofs 1 working proof 15 working proofs (American, b. 1936) LP2004.1.1–1.4 LP2004.12.1–.30 LP2004.16.1–.39 Adam’s House in the Black Belt, Girl’s Comics #4, 1998 1999 Lesley Dill Unravelled Light, 2002 7 mylar drawings for Text by Anna Sloan (American, b. 1950) 3 color lithographs on chine photolithographic transfer Illustrated book with color Homage to N.S., 1997 collé with collage elements 2 progressive proofs lithographs, photogravures, 1 lab proof LP2004.17–.19 1 trial proof digital Iris prints, and 4 mylar drawings for Vernon Fisher 1 working proof lithographic text photolithographic transfer (American, b. 1958) LP2004.2.1–.11 LP2004.9 2 sheets of photolithographic Man Cutting Globe, 1995 film Girl’s Comics #5, 1998 13 mylar drawings for Christo (Javacheff) 1 trial proof 1 mask photolithographic transfer (American, b. Bulgaria, 1935) 3 working proofs 5 mylar drawings for 1 source material Wrapped Champagne Bottle, LP2004.13.1–.11 LP2004.22.1–.14 photolithographic transfer 2000 1 mylar registration guide From the Landfall Press 30th Leave Me Ecstasy, 1997 End, 2000 1 trial proof Anniversary Portfolio 1 aquatint test plate 9 negative and positive color LP2004.3.1–.8 1 fabric sample 1 film for text plate separations 1 lab proof Terry Allen 4 mylar drawings for 2 lab proofs 3 mylar drawings for (American, b. 1943) photolithographic transfer 1 mylar for photolithographic photolithographic transfer Cursor, 2000 1 preparatory material transfer 1 photographic negative 4 working proofs 4 progressive proofs 3 progressive proofs 1 photographic positive LP2004.4.1–4.4 2 unused tape shapes LP2004.21.1–.15 1 template for tape shapes 1 source material Garo Zareh Antreasian End, 2000 1 trial proof 6 working proofs (American, b. 1922) LP2004.14.1–.15 1 trial proof LP2004.10.1–.14 Serpent of Midgaard, 1999 LP2001.11.4 Sun’s Night Glow, 2000 7 collage source materials Wrapped Motorcycle/Sidecar, From the Landfall Press 30th John Gibson 1 etching plate Project for Harley Davidson Anniversary Portfolio (American, b. 1953) 2 preparatory collages for 1933 VL Model, 2000 1 mylar drawing for Chicago, 2002 digital plates 2 color lab proofs photolithographic transfer Color lithograph 1 preparatory drawing 8 color separation films 2 progressive proofs LP2004.23 1 preparatory drawing for 6 documentary materials 1 registration guide etching plate 2 mylar drawings for Chicago, 2002 4 trial proofs 3 preparatory plates photolithographic transfer 1 bon à tirer LP2004.20.1–.8 8 working proofs 1 photographic film 8 mylar drawings for LP2004.8.1–.23 1 preparatory drawing Light, 2001 photolithographic transfer 1 preparatory material 1 documentation sheet 2 trial proofs North of the Tiger, 2001 1 sample of fabric 1 fragment proof LP2004.23.1–.11 Lithograph on chine collé LP2004.5 1 sample of plastic sheet 3 mylar drawings for Practice plate (striped ball), ca. 1 sample of thread photolithographic transfer 2002 North of the Tiger, 2001 LP2004.11.1–.24 1 photographic negative 3 trial proofs 3 mylar drawings for 1 photographic positive LP2004.24.1–.3 photolithographic transfer Robert Cottingham 10 source materials LP2004.5.1–.3 (American, b. 1935) 19 rejected source materials Wabash, 2002 Roxy, 2000 Color lithograph South of the Serengeti, 2001 3 trial proofs From the Landfall Press 30th LP2004.15.1–.39 LP2004.25 Lithograph on chine collé LP2004.6 Anniversary Portfolio Wabash, 2002 1 lab proof of photographic Opening to the Unknown Nourishment, 2001 6 mylar drawings for South of the Serengeti, 2001 negative photolithographic transfer 2 mylar drawings for 6 mylar drawings for Color lithograph with collage elements of thin Asian tissue 2 trial proofs photolithographic transfer photolithographic transfer LP2004.25.1–.8 LP2004.6.1–.2 1 set of photocopies of and string on tea-stained photographic negative of paper West of the Kalahari, 2001 LP2004.16 Lithograph on chine collé line drawing LP2004.7

www.mam.org 27 Denise Green Parallel Curves, 2000 Genus Series, 1999 Second Time, 1999 (Australian, b. 1946) 1 etching plate 1 practice proof From the portfolio Oliphant Trojan series [unidentified], 1 mask 1 preparatory sketch 2 etching plates 1994 3 mylar drawings for LP2004.44.1–.2 2 source materials 1 set of collage materials photolithographic transfer 7 trial proofs Guardian, 2000 1 drawing 7 trial proofs LP2004.49.5.1–.11 Color etching, aquatint, 15 working proofs LP2004.35.1–.12 drypoint, and sugar lift Sheryl Oring LP2004.26.1–.17 Will Mentor LP2004.45 (American, b. 1965) Laurie Hogin (American, b. 1959) Writer’s Block, 2003 Guardian, 2000 (American, b. 1963) [Unidentified project 1], n.d. Portfolio of 20 lithographs 3 etching plates Posse, 1998 1 working proof 1 case 1 preparatory study 1 final trial proof 1 unspecified proof 1 title page 7 working proofs LP2004.38.1–.2 7 mylar drawings for LP2004.45.1–.11 1 colophon photolithographic transfer LP2004.50.1–.23 [Unidentified project 2], n.d. 2 progressive proofs Silhouette, 2000 Mylar drawing for Ed Paschke 1 trial proof Color line etching, aquatint, photolithographic transfer (American, 1938–2004) LP2004.27.1–.11 drypoint, and sugar lift with LP2004.38.3 Citroid, 1997 chine collé Song of Harvest, 1998 8 color separations Growing an Onion, 1997 LP2004.47 8 mylar drawings for 1 mask for photolithographic 7 mylars for photolithographic phototransfer Silhouette, 2000 transfer transfer 2 progressive proofs 3 etching plates 4 mylar drawings for 2 progressive proofs 1 trial proof 1 set of paper samples photolithographic transfer 2 trial proofs LP2004.28.1–.11 1 preparatory material 1 source material 6 working proofs 1 preparatory study 1 paper sample Peregrine Honig 3 working/progressive proofs 7 working proofs 6 progressive proofs (American, b. 1976) LP2004.36.1–.20 LP2004.47.1–.13 1 trial proof Ovubet, 1999 Three Sisters/Growing an 3 trial/progressive proofs 1 set of doily samples Claes Oldenberg Onion, 1997 LP2004.51.1–.25 27 etching plates (American, b. Sweden, 1929) 3 working/trial proofs Balloons, 2000 1 set of notes on display LP2004.36.21–.23 Philip Pearlstein 1 practice plate 3 trial proofs (American, b. 1924) 17 working proofs Three Sisters, 1997 2 working proofs Model in Kimono on Bubble LP2004.29.1–.47 10 mylars for 7 drawings for Chair, 2000 photolithographic transfer photolithographic transfer 10 mylar drawings for Tom Huck 4 study materials LP2004.48.1–.12 photolithographic transfer (American, b. 1971) 1 trial proof 8 progressive proofs The Hog Scalders, 1999 3 working drawings 2 working proofs 5 rejected impressions (American, b. 1934) 1 working/progressive proof LP2004.52.1–.20 Billy the Kid, 1999 1 woodblock LP2004.37.1–.19 LP2004.31.1–.6 From the portfolio Oliphant Joseph Piccillo Mary Mito 1 etching plate (American, b. 1941) Decapitation Nation, 2002 (American, b. 1944) 2 trial proofs EP IV, 1995 Color woodcut Avenging Angel, 2002 2 working proofs LP2004.30 1 mylar drawing for Lithograph LP2004.49.4.1–.5 photolithographic transfer Decapitation Nation, 2002 LP2004.39 Cell Phone, 1999 1 trial proof 1 paper sample LP2004.53.1–.2 Avenging Angel, 2002 From the portfolio Oliphant 1 preparatory study 1 mask 1 etching plate EP V/EP IV, 1995 1 source material 8 process proofs 2 trial proofs 1 progressive proof 3 trial proofs 6 trial proofs 1 working proof 1 trial proof 1 working proof LP2004.39.1–.15 LP2004.49.6.1–.4 LP2004.54.1–.2 LP2004.30.1–.7 Horizontal Water, 2002 Colophon, 1999 EP V, 1995 Julia Jacquette Lithograph on chine collé From the portfolio Oliphant 1 mylar drawing for (American, b. 1964) LP2004.40 1 sheet of photolithographic photolithographic transfer To…Kiss…Your…Lips, 1998 film 1 trial proof 17 etching plates Horizontal Water, 2002 1 trial proof LP2004.54.3–.4 LP2004.32.1–.17 2 masks 1 etching plate LP2004.40.1–.2 EP VI, 1995 Robert Kelly LP2004.49.8.1–.3 1 mylar drawing for (American, b. 1956) Greg Murdock Inner Man, 1999 photolithographic transfer Summa Series, 1996 (Canadian, b. 1954) From the portfolio Oliphant LP2004.55.1 8 mylar drawings for Journal, 1998 2 trial proofs 3 etching plates photolithographic transfer LP2004.49.3.1–.2 Archer Prewitt 13 preparatory materials 4 working proofs (American, b. 1963) 1 trial proof LP2004.46.1–.7 Mea Culpa, 1999 Sof’ Boy, 1998 LP2004.33.1–22 From the portfolio Oliphant Genus I, 1999 1 final trial proof 1 etching plate 2 mylar drawings for David Levinthal 2 etching plates 1 trial proof photolithographic transfer (American, b. 1949) LP2004.41.1–.2 LP2004.49.2.1–.2 1 trial proof Uncle Tom’s Cabin, 1999 Genus II, 1999 Millennium Story, 1999 1 trial/progressive proof 8 etching plates 2 etching plates From the portfolio Oliphant LP2004.56.1–.5 1 film 1 set of paper samples 1 etching plate 6 trial proofs 3 working proofs Jeanette Pasin Sloan 4 working proofs LP2004.42.1–.6 3 trial proofs (American, b. 1946) LP2004.34.1–.19 LP2004.49.7.1–.4 La Terrazza, state I, 1987 Genus III, 1999 2 negatives 2 etching plates LP2004.60.1–.2 3 trial proofs 5 working proofs LP2004.43.1–.10

28 Milwaukee Art Museum Club, 1996 Black Cup, 2000 Untitled (MAM Print Forum William T. Wiley 1 mylar Preparatory drawing commission), 1998 (American, b. 1937) 2 color trial proofs LP2004.57.1 2 mylar drawings for Little More Than an Idea at This 1 drawing for photographic key photolithographic transfer Point, 1997 Alexis Smith 10 drawings for 1 progressive proof 1 mask (American, b. 1949) photolithographic transfer 1 working proof 1 masking piece Montage of Disasters, 1995 1 photographic negative LP2004.67.1–.4 1 mylar drawing for 3 photographic films for image 3 photographic positives photolithographic transfer 6 photographic films for text Tom Uttech LP2004.58.1–.18 1 registration guide 1 registration template (American, b. 1942) 2 trial proofs Espresso Cups, 1996 2 source materials Neta Imbandang, 2000 1 woodblock 3 drawings for 3 working proofs 1 final trial proof 1 working proof photolithographic transfer LP2004.63.1–.15 6 mylar drawings for LP2004.72.1–.8 2 progressive proofs photolithographic transfer Pat Steir 2 trial proofs 5 progressive proofs Om and Presence for A.G., 1998 (American, b. 1940) 1 working proof 1 registration guide 4 mylar drawings for Composition in Dark, 1998 LP2004.59.1–.8 4 trial proofs photolithographic transfer Trial proof LP2004.68.1–.17 1 progressive proof Roswell Saucer, 1996 LP2004.64.1 1 trial proof 4 trial proofs Kara Walker Composition in Light, 1998 LP2004.73.1–.6 6 drawings for (American, b. 1969) Trial proof photolithographic transfer LP2004.65.1 Untitled suite of 4 etchings, Uneditioned project for 30th 1 drawing for photographic key 1997 Anniversary Portfolio, 2000 1 photographic mylar key Composition series, 1998 Cotton 1 Ephemera drawing 1 composition guide Li’l Patch of Woods 6 mylar drawings for 1 photographic negative 4 mylar drawings for Untitled photolithographic transfer LP2004.61.1–.13 photolithographic transfer Vanishing Act 1 printing plate 1 mylar 4 etching plates LP2004.74.1–.8 (Unidentified line drawing for 3 preparatory drawings LP2004.69.1–.4 photographic key), ca. 1996 Band Together, 2001 2 preparatory materials LP2004.62.3 H.C. Westermann 1 drawing registration guide 1 preparatory sketch (American, b. 1922) 2 mylar drawings for (Unidentified line drawing), 8 progressive proofs Untitled, 1972/2000 photolithographic transfer ca. 1996 2 registration guides 1 etching plate 1 source material 1 photographic negative 4 working proofs 2 trial proofs 1 printing registration guide 1 photographic positive LP2004.66.1–.26 LP2004.62.4–.5 1 working proofs 3 progressive proofs LP2004.70.1–.4 2 working proofs (Title unknown), 1997 1 working/trial proof 2 drawings LP2004.71.1–.11 LP2004.62.1–.2

Warrington Colescott Gift

This year, the Museum was delighted to accept a major gift from one of America’s most Warrington Colescott dynamic and important contemporary printmakers—Warrington Colescott. Although (American, b. 1921) Lady at Leisure, 1948 he was born in , this influential and prolific satirist has been one of Wisconsin’s Color screenprint on most celebrated printmakers for the past 50 years. Born in 1921 in Oakland, California, dark tan paper 1 Colescott earned two art degrees from the University of California–Berkeley and served 12 x 14 /2 in. M2004.386 as a Lieutenant in the Army for four years in WWII before accepting a faculty position The Naked Dance, 1948 at the University of Wisconsin–Madison in 1949. There he worked with colleagues to Color screenprint on establish a nationally recognized printmaking program and to raise awareness and yellow paper 1 appreciation for the medium. At the same time, he encouraged several generations 11 /4 x 14 in. M2004.388 of artists as an exceptional instructor while sustaining an impressive personal career. He won a Fulbright Fellowship to London in 1957, a John Simon Guggenheim Memorial Shuffle-Bored (Roque Players), 1948 Foundation Fellowship in 1965, and four National Endowment for the Arts Fellowships in Color screenprint on 1975, 1979, 1983, and 1993. Since retiring from teaching in 1986, Colescott has worked red paper 7 9 alongside his wife, fellow printmaker and UW–Madison faculty member, Frances Myers, 13 /8 x 11 /16 in. M2004.387 from their home and dual studios in Hollandale, Wisconsin, known as Mantegna Press. Atom Boy, 1949 The artist and his wife donated 178 prints to the Museum, which brings the total Color screenprint on number of Colescott prints in the Collection to 220—a nearly complete representation tan paper 1 of his graphic production. As a result, the Milwaukee Art Museum now owns the most 13 /2 x 11 in. M2004.389 comprehensive and important collection of Colescott prints anywhere, making Jazz Piano, 1949 Milwaukee an indispensable destination for studying this artist. Color screenprint on yellow paper 9 x 12 in. M2004.390

www.mam.org 29 Faculty Meeting, 1950 Undersea Hunter, 1953 Chilly in Chiswick, 1957 Park Sunday, state 3, 1962 Color screenprint on Color screenprint Color screenprint Color drypoint and 1 orange paper 15 x 12 in. 13 /2 x 16 in. screenprint 1 14 x 11 in. M2004.402 M2004.421 18 x 23 /2 in. M2004.392 M2004.434 Dordogne (Lascaux Cave) or Mach 5, 1957 Fisherman, 1950 Cave, 1954 Etching Woodlot, state 2, 1962 1 1 Color screenprint on Color screenprint 14 /2 x 19 /2 in. Color etching, drypoint, and 3 black paper 16 x 21 /4 in. M2004.419 screenprint 14 x 11 in. M2004.411 20 x 15 in. Café Bikini, 1960 M2004.391 M2004.435 Hecatomb for Hector, 1954 Color drypoint and across the Arno (Seine), Color screenprint on paper screenprint on handmade Anita Ekberg as St. Thekla, 3 1951 15 /4 x 21 in. paper 1963 Color screenprint on M2004.410 18 x 24 in. Color etching with drypoint pink paper M2004.425 12 x 9 in. 1 1 Jungle, 1954 14 /2 x 11 /2 in. M2004.442 Color screenprint on Last Look, 1960 M2004.393 orange-pink paper Color drypoint I Told Him Listen, 1963 Florentine Towers, 1951 20 x 16 in. 6 x 9 in. Color etching Color screenprint on M2004.409 M2004.426 10 x 23 in. (plate) blue paper M2004.439 3 Magdalenian, 1954 Night Rider, 1960 14 /4 x 12 in. Color screenprint on Color etching Park Sunday, 1963 M2004.394 black paper 12 x 24 in. Color etching, drypoint, and 1 Beauty and the Beast or Lady 12 x 15 /2 in. M2004.424 screenprint 1 and the Tiger, 1952 M2004.403 18 x 23 /2 in. St. Martin’s Eve, 1960 Color screenprint on blue M2004.432 Tête-à-tête, 1954 Color drypoint and paper Color screenprint on screenprint The Sculptor, 1963 14 x 11 in. black paper 18 x 24 in. Color etching M2004.401 1 1 1 20 /2 x 16 /2 in. M2004.427 19 /2 x 15 in. Bridge of Carquinez, 1952 M2004.407 M2004.440 Voyageur, 1960 Color screenprint on Through the Sound Barrier or Color screenprint Thetis, 1963 black paper 1 2 1 1 Supersonic, 1954 27 x 17 / in. Color etching with drypoint 11 /2 x 14 /4 in. Color screenprint M2004.423 and softground M2004.397 3 3 3 17 /4 x 21 in. 17 /4 x 23 /4 in. Aphrodite Disrobing, 1961 Gothic Glass, 1952 M2004.408 M2004.441 Color etching with stencil Color screenprint 1 Pavanne, 1955 inking Christmas with , 1964 11 /2 x 14 in. Color screenprint 20 x 15 in. Color etching and drypoint M2004.404 1 29 /2 x 21 in. M2004.429 16 x 22 in. In a Baroque Garden, 1952 M2004.413 M2004.448 I See, I Hear, I Feel, 1961 Color screenprint on Toll Trap, 1955 Color engraving and etching Go Go Go, 1964 gray paper 1 1 Color screenprint on 15 x 20 in. Color etching, letterpress, 11 /2 x 11 /4 in. light cream paper M2004.428 photo etching, and drypoint M2004.400 1 3 17 /2 x 21 in. 11 /4 x 9 in. Aphrodite Aroused, state 2, A Moonlight Swim (Moonlight M2004.412 M2004.445 1961–62 Swimmers), 1952 Airborne, 1956 Color etching and drypoint Greeks and Amazons, 1964 Color screenprint on Etching 20 x 12 in. Lithograph gray paper 1 4 M2004.430 13 7 15 x 19 / in. 13 x 19 in. 11 /16 x 14 /8 in. M2004.414 M2004.443 M2004.396 Bird Hunters, 1962 Cliff Dwellers, 1956 Color drypoint Greeks and Amazons, 1964 Mountain Village, 1952 Etching 6 x 9 in. Color drypoint with stencil Color screenprint on 3 3 9 /4 x 11 /4 in. M2004.436 inking black paper 1 M2004.415 9 /4 x 10 in. Café Hour, state 3, 1962 12 x 15 in. M2004.446 M2004.399 Flying Machine, 1956 Color etching and drypoint Color etching 16 x 9 in. Ladies and Gentlemen, 1964 Notre Dame de Paris, 1952 3 3 8 /4 x 11 /4 in. M2004.437 Color etching Color screenprint 3 M2004.417 8 /4 x 24 in. 1 Medusa, 1962 14 x 11 /2 in. M2004.447 M2004.398 Spine-Patch, 1956 Color etching, aquatint, Etching with relief roll in drypoint, and screenprint To Isadora Duncan, 1964 Spanish Sky (City of the Plain), 3 yellow 18 x 23 /4 in. Lithograph 1952 3 3 1 1 8 /4 x 11 /4 in. M2004.431 18 /2 x 12 /2 in. Color screenprint M2004.416 M2004.444 12 x 15 in. Park Racers, 1962 M2004.395 Barrier, 1957 Color drypoint with Marlene, You Were the Most, Etching screenprint 1965 Paleozoic, 1953 3 15 x 20 in. 23 /4 x 18 in. Color etching and drypoint Color screenprint M2004.422 M2004.438 1 3 24 x 19 in. 10 /2 x 17 /4 in. M2004.449 M2004.405 Botanical, 1957 Park Sunday, state 2, 1962 Color screenprint Color etching (two plates) and Royal Garden Roof, 1965 Small Death, 1953 3 1 16 /4 x 26 /2 in. screenprint Color etching Color screenprint on Chinese 1 M2004.420 18 x 23 /2 in. 7 x 22 in. tea-chest paper mounted on M2004.433 M2004.450 cardstock Catacomb, 1957 14 x 18 in. Color etching with color Father’s Day, 1966 M2004.406 screenprint Color etching and drypoint 1 15 x 19 /2 in. 15 x 23 in. M2004.418 M2004.452 30 Milwaukee Art Museum Get-Away Car, 1966 Patrioticks, 1969 Prime-Time Histories: George The Last Judgement (After Lithograph Color etching Washington Meets Betsy Ross, Rogier van der Weyden), 1979 1 1 15 /2 x 22 in. 20 x 23 /2 in. But Too Late, 1973 Etching M2004.453 M2004.467 Color etching 24 x 18 in. 22 x 19 in. M2004.496 The Great Society: Military Life, Big Band, 1970 M2004.477 1966 Color etching The Romance of Wine, 1979 Color etching 16 x 12 in. Prime-Time Histories: J. Edgar Color etching 3 18 x 18 in. M2004.472 Hoover at the Biograph 14 /4 x 20 in. M2004.454 Theater, 1973 M2004.494 Dream of the Printseller, 1970 Color etching The Great Society: Top Color etching 1 Tremble Sin City (San Andreas 3 30 x 22 /2 in. Management, 1966 9 x 13 /4 in. Fault), 1979 M2004.480 Color etching with stencil M2004.463 Color etching inking Prime-Time Histories: William 24 x 18 in. George the Wonder Horse, 18 x 18 in. Randolf Hearst Declares War on M2004.497 1970 M2004.455 Spain, 1973 Color etching Virtues and Vices, 1979 1 Color etching Holed Up, 1966 23 /2 x 26 in. Color etching 17 x 22 in. 3 Lithograph M2004.469 11 /4 x 22 in. M2004.478 16 x 22 in. M2004.498 The Great Society: Your Day in M2004.451 Inside IRS, 1974 Court, 1970 Berkeley Vegetarian Potluck Color etching The Great Society: Inner Core, Color etching Party (title page to the Secrets 19 x 14 in. 1967 18 x 18 in. portfolio), 1980 M2004.486 Color etching and drypoint M2004.470 Color etching with letterpress 3 1 18 x 18 in. Plumbers, 1974 14 /4 x 18 /2 in. Moon Trippers, 1970 M2004.457 Etching M2004.504 Color etching and woodcut 3 3 1 4 x 2 /4 in. Quo Vadis, Baby, 1967 11 /4 x 8 /2 in. The Hunt: Steensland’s Drive, M2004.485 Color etching M2004.471 1980 27 x 20 in. Stag Night Smoker at Key Color etching Souvenir Pictures of the Great 1 M2004.456 Biscayne, 1974 22 x 27 /2 in. War, 1971 Color etching M2004.501 The Pit, 1968 Color etching 3 20 x 16 in. Color etching 19 /4 x 24 in. Ms. Chili Pepper in Strobe, 1980 1 M2004.484 8 /2 x 12 in. M2004.473 Color etching 1 M2004.465 The History of Printmaking: 20 x 27 /2 in. Prime-Time Histories: Lincoln at Hayter Discovers Viscosity, M2004.500 Verdun, Attack, 1968 Ford’s Theater, 1972 1975 Color etching and drypoint Color etching Self-Portrait Smoking the Plate, 1 1 Color lithograph 2 2 18 x 33 / in. 23 / x 16 in. 1 state 3, 1980 11 /2 x 15 in. M2004.459 M2004.475 Color etching M2004.488 12 x 19 in. Verdun, Defense, 1968 Prime-Time Histories: Lincoln at The History of Printmaking: M2004.499 Color etching and drypoint Ford’s Theater, 1972 3 The Last Printmaker, 1976 18 x 33 /4 in. Etching Village Bowl, 1980 1 Color etching M2004.458 23 /2 x 16 in. Color etching 8 x 11 in. 1 M2004.476 22 x 27 /2 in. A Wild West: Custard’s Last M2004.489 M2004.503 Stand, 1968 A Brief History of , 1973 The History of Printmaking: Color offset lithograph Color etching and aquatint History of Printmaking Up- Durer at 23, In Love, In Venice, 18 x 14 in. with viscosity inking Date: Leroy Nieman Pulls a 5 1 His Bags are Stolen, 1977 M2004.461 10 /8 x 13 /2 in. Screen Print, 1981 Color etching M2004.482 Color etching A Wild West: High Noon for 14 x 20 in. 16 x 21 in. Hoot Gibson, 1968 Madison: View from W. M2004.493 M2004.508 Color offset lithograph Washington and Rue Rabelais, 1 The History of Printmaking: 19 /4 x 27 in. 1973 The Hunt: 1st Dawn Stakeout, The Last Printmaker, 1977 M2004.460 Color etching 1981 3 Color etching 8 /16 x 14 in. Color etching Wild Western, 1968 14 x 20 in. 3 M2004.483 11 /4 x 15 in. Color etching on handmade M2004.491 M2004.509 paper Prime-Time Histories: 1814, The 3 1 The History of Printmaking: 14 /4 x 11 /2 in. British Burn Washington, D.C., The Hunt: Counter Attack by Rembrandt Bankrupt, 1977 M2004.462 1973 Deer Hunters, 1981 Etching Color etching 3 3 Color etching Chicago Indians, 1969 11 /4 x 15 /4 in. 3 17 x 22 in. 12 /4 x 19 in. Color etching M2004.492 3 1 M2004.479 M2004.510 14 /4 x 11 /2 in. The History of Printmaking: M2004.464 Prime-Time Histories: The Hunt: Last Day’s Drive, S.W. Hayter Discovers Viscosity Colescott’s USA (Title Page), 1981 Ode to Orange County (Calif.), Printing, 1977 1973 Color etching 1969 Color etching 3 Etching 13 /4 x 20 in. Color etching 1 1 14 x 20 in. 13 5 23 /2 x 19 /2 in. M2004.507 23 /16 x 35 /8 in. M2004.490 M2004.474 M2004.466 Poker Night at the Pentagon, At the Ball, 1978 Prime-Time Histories: The First 1981 Out My Garden Window, 1969 Etching Thanksgiving, 1973 3 Color etching Color etching, aquatint, 26 /4 x 20 in. 3 3 Color etching 17 /4 x 23 /4 in. letterpress photo etching, 1 M2004.502 30 x 22 /2 in. M2004.506 and drypoint 1 1 M2004.481 Berkeley Vegetarian Potluck 18 /2 x 21 /2 in. M2004.468 Party, 1979 Etching 4 x 20 in. M2004.495 www.mam.org 31 Poker Night at the Pentagon, Meanwhile...Underneath the Environmental President Visits Big Road, 1997 1981 Oval Office, 1987 Hole-in-the-Ozone, 1992 Color etching 13 3 Lithograph Color etching Color etching 14 /16 x 35 /4 in. 1 1 1 1 8 /4 x 12 /4 in. 20 x 16 in. 35 /4 x 27 /4 in. M2004.556 M2004.505 M2004.525 M2004.536 Hunters and Gatherers, 1997 The Hollandale Tapes: Down in The Last Judgment: George Bush, on Air Force One, Color etching 3 3 the Think Tank, 1982 Debarkation, 1987–88 Denies Rumors of Infidelity, 17 /4 x 23 /4 in. Color etching Color etching 1992 M2004.555 9 1 34 /16 x 24 in. 27 /2 x 22 in. Color etching 3 15 Prairie Artifact, 1997 M2004.511 M2004.527 5 /4 x 13 /16 in. Color woodcut M2004.546 13 The Hollandale Tapes: The Stag The Last Judgement: Journey, 14 /16 x 36 in. at State, 1983 1987–88 Audubon Paints the Birds of M2004.558 Color etching Color etching Florida, 1993 1 1 1 Suite Louisiana: Family Night at 25 /2 x 34 /2 in. 27 /2 x 22 in. Color lithograph 5 Fred’s Pleasure Club, 1997 M2004.512 M2004.526 22 /8 x 30 in. Color etching M2004.549 3 1 In Birgit’s Basement, 1983 The Last Judgement: Judgment, 13 /4 x 20 /4 in. Color etching 1987–88 John Muir and John Burroughs M2004.540 11 7 8 /16 x 9 /16 in. Color etching Study Yosemite Valley, 1993 1 Highway 18-151 7:30 A.M., M2004.513 27 /2 x 22 in. Color etching 13 15 2000 M2004.528 19 /16 x 15 /16 in. The Hollandale Tapes: At the Color etching M2004.547 5 3 Agri-Business Ball, 1984 Cajun Café: Red Alert!, 1989 23 /8 x 17 /4 in. Color etching Color vitreograph Audubon Paints the Birds of M2004.560 3 15 x 21 /4 in. 16 x 24 in. South Florida, 1994 Suite Louisiana: Mardi Gross, M2004.516 M2004.533 Color etching, inked à la 2000 poupée The Hollandale Tapes: Boo Boo Last Look Up State Street from 7 Color etching and aquatint 11 /16 x 18 in. in Silo Sixteen, 1984 Bascom Hill, 1989 with stencil and à la poupée M2004.548 Color etching Color etching inking and glitter 3 3 15 13 7 1 23 /4 x 16 /4 in. 16 /16 x 11 /16 in. Audubon Paints the Birds of 23 /8 x 33 /16 in. M2004.514 M2004.530 West Florida, state 1, 1994 M2004.541 The Hollandale Tapes: High Life and Times of Professor Dr. Etching on pink paper Picasso at Mougins: 15 15 Court Now in Session, 1984 Sigmund Freud, state 5, 1989 11 /16 x 15 /16 in. The Etchings, 2002 Color etching Color etching M2004.550 Color etching 3 5 15 x 21 /4 in. 35 /8 x 24 in. Suite Louisiana: All You Want to 18 x 24 in. M2004.515 M2004.529 Know about the Battle at M2004.563 Gifts of the artist and Frances Myers Mantegna Press, Hollandale A Loving, Caring Family Group, Chalmette, 1994 (Christmas Card), 1984 1989 Color etching 3 Warrington Colescott; 31 /8 x 48 in. Etching Etching Frances Myers 7 1 1 M2004.545 2 /8 x 8 in. 6 /16 x 8 /8 in. (American, b. 1921; American, M2004.518 M2004.531 Suite Louisiana: Audubon in the b. 1936) Welcome to Watt Park, 1984 Meanwhile...Underneath the Atchafalaya (Snowy Egret), Bombers over Tuscany, n.d. Color etching Oval Office, the Dance 1994 Color etching 5 Color etching 3 3 24 x 35 /8 in. Continues, 1989 5 /4 x 7 /4 in. 1 1 M2004.517 Color etching 31 /2 x 47 /2 in. M2004.561 20 x 16 in. M2004.539 The Future: Recreation, 1985 Romance of Wine, state 2, M2004.532 Color etching Suite Louisiana: Up and Down 1996 1 3 Tchoupitoulas Street, 1994 32 /2 x 23 /4 in. Bourbon Street: Red Alert!, Color etching Color etching 13 1 M2004.519 1990 12 /16 x 14 /8 in. 1 13 Color etching 31 /2 x 47 /16 in. M2004.553 The Future: On the Line, 1986 22 x 30 in. M2004.537 Color etching Sweat Couture, 1998 M2004.534 1 Trouble in Tinsel Town, 1995 15 x 20 /2 in. Color etching Color etching with metallic 13 M2004.520 The Supremes, 1990 26 /16 x 33 in. Color vitreograph paper chine colléed M2004.559 The Future: Work, 1986 5 3 16 x 24 in. 17 /8 x 23 /4 in. Color etching M2004.552 Sweat Couture, 1998 1 3 M2004.535 32 /2 x 23 /4 in. Color etching Suite Louisiana: Down 1 1 M2004.522 Judgment Day at the NEA, 20 /4 x 15 /8 in. 1991 Tchoupitoulas Street (Chef M2004.557 Night of the Artists, 1986 Emeril), 1996 Color etching Parade into the Quarter, 2002 Color etching 3 3 Color etching 27 /4 x 43 /8 in. 21 x 15 in. 5 7 Color etching M2004.551 17 /8 x 23 /8 in. M2004.521 M2004.544 6 x 8 in. Comic Strip, 1992 M2004.562 A Brief History of Flight to the Color etching Suite Louisiana: The Music of Gifts of the artists Present Day, 1987 3 the Folks, 1996 25 x 18 /4 in. Color etching M2004.542 Color etching and aquatint 1 1 16 /2 x 23 /2 in. with stencil and à la poupée M2004.524 Environmental President Meets inking and hand coloring Hole-in-the-Ozone, 1992 15 5 Laps, 1987 23 /16 x 35 /8 in. Color etching M2004.538 Color etching 5 22 x 14 /16 in. 15 x 21 in. M2004.543 Whatever Happened to M2004.523 Helen S.?, 1996 Color etching 5 7 17 /8 x 23 /8 in. M2004.554

32 Milwaukee Art Museum Warrington Colescott Out My Garden Window, 1969. The History of Printmaking: Durer at 23, In Love, In Venice, His Bags are Stolen, 1977. See listings p. 31. www.mam.org 33

Publications

In 2005, the Museum published two catalogs of Museum curated exhibitions, CUT/Film as Found Object and Made in Japan, a completely redesigned second edition of A is for Art, and a new book about the Quadracci Pavilion. CUT/Film as Found Object in Contemporary Video was edited by former Museum adjunct curator Stefano Basilico, who also curated the exhibition. It includes essays by Basilico, Lawrence Lessig of Stanford Law School, and Rob Yeo of the University of Wisconsin–Milwaukee. They assess the state of video art and examine the work of eight remarkable artists. It was designed by Steve Biel, the director of design and publications, and distributed for the Museum in the United States by Distributed Art Publishers of New York. Made in Japan: The Postwar Creative Print Movement accompanied the memorable exhibition of Japanese prints shown over the summer. It was edited by former Museum curator Britt Salvesen, with essays by Alicia Volk and Helen Nagata. The catalog and the exhibition examine the artistic dialogue that blossomed between Japan and America in the wake of World War II. It was designed by Museum designer Michelle Pietrzak-Wegner and co-published with the University of Washington Press, who distributed it in the United States and Japan. Marjorie Nelson Moon’s A is for Art has been a favorite of children and parents alike visiting the Museum since it was first published in 1988. We are pleased that with Moon’s support, we were able to publish a new edition of this alphabetical guide to our Collection in 2005. The book was completely redesigned by Michelle Pietrzak-Wegner, and it has proven to be more popular than ever. This year, the Museum commissioned a new work: Santiago Calatrava, Milwaukee Art Museum, Quadracci Pavilion. It is, and will continue to be, the definitive work on the design and construction of our building and its contribution to Milwaukee. It contains an insightful essay by architectural writer Cheryl Kent and dramatic photography, primarily by photographer Jeff Millies of Hedrich Blessing. It was edited by Robert Sharp of The Art Institute of Chicago and designed by Steve Biel. We are proud to have co-published it with the distinguished art and design publisher Rizzoli International. Available for less than a year, it is already in its second printing. Lastly, we are proud that American Fancy: Exuberance in the Arts 1790–1840, which we co-published last year with the Chipstone Foundation, has been named by Historic New England as the winner of its 2005 prize for books.

www.mam.org 35 Attendance

The Milwaukee Art Museum’s on-site attendance for exhibitions and educational or exhibition-related programs increased slightly over the previous fiscal year, reporting a total annual attendance of 322,620. This total reflects an increase of nearly 2 percent more than the total attendance for 2003–2004. Total attendance into the Milwaukee Art Museum’s feature exhibitions increased by more than 8 percent. Exhibition attendance included: 45,907 Masterpieces of American Art, 1770–1920: From The Detroit Institute of Arts 84,428 Degas Sculptures 42,885 The Arts and Crafts Movement in Europe and America, 1880–1920: Design for the Modern World 23,088 CUT/Film as Found Object

36 Milwaukee Art Museum Membership

To encourage donors to use the Museum as well as support it, we provide them free general admission, Member-only events, and other valuable benefits through our membership program. All supporters are automatically Museum Members, and 2005 brought an increase in both their numbers and use of our exhibitions and programs. In 2005, 20,687 Members contributed more than $3,800,000 to support operations. Revenue from memberships increased by 12 percent over the previous year. More than $1,110,000 of this amount came from contributions of $150 and less, making 2005 the fourth year in a row in which contributions in this category exceeded $1 million. Viewing exhibitions was by far the favorite way for Members to use the Museum, and total membership attendance increased by 11 percent over the previous fiscal year. Members also enjoyed their Museum store discounts and private preview parties, with more than 3,000 attending the events last year. We surveyed Members in 2005 to determine ways of improving the membership experience and found high levels of satisfaction. Of those Members polled, 83 percent reported they were either very satisfied or satisfied with their benefits. Nearly 9 out of 10 of those surveyed indicated they were likely to recommend membership to a friend. Members also are using their admission passes extensively, according to the survey. More than half (53 percent) stated that they visit the Museum four or more times a year. Almost 80 percent said that they visit the feature exhibition every time they visit. Over the years, the Museum’s membership program has grown to be an essential source of support. For donors, it provides a way to enjoy the experiences they are supporting for the entire community. For the Museum, it ensures a steady stream of support for exhibitions and education programs. We are deeply grateful to the Museum’s Members for their support and use of Museum programs in 2005.

www.mam.org 37 Education and Public Programs

The Milwaukee Art Museum’s Education and Public Programs strive to engage people with the arts. All of our programs, from pre-K art packs to adult lectures by eminent art historians, address the development of skills and abilities needed to look carefully and critically at works of art from many different perspectives. More than 114,300 people were inspired and learned something new about the arts this year through Education and Public Programs at the Milwaukee Art Museum. Collaborations took on a new level in 2005. The Milwaukee Ballet, a partner throughout the special exhibition, Degas Sculptures, made the exhibition come alive through the Degas Dance Studio. Visitors learned about Degas from both sides of the easel. They sketched or watched dancers from the Milwaukee Ballet as they practiced in the recreated nineteenth-century dance studio located at the end of the exhibition. Children on school tours struck poses in movement class lead by the Ballet, and children sketched as their friends posed at the ballet barre. Milwaukee Ballet Artistic Director Michael Pink unveiled a premiere work inspired by ’ famous sculpture, Little Dancer Aged 14, as well as gave a dancer’s perspective to the sculpture featured on the Antenna audio tour. The Museum hosted the opening night for the Milwaukee International Film Festival (MIFF), screened films, and started a talkback program for high school students, REEL FLIX. MIFF also worked with the Museum during our programs for CUT/Film as Found Object and judged the work of 50 local artists who entered our “Make a Video” contest. Milwaukee’s Poet Marilyn Taylor, through the Milwaukee Public Library, challenged local poets to create original verse based on the artwork in the Museum’s Collection. Wild Space Dance Company premiered Art of the Ordinary, the first large-scale art and performance installation in Windhover Hall. And the Museum worked with thirteen artist organizations to host the First Annual Milwaukee Artist Market, bringing over 2,000 people to the lakefront in July. These are just some of the collaborations that helped the Museum reach more people, expand interpretation of the Collection, and consolidate community resources. This year, we also celebrated visual artists both up and coming and forever young. Visitors learned about Japanese printmaking from Keiji Shinohara. Jon Langford, best known as one of the founding members of the seminal cult punk band The Mekons, talked about his life as a working artist and musician. Liam Gillick, Josiah McElheny, and Christian Marclay talked about their works in the Collection, and Terese Agnew discussed her newest quilt, Portrait of a Textile Worker. Thousands gathered to celebrate artist Schomer Lichtner’s love affair with the ballet on his 100th birthday. A standing room-only crowd delighted in the spark of 99-year-old Eva Zeisel. Ashley Bryan captivated visitors with his stories and his puppets on view in the Peiper Education Gallery. Our programs for children pre-K through grade 12 linked educational experiences in schools with families throughout the community. In fiscal year 2004–2005, nearly 55,000 children toured the Museum, 50 percent of MPS schools participated in the Museum’s program and 42 percent of schools in metro Milwaukee. During the year, 56 schools participated in the Museum’s multiple-visit programs, which provide children with the opportunity to become familiar with the Museum by having them visit more than once a year. Every fall we turn the Museum into a writing lab for 400 students in the Milwaukee area. This year we started Wisconsin Writes for students who live at a distance. For two days this summer, the Museum once again was turned into a writing lab for 300 children who came to Milwaukee from all corners of Wisconsin to use the Collection as a starting point for writing personal stories. New collaborations took shape with the Boys and Girls Club, First Stage Children’s Theater, Girl Scouts, and MIAD, to name a few.

38 Milwaukee Art Museum 2005 Year in Review

Throughout the year, close to 65,347 visitors came to the Museum on tours. More than 6,774 students took part in our after-school programs and studio classes. More than 18,000 children and family members participated in family activities both on- and off- site. More than 1,943 visitors took part in one of our 40 gallery talks. We held 20 tours and workshops for teachers. We hosted 28 lectures and discussions and 3,259 people attended. The Museum held 24 musical performances with an attendance of 2,729. The Museum held 2 artist demonstrations, 6 Sunday Brunches, 3 TGITs, 8 Tours for Teachers, and 1 Just for Teachers workshop; screened 12 films; and celebrated 7 First Fridays, 4 Family Sundays, and 4 Gallery Nights.

SEPTEMBER 2004 Lecture—Degas Sculptures Junior Docent School by Ann Dumas Program Teacher Orientation Milwaukee Public School Art Teacher Orientation THURSDAY, SEPTEMBER 9 MONDAY, SEPTEMBER 20 THURSDAY, SEPTEMBER 2 ArtXpress High School Art Aloud—After-School Bus Mural Reception Art Workshops UWM New Teacher Orientation SATURDAY, SEPTEMBER 11 MONDAY, SEPTEMBER 20– THURSDAY, NOVEMBER 18 TUESDAY, SEPTEMBER 7 Story Time in the Galleries SATURDAY, SEPTEMBER 11; Music in the Museum THURSDAY, SEPTEMBER 23; AND TUESDAY, SEPTEMBER 21 SATURDAY, SEPTEMBER 25 Lecture—Collecting Sunday Brunch Photography SUNDAY, SEPTEMBER 12 THURSDAY, SEPTEMBER 23 10th Annual Golf Fore! 2004 Grape Lakes Food Art Open and Wine Festival MONDAY, SEPTEMBER 13 WEDNESDAY, SEPTEMBER 29 Present Music Concert Grape Stomp Run/Walk FRIDAY, SEPTEMBER 17 WEDNESDAY, SEPTEMBER 29 Family Sundays—Sticks, MAM Film— Stalks & Nature Walks Contemporary/Experimental Sunday Brunch SUNDAY, SEPTEMBER 19 THURSDAY, SEPTEMBER 30 SUNDAY, OCTOBER 17 Music in the Museum OCTOBER 2004 TUESDAY, OCTOBER 19 First Fridays Gets Back to Nature EXHIBITION PREVIEW CELEBRATION FRIDAY, OCTOBER 1 Masterpieces of American Art, SHARP Teacher In-service 1770–1920: From The Detroit TUESDAY, OCTOBER 5 Institute of Arts WEDNESDAY, OCTOBER 20 Featured Speaker— Photographer Milwaukee International Film Tod Papageorge Festival Opening Night Party THURSDAY, OCTOBER 7 THURSDAY, OCTOBER 21 Girl Scout Discovery Sunday Workshop—Just for SUNDAY, OCTOBER 10 Teachers: Ashley Bryan SATURDAY, OCTOBER 23 Gallery Talk—Eva Zeisel TUESDAY, OCTOBER 12 Milwaukee Mandolin Orchestra Performance Tours for Teachers SATURDAY, OCTOBER 23 THURSDAY, OCTOBER 14 Family Sundays— Forum—The Impact of Pick a Peck of Puppets National Policies on Art SUNDAY, OCTOBER 24 Education THURSDAY, OCTOBER 14 Gallery Night FRIDAY, OCTOBER 15

www.mam.org 39 REEL FLIX—MIFF High Lecture—Throwing Curves Music in the Museum JANUARY 2005 School Screenings with Eva Zeisel TUESDAY, DECEMBER 7 Guest Speaker—Dr. Rex Ellis, MONDAY, OCTOBER 25– SUNDAY, NOVEMBER 7 Maranatha Baptist Choir The Story of Jeremy Prophet WEDNESDAY, OCTOBER 27 Story Time in the Galleries WEDNESDAY, DECEMBER 8 THURSDAY, JANUARY 6 The Hunchback MONDAY, NOVEMBER 8 Sunday Champagne Brunch of Notre Dame Lecture—American Just for Teachers— Ornamental Plants and SUNDAY, JANUARY 9 TUESDAY, OCTOBER 26 Masterpieces of American Art Gardens, 1770–1920 Tours for Teachers— Senior Day SATURDAY, NOVEMBER 13 THURSDAY, DECEMBER 9 Stories to Tell and Retell: WEDNESDAY, OCTOBER 27 Conversation with University Lake School The Puppets of Ashley Bryan Milwaukee International the Curator Bell Choir THURSDAY, JANUARY 13 Film Festival Screenings MONDAY, NOVEMBER 15 FRIDAY, DECEMBER 10 Guest Speaker—Alexander THURSDAY, OCTOBER 28– Senior Day Brunch Under the Nemerov presents Fredrick SUNDAY, OCTOBER 31 WEDNESDAY, NOVEMBER 17 Burke Brise Soleil Remington: Night and Fire SUNDAY, DECEMBER 12 THURSDAY, JANUARY 13 NOVEMBER 2004 MAM Film—Hitchcock Musical Masterpieces by Lunch Talk—Furniture and THURSDAY, NOVEMBER 18 Lecture—Nature’s Nation? American Landscape and the the Fine Arts the Art of Invention Ornaments and Adornments Question of National Identity SATURDAY, JANUARY 15 WEDNESDAY, NOVEMBER 3 FRIDAY, NOVEMBER 19–SUNDAY, SUNDAY, DECEMBER 12 Forum—Do You Know CAS Art Auction NOVEMBER 21 North Shore Middle Her Name? Preview Party Story Time in the Galleries School Choir THURSDAY, JANUARY 20 THURSDAY, NOVEMBER 4 SATURDAY, NOVEMBER 20 TUESDAY, DECEMBER 14 Waltz the Night Away! Lecture—The Other Side Young Authors Conference Creative Group Performance THURSDAY, JANUARY 20 of Color MONDAY, NOVEMBER 22 WEDNESDAY, DECEMBER 15 THURSDAY, NOVEMBER 4 Gallery Night FRIDAY, JANUARY 21 First Fridays Celebrates DECEMBER 2004 Stephen Middle School Choir THURSDAY, DECEMBER 16 Super Hits of the ’70s MAM Film—Animation Musical Performance— FRIDAY, NOVEMBER 5 THURSDAY, DECEMBER 2 Lecture—Conservation Barcel Suzuki String Academy SATURDAY, JANUARY 22 Brunch Under the Challenges of First Fridays Holiday Party Contemporary Art Burke Brise Soleil FRIDAY, DECEMBER 3 Scholastic Art Awards THURSDAY, DECEMBER 16 SUNDAY, NOVEMBER 7 SATURDAY, JANUARY 29 Catch a Rising Star: Milwaukee High School for the Arts Showcase SATURDAY, DECEMBER 4 40 Milwaukee Art Museum FEBRUARY 2005 First Fridays Celebrates French Salon Music Jon Langford—All the St. Patrick’s Day SATURDAY, MARCH 26 Fame of Lofty Deeds Senior Day FRIDAY, MARCH 4 THURSDAY, APRIL 21 WEDNESDAY, FEBRUARY 2 Music in the Museum Just for Teachers— TUESDAY, MARCH 29 Girl Scout Discovery Sunday First Fridays Celebrates Degas Sculptures SUNDAY, APRIL 24 Mardi Gras Lecture—An Evening with SATURDAY, MARCH 5 FRIDAY, FEBRUARY 4 Dr. Robert Hobbs Music in the Museum Music in the Museum THURSDAY, MARCH 31 TUESDAY, APRIL 26 Music in the Museum TUESDAY, MARCH 8 TUESDAY, FEBRUARY 8 MAM Film—Camille Claudel APRIL 2005 Tours for Teachers— THURSDAY, APRIL 28 Tours for Teachers—Mark Tea Table Coffee Table First Fridays—Ooh La La! Lombardi: Global Networks OPENING CELEBRATION THURSDAY, MARCH 10 FRIDAY, APRIL 1 THURSDAY, FEBRUARY 10 Made in Japan: The Postwar Lecture—Art Criticism in Senior Days Creative Print Movement MAM Film—Cecelia Condit France from Diderot to WEDNESDAY, APRIL 6 THURSDAY, APRIL 28 THURSDAY, FEBRUARY 10 Proust: A Question of Lecture— Sonora Strings Sunday Champagne Brunch Legitimacy Impressionist Gardens FRIDAY, APRIL 29 SUNDAY, FEBRUARY 13 THURSDAY, MARCH 10 THURSDAY, APRIL 7 Bal du Lac Family Sundays— Story Time in the Galleries Fine Arts Quartet— SATURDAY, APRIL 30 Degas Sculptures SATURDAY, MARCH 12 Musical Impressions SUNDAY, FEBRUARY 20 100th Birthday Party for SATURDAY, APRIL 9 MAY 2005 EXHIBITION PREVIEW Schomer Lichtner KIDSfest Art Collecting 101 CELEBRATION SUNDAY, MARCH 13 Degas Sculptures SATURDAY, APRIL 9–SUNDAY, THURSDAY, MAY 5 MAM Film—The APRIL 10 THURSDAY, FEBRUARY 17 Draughtsman’s Contract First Fridays Cinco de Mayo Girl Scout Discovery Sunday FRIDAY, MAY 6 Special Guest—Penelope THURSDAY, MARCH 17 Hobhouse, English Gardener SUNDAY, APRIL 10 Conversation with Mother’s Day Brunch FRIDAY, FEBRUARY 25 the Curator Take a Trip with MAM SUNDAY, MAY 8 WEDNESDAY, APRIL 13 MONDAY, MARCH 21 MARCH 2005 Degas School Family Night Degas School Family Night MAM Staff Art TUESDAY, MAY 10 Lecture—Painting Without Exhibition/Gallery Night TUESDAY, MARCH 22 Tours for Teachers— God: Impressionism in the FRIDAY, APRIL 15 Age of Charles Darwin Made in Japan THURSDAY, MARCH 3 Family Sundays— THURSDAY, MAY 12 April in Paris SUNDAY, APRIL 17 www.mam.org 41 Lecture—Degas: Misogynist T.G.I.T with Wine Blast OPENING Arts & Crafts Textiles or Feminist? The Gender THURSDAY, JUNE 9 Artists Interrogate: Workshop Politics of Art History Race and Identity SUNDAY, JULY 31 Lakefront Festival of Arts THURSDAY, MAY 12 THURSDAY, JULY 7 FRIDAY, JUNE 17–SUNDAY, AUGUST 2005 Story Time in the Galleries JUNE 19 Keiji Shinohara Printmaking SATURDAY, MAY 14 SATURDAY, JULY 9 Kettle Moraine School Story Time in the Galleries District Teacher Orientation Degas School Family Night SATURDAY, JUNE 18 Story Time in the Galleries MONDAY, AUGUST 8 TUESDAY, MAY 17 SATURDAY, JULY 9 AND Music in the Museum SATURDAY, JULY 16 Lecture—Christian Marclay EXHIBITION PREVIEW TUESDAY, JUNE 21 THURSDAY, AUGUST 11 CELEBRATION Music in the Museum The Arts and Crafts Movement EXHIBITION PREVIEW TUESDAY, JULY 12 Bungalow Day CELEBRATION in Europe and America, SATURDAY, AUGUST 13 T.G.I.T. with Wine Blast 1880–1920: Design for CUT/Film as Found Object THURSDAY, JULY 21 the Modern World THURSDAY, JUNE 23 Sunday Champagne Brunch SUNDAY, AUGUST 14 THURSDAY, MAY 19 Performance— Screening—UWM student films Magnificent Performing Marilyn Nonken T.G.I.T THURSDAY, JULY 21 Strings SUNDAY, JUNE 26 THURSDAY, AUGUST 18 SATURDAY, MAY 21 The Art of Poetry/The Poetry Music in the Museum Opening Celebration TUESDAY, JULY 26 Degas School Family Night of Art Warrington Colescott SUNDAY, JUNE 26 Prints and Watercolors: TUESDAY, MAY 24 24-Hour Make a Video Day A Brief History Summerfest Children’s Tent WEDNESDAY, JULY 27– MAM Film—War at a Distance THURSDAY, AUGUST 18 THURSDAY, JUNE 30 THURSDAY, JULY 28 THURSDAY, MAY 26 Story Time in the Galleries OPENING 1st Annual Milwaukee SATURDAY, AUGUST 20 JUNE 2005 About Face: Toussaint Artist Market SATURDAY, JULY 30 Closing—Degas Sculptures L’Ouverture and the African- Bradley Sculpture American Image Garden Party SUNDAY, JUNE 5 European and American Arts THURSDAY, JUNE 30 and Crafts: Three Perspectives SUNDAY, AUGUST 21 MAM Store Summer Bazaar SATURDAY, JULY 30 Laugh Your Shorts Off: An TUESDAY, JUNE 7 JULY 2005 Evening of Comedic Shorts Trunk Show Lecture—Cutting Summerfest Children’s Tent THURSDAY, AUGUST 25 SATURDAY, JULY 30–SUNDAY, Through History SUNDAY, JULY 3–TUESDAY, JULY 5 JULY 31 Wisconsin Writes THURSDAY, JUNE 9 TUESDAY, AUGUST 30

42 Milwaukee Art Museum Development

It happens hundreds of times daily. A painting ignites a child’s imagination. A photograph connects its viewer with another time, place, and point of view. An installation triggers a powerful aesthetic response. A contemporary work raises new ideas to discuss and consider. This is the Milwaukee Art Museum at work, and, in every instance, our donors deserve the thanks for making these magic moments possible. Their generosity made 2004–2005 a benchmark year, ensuring strong program accomplishments and an equally solid balance sheet. A review of the ways our donors supported the Museum in 2004–2005: Annual Fund The Museum’s Board of Trustees set a $3.8 million annual fund goal to support Museum operations in 2004–2005. It was clearly a reach—12.6 percent more than total gifts in 2003–2004—but 21,000 donors met the challenge. Their gifts totaled $3,831,031, inching past the goal and helping provide a small operational surplus at year’s end. As always, memberships were the most popular way to support the Museum. The cost of a membership ranges from a little ($72 for a basic individual membership) to a lot ($100,000 to join the Peg Bradley Society), but every membership helps pay the day-to-day operational costs of operating a great Museum. Donors also earn valuable perks for themselves and, at higher levels, for their friends, such as free admission, discounts on purchases, and admission to special events. Nearly 2,000 members increased their support during the year, showing their personal commitment to making the Museum stronger. President’s Circle Great organizations have great supporters. The Museum’s President’s Circle Members are the philanthropic leaders who ensure that Milwaukee enjoys a world-class museum. Members contribute $2,500 or more and take part in several special events related to Museum programs. In 2005, its 285 Members contributed more than $2 million— accounting for more than half of the annual fund total. As the Museum is not eligible for support from either United Way or the United Performing Arts Fund, the philanthropic leaders who make up the President’s Circle are the key to the Museum’s accomplishments for the region. Capital Campaign In 2005 Sheldon Lubar agreed to lead a drive to retire the remaining debt on the Museum’s Santiago Calatrava-designed Quadracci Pavilion. Lubar’s leadership helped not only to rally past capital campaign supporters but new supporters who rose to the challenge as well, resulting in contributions and pledges totaling $25 million. The Quadracci Pavilion is a source of pride for the entire region—a symbol of our aspirations and of our community’s ability to take on a challenge and accomplish it. Sponsorships and Special Gifts The Museum presented more special exhibitions and programs in 2004–2005 than any other year in recent memory. Sponsors made it possible through their generous underwriting of exhibitions as large as Degas Sculptures and as specialized as Artists Interrogate: Race and Identity. All together, eighteen groups sponsored exhibitions and education programs in 2004–2005. They are listed on page 48.

www.mam.org 43 Donors to the Milwaukee Art Museum

Thank you to the more than 21,000 supporters who helped the Museum in 2004–2005. As members, annual fund donors, capital campaign contributors, or supporters of special exhibitions and programs, they made it possible for art to enrich hundreds of thousands of lives. The following lists recognize those supporters who contributed more than $350 during the 2004–2005 fiscal year ending August 31, 2005.

Annual Fund and Restricted Gifts for Acquisition and Education

ANNUAL CONTRIBUTING Mr. and Mrs. Mitchell Fromstein Gail A. Lione and Barry L. Grossman SUPPORT The Gardner Foundation Heller Foundation Gifts received between September 1, Mr. and Mrs. Arthur A. Gebhardt Richard and Ethel Herzfeld 2004, and August 31, 2005 Richard and Ellen Glaisner Foundation Greater Milwaukee Foundation The Jerome and Dorothy Holz $100,000 AND ABOVE Donald and Barbara Abert Fund Family Foundation Christopher Abele Halbert and Alice Kadish Fund Terry A. Hueneke Michael Best & Friedrich, LLP Mr. and Mrs. R. Jeffrey Harris William and Phyllis Huffman The Lynde and Harry Bradley Joy Global, Inc. George and Angela Jacobi Foundation Jane and George C. Kaiser, via the Richard G. Jacobus Family Chipstone Foundation Jay Kay Foundation, Inc. Foundation Friends of Art Dr. and Mrs. Michael C. Kubly Diane and Bob Jenkins Marshall & Ilsley Foundation, Inc. Mary Ann and Charles P. LaBahn Mr. and Mrs. Jeffrey A. Joerres Northwestern Mutual Foundation P. M ichael Mahoney Judy and Gary Jorgensen Quad/Graphics MGIC Investment Corporation James H. Keyes Mrs. Betty Quadracci Scott and Marjorie Moon Kikkoman Foods Foundation Sue and Bud Selig Nicholas Family Foundation Tony and Susan Krausen Wisconsin Energy Foundation Anthony Petullo Foundation Randy Levine and Mindy Franklin Rockwell Automation Levine $50,000 TO $99,999 Pleasant T. Rowland Foundation Mr. and Mrs. Manilow Lewis Mr. and Mrs. Donald W. Baumgartner Mr. and Mrs. James Schloemer Jack and Kathy MacDonough Mae E. Demmer Charitable Trust Schoenleber Foundation, Inc. David Meissner Greater Milwaukee Foundation Justin and Holly Segel Milwaukee Arts Board Virginia Booth Vogel Fund Allen and Marilyn Taylor Edward and Bridie Mooney Mr. and Mrs. Sheldon B. Lubar Thomas and Anne Wamser Mr. and Mrs. James J. Murphy Melitta S. Pick Charitable Trust Nasgovitz Family Foundation David and Julia Uihlein $5,000 TO $9,999 Helen Oberndorfer Wisconsin Arts Board Adelman Travel Systems Melodie and Wayne Oldenburg Mr. and Mrs. Andrew Ziegler Anonymous Gilbert and J. Dorothy Palay Mr. and Mrs. Matthew Barger Mr. and Mrs. Harold A. Rand $25,000 TO $49,999 Mr. and Mrs. William D. Biersach Andrew Randall Anonymous (2) Dr. and Mrs. William Boyd Rexnord Foundation, Inc. Mr. and Mrs. Mark L. Attanasio John H. Bryan Marcia Rimai and Daryl Diesing Drs. Isabel and Alfred Bader Bucyrus-Erie Foundation, Inc. Arthur Rock Mr. and Mrs. Anthony Bryant Mr. and Mrs. John J. Burke Will Ross Memorial Foundation Stephen and Einhorn Barbara and Donald Buzard Gladys and Merlin Rostad Four-Four Foundation Conley Publishing Group Larry and Susan Salustro Johnson Controls Foundation John and Kay Crichton Sigma-Aldrich Corporation Laskin Family Foundation Patrick and Anna M. Cudahy Fund Mrs. Nita Soref Faye McBeath Foundation Curt and Sue Culver Mrs. Norman Soref Suzanne and Richard Pieper Mr. & Mrs. Richard W. Cutler Thomas Steyer Family Foundation Sallie and Don Davis Mr. and Mrs. William D. Van Dyke Puelicher Foundation, Inc. Discover Financial Services WEYCO Group, Inc. Charitable Trust Sensient Technologies Foundation Pati and James D. Ericson Mr. and Mrs. James E. Wiensch Mr. and Mrs. Jack Stein Fisher Family Charlotte and Burton Zucker Sutter Hill Ventures Roger and Lee Fitzsimonds Lynde B. Uihlein Ellen and James Flesch $2,000 TO $4,999 Wisconsin Department of Mr. and Mrs. George Forbeck A. O. Smith Foundation Tourism/Joint Effort Marketing Frederic and Elizabeth Friedman Ben and Molly Abrohams Mr. and Mrs. Tully Friedman AIG Life Brokerage $10,000 TO $24,999 Furthermore: a program of the Anonymous (3) Nancy and Terry Anderson J.M. Kaplan Foundation Mr. and Mrs. Daniel Bader Anonymous Mr. and Mrs. Richard D. Gebhardt Robert W. Baird & Co. Incorporated Assurant Health Foundation David and Maggi Gordon Chris Bauer Mrs. Frederick L. Brengel Judy Gordon and Martin Siegel Dona O. Bauer Briggs & Stratton Corporation Greater Milwaukee Foundation Polly and Robert Beal Crate & Barrel Kopmeier Family Fund Deborah A. Beck Elizabeth Elser Doolittle Trust Gertrude and Eric William Carl and Susan Becker Michael Dunham Passmore Fund Joan and Roger L. Boerner Marianne H. Epstein Alice and Lucia Stern Betty Bostrom Forest County Potawatomi Library Fund Mr. and Mrs. Robert Brachman Community Foundation Marc Flesch Memorial Fund Orren and Marilyn Bradley

44 Milwaukee Art Museum Mark and Cheryl Brickman Hydrite Chemical Co. Ron and Mary Siepmann Cherry Family Foundation Steve and Patty Brink Charles D. Jacobus Family Erik and Maud Siljestrom Comprehensive Genetic Services SC Dr. Mary A. Brown Foundation Mrs. Everett G. Smith Allen Cooper and Alsi Tombuloglu Mr. and Mrs. John D. Bryson, Sr. Jenkins Imports, Inc. Ken and Cardi T. Smith Mary C. Corcoran Elaine Burke Susan and Lee Jennings Christopher and Joana Smocke Michael Crowley John J. Byrne, III Journal Communications Barbara Kohl-Spiro and Herzl Spiro Mr. and Mrs. Thomas L. Curl Kathleen R. Cavallo Kahler Slater Architects Stackner Family Foundation, Inc. Custom Shoppe CG Schmidt, Inc. David and Cynthia Kahler Judith Z. Stark Mr. and Mrs. George Dalton Mrs. George M. Chester Mr. and Mrs. Gerald J. Kahn Sharon and Bill Steinmetz Mr. and Mrs. Mark G. Doll Clarence Chou Susan and Raymond Kehm Dr. and Mrs. James E. Stoll Roman A. Draba Virginia Drexler Clark Mr. and Mrs. Gale E. Klappa Stratton Foundation, Inc. Barbara and Tom Dunham Beverly and Ervin Colton Dedi and David Knox II Anne and Fred Stratton Eaton Corporation Patty and Larry Compton Julilly W. Kohler Mr. and Mrs. Randy Strauss Julianna Ebert and Frank J. Daily Dennis F. Connolly KPMG LLP Robert A. and Kathleen Sullo Marjorie Eckstein Judith and Francis Croak Krause Family Foundation Mr. and Mrs. Roger Tamsen Mr. and Mrs. Paul R. Ellsworth, Jr. Polly and Giles Daeger Ronald and Marjorie Krizek Mr. and Mrs. Richard F. Teerlink Dale F. Engstrom Sue and Russ Darrow Raymond and Barbara Krueger Susan and Stacy G. Terris E. R. Wagner Manufacturing Co. DCI Marketing Fran Kryzinski Nicole and L. William Teweles Foundation, Inc. Edward U. Demmer Foundation Dennis and Sandy Kuester Kathleen and Frank Thometz David A. Erne Mr. and Mrs. Patrick Dunham Mr. and Mrs. Milton Kuyers Mr. and Mrs. David J. Tolan Ernst & Young, LLP Roma and Laurence Eiseman Layton Foundation Carolyn White-Travanti and Ralph Evinrude Foundation, Inc. Mr. and Mrs. Robert Elsner Barbara Brown Lee Leon Travanti Ken and Claire Fabric Mrs. J. Thomas Emerson Leonard LeVine William and Sharon Treul Fleur E. Fairman John and Mary Emory Phoebe and Jack Lewis Mrs. Robert A. Uihlein, Jr. Barbara and William Fernholz Milton Ettenheim David and Madeleine Lubar Mary N. Vandenberg Fiserve, Inc. Suzy B. Ettinger Wayne and Kristine Lueders Kent and Marcia Velde Fisher/Unitech Faustel Incorporated Mr. and Mrs. D. Richard Lynch Anne H. and Frederick Vogel III Mr. and Mrs. Dean D. Fitzgerald Tom and Jennifer Florsheim, Jr. Mr. and Mrs. Gerald Mainman Wachtel Tree Science & Service Peter Foote and Robin Wilson Byron and Suzy Foster Marquette Medical Systems William and Eleanor Wainwright Marjorie M. Franz Fran Franklin Foundation Helen R. Weber David French Tim and Sue Frautschi Matrix Foundation Mr. And Mrs. Robert A. Wagner Global National Corporation Louise and Peter Friedlander Patti and Jack McKeithan Mr. and Mrs. James Wiechmann Dr. and Mrs. Robert Gomez Ann and Tony Friedmann Mr. and Mrs. Maurice McSweeney Mr. and Mrs. James B. Wigdale Graef Anhalt Schloemer & Barbara and Henry Fuldner Linda and John Mellowes Mr. and Mrs. Allen W. Williams Associates, Inc. G.E. Healthcare Financial Services Metso Minerals (Milwaukee), Inc. Dr. Charles J. Wilson W. Scott and Janice Gray G.E. Medical Systems Employees George L. N. Meyer Family Hope and Elmer Winter Greater Milwaukee Foundation Dr. and Mrs. Joseph Geenen Foundation Marion H. Wolfe B Fund Mary Ann and Lloyd Gerlach Mr. and Mrs. Marvin E. Miller Mrs. Carolyn Wright Lois and Donald Cottrell Fund Ron and Joyce Goergon Dr. and Mrs. Robert Montgomery Kathy and David Yuille Dr. Carl W. Eberbach and Mrs. Melvin Goldin Donald and Nadine Mundt Fund Mr. and Mrs. R. Douglas Ziegler Elisabeth Falk Eberbach Fund Ralph G. Gorenstein Mr. and Mrs. Geoffrey L. Mykleby Edward and Diane Zore David C. Scott Fund Dr. and Mrs. Robert Gould Joan W. Nason Mr. and Mrs. Eckhart Grohmann Greater Milwaukee Foundation National Insurance Services $1,000 TO $1,999 Guident Pharma Del Chambers Fund Laraine A. O’Brien Don and Joan Aker Frank F. Haack & Associates, Inc. Dresselhuys Family Fund Elizabeth and John Ogden American Appraisal Associates, Inc. Robert and Mimi Habush Journal Foundation/Thomas Mr. and Mrs. H. Nicholas Pabst API Software, Inc. Hamacher Resource Group and Yvonne McCollow Fund Libby Palmer Apple Family Foundation Ann and Jon Hammes Luedke-Smith Fund Kathleen A. Parker Diane and Thomas Arenberg Mr. and Mrs. Thomas L. Harbeck Mary A. Mellowes Fund John Pasquesi Bill and Jean Baesemann Mr. and Mrs. Aaron Hardt Audrey J. and John L. Murray Mrs. Jill G. Pelisek Mr. and Mrs. James C. Barany Edward T. Hashek Fund Diane Pellegrin Lovedy and Ettore Barbatelli Heartland Advisors Greenlight Capital Perlick Corporation Mr. and Mrs. Clair Baum Janet and Robert Hevey Gary and Anne Grunau Candy and Bruce Pindyck and Jean and Dennis Bauman Dr. and Mrs. Sun-O Ho Guaranty Bank Meridian Industries, Inc. Lori and Kurt Bechthold Margaret and David Hobbs Bill and Sandy Haack Progressive Image, Inc. Mr. and Mrs. David E. Beckwith Mrs. Robert M. Hoffer Mr. and Mrs. F. William Haberman Mr. and Mrs. Thomas S. Quadracci Marissa Behrens Mr. and Mrs. Robert Horst Claire and Glen Hackmann Meyer J. and Norma L. Ragir Mr. and Mrs. Richard S. Bibler Mr. and Mrs. Nic Hoyer Dr. and Mrs. David Harvey Foundation Geraldine and Joel Biller Dr. and Mrs. James S. Hyde Dr. and Mrs. David S. Haskell Lynn K. Rippe Blommer Foundation InPro Corporation Anita and Tom Hauske Mr. and Mrs. A. D. Robertson Boehringer Ingelheim Mrs. Charles D. Jacobus Mr. and Mrs. R. Goeres Hayssen Charlan Ayers Robinson Pharmaceutical John T. and Suzanne S. Jacobus Jill and Herbert Heavenrich Wayne Roper Mark J. Bowmann Family Foundation Ann E. Heil Atty. and Mrs. Robert W. Roth Mr. and Mrs. John Breidster Russ Jankowski Katherine Ann Heil Dorothy Ruderman William E. Burke JohnsonDiversey Faith and William Henoch Betty and Brent Rupple Dr. Henry and Barbara Burko Mr. and Mrs. Samuel C. Johnson Jennifer F. and Robert J. Hillis Scott and Peggy Sampson Edith and William Burns Kalmbach Publishing Co. Mr. and Mrs. Joseph M. Hogan Charitable Fund, Inc. Mr. and Mrs. Dean S. Cady Mrs. George F. Kaufman Mr. and Mrs. Jerry J. Holz Dr. and Mrs. Gregory Schmeling James and Judith Callan Nancy and Ira Kaufman William H. Honrath and Elizabeth Mr. and Mrs. Allen A. Schumer Bruce and Martha Camitta Henry S. Kepner, Jr. Blackwood Douglas and Eleanor Seaman Carson Pirie Scott & Co./ Deborah S. Kern Frieda and William Hunt Charitable Foundation Boston Store Robert and Patricia Kern Memorial Trust Marie and James Seder and Family Barbara J. Carson Dr. and Mrs. Michael D. Kerr Reva and Philip Shovers Joanne Charlton Judith Keyes

www.mam.org 45 Daniel Kile Lauri Schumacher Mitchell R. Cohen Tom and Suzanne Hefty Meg and Kevin Kinney Tom and Judy Seager Mr. and Mrs. Phillip Cohen Mrs. Herbert Heilbronner Melinda Knight Dr. and Mrs. John D. Simmons Elliot and Marcia Coles Mr. and Mrs. G. Edward Heinecke Ruth DeYoung Kohler Kevin Smith Commerce Industrial Chemicals, Inc. Hentzen Coatings, Inc. Robert and Gail Korb Lois A. Smith Mary and James Mark Connelly Mr. and Mrs. Charles Herbert Koss Foundation, Inc. Mr. and Mrs. Timothy J. Speaker Mary Catherine Cuisinier Mr. and Mrs. Henry G. Herzing Mary Krall Joan and Michael Spector Mr. J.D. and Mrs. Shelly Culea Mr. and Mrs. John A. Hevey Shirley and Stanley Kritzik State Financial Bank Datasyst Engineering and Testing Ed and Vicky Hinshaw Raymond and Barbara Krueger Stiles Machinery Services, Inc. Hnedak Bobo Group Tom and Nina Krukowksi Dr. and Mrs. James Stone Cynthia A. Davies Tom F. Hoffman Joyce M. Kuehl Mrs. Marie Tallmadge Mr. and Mrs. Edwin J. Depenbrok Jon Hopkins Tom and Marolyn Kuesel Tamarack Petroleum Company, Inc. Roger and Regina Dirksen Glenn and Nancy Hubbard Ladish Co., Inc. Mr. and Mrs. Michael A. Uihlein Patricia A. Dixon Dr. and Mrs. Jacques Hussussian Lakeside Manufacturing Van Buren Management Patti and Patrick Doughman Helen and Harland Huston Lila Lange Ellen H. Van Dyke Mr. and Mrs. Thomas J. Drought Professor James F. Hyde, Jr. Lise Lawson Sally Von Briesen Dr. Howard and Eileen Dubner Interiorscapes, Inc. Alan T. Lepkowski Mr. and Mrs. Gilbert G. Vraney Dr. and Mrs. James C. DuCanto Richard Ippolito and Pamela Mr. and Mrs. Sam W. Lewis Mr. and Mrs. Ronald L. Walter Mrs. Haydon R. Duffy Frautschi Helen Peter Love Wauwatosa Savings Bank Karen Duffy Mr. and Mrs. Steven Jackson Mr. & Mrs. Marcus C. Low, Jr. Foundation Mr. and Mrs. John R. Dunn Burleigh E. Jacobs Joan Lubar Mr. and Mrs. Axel Weinreich Dr. and Mrs. Harry A. Easom Jeanne Jacobs Eileen and Barry Mandel Patricia H. Weisberg Lois Ehlert Dr. and Mrs. Mitchell M. Jacobson Rob and Carol Manegold Weiss, Berzowski, Brady & Donahue Carol and Tom Ehrsam Bette and R. E. Jacquart Audrey A. Mann Wells Fargo Foundation Wisconsin Dwight and Lin Ellis Allen and Patricia Jansen Mark Travel Corp WHR Group Ernst and Christiane Endres Mr. and Mrs. Philip W. Jennings James and Kathleen McCaslin Judith and Dennis Winkleman Jim and Julie Enslow Mr. and Mrs. Russell R. Jensen Chip and Arlene Meier Woman’s Club of Wisconsin Environmentally Sensitive Solutions Jim Murray, Inc. Mr. and Mrs. Paul F. Meissner Yuok and Sun-Kyun Woo The Equitable Bank Anne G. Johnson Dr. and Mrs. Anthony Meyer Mr. and Mrs. Richard Wythes Barbara I. Ericson Mr. and Mrs. Daniel Johnson Marilyn E. Miller Mike Yun Mr. and Mrs. Thomas L. Eschweiler Mr. and Mrs. Leland C. Johnson Milwaukee Electric Tool Jiezi Zhu George and Julia Evans Jeff and Laura Jorgensen Corporation The Ziegler Companies, Inc. Melvin P. Fabiszak John and Beth Just Milwaukee Electronics Corp. Dale and Carole Faught Marsha A. Kademian Mr. and Mrs. John F. Monroe $500 TO $999 Jane and David Fee Marlene and Allan Kagen Mr. and Mrs. Lawrence P. Moon Mr. and Mrs. Richard A. Abdoo Marjorie Fee Mr. and Mrs. Richard Kahn David A. Moore Agtech Products, Inc. Mr. Douglas Fellows Charles and Lois Kalmbach Meridee A. Moore and Kevin N. King Patricia S. Algiers Dr. and Mrs. Stuart W. Fine Mr. and Mrs. Jeffrey C. Kasch Morgan Stanley Mr. and Mrs. J. Harvey Alligood Boots and Dick Fischer Mr. and Mrs. Henry (Pat) Kerns Mr. and Mrs. Thomas W. Mount David and Carol Anderson Family Stephen and Nancy Fisher Kerry Inc. Donna K. Mueller Foundation Michael Fitzgerald Raymond N. Kertz Karen Mueller Susan L. Andrews Mr. and Mrs. Thomas B. Fitzgerald Stephanie Klurfeld Gary F. Neitzel Anonymous (6) Elizabeth Forman Steve and Mary Jo Knauf Dave and Elaine Nelson Dana and Gail Atkins Forrer Business Interiors, Inc. Mr. and Mrs. Bill Koester Annette and Fred Niedermeyer AW Company Frederick T. Forrest Debra Koester Joseph M. Niehau Barbara Baker Mr. and Mrs. William H. Frackelton Marie Kohler North Shore Bank Janine F. Barre Mr. and Mrs. Glenn A. Francke Ms. Jill A. Koloske and Dr. Ramon Mr. and Mrs. David A. Olsen Jim Barry Mr. and Mrs. Martin H. Frank E. Acevedo Reverend and Mrs. Walter Olsen Mr. and Mrs. J. Michael Bartels Mark Franke and Mason Sherwood Monica H. Krause David Olson and Claire Fritsche Mr. John P. Baumgartner Frog & Peach Investors LLC Irene Daniell Kress Omni Tech Corp. Diane and David Bedran Mr. and Mrs. James A. Fromstein Pam Kriger Mr. and Mrs. Philip Orth Pearl and Nathan Berkowitz Thomas J. Gallagher Kubala Washatko Architects, Inc. John S. Osterweis Fred Berman Shel and Danni Gendelman Steven Kuhnmuench and Leon Pascucci Lydia Bishop Mr. and Mrs. Arnie Gertsma Cheryl Gehl Miriam and Bernard Peck Mrs. William J. Blake Faye and Gary Giesemann Sally Kujawa Foundation, Ltd. Mr. and Mrs. Peter H. Blommer Elizabeth H. Gjenvick Gail F. Kursel Helen L. Pfeifer Mr. and Mrs. Warren Blumenthal Bridget Globensky Sybil G. La Budde Neil and Karen Pinsky Robert and Carole Bonner Dr. and Mrs. Eugene Gloudeman Todd Lappin and Muriel Green Jim and Gwen Plunkett Mary and Cap Borges Stephen Glynn and Katie Walsh Dennis and Mary Laudon Gene and Ruth Posner Foundation Mr.* and Mrs. Robert W. Braeger Mr. and Mrs. Stephen A. Goldberg Mr. and Mrs. Cornelius J. Lavelle PricewaterhouseCoopers LLP Theo Bralick Mr. and Mrs. Donald J. Goniu Dr. Margaret M. Layde R&M Distributing, LLC Brickyard Jack Goodsitt Mr. and Mrs. Donald W. Layden, Jr. Gordana and Milan Racic Mr. and Mrs. Ralph Bronner Dr. Christopher Graf James G. Lehman Mr. and Mrs. William L. Randall David D. and Diane M. Buck Mr. and Mrs. Donald I. Grande Ronald J. Leszczynski Barbara and Jack Recht Jan M. Buckley Dr. John and Andrea Grant Rita Lewenauer Catherine Reeves The Buddy Taub Foundation Greater Milwaukee Foundation Carol and Tom Lied Nancy and Ray Retzlaff Burton & Mayer, Inc. Minahan/MacNeil Family Fund Katherine Elsner Lilek and Mr. and Mrs. Andrew Rose Frances and Paul Burton Mr. and Mrs. Jay Grenig Michael Lilek Penelope Rostad Carla and Neal Butenhoff Charlie and Beverly Groeschell Ivie R. Loeser Thomas and Kay Schanke Jim and Bobbi Caraway Richard C. Hack Mr. and Mrs. Henry J. Loos Dr. James A. Schelble Teri Carpenter Haggerty Museum of Art Ann Ross MacIver Steve and Marianne Schlecht CERAC, Inc. Mr. and Mrs. James J. Hagner Jacqueline S. Macomber Mr. and Mrs. Schlossmann Mrs. William P. Chapman Hanks Transportation John E. Mahony Sheila M. Schmitz-Lammers Valerie B. Clarke Mrs. Albert C. Hanna Elizabeth Malone Mr. and Mrs. David Schroder Catherine B. Cleary Buzz and Joan Hardy Marvin and Ann Margolis Elizabeth Cloud Norma and Bill Harrington Mr. and Mrs. Michael Marquart James A. Coburn Dr. and Mrs. Ronald D. Hart Jan and Vince Martin Judge John and Marion Coffey

46 Milwaukee Art Museum Lucy A. Martin Dr. and Mrs. Jeffrey Shovers Dr. and Mrs. William H. Annesley E. Miller & Associates Masterson Foundation Jeanne and Jack Siegel Anonymous (2) Engberg Anderson Design Rose Mary and Frank Matusinec Dr. Paul Sienkiewicz Janie and Cliff Asmuth Partnership Judith Mayotte Simpson Axcesor, Inc. Richard and Carol Eschner Mary E. McAndrews Dr. Jonathan and Shirley Badger Boiled Ham Co. Robert H. Eskuche Megal Development Corporation Slomowitz Badger Liquor, Inc. Feerick Funeral Home The Merco Group, Inc. Joyce Smit Mr. and Mrs. Salvadore J. Balistreri Mr. and Mrs. John Fenning Dr. Martine D. Meyer Kathleen Smith Mr. and Mrs. Bruce R. Bauer Mr. and Mrs. Jose M. Ferrer, IV Daniel M. Micha L. B. Smith Family Foundation, Inc. Doris M. Bauer Dr.* and Mrs. William Fetherston Mr. and Mrs. Douglas J. Mickelson Split Rail Foundation, Inc. David Baum Mrs. John P. Fetherston, Jr. Miller Compressing Company Mr. and Mrs. Donald R. Stacy Bayside Garden Center Dr. and Mrs. Edward V. Filmanowicz Dr. and Mrs. Gregory S. Milleville Richard and Janet Star Mr. and Mrs. Dave Beck Janet and David Fleck Milwaukee Western Bank Mrs. Mary K. Steele Margery and Irvin M. Becker Mr. and Mrs. Darrell W. Foell Linda and Douglas Moore Barbara Stein Mr. and Mrs. James D. Bell Nancy and Jim Forbes Morgan Kenwood Mr. and Mrs. John A. Steinhafel Beloit Beverage Co. Dr. and Mrs. Sheldon Forman Dr. and Mrs. George Morris Lynn D. Steinle Peter F. Bemis Nancy France, M.D. and Mr. Dennis Vernon L. Mosely Mrs. Joyce F. Steinmann Mr. and Mrs. Carl L. Bennett Zepezauer Motor Castings Foundation Linda and Richard Stevens Caryl R. Berger Marion and Kurt Frauen Mr. and Mrs. Jack M. Murtaugh Streich Family Foundation Mr. and Mrs. Bert Bilsky Mr. and Mrs. Paul A. Frederick Mr. and Mrs. Thomas A. Neill Michael and Mary Jo Stroh Dennis C. Birchall and Laura E. Donald H. French Nelson Container Mary and Carl Strohmaier Epperson Dr. David R. Friedland and Mr. and Mrs. Daniel H. Nelson Mr. and Mrs. Richard S. Strong Ellen E. Bladorn Dr. Karin L. Hague Jim and Pat Nelson Marvin Summers Elna Blass Jim Friedman Lynn S. Nicholas Sunset Bank and Savings Morton and Barb Blutstein Fullhouse Media, Inc. Nitragin, Inc. Mr. and Mrs. W. Clyde Surles Ralf and Kathy Boer Maureen Gallagher Mr. and Mrs. Ronald C. Ognar Christine Symchych Mike and Ginny Bolger Mr. and Mrs. Terry A. Gaouette Mr. and Mrs. Jose A. Olivieri Susan P. and James H. Taylor Dr. and Mrs. Charles Bomzer Lyn and Scott Geboy Olympic Wall Systems, Inc. Virginia M. Taylor Mr. and Mrs. John Bostrom Mr. and Mrs. C. Frederick Geilfuss II Mr. and Mrs. Richard Osborne Barbara Tays Sherry and Bob Bourgeois Geo-Synthetics, Inc. Lora W. Otjen Mr. and Mrs. Sherwood Temkin Dr. and Mrs. Andrew Boyd Gigi of Mequon Earl and Susan Paddock Steve Tenley Mr. and Mrs. Robert B. Bradley Dr. Daniel and Jean Gilman Mr. Brock Pasternak and Mr. Randy Ann Terwilliger John Brander and Chris Rundblad Carole and Adam Glass Pasternak Theiss Interior Design Ltd. Breakaway Bicycle Courier Mr. and Mrs. William N. Godfrey William and Bobbe Petasnick Judith M. Thompson Bradley M. Brin and Glenna Cose Jeffrey M. Goldberg Mr. and Mrs. Lawrence R. Peters Karen A. Tibbitts Jean Britton Hannah R. Gollin John Julian Pickeral III and Chuck and Lori Torner Mr. and Mrs. Idy and Bill Goodman Evalynne J. Espejo Mr. and Mrs. John L. Touchett Frederick W. Brumder Toni and Bob Gorske Ned and Barb Piehler Barbara and Benjamin B. Truskoski, Jr. Mr. and Mrs. Robert C. Brumder Thomas J. Gould Ernest L. and Martha A. Pierce Danielle Turer Mr. and Mrs. Thomas H. Buestrin Mr. and Mrs. Richard W. Graber Charles Pluckhahn Priscilla A. and Thomas R. Tuschen Mr. and Mrs. James Bunting Lori and Jeff Grant Skip and Ildy Polliner Joan and James Urdan Angeline Campione Grede Foundries, Inc. Dr. and Mrs. William B. Potos Dr. and Mrs. Barry Usow Sally Candee Mrs. Peter J. Grimes Jack and Martha Prince UWM Peck School of the Arts Louise V. Cardinal Mr. and Mrs. Tom Gripp Mr. and Mrs. Thomas E. Rector Jeanne M. Vacula Sam and Vicky Carmen Mr. and Mrs. Daniel J. Grob Patrick and Noreen Regan Reverend and Mrs. Ardys D. Van Carol A. Carpenter Barbara S. Grove David and Kris Reicher Stavern Joan Celeste Dr. and Mrs. Jon Gudeman Cesar J. Remus Teri and Jon Vice Ms. Betty Chamberlain Harry and Vivian Gunzniczak August N. Renner Mrs. Harvey E. Vick Victor Chen Mr. and Mrs. Andrew J. Gusho Mr. and Mrs. Robert F. Reusche Mr. and Mrs. John W. Vogel Doris Chortek Dr. and Mrs. Daniel Gute Linda and Blaine Rieke Kathleen and Charles G. Vogel Gregory and Denise Cole Mr. and Mrs. D.W. Haag Allen and Pat Rieselbach von Briesen & Roper, s.c. Lynn S. Connolly John Hacker Dr. and Mrs. Stephen Robbins Archbishop Rembert G. Weakland Cook & Franke, S.C. Hainbuch Welge Corporation Sandra Robinson Mr. and Mrs. Peter Wegmann Mr. and Mrs. Justin Cook H. Lowell Hall Marcia Emold Rose Len and Susan Weistrop Corner Pub Philip U. Hammarskjold Lucy Rosenberg Mr. and Mrs. David H. Wells Mary Dahlman Mona Hannah Mr. and Mrs. Mason G. Ross Thomas G. Wendt Larry R. Dalton Mr. and Mrs. Phillip J. Hanrahan Janet and Timothy E. Ryan III Western States Envelope Company Tom and Maripat Dalum Mr. and Mrs. Donald W. Hansen Dorothy Nelle Sanders Heide A. Wetzel Mr. and Mrs. Thomas P. Damm Sandy and Jim Hanus Joseph Schick Mr. and Mrs. William J. Wilde Mr. and Mrs. Gordon C. Davidson Dr. Heidi Harkins and Barbara and Howard Schnoll Mr. and Mrs. Donald S. Wilson Susan and Todd Davison Mr. Hugh Davis Lawrence and Katherine Schnuck Dr. and Mrs. J. F. Wilson Lloyd Dickinson and Kristin Mr. and Mrs. John T. Harrington Mr. and Mrs. Ken Schoberg James O. Wright Bergstrom Mr. and Mrs. Mark O. Harrington Paul and Claudia Scholl Mr. and Mrs. William Wuesthoff Diesel & Gas Turbine Publications Jeffrey and Susan Hartwick Mr. and Mrs. John Schroeder Glenn L. Yammarino Mr. and Mrs. Thomas L. Doerr Sarah M. Hatch Roland Schroeder and JoAnn and Michael Youngman Susan Doornek Hatco Corporation Mary Mowbray Mr. and Mrs. Stanley Dorf Mike and Gay Hatfield John and Sally Schuler $350 TO $499 Mr. and Mrs. Rodney H. Dow Cheryl and Roy Hauswirth Lillian Schultz Aaronin Steel Sales, Inc. John and Sue Dragisic Carla H. Hay Dr. and Mrs. Walter R. Schwartz Stephanie and Marc Ackerman Donald G. Dreske Karen Hentz Scott Advertising Agency, Inc. Dr. and Mrs. Robert T. Adlam Karen and Bob Drummond Doris Herbst Dick Seiberlich Ahern Fire Protection—Milwaukee Michael and Patricia Dunn Lloyd and Edith Herrold Mr. and Mrs. William T. Shaffer, Jr. Mr. and Mrs. William W. Allis Educators Credit Union Share Corporation American Champion Aircraft Ken Eichenbaum Mary D. Shinners American Sewer Service, Inc. Tom and Sue Ela Kent and Dianne Anderson Dr. and Mrs. Mark A. Elson

www.mam.org 47 Alfred J. Heyer Susan F. Marrinan Mr. and Mrs. W. E. Schauer Wolfe Photography, Inc. HGA Architects and Engineers Dr. and Mrs. Marshall Matthews Christopher and Beth Schimel Jan and Keith Wunrow Eugene and Rose Hill Debesh and Linda Mazumdar Jon Schlagenhaft and Curt J. Stern Richard and Kay Yuspeh Michael and Judith Hill Dr. and Mrs. Michael R. McCormick Mr. and Mrs. Robert C. Schmidt, Jr. Mr. and Mrs. Terry A. Zarling Marianne Hillebrand Joseph and Joni McDevitt Terri and Darryl Schmidt Zetley & Cohn, S.C. Dr. and Mrs. Burton P. Hoffman Mr. and Mrs. John T. McFadden Diane E. Schneiger Zimmer Thomson Associates, Inc. Mr. and Mrs. Charles Hoke Mr. and Mrs. Rhody J. Megal Mr. and Mrs. Bernard C. Schubert Mr. and Mrs. James Zucker Melanie C. Holmes Michael P. Mervis Schwertfeger Financial Group, Inc. Mr. and Mrs. Robert D. Zucker Dennis C. Hood and Christine R. Metal Spun Products Locke and Meg Scripps Zyzeon Capital Corp. Williams Dr. and Mrs. Glenn A. Meyer Mr. and Mrs. Robert Scudder Mrs. Daniel W. Howard Mr. and Mrs. Steven P. Meyer Nancy and Roger Sergile Rita Hulstedt Mr. and Mrs. Timothy P. Meyer Mr. and Mrs. Clark Shannon SPONSORS FOR EXHIBITIONS, Mrs. Peter D. Humleker, Jr. Ruth L. Michels Dr. David Shapiro and PROGRAMS & EVENTS Mr. and Mrs. Kenneth C. Hunt Gerald Miksch Dr. Jane A. Hawes We deeply appreciate the IBCC Industries, Inc. Robert and Susan Mikulay Sherwin Industries Inc. support provided by businesses, IGC Technologies Jose A. Milan Mrs. Robert B. Siegel foundations, public agencies, Julia Ihlenfeldt Milwaukee Cardiovascular Center Mr. and Mrs. Robert Slater and individuals who sponsored Mr. and Mrs. Ralph C. Inbusch, Jr.* Milwaukee Occupational Mr. and Mrs. Frank M. Smeal exhibitions, programs, and Innovative Construction Medicine, SC Allison M. and Dale R. Smith events in 2004–2005. Solutions, Inc. Paul Modica Mr. and Mrs. Warren Smith Instant Office Inc. Monches Farm Gavin and Ira Spanierman Argosy Foundation Insulation Technologies, Inc. Mortara Instrument Company Sprecher Brewing Co. Inc. Degas Sculptures Burleigh E. Jacobs Peyton and Ruth Muehlmeier Bonnie and Bill Stafford Rembrandt and His Time: Douglas C. James Charitable Trust Mr. and Mrs. Van Mueller Harold B. and Ruth Stein Masterworks from the Albertina, Rose Marie Jashaway Donald and Corinne Muench Jerry and Louise Stein Mrs. Richard C. John Mukwonago Animal Hospital SC Marley and Gary Stein Glenn Jonas John and Amy Murphy Family Steren McDonald’s Restaurants Michael Best & Friedrich June Jonas Mary Louise Mussoline and James Dr. and Mrs. Lawrence A. Sterkin Jonco Industries, Inc. W. Cope, M.D. Frank and Elsa Sterner Masterpieces of American Art, Mr. and Mrs. Jules K. Joseph National Investment Services Ed and Eleanor Stevens 1770–1920: From The Detroit Charles and Mary Kamps Nolan Neds* Mr. and Mrs. Peter Stillmank Institute of Arts Karl’s Party Rental Marcy Neuburg Mr. and Mrs. Louis Stippich Mr. and Mrs. Jerry R. Kilmowicz Mr. and Mrs. Asher Nichols Sue and Robert Strauss Blakemore Foundation David Kirkbride Norris and Associates Stuck Wood Works, Inc. Made in Japan: The Postwar Pat and Pam Klampe Northland Sales, Inc. Mrs. June Sullivan Creative Print Movement Robert and Gerda Klingbeil Mr. and Mrs. Clarence J. Nowicki Tangram, Inc. Anne K. Klisurich Anne and Chris Noyes Mr. and Mrs. Robert Thomas Four-Four Foundation Mr. and Mrs. George B. Knight Mr. and Mrs. William Orenstein Dr. John and Mrs. Anne Thomas, Jr. Art Packs Phil Konkel Outpost Natural Foods Maureen Thompson Dennis Korjenek and Christine Ozaukee Bank Sally M. Tolan Friends of Art Zipperer Mr. and Mrs. Charles W. Parker Mrs. Robert Tollefsrud (MAM Support Group) Mr. and Mrs. Gordon A. Korpal Norman* and Katherine Paulsen Town Club CUT/Film as Found Object Donald and JoAnne Krause Pendl Co. Mr. and Mrs. Keith P. Tracy Family Foundation Percy’s Fine Linens Inc. Betsy Soref Trimble Richard and Ethel Herzfeld Kristin and Patrick Krill Perry Capital Management, Inc. Dr. Herman and Ailene Tuchman Foundation Mr. and Mrs. Max Kurz Gary L. Petersen Hermann and Pam Viets Richard and Ethel Herzfeld Dr. and Mrs. Joseph Lai Dr. and Mrs. John R. Petersen Visual Image Photography Foundation Prints Lakeside Inn Cafe Dr. and Mrs. Clifton Peterson Visual Impressions Ralph and Mary Lou LaMacchia Mrs. Mary Peterson Sandra J. Volkman Drawings and Photography Mr. and Mrs. Richard Lane Mr. and Mrs. B. Victor Pfeiffer Dr. Annette Von Drygalski and Study Center Lois Malawsky and Jay Larkey Claire Pfleger Dr. John W. Adamson Junior Docents Program Mr. and Mrs. Eugene F. Lavin Joyce and Morton F. Phillips, M.D. Sharon K. Wadina William L. Law Foundation Elisabeth F. Phillipson John and Jennie Walker Jerome and Dorothy Holz Lee and Rebecca Lawrence Mr. and Mrs. K. D. Pierson Jr. Linda M. Wallner Family Foundation Mr. and Mrs. David Leevan Beverly A. Polce-Deakin Mr. and Mrs. Francis T. Wasielewski The Arts and Crafts Movement in Legacy Bank Steven and Karen Port Ken Weidt Europe and America, 1880–1920: Legacy Property Management Porta-Painting, Inc. Marian M. Weinberg Design for the Modern World Services Kathryn Potos Diane and Butch Weiss Mr. and Mrs. Joseph Lehmann Racine Danish Kringles Denise Wentzel Joint Effort Marketing (JEM) Fund Ron Lester Stephen and Susan Ragatz Westgate Building Pharmacy Degas Sculptures Elizabeth Levins and Herbert B. Zien August J. Ray Mr. and Mrs. Robert F. Whealon John Lewenauer Ray Reporting Ann and George Whyte M&I Bank Leonard and Carol Lewensohn Mr. and Mrs. Robert Rich Kathleen and Dennis Wicht Mr. and Mrs. Charles J. Lewin Mr. and Mrs. George Rios Barbara and Ted Wiley Masterpieces of American Art, Dr. Joseph A. Libnoch Riverworks Design Studio Dr. and Mrs. Terrence J. Wilkins 1770–1920: From The Detroit Mary Ann and David Lindberg Roadrunner Freight Systems, Inc. Bill and Doris Willis Institute of Arts Dr. and Mrs. John Litzow Gregory Rosner John K. Wilson Robert J. Lotz Emanuel N. Rotter, M.D. Margo and Jack Winter Faye McBeath Foundation Mr. and Mrs. Robert D. Love Carol Rusch Wisconsin Discount Securities Art Aloud Program Lunda Construction Company Michael and Holly Russek Corp. Shelly and Tom Malin Valeria D. Rykowski Walt Wojcik Milwaukee Arts Board David E. Mandernack Mr. and Mrs. Richard Sachs Norm and Prati Wojtal Artworks Program Stephen Marcus Judy Saichek Annette Santiago Northwestern Mutual Foundation Saz’s Catering Degas Sculptures

48 Milwaukee Art Museum Print Forum P. M ichael Mahoney LIFE MEMBERS Elizabeth and Frederic Friedman (MAM Support Group) Marcus Corporation Foundation, Inc. When supporters provide Ellen and Richard Glaisner Warrington Colescott Prints and Marshall & Isley Foundation, Inc. sustained assistance rising far Christopher Goldsmith Watercolors: A Brief History Mr. and Mrs. John Mellowes above the ordinary, the Museum Donald and Carolie Goniu Northwestern Mutual Foundation honors them as life members. Ethel S. and David W.Goodman* Quarles & Brady Park Bank Foundation, Inc. We are deeply grateful to the Florence S. Grodin Suzanne and Richard Pieper following for the support they Marguerite Spicuzza Hambling Rembrandt and His Time: Family Foundation have provided. Judith A. Hansen Masterworks from the Albertina, Quad/Graphics Edward T. Hashek Vienna; President’s Circle Reception Mrs. Betty Quadracci Tracy and Peg Atkinson Michael and Gay Hatfield Reiman Foundation Mr. and Mrs. J.P. Atterberry Sheila M. Hendrix Rockwell Automation Foundation Mr. and Mrs. James Schloemer Jay and Patty Baker John G. Hill, Jr. and Sarah H. Hill Artists Interrogate: Race and Identity State Financial Bank Mr. and Mrs. Donald Baumgartner Marianne Hillebrand Stories to Tell and Retell: Bert L. and Patricia S. Steigleder Mrs. Barbara Berger Mrs. Daniel W. Howard The Puppets of Ashley Bryan Charitable Trust Barbara and Russell E. Bowman Grace M. Iacolucci Mr. and Mrs. Jack Stein The Lynde and Harry Bradley Angela and George T. Jacobi Sue and Bud Selig David and Julia Uihlein Foundation Douglas C. James The Arts and Crafts Movement in Lynde B. Uihlein Mr. Michael J. Cudahy Russ Jankowski Europe and America, 1880–1920: US Bank Rev. Roland Ehlke Susan M. Jennings Design for the Modern World Wells Fargo Foundation Wisconsin Gloria and Steven Foster Judy and Gary Jorgensen Mr. and Mrs. Andrew Ziegler Dr. Marvin Fruth Dr. Charles and Mrs. Anne Joan and Jack Stein West Bend Community Christopher Goldsmith Junkerman The Arts and Crafts Movement in Foundation’s Ziegler Family Dr. George Gray Miriam P. Kahn (Mim) Europe and America, 1880–1920: Foundation Fund Dr. and Mrs. Milton F. Gutglass Jane L. and George C. Kaiser Design for the Modern World The Richard and Ethel Herzfeld Ray and Susan Kehm SPECIAL DONORS Foundation Estate of Dr. Jack A. and Mrs. Toshiba International Foundation Deborah A. Beck Cynthia and David T. Kahler Elaine D. Klieger* Ms. Anne R. Booth and Mr. Charles Mrs. Robert V. Krikorian Dr. and Mrs. John D. Koehler Made in Japan: The Postwar Trainer Barbara Brown Lee Mary and Michael* Krall Creative Print Movement Carla and Neal Butenhoff Sally Manegold Sybil G. La Budde Collectors’ Corner Mrs. Arthur F. Milbrath Lise and Tom Lawson US Bancorp Foundation Mary and Paul S. Counsell Mr. and Mrs. B. Victor Pfeiffer Barbara Brown Lee and Wallie* Lee Junior Docents Program Mr. Roger G. DeLong Joan M. Pick Marie E. Leupold Karen and Bob Drummond Charlene Powers Leonard and Bebe*LeVine Wisconsin Arts Board Eaton Vance Management Mrs. Betty Quadracci Helen Peter Love Artistic Program Support, Julianna Ebert and Frank J. Daily The Reiman Family Foundation Dr. Robert* and Audrey Mann General Support Albert J. and Flora H. Ellinger The Pleasant T. Rowland Mr.* and Mrs. Thomas McCollow Foundation Foundation William and Barbara Morris Wisconsin Energy Foundation Everitt Smith Foundation Mr. and Mrs. Granvil I. Specks Alice Elizabeth Hill Nelson Rembrandt and His Time: Janet and David Fleck Sally and Steve Stevens Helen* and Jeanette* Oberndorfer Masterworks from the Albertina, Four-Four Foundation Mrs. Erwin C. Uihlein Diane M. and J. Alan O’Connor Vienna Mr. and Mrs. John C. Fowler Lynde B. Uihlein Lygere Panagopoulos Louise and Peter Friedlander Mr. and Mrs. Rymund P. Wurlitzer Jill and Jack* Pelisek Heller Foundation Charlotte and Burt Zucker Elaine N. Peterson CAPITAL CAMPAIGN Susan and Lee Jennings Lucia and Pete Petrie SUPPORTERS Joseph Johnson Charitable Trust Anthony J. Petullo We gratefully thank the friends Mr. and Mrs. Gerald J. Kahn LEGACY SOCIETY Della Nickoll Podell* whose contributions in 2004–2005 Mr. and Mrs. John C. Koss The following have made arrange- Isabelle and Herbert Polacheck* helped pay capital costs associated Raymond and Barbara Krueger ments through wills, retirement Patti Puccinelli with the completion of the Sybil G. La Budde plans, charitable remainder trusts, Randy R. Reddemann Santiago Calatrava-designed Ann Ross MacIver or other instruments to leave Thomas J. Reich for the Reich Family Quadracci Pavilion. Rose Mary and Frank Matusinec a portion of their estate to the Esther Leah Ritz* Barbara J. Michaels Museum. Their legacies will Sandra Robinson MAJOR DONORS Mr. and Mrs. John F. Monroe help ensure that the Museum’s Gladys and Merlin Rostad Christopher Seton Abele George and Julie Mosher exhibitions and programs will Atty. Robert W. and Mrs. Barbara Roth Anonymous Donald and Nadine Mundt Fund serve many generations to come. Allen and Vicki Samson Associated Bank Milwaukee Reverend and Mrs. Walter Olsen James and Andrea Schloemer Mr. and Mrs. Donald W. Sandra Robinson Anonymous (10) Arthur* and Katherine M. Smith Baumgartner Drs. Alfonse W. and Jennifer A. Charles* and Dorothy Aring Martha W. Smith* Chase Runquist Gertrude Meyne Bates* Mr. and Mrs. Christopher Smocke Michael J. Cudahy Dorothy Nelle Sanders Beatrice K. Bauman* Mrs. Nita Soref Marianne H. Epstein Mrs. Nita Soref Mr.* and Mrs. John Robert Bertram and Marilyn Spero* Harley-Davidson Inc. Joan and Michael Spector Baumgartner Mr. and Mrs. Allen M. Taylor Evan and Marion Helfaer Anne and Fred Stratton David E. and Natalie B. Beckwith Marjorie Tiefenthaler* Foundation Mrs. Marie Tallmadge T. Thompson Bosworth Roseann and David Tolan Richard and Ethel Herzfeld Allen and Marilyn Taylor Anthony and Andrea B. Bryant Anne H. and Frederick Vogel III Foundation Susan and Stacy G. Terris Dr. Lucy and Norman* Cohn Cynthia Davis Weix* Robert F. and Jean E. Holtz Trust Joyce K. Ulrichs Betty Croasdaile* and John Julien* David Wescoe Terry A. Hueneke WE Energies Matching Gift Program Lisa A. H. Cudahy Dr. Charles J. Wilson Herbert H. Kohl Charities, Inc. Mary L. Dahlman Bettie Zillman Mary Ann and Charles P. LaBahn Millard and Rosevear Doty* Dr. and Mrs. Joseph Lai Mary Terese Duffy Phoebe and Jack Lewis Roma and Laurence Eiseman Mr. and Mrs. Sheldon B. Lubar Lotte K. Emde

www.mam.org 49 PUBLIC FUNDING SOURCES FRIENDS OF ART Lamers Bus Lines, Inc. Jeff Slough The continuing support of EVENT/PROJECT SPONSORS Nancy and Art Laskin Sommer’s Subaru Milwaukee County makes this AND GIFTS IN KIND Melissa Levenhagen State Farm Insurance facility available under the Marianne and Sheldon Lubar Stevens Point Brewery auspices of the War Memorial 629 WTMJ M&I Bank Taylor Made Golf Corporation to serve the living Chris Abele Majestic Fine Wines Susan and Stacy Terris in memory of our war dead. Allan-Knox Photography Major Goolsby Top Floor Technologies Molly Allen Manpower Foundation, Inc. Turner Road Vineyards The Milwaukee Art Museum is Almont Gallery NJ Massart US Bank supported in part by grants from Knut Apitz Sarah McEneany U.S. Cellular the Wisconsin Arts Board, with Artist and Display Supply Metavante Pat and Tom Van Alyea funds from the State of Wisconsin, Associated Bank MetroParent Magazine Visual Systems, Inc. and the National Endowment Isabel and Dr. Alfred Bader Donna and Tony Meyer Anne and Fred Vogel for the Arts. Lori and Kurt Bechthold Michael Best & Friedrich LLP Vucciria We also thank the Milwaukee Jill Bedford Midland Plastics Bill and Deb Walker Arts Board for the support it Billboard Express Midwest Airlines Mary and Bill Walker provides with funds from the Binney & Smith Miller Brands Walker Forge, Inc. City of Milwaukee and the State Bjonda Miller Brewing Co. WE Energies of Wisconsin. Melanie and Steve Booth Milwaukee Country Club WEYCO Group Karen and Bill Boyd Milwaukee Magazine Susan and Dick Wilkey Bresler Eitel Art and Framing MO’s A Place for Steaks Patricia and Lawrence Wirth GIFTS IN KIND Gallery Moran Image Kathy and David Yuille The following individuals and Libby and Andy Bruce Mortgage Guaranty Insurance Carlene and Andy Ziegler organizations generously provided Burke Properties Corporation goods and services to help the Capitol-Husting Co., Inc. My Secret Chef Museum in 2004–2005. Kathleen Carlson Nancy Munroe and Jon Borkowski BEQUESTS Chase Munson Fences, Inc. Alterra Coffee Chenequa Country Club Dan and Michele Nelson Estate of Sidney L. Bauman Anonymous Clear Channel Outdoor Nelson Schmidt Millard Bernard Doty 2002 Trust Robert W. Baird & Co. Collins Outdoor Next Level Technologies BBJ Linen Columbia St. Mary’s North Hills Country Club Canopies Concours Motors, Inc. North Shore Elite Fitness Christie’s Continental Properties Co., Inc. Northwestern Mutual Coast Culver Advertising OnMilwaukee.com * deceased Cramer Krasselt Culver’s Frozen Custard Orde Outdoor Advertising Crate & Barrel Cut Above the Rest, LLC Oscar’s Frozen Custard The Fox Company, Inc. Julia DeCicco Osteria del Mondo Lithographers Dolce Fregate Panera Bread Ivey-Selkirk Ernst & Young LLP Park Bank Lamar Outdoor Eye Level Framing Payne & Dolan M Magazine Facilitator Capital Fund Pepsi Americas Midwest Airlines, Inc. Carole and Dale Faught Pink Whimsy Milwaukee Bucks Susan and Robert Forrer Precision Color Graphics Milwaukee Journal Sentinel Frank Allen Gallery The Private Bank OnMilwaukee.com French Advertising Quad/Graphics Paul Owen Photography Liz and Rick Gebhardt Betty Quadracci Betty Quadracci Godfrey & Kahn Quarles & Brady LLP Regency Florist David and Maggi Gordon Ray’s Liquor Skinner Peter Greig Reinhart Boerner Van Deuren Sotheby’s Harley-Davidson Inc. Riversite Restaurant StoreWALL Margarete and David Harvey Robert W. Baird & Co. Swann Kathy and Tom Hauske Robertson Ryan & Associates Tabletoppers Hawks Nursery Rockwell Automation Treadway/Toomey Scott Hefti Roundy’s Inc. WMSE 91.7 FM HM Graphics Sake Tumi Amy and Jon Hopkins Saturn We have made every effort to ensure Jennie-O Turkey Store Sax Arts & Crafts that the names of our valued donors Judith Berg Antique Prints Schubert Outdoor Advertising are reported correctly. Our apologies Kohler Schwanke Kasten Jewelers if your name is incorrectly listed Alice and Marty Krebs Kristin and Chuck Severson or missing. Please contact us at Marina and John Kuhn Pamela and Jeffrey Shovers 414-224-3239 so we can correct La Primitiva Jewelry Shully’s Cuisine and Event Planning our records. La Tarte Simma’s Lake Park Bistro LAMAR

50 Milwaukee Art Museum Support Groups

African American Art Alliance The African American Art Alliance, founded in 1990, supports educational programs centering on African American art and artists, promotes volunteer involvement in the Museum, and is dedicated to raising funds for purchasing African American art for the Collection. This past season, the Alliance had a full slate of programs, beginning in early November with the hosting of one of the world’s leading authorities on African American Art, Dr. David Driskell. Driskell spoke about his roles as the cultural advisor to Camille and Bill Cosby and as curator of the Cosby Collection of Fine Arts. The Harley-Davidson Motor Company sponsored this presentation, a first for the Alliance. Later in the year on April 29, the Alliance took its annual Chicago trip to see Art Chicago, the contemporary gallery show. The Alliance held its Annual Meeting/Reception on June 29. The highlight of the meeting was the presentation of a major acquisition check in honor of the Alliance’s 15th anniversary season. In July, its president, Sandra Robinson, represented AAAA at the National Alliance of Support Groups Conference at the St. Louis Museum of Fine Arts. The season concluded with two activities in August. The first, a raffle of painted picnic baskets by three prominent Wisconsin artists, took place on August 21 during FOA’s Bradley Sculpture Garden Party. The second, Saturday Morning at MAM, on August 27, was a chance for AAAA members to view several exhibitions including the About Face: Toussaint L’Ouverture and the African-American Image, Artists Interrogate: Race and Identity, and Warrington Colescott Prints and Watercolors: A Brief History. The popular A Treasury of Gardens garden walk will return during the summer of 2006. American Heritage Society The American Heritage Society (AHS) supports the Milwaukee Art Museum Collection of American fine and decorative art from the Colonial era into the twentieth century through the development of educational programs, workshops, and trips, as well as through the acquisition and restoration of artworks. AHS provided local collectors, scholars, and Members with several exciting learning opportunities this year. Fall opened with a rare and poignant visit from eminent modernist designer Eva Zeisel in conjunction with the Knoxville Museum of Art exhibition, Eva Zeisel: The Playful Search for Beauty. To celebrate the exhibition Masterpieces of American Art, 1770–1920: From The Detroit Institute of Arts, a display of preeminent works of American painting and sculpture, AHS co-sponsored a master lecture series that included renowned American art scholars Jules Prown, Angela Miller, and Alexander Nemerov. AHS developed a series of dynamic programs in conjunction with the summer exhibition, The Arts and Crafts Movement in Europe and America, 1880–1920: Design for the Modern World. Events included a trip to a major private collection of Arts and Crafts furnishings in the Chicago area; a day of scholarly lectures; and a celebration of bungalows that included a lecture by author and interior designer Paul Duchscherer, followed by a guided architectural tour of Milwaukee. AHS ended the year with the donation of a stunning piece of studio ceramic. The group collaborated with the Layton Art Collection to purchase Eugene Deutch’s Bird Bowl in the honor of former Chipstone Foundation curator Glenn Adamson.

www.mam.org 51 Contemporary Art Society Contemporary Art Society (CAS) is a Museum support group that sponsors lectures and events to increase community knowledge and enthusiasm about contemporary art. CAS launched its 2004–2005 year with a lecture by Jane Jackson, curator of the renowned Elton John Photography Collection. In October, gallery owner Dennis Rosenthal shared his insights into building a contemporary art collection and current art market trends. The 9th Benefit CAS Art Auction was held in November. This elegant and entertaining evening once again proved to be a very successful fundraiser for contemporary art acquisition funds. Also in November, CAS traveled to Art Basel Miami Beach, where members attended the premiere of the MAM-organized exhibition, CUT/Film as Found Object, along with 3,000 other contemporary art enthusiasts, in addition to taking in the country’s leading contemporary art fair and numerous outstanding private collections. In February, CAS members enjoyed a lecture by contemporary artist Liam Gillick, whose work Övningskörning (Driving Practice Parts 1–30), 2004, was installed in the Schroeder Galleria as the third project in the On Site series. Dr. Robert Hobbs, curator of the exhibition Mark Lombardi: Global Networks, spoke about the delicate and complex drawings of Mark Lombardi in March. In May, artist Josiah McElheny discussed how he combines traditional techniques with contemporary ideologies to create his stunning glass sculptures. CAS concluded its busy year in June, with an annual dinner graciously hosted by Sue and Bud Selig. Collectors’ Corner In 1948, a group of women gathered to form a Milwaukee Art Museum organization devoted to the study of decorative arts and antiques. Today, Collectors’ Corner continues to pursue a lively slate of programs and acquisition opportunities. This year, the group enjoyed several informative talks, including curator Sister Joeann Daley’s discussion of the Villa Terrace exhibition, Susan S. Frackleton: Woman of Fire, and local collector Anne Vogel’s lecture on the topic of eighteenth-century schoolgirl work. Milwaukee Art Museum adjunct curators Glenn Adamson and Sarah Fayen provided tours of important exhibitions including Masterpieces of American Art, 1770–1920: From The Detroit Institute of Arts and Tea Table Coffee Table. The Collectors’ Corner completed the year with a generous gift toward the Museum’s building fund. Fine Arts Society During the 2004–2005 fiscal year, the Fine Arts Society sponsored a number of important lectures and events in conjunction with the exhibition Degas Sculptures. The highlight of the year was An Elegant Evening with Degas, the Fine Arts Society’s organized preview celebration featuring special guest Anne Pingeot, director of the Museé d’Orsay. Among the lectures inspired by the exhibition included a lecture by Ann Dumas, independent art historian and contributing writer to the exhibition catalogue. Other scholars that the society brought in to speak at the Museum were Richard Kendall, independent art historian and lecturer; Yannick Mercoyrol, cultural attache for the French Consulate in Chicago; Jason Ney, landscape architect and expert in French design; and Norma Broude, professor of art history at American University.

52 Milwaukee Art Museum Friends of Art Friends of Art was pleased to contribute $300,000 to the Milwaukee Art Museum this year. Of that amount, $100,000 represented the final payment of a $1 million gift to the Museum’s building campaign. The year’s events began on a beautiful fall day at Chenequa Country Club where the 10th annual Golf Fore! Art event was held. Many thanks to co-chairs Holly and Mark Filmanowicz and Janet and Bill Gebhardt. Just a few weeks later, the 17th annual Grape Lakes Food & Wine Festival took place. The event began with runners lining up in front of the Quadracci Pavilion on a beautiful Wednesday evening for the Grape Stomp. The Festival also included the Wine & Dine dinner, which this year featured the Collectors’ Wine Auction. The evening was chaired by returning leaders Libby and Andy Bruce and Liz and Rick Gebhardt. Back by popular demand, the Festival concluded with more than 500 wine enthusiasts at the Museum enjoying The Grand Tasting. Thanks to Nancy Munroe and Jon Borkowski for chairing this event. Just prior to Thanksgiving, Ornaments & Adornments was held at the Milwaukee Art Museum. Many thanks to co-chairs Julia and Katie DeCicco for coordinating this holiday shopping event. In spring, the 46th annual Bal du Lac was co-chaired by Molly Allen and Kristin Severson. This year’s theme, Dancing with Degas, was brought to life with Milwaukee Ballet dancers who mingled with the partygoers. The summer began with the 43rd annual Lakefront Festival of Arts. Many thanks to co-chairs Carole Faught and Pamela Shovers who, along with hundreds of volunteers, made it such a success. The final event of the year, the Bradley Sculpture Garden Party, was held on a perfect August day. Thanks go to co-chairs Julia DeCicco and Kim Muench as well as the Bradley Family Foundation for their ongoing commitment to this special afternoon. Finally, at the May 2005 Annual Meeting, FOA recognized and honored companies and volunteers who have committed so much time and energy to FOA and the Museum. Volunteer Service Awards were awarded to three hardworking volunteers: Danielle Brinkman, Craig Gundersen, and Scott Maslowski. The corporate Partner in Art Award was presented to Wisconsin Energy Corporation, represented by Kristine Rappe. Receiving the Friend of the Year Award, FOA’s highest form of recognition, was Thomas Florsheim, Jr. Garden Club The Garden Club is 85-years-old and the largest member club of the Wisconsin Garden Club Federation. The Garden Club supports the Milwaukee Art Museum by providing flowering plants and arrangements for the Museum entrances and information desks. In 2005, the Club paid the final installment toward its donation of Untitled Cabinet, 2002 by Silas Kopf. The beautiful cabinet with a floral motif was made for the Skin Deep: Three Masters of American Inlaid Furniture exhibition, November 2002–March 2003. Apart from regular monthly educational programs, the Club organized a spring trip to Ashville, North Carolina and a fall garden walk and barbeque in September. In addition, the Club sponsored a speaker, Denise Wiles Adams, in conjunction with the exhibition, Masterpieces of American Art, 1770–1920. The 2005 fundraiser was a reception and lecture by Penelope Hobhouse, a noted British garden designer and author, at the Museum. As with all special interest groups, only Members of the Museum are eligible for membership in the Garden Club, which had 96 members in 2005. New members are always welcome.

www.mam.org 53 Photography Council The Photography Council started off the 2004–2005 season by sponsoring opening night events for the exhibition, Super Hits of the ’70s, which was organized by departing curator Britt Salveson and featured photographs from the Museum’s Permanent Collection. The highlight of the festivities was a talk by photographer Tod Papageorge in the Lubar Auditorium. In February, the group held a Members-only open discussion on the relationship between photojournalism and documentary photography titled Document vs. Art. This event was held in memory of James Auer, the arts writer for the Milwaukee Journal-Sentinel who passed away in December 2004. The final event of the year was the group’s 1st annual dinner, a casual affair at the Hi-Hat Garage at which new photography curator Lisa Hostetler introduced herself to the Members and presented ideas for reinvigorating the Museum’s photography program. Print Forum In conjunction with the exhibition Artists Interrogate: Politics and War, the group opened the fall season by sponsoring a lively discussion with Milwaukee’s own nationally syndicated editorial cartoonists and Gary Markstein. In early March, Print Forum sponsored a Members-only event at which Associate Curator Sarah Kirk presented highlights from the Maurice and Esther Leah Ritz Collection to commemorate the landmark 2004 bequest to the Museum of 293 prints, drawings, and paintings. In June, Print Forum revealed this year’s Collectors’ Club print by Wisconsin landscape artist Tom Uttech at their annual dinner. Later in the summer, Print Forum invited master printer Keiji Shinohara to demonstrate his working methods, which fuses the ancient Ukiyo-e woodcut technique with modern materials and his own contemporary imagery. As part of this special event, Mr. Shinohara gave a gallery talk of the exhibition Made in Japan: The Postwar Creative Print Movement. Print Forum concluded the year with a gallery talk by Warrington Colescott in association with the exhibition Warrington Colescott Prints and Watercolors: A Brief History, which honored his and his wife’s major gift to the Museum this year. In addition, Print Forum members funded several important acquisitions in 2004–2005 to the Museum, including works by Sue Coe, Richard Diebenkorn, and Art Spiegelman.

54 Milwaukee Art Museum Support Group Officers

AFRICAN AMERICAN ART Avis Heller Joanne Murphy, Chair Diane Berndt ALLIANCE Corresponding Secretary Gayle Brickman Therese Binder Ellen Flesch Kathy Boer Sandra Robinson Mary Ann Switzer Kevin Kinney Georgia Bond President Treasurer Tony Krausen Arlene Brachman Jody Alexander Joni Villavicencio Schuyler Mason Patty Brink Vice President Past President Program Alexandra Buchholz Marsha Camitta Ingrid Davis Anne Vogel, Chair Maud Siljestrom, Chair Secretary Elizabeth Campbell Tish Alverson Wendy Blumenthal Sharon Canter Valerie A. Childrey, M.D. Vicki Banghart Andrea Grant Judy Christofferson Treasurer Cissy Bryson Gail Groenwoldt Judith Croak Beps Herbon Travel Lorraine Croft A. Helen Baylor Acquisitions Committee Elizabeth Cuneo Beverly Conner Margaret Andera Mary Ann Delzer Harriet G. Croskey Mary Ann Windsor Curator Joan Drouin Margaret Hollmon Historian Curatorial Advisor Mary Terese Duffy Michele McKnight Donna Meyer Heather Winter Virginia Dunphy Irene Morgan Kathy Paulsen Curatorial Assistant JoAnn Eddy Carolyn White-Travanti Members at Large Staff Liaison Shirley Erwin Board Members at Large Sheila Falbo Rosemary Fritz, Chair DOCENTS Lucinda J. Gordon Mary Ellen Kuesel Jane Fee Dorothy Nelle Sanders Bookie Slugg DOCENT COUNCIL Sylvia Fishman Gloria Wright Nominating Committee Sally Schuler Ellen Flesch Emeritus Members Chair Peg Fleury Mary Caan, Chair Janis Frank Fran E. Serlin Ginger Browne Ellen Glaisner Ellen Glaisner Director of Public Programs Program Committee Past Chair Linda Goetsch Staff Liaison Liz Flaig Jane Fee Frank Green Ruth Gregory AMERICAN HERITAGE Curatorial Assistant Secretary Staff Liaison Robert Gresk SOCIETY Lorraine Croft Carol Haakenson Barbara Fuldner Sally Wolcott Beverly Happel CONTEMPORARY ART SOCIETY President Tour Coordinators Monica Hart Kathy Yuille Donna Hensel Carlen Hatala President Theres Rozga Lloyd Hickson First Vice President Docent Review Steve Brink Minah Ho Rana Holbrook President Elect/Treasurer Monica Hart David Hundhausen Second Vice President Junior Docent School Joan Hunt Nick Pabst Program Coordinator Carole Jezek Julie Mosher Secretary Eileen Jezo Secretary Jim Maki Liz Joehnk Sue Frautschi Jenny Nelson Mike Huston Eileen Kaczmarek Past President Continuing Education Treasurer Raymond Kehm Jeff Kasch, Chair Co-Chairs Audrey Keyes Kathleen Asmuth Marianne Lubar Jan Scherr Carole Kintis Randy Bryant Barbara Recht Janet Vopal Mary Laber Ron Christman Jim Seder Special Events Co-Chairs Lila Lange Storm Elser Reva Shovers Joan Larscheid Constance Godfrey Acquisitions Nancy Matthisen Carol Lehmann Jeffrey Hayes Irene Morgan Alice Lipscomb Denise Hice Dorothy M. Stadler, Advisory Training Coordinators Joan Maas Traci Schnell David Keen Alexandra Buchholz James Maki Nicole Teweles Development Nancy Matthisen Anne Vogel Joan Hunt Karen Drummond, Chair Travel Co-Chairs Julie McHale Kathleen Vogel Donna Baumgartner Kathleen Melser Carol Wiensch Diane Strauss Nancy Sergile Irene Morgan Board Members at Large Hospitality Martha Wolz Joan Nason Liz Flaig Docent Digest Editors Jenny Nelson Tom Obenberger, Chair Annette Niedermeyer Curatorial Assistant Sharon Canter Mary Papenthien Staff Liaison Diane Richards Betty Nordengren Wendy Burke Joyce Pabst Tom Lacy Docent Resources Co-Chairs COLLECTORS’ CORNER Mary Papenthien Joan Lubar Brigid Globensky Georgia Parks Mary Terese Duffy Marketing/Membership Barbara Brown Lee Dorothy Ann Phinney President David Keen, Chair Marcie Hoffman Margaret Plotkin Delphine Cannon Ellen Flesch Jane Nicholson Yvonne Porter First Vice President Nick Pabst Staff Joan Prachthauser Newsletter James Radtke Sally Litzow FULL-TIME DOCENTS Gail Rennie Second Vice President Sue Frautschi Diane Richards Nominating Suzanne Aiken Judith Croak Kathy Arenz Marceline Roberts Recording Secretary Katherine Beeson Rose Marie Rodriguez Therese Rozga www.mam.org 55 Brenda Schendel Joan Barnett Valerie Hanbury Kristin W. Severson Janis Scherr Elaine Berke Birthe Hansen Vice President, Events Sally Schuler Martha Bolles Joan Henderson Jane Segerdahl Georgia Bond Judith Katz Timothy E. Ryan III Janet Seizyk Marilyn Bradley Barbara Larkin Vice President, Nancy Sergile Joanne Charlton Cynthia Lhost Long-Range Planning Judy Shapiro Virginia Clark Kenneth Loeffel Susan G. Forrer Cathy Simpson Mary Dahlman Sally Pratt Vice President, Membership Wendy Sleight Barbara Damm Sheila Rudberg Dorothy M. Stadler Bette Drought Sher Schachameyer David M. Bauer Sharon Steinmetz Audrienne Eder Carol Stephenson Treasurer Cynthia Swedish Janet Engquist Yolanda Wattsjohnson Lawrence J. Schnuck Clare Swietlik Betty Fetherston Secretary Carol Thieme Marjorie Franz Barbara Brown Lee Patsy Tighe Joe Frenn Chief Educator Lawrence W. Oliverson Jerome Trewyn Jean Friedlander Staff Liaison Member-at-Large Beverly Ugent Ann Gehring Pamela W. Shovers Carla Uphill Barbara Gemignani HONORARY DOCENTS Past President Janet Vopal Susan Godfrey Janet Fishman Mary Alice Wasielewski Francine Goldfarb Maggi Gordon Patricia S. Algiers Bonnie Welz Eileen Gruesser Char Powers Molly W. Allen Alice White Sally Hackbarth Mark S. Bishop Christopher M. Bouda Kathy Wicht Avis Heller FINE ARTS SOCIETY Carol Wiensch Edith Herrold Elizabeth H. Bruce Pamela Willms Cynthia Holly Rob Foote Dennis F. Connolly Sally Wolcott Lorraine Horst President Lynne R. Dixon-Speller Dorothy Hughes Ken Treis Janet L. Gebhardt PART-TIME DOCENTS Caroline Imhoff Vice President William E. Gray Patricia Babler Nancy Jaekels Scott A. Heinert Helen Johnson Art Laskin Jon W. Hopkins Sylvia Barany Secretary Ruth Beck Phylis Johnson Joan Lubar Leanne Boris Anne Junkerman Frank Murn Linda L. Lundeen Claudette Bostrom Joan Kabins Treasurer Joe Massimino Phyllis Casey Elsie Kanin Karen C. McDowell Mary Ellen Ebarp Sally Kersten Barbara Buzard Kim M. Muench Claire Fabric Marlene Kohn Ex-Officio Nancy A. Munroe Estelle Felber Fran Kryzinski Judith L. Perkins Andrea B. Bryant Louise L. Perrin Susan Frautschi Norbert Lochowitz Jane Doud Olive Giese Audrey Mann Patricia B. Sara Mary Terese Duffy Sally L. Schuler Marguerite Gohsman Bill McCarthy Christy Foote Paula Goldman Alice Nelson Holly H. Segel Bill Gray Betty Stowell Adrienne Hirsch Helen Pfeifer Eileen Jezo Mary Holden Isabelle Polacheck Stacy G. Terris Donna Kempf Board of Directors Jeanne Jacobs Beverly Rattner Virginia Knight Beth Just Mary Louise Roozen John Monroe Elaine Larsen Renee Rosenblum Elizabeth D. Hoffman James Quirk Director of FOA Events and Marie-Claude McNulty Dorothy Nelle Sanders Mary Rotheray Mary Meyers Mary Shinners Programs Alfonse Runquist Staff Liaison Joyce Ninneman Charlotte Simpson Sheila Schmitz-Lammers Suzanne Pieper Dorothy Slivicki Joana Smocke GARDEN CLUB Mildred Pollard Marvin Summers Channing Welch Norma Rand Virginia Taylor Winston Williams Rosheen Styczinski Lavonne Rau Gloria Thibodeau Board Members at Large President Mary Ellen Reiland Roseann Tolan Lorraine Tollefsrud Laurie Winters Kathy Hulen Ginny Rogers Vice President Bob St. Clair Charlotte Zucker Curator of Earlier European Art Mary Jo Schauer Curatorial Advisor Mary Terese Duffy LEAVE OF ABSENCE Diane E. Schneiger Catherine Sawinski Second Vice Susan Shane Marie DeVillers Curatorial Assistant President/Programs Patricia Strassburger Janet Larscheid Staff Liaison Mary Alice Tamsen Marieta Remington Heidi Connolly Third Vice President Ruth Traxler Gloria Rozmus FRIENDS OF ART Priscilla Tuschen Marie Seder Lori R. Bechthold Barbara Wood Susan Vebber Marsha Sodos Recording Secretary Libby Wigdale BJ Waldron President Martha Wolz Edward J. Hanrahan Eleanor D. Lee Barbara Wood TRAINEES President-Elect Treasurer Clarice Zucker Mary Ackerman Valerie B. Clarke Nancy Sommer Val Borger Parliamentarian EMERITUS DOCENTS Vice President, Anne Borkowf Business Development Barbara Strecker Marianne Atkielski Janet Dulde Julia DeCicco Susan Strecker Pat Baker Christine Fingard Deborah Kern Vicki Banghart Jule Groh Vice President, Communications Honorary Directors

56 Milwaukee Art Museum Margarete Harvey Kathy Parker Mary Ann Ganny Lygere Panagopoulos Immediate Past President Nominating Committee Deborah Geske Judy Pawinski Marialyce Gove Wendy Pawlak Barbara McGinnis Elaine Erickson Rose Grether Suzanne Petersen-Acklam Community Outreach Harold Hansen Jennifer Gruber Kate Petrosky Kenneth Klauck Marcy Gurgel Marilyn Pietrzak Diane Hameister Kevin Milaeger Environmental Elaine Haberichter Patricia Pietrzak Barbara Tays Donna Hall Judith Pomes Helen Oberndorfer Board Members at Large Tsui Ching Hammond William Pomes Ruth Pike Sarah Kirk Janey Hardwick Jane Porath History/Photography Associate Curator of Prints, Chuck Harper Elizabeth Prichard Donna Gager Drawings, and Photographs Kimberly Hickey Whitney Raasch Landscape Design Curatorial Advisor Barbara Himes Edith Radovich Mary Hoefert Jim Radtke Carolyn Easom Catherine Sawinski Jean Holmes Judy Randall Margarete Harvey Curatorial Assistant Bernadine Huber Evelyn Raskin Liaison to District Garden Clubs Staff Liaison Rachel Hug Gloria Rath Kerith Iverson Linda Richman Carol Buechel VISITOR SERVICES Membership Geraldine Jakubowski John Ridley VOLUNTEERS Russ Jankowski Terri Ridley Phyllis Scharner Mary Ann Adams Carole Jezek Allison Ringhand Newsletter Pat Bakula Sherry Johnson Curt Rode LaVonne Rau Susan Bauer Amber Josi Pat Rode Reservations Adam Baus Kathleen Kelly Pat Rodell Maria Becker Mary Kelly Maggie Rose Mary Ottusch Harriet Blumberg Susan Kerr Anne Rossmeier Social Secretary Jane Botham Diane Kirchen Adele Roy Roderic Botts Barbara Klinger Marian Rozek Mary Derse Jaclyn Broderick Lidia Klos Philip Rozga Telephone Rose Brojanac Suzanne Kludt Erica Scherwenka Avis Heller Irene Bronikowski Elizabeth Koloske April Schicker Yearbook Andrea Brouer Janice Koloske Heidi Schlehlein Keywon Brownlow Melissa Koss Reva Schlonsky Elizabeth D. Hoffman Mal Sun Brunner Monica Krause Cindy Schmadeke Director of FOA Events Robert Brusky Stephanie Krenz Tom Schneider and Programs Diane Buege Muriel Kritzik Nancy Sergile Staff Liaison Lorraine Buehler Jonathan Krug Milli Shade Jane Bushell Tabitha Krug Elizabeth Shea PHOTOGRAPHY COUNCIL Anne Callaghan Melissa Krutina Sabeen Shiraz Carol Lewensohn Donna Calvin Ruth Lange Mildred Sirna Chair Natalie Canadeo Kathy Lee Justin Snowden Ena Carroll Ingebourg Liebl Mary Ann Sobczyk Lisa Hostetler Millie Casey Ann Line Beatrice Steffes Assistant Curator of Prints, Jessica Chapman Alice Lipscomb Betty Storey Drawings, and Photographs Sandra Collier Ken Loeffel Dore Strobel Curatorial Advisor Barbara Collignon Sonja Loges Joy Stuppia Brooke Mulvaney Lucy Conway Lucy Madson Anne Marie Swenson Curatorial Assistant Brigitte Cooper Eileen Magenheim Francesca Tenuta Staff Liaison Heidi Cooper Barbara Mahoney Lee Tishler Mary Crawford Arthur Malone Norine Trewyn PRINT FORUM Marilyn Davies Karen Malone Amy Ulrich Russ Meier Jim Delaney Maxine Malone Lori Unangst President Rod DePue Sabrina Martinez Bobbye Vance Ann DeWaters Jennifer Mattes James Washington Tricia Polyak Karen Diehl Irene McNamara Marlene Watchmaker Vice President Cassandra Donahoe Emily Meinhardt Phoebe Wechsler Ted Drettwan Dora Mendoza Sherye Weinbach Kathy Parker Tony Drollinger Marion Metzow Vanessa Wilder Treasurer Joan Drouin Kim Mickelson Dorothy Wilkins Janet Matthews Bette Dulka Debra Miller Susan Yale Secretary Ryan Durrant Elizabeth Mora Janet Yang Zachary Eberhardt Véronique Moreau Russ Jankowski Kathleen Eggener Avis Mosby Past President Jillene Erickson Freya Motafram Kent Anderson Priscilla Farrell Jodie Mulder Acquisitions and Collectors’ Club Brenda Fay Adrienne Muller Mary Ferwerda Robin Mumpy Kathy Parker Brittany Fick Alexander Naylor Tricia Polyak Sarah Fiebelkorn Rod Nelson Events and Membership Tricia Fleege Annette Niedermeyer Committee Peg Fleury Fred Niedermeyer Russ Jankowski Michaela Flowers Barbara Noonan Newsletter Mary Foley Marcia Olen Whitney Frazier Michael Paasch

www.mam.org 57 Staff As of August 31, 2005

DIRECTOR’S OFFICE CURATORIAL LIBRARY PUBLIC PROGRAMS David Gordon Joseph D. Ketner, II L. Elizabeth Schmoeger Fran Serlin Director and CEO Chief Curator Librarian/Archivist Director of Public Programs Marilyn Charles Margaret Andera Michele Levandoski* Kim Tindell Executive Assistant Curator/Department Project Assistant Tour Scheduler Coordinator Jamie Goethel McFarlane* Marcie Hoffman HUMAN RESOURCES Laurie Winters Project Assistant Tour Assistant Jan Schmidt Curator of Earlier European Art David Wiesner Director of Human Resources ART PREPARATORS Sarah Kirk Lead Audio Visual Technician Mary Beth Frigo Ribarchek Associate Curator of Prints, Larry Stadler Human Resources Assistant Drawings, and Photographs Chief Preparator Anne Killelea* Audio Visual Technician Joseph Kavanaugh MUSEUM STORE Mary Weaver Chapin Assistant Curator of Earlier Lead Preparator Andrew Swant* Gwen Benner European Art Audio Visual Technician Director of Business Enterprises John Dreckmann Lisa Hostetler Lighting Preparator FINANCE Bambi Grajek-Specter Assistant Curator of Prints, Manager of Retail Operations Dave Moynihan Linda Daley Drawings, and Photographs Construction Preparator Chief Financial Officer Martin Sövik Sarah Fayen Bookstore Manager/Buyer Kelli Busch Christina Gaskey Adjunct Assistant Curator Preparator Accounting Manager Meghan Bramstedt Chipstone Foundation Gift Buyer Keith Nelson Reggie Kurschner John Irion Preparator Accountant Monet Haskins Designer Buyer’s Assistant Peter Barrickman* Shannon Gallagher Liz Flaig Assistant Preparator Contributed Revenue Associate Ericka Lipscomb Curatorial Assistant Buyer’s Assistant John Nicholson* Rhonda Flory Brooke Mulvaney Assistant Preparator Payroll/General Ledger Christine Zeller* Curatorial Assistant Associate Buyer’s Assistant EDUCATION & PROGRAMS Catherine Sawinski Kathleen Rendflesh* Roslyn Meade* Curatorial Assistant Brigid Globensky Accounting Assistant Assistant Store Manager Heather Winter Senior Director of Education & Programs Heidi Koester Mahrukh Motafram* Curatorial Assistant Office Administration Associate Assistant Store Manager Barbara Brown Lee REGISTRAR’S OFFICE Chief Educator Lauren Kies FACILITIES Stockroom Associate Leigh Albritton Jane Nicholson Charles Loomis Registrar School & Teacher Programs Facilities Engineer Hua Moua* Manager Stockroom Associate Dawn Frank Erwin van Dyck Associate Registrar Sylvia Peine Facilities Manager Catherine Best* Family Events Coordinator Administrative Assistant Jane O’Meara* Crawford Assistant Registrar Molly Carter Facilities Assistant Joan Brennan* Demetra Copoulos* Coordinator of Studio & Joan Frauenfelder* Community Programs Andrew LeMere Carole Holtz* Registrar’s Assistant Facilities Technician Mary Johnson* Helena Ehlke* Melissa Hartley* Robert Keebler* Barbara Klinger* Registrar’s Assistant Scholastic Coordinator Mark Lafrenz* Facilities Technician Jo Ann Loeher* Beret Balestrieri Kohn Steve Vande Zande* Angela Nagle* Slide Librarian Adjunct Community Programs Stephanie Schmale* Coordinator Dan Szczepanski* CONSERVATION Amy Kirschke Su Zanne Toal-Maas* Jim deYoung Associate Educator Christopher Tolbert* Senior Conservator Sheila Vollman* Caitlin Virtue* Store Associates Jacqueline Schweitzer Administrative Assistant Assistant Conservator Therese White Assistant Conservator Christopher Niver* Assistant Conservator Mark Dombek Framer Tim Ladwig Preparator

58 Milwaukee Art Museum SECURITY CAFÉ MEMBERSHIP DEVELOPMENT VISITOR OPERATIONS Ron Ruiz David Jones Kristin Freiberg Barbara Payne Director of Security Café Manager Membership Manager Director of Visitor Operations Ben Choice Randy Hafer Anna Helgeson Ann Rice Security Coordinator Assistant Café Manager Development Associate Day Supervisor Jose Alcala Kevin McDonald Rachel Mentink-Ferraro Diane Dembroski* Nikhilesh Bhaduri Executive Chef Development Associate Day Supervisor Daniel Blair Gary Bolhar CAFÉ FRONT-OF-HOUSE STAFF Risha Cupit* Corey Napieralski James Byrne Ross Bachhuber* Development Associate Visitor Operations Coordinator Richard Cherek Hospitality Kristin Nelson* Chad Piechocki Dean Doberstein William Fuchs* Membership Assistant Volunteer Coordinator Francisco Driessen Hospitality/Server Alana Andrysczyk Shawn Edwards FRIENDS OF ART Administrative Assistant Carol Frothingham Brenda Neigbauer* EVENTS & PROGRAMS Gregory Heinritz Hospitality/Server Beth Hoffman Erin Peronto* Jewel Henry Director of FOA Events & Rebecca Rohan* Barry Herker Zachary John Reinardy* Hospitality/Server Programs Kristin Witte* Stephanie Johnson Receptionists Donald Kenealy Elizabeth Ribarchek* Julie Chin Todd Kirkpatrick Hospitality/Server FOA Events Coordinator Crystal Cresci* Carlos Léon Román Kevin Dally-Muenzmaier* Matt Lipman Nicole Alvarado* Jane Klug* Lloyd Hickson* Gerard Macek Athena Engstrom* Administrative Assistant Julie Jorgenson* Susan Mahrle Joseph Heimermann* Dionne Wachowiak* Selmer Kjos* Erin McCann Jennifer Kennedy* Administrative Assistant Andrew Manz* Geoffrey Mumau William Korinek* Harvey Opgenorth* Shelley Maculan* Alberto Rios SPECIAL EVENTS Rebecca Owen* Danien Rutherford Guthrie Neumann* Julie Perreth* Katie Scheffen* Phyllis Talarczyk Passion Terrell* William Sephus Director of Events Lee Siebers Ma Vang* Jeremy Thomas* James Sudberry Servers Robert Wodke Nicole Van Laanen* Visitor Operations Daniel Wisniewski CAFÉ BACK-OF-HOUSE STAFF Events Manager Leslie Witte Representatives Security Officers Chelsea Coronado* Jonathan J. Holz Line Cook Events Coordinator INFORMATION SYSTEMS Ashley Prichard* Jody Alexander* *part-time Rebecca Goral Line Cook Events Assistant Manager of Information Gian Carlo Reinardy* MARKETING & 2005 ANNUAL REPORT Systems Prep Cook COMMUNICATIONS PHOTOGRAPHERS Sue Nelsen Riley Engstrom* Christine Davidian Lila C. Aryan Assistant Manager of Prep Cook/Dishwasher Information Systems Senior Director of Marketing & Corey Hengen Carley Weber* Communications Mark Hines Prep Cook/Dishwasher Vicky Reddin Fritz Jusak Communications Manager Flavio Cuevus* DESIGNER Dishwasher Katie Heldstab Dan Saal Manuel Nunez Matos* Communications Coordinator Dishwasher PRINTER PRESENTATION Xavier Rivera* The Fox Company, Inc. Steve Biel Lithographers Dishwasher Director of Design & Publications DEVELOPMENT Mary Louise Mussoline Dan Saal Senior Director of Development Designer Katie Hofman Director of Planned Giving Peggy MacArthur Corporate and Foundation Grant Manager Sarah Voth Development Assistant Kelly Knoke Development Associate

www.mam.org 59

Financial Report

The financial results of the Milwaukee Art Museum, Inc. (Museum) for the years ended August 31, 2004 and 2005, and its financial position as of these dates are presented in the following financial statements. KPMG LLP, independent certified accountants, have audited these statements and have issued an unqualified opinion. The statements included herein do not include the notes to the financial statements or the auditor’s opinion. A complete copy is available upon request or can be found on the Museum’s website: www.mam.org. Fiscal year 2005 was both a dynamic and challenging year for the Museum. The operating fund of the Museum ended with a surplus of $1,281 (see table below for additional detail for the operating fund). Lower than projected attendance resulted in a reduction in earned revenue. To offset this reduction, the Museum implemented significant cost cuts mid-year and was able to secure additional contributed revenue. The Museum holds as a steadfast goal achieving a break-even position in the operating fund in 2006 and the years ahead. Investments increased from $21.7 million to $23.9 million (10.1 percent) from 2004 to 2005, and the total return earned on these investments increased from $2.1 million in 2004 to $3.0 million in 2005. The endowment distribution policy of the Museum is 5 percent of the value of endowment assets averaged over the previous three years. An additional distribution may be made at the discretion of the board in years when endowment assets earn higher returns. Due to strong returns two years in a row, the board authorized an additional $412,000 distribution from the endowment funds, which was used for operations, the establishment of a building and information technology reserve, and the replenishment of an acquisition fund. Significant progress was made in raising funds for the building campaign—$18.9 million in pledges were recorded in 2005. As noted in the President and Chairman’s Report, the Museum plans to be debt free by December 31, 2006. The level of debt at the end of the fiscal year was $21 million; this compares to $45 million at the end of fiscal year 2002. Net assets increased by $15.2 million, reaching $119.7 million by fiscal year-end. This increase is due primarily to capital campaign income offset by depreciation and interest expense for the building. With strong financial controls in place and sound prospects for increasing our financial resources in the years ahead, the Museum is well positioned to continue to build our curatorial and educational programs and successfully fulfill our mission.

Operating Fund For the Year Ended August 31,

REVENUE 2004 2005 Contributed Revenue 4,766,525 5,063,995 Earned Revenue Membership 1,310,006 1,289,712 Admissions 1,097,291 1,211,215 Wholesale and retail operations gross profit 794,096 803,537 Facility rental/catering 615,987 591,281 Cafe gross profit 344,170 481,932 Other 914,851 1,002,705 Total Earned Revenue 5,076,401 5,380,382 Endowment/Investment/Other Income 981,197 1,083,683 Total Revenue 10,824,123 11,528,060

EXPENSES Wages/salaries and employee benefits 5,806,984 5,783,181 Building repairs/maintenance/services 1,067,928 921,047 Exhibitions 1,013,114 1,489,695 Supplies/publications/subscriptions 367,639 392,552 Advertising/marketing/promotions 348,202 501,727 All other 2,361,041 2,438,577 Total Expenses 10,964,908 11,526,779 Net Surplus (Deficit) (140,785) 1,281

www.mam.org 61 William Gropper, House Member, 1968. See listing p. 21. Financial Statements

MILWAUKEE ART MUSEUM, INC. Statements of Financial Position August 31, 2005 with comparative amounts for 2004

Assets 2005 2004 Assets: Cash and cash equivalents $ 3,103,577 2,326,705 Accrued investment income receivable 84,026 82,386 Investments, at fair value (note 3) 23,851,236 21,668,402 Prepaid expenses and other assets 622,197 795,430 Inventories 675,186 537,048 Accounts receivable, net of allowance of $2,000 in 2005 and 2004 312,828 377,497 Contributions receivable, net (note 4) 12,759,298 6,038,747 Beneficial interest in assets held in trust (note 5) 737,109 1,691,050 Property and equipment, net (note 6) 100,588,568 103,839,854 Total assets $ 142,734,025 137,357,119 Liabilities and Net Assets Liabilities: Accounts payable and accrued expenses $ 1,350,210 849,511 Deferred revenue 200,900 200,863 Notes payable (note 7) 21,499,192 31,834,376 Total liabilities 23,050,302 32,884,750 Net assets (note 9): Unrestricted 5,473,529 4,929,819 Temporarily restricted 98,457,294 83,719,386 Permanently restricted 15,752,900 15,823,164 Total net assets 119,683,723 104,472,369 Total liabilities and net assets $ 142,734,025 137,357,119

See accompanying notes to financial statements.

www.mam.org 63 MILWAUKEE ART MUSEUM, INC. Statements of Activities Year ended August 31, 2005 with summarized comparative financial information for the year ended August 31, 2004

Operating Other Unrestricted funds funds total Operating support and revenues: Contributions and membership $ 3,749,333 — 3,749,333 Grants and sponsorships 155,296 — 155,296 Milwaukee County War Memorial Center, Inc. (note 2(m) 742,256 — 742,256 Interest and dividends (note 3) 11,551 3,297 14,848 Admission, tour fees, and parking 1,689,216 — 1,689,216 Education income 191,343 — 191,343 Exhibition income 236,881 — 236,881 Sales of wholesale and retail operations 1,855,889 — 1,855,889 Museum café income 739,377 — 739,377 Facility rental income 580,381 — 580,381 Fundraising events and auxiliary activities 58,735 — 58,735 Other 123,798 — 123,798 Investment return appropriated for operations (note 3) 996,979 210,000 1,206,979 Net assets released from restrictions (note 9) 1,653,743 1,255,893 2,909,636 Total operating support and revenues and net assets released from restrictions 12,784,778 1,469,190 14,253,968 Operating expenses: Program services: Education 866,598 14,728 881,326 Audience, communication, and member development 2,044,190 — 2,044,190 Presentation and curatorial 2,853,471 95,662 2,949,133 Cost of sales and expenses of wholesale and retail operations 1,599,291 — 1,599,291 Cost of sales and expenses of museum café 646,833 — 646,833 Total program services 8,010,383 110,390 8,120,773 Managerial and general: General and administrative 1,420,716 163,386 1,584,102 Financial development and volunteer services 810,184 1,072,759 1,882,943 Building services 2,494,478 — 2,494,478 Total supporting services 4,725,378 1,236,145 5,961,523 Total operating expenses 12,735,761 1,346,535 14,082,296 Change in net assets from operating activities (note 2(a)) 49,017 122,655 171,672 Nonoperating revenue, support, gains and losses: Proceeds from sale of art — — — Contributions for art purchases — — — Net assets released to fund acquisitions of art — 466,059 466,059 Acquisitions of art — (522,849) (522,849) Investment return reduced by net appreciation appropriated for operations (note 3) — 621,826 621,826 Change in beneficial interest of assets held in trust — 18,767 18,767 Contributions restricted for capital expenditures — — — Permanently restricted contributions — — — Change in present value of contributions receivable — — — Net assets released for depreciation and interest — 4,470,146 4,470,146 Depreciation and amortization (note 2(j)) — (3,313,665) (3,313,665) Interest expense (47,736) (1,320,510) (1,368,246) Total nonoperating revenue, support, gains, and losses (47,736) 419,774 372,038 Change in net assets 1,281 542,429 543,710 Net assets, beginning of year 441,743 4,488,076 4,929,819 Net assets, end of year $ 443,024 5,030,505 5,473,529

See accompanying notes to financial statements.

64 Milwaukee Art Museum Temporarily Permanently 2005 2004 restricted restricted Total Total

283,512 — 4,032,845 3,947,020 1,594,916 — 1,750,212 969,804 24,561 — 766,817 865,782 10,921 — 25,769 28,262 — — 1,689,216 1,525,774 — — 191,343 144,625 — — 236,881 257,228 — — 1,855,889 1,807,060 — — 739,377 531,854 — — 580,381 618,238 1,597,545 — 1,656,280 1,050,960 (2,758) — 121,040 97,370 43,673 — 1,250,652 900,000 (3,025,199) 115,563 — —

527,171 115,563 14,896,702 12,743,977

— — 881,326 931,611 — — 2,044,190 1,958,120 — — 2,949,133 2,331,190 — — 1,599,291 1,522,857 — — 646,833 576,904 — — 8,120,773 7,320,682

— — 1,584,102 1,419,960 — — 1,882,943 1,480,320 — — 2,494,478 2,681,548 — — 5,961,523 5,581,828 — — 14,082,296 12,902,510 527,171 115,563 814,406 (158,533)

— — — 35,855 53,642 — 53,642 1,256,029 (466,059) — — — — — (522,849) (930,415)

1,078,668 — 1,700,494 1,166,231 (808,726) (153,982) (943,941) (502,965) 18,888,231 — 18,888,231 1,343,098 — 1,588 1,588 52,259 (64,873) (33,433) (98,306) 158,684 (4,470,146) — — — — — (3,313,665) (3,356,454) — — (1,368,246) (1,043,225) 14,210,737 (185,827) 14,396,948 (1,820,903) 14,737,908 (70,264) 15,211,354 (1,979,436) 83,719,386 15,823,164 104,472,369 106,451,805 98,457,294 15,752,900 119,683,723 104,472,369

www.mam.org 65 MILWAUKEE ART MUSEUM, INC. Statements of Cash Flows Year ended August 31, 2005 with comparative amounts for 2004

2005 2004 Cash flows from operating activities: Change in net assets $ 15,211,354 (1,979,436) Adjustments to reconcile change in net assets to net cash used in operating activities: Depreciation and amortization 3,313,665 3,356,454 Contributions designated for long-term investment, capital expenditures and art purchases (18,790,655) (2,979,754) Acquisitions and sales of art, net 522,849 894,560 Net realized gains on sale of investments (743,296) (839,028) Net change in unrealized gains on investments (1,741,723) (844,057) Beneficial interest in assets held in trust 943,941 502,965 Changes in assets and liabilities: Accrued investment income receivable (1,640) (2,392) Prepaid expenses and other assets 173,233 (236,817) Inventories (138,138) (55,319) Accounts receivable 64,669 58,148 Contributions receivable, net 43,716 98,941 Accounts payable and accrued expenses 500,699 55,116 Deferred revenue 37 (133,338) Net cash used in operating activities (641,289) (2,103,957) Cash flows from investing activities: Proceeds from sale of art — 35,855 Acquisitions of art (522,849) (930,415) Purchases of investments (18,232,139) (18,818,751) Proceeds from sale of investments 18,534,324 17,774,129 Capital expenditures (62,379) (246,153) Net cash used in investing activities (283,043) (2,185,335) Cash flows from financing activities: Net borrowings (payments) on revolving credit note (2,360,184) (1,268,471) Redemption of tax exempt bonds (7,975,000) — Contributions designated for long-term investment received 12,036,388 5,352,524 Net cash provided by financing activities 1,701,204 4,084,053 Net increase (decrease) in cash and cash equivalents 776,872 (205,239) Cash and cash equivalents at beginning of year 2,326,705 2,531,944 Cash and cash equivalents at end of year $ 3,103,577 2,326,705 Supplemental data: Cash paid for interest $ 1,253,475 1,030,067

See accompanying notes to financial statements.

66 Milwaukee Art Museum Schedule MILWAUKEE ART MUSEUM, INC. Schedule of Endowment Funds August 31, 2005

Permanently Temporarily restricted restricted (1) Unrestricted (1) Total General Operating Endowment $ 3,511,200 — 1,112,608 4,623,808 Bradley Foundation Fund 3,427,815 — 493,976 3,921,791 Virginia Booth Vogel Acquisition Fund 1,000,000 253,532 — 1,253,532 NEA Challenge Endowment 1,000,000 — 699,764 1,699,764 LaBahn Fund 1,000,000 234,864 — 1,234,864 Patti Baker Education Endowment Fund 1,000,000 100,615 — 1,100,615 Suzanne and Richard Pieper Family Fund 989,340 (31,464) 22,713 980,589 Bradley Conservation/Maintenance Fund 967,865 529,143 — 1,497,008 Expansion Operating Endowment 645,438 — 28,951 674,389 Constance P. Godfrey Acquisition Fund 433,300 535,076 — 968,376 Endowment for Education 430,611 80,412 — 511,023 Richard & Ethel Herzfeld Photography Exhibition Fund 264,747 171,796 — 436,543 Pellegrin Family Endowment for Education 250,000 32,265 — 282,265 John Porter Retzer and Florence Horn Retzer Competition Fund 155,000 89,820 — 244,820 Rene von Schleinitz Memorial Fund 125,000 53,452 — 178,452 Lecture Series Fund 100,000 93,894 — 193,894 Erich C. Stern Fund 58,250 22,182 — 80,432 Joan Marcus Memorial Fund 51,360 4,701 — 56,061 Doerfler Fund 50,000 136,169 — 186,169 James H. Brachman Fund 50,000 13,717 — 63,717 Catherine Jean Quirk Fund 50,000 29,825 — 79,825 Boyd Fund 50,000 41,072 — 91,072 Jill and Jack Pelisek Fund 34,799 21,781 — 56,580 Endowment for Conservation 28,175 5,374 — 33,549 Florence Eiseman Foundation Fund 25,000 14,668 — 39,668 Schuchardt Fund 20,000 6,896 — 26,896 Grootemaat Fund 20,000 26,161 — 46,161 Esther S. Weber Memorial Education Fund 15,000 22,409 — 37,409 Total $ 15,752,900 2,488,360 2,358,012 20,599,272

(1) Investment income derived from permanently restricted endowment funds are included in temporarily restricted or unrestricted net assets as stipulated by the donor. Realized and unrealized losses on the investments of donor-restricted endowment funds reduce temporarily and unrestricted net assets as stipulated by the donor. If losses reduce the assets of a donor-restricted endowment fund below the level required by the donor stipulations, gains that restore the fair value of the assets of the endowment fund to the required level are classified as increases in temporarily and unrestricted net assets.

See accompanying independent auditors’ report.

www.mam.org 67 Jean-François Millet, La cardeuse (Woman Carding Wool), 1855–1856. See listing p. 22.

700 North Art Museum Drive Milwaukee, Wisconsin 53202 414-224-3200 www.mam.org