NATIONAL MUSEUM CACAK MUSEUM GUIDE 2 Radivoje Bojovic
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NATIONAL MUSEUM CACAK MUSEUM GUIDE 2 Radivoje Bojovic CACAK REGION IN THE PAST Guide of National Museum Cacak Cacak, 2009 Radivoje Bojovic CACAK REGION IN THE PAST Guide of National Museum Cacak Editor in chief Delina Rajic Editorial Board Delina Rajic Milos Timotijevic Aleksandra Gojgic Translated into English Vesna Kovacevic Graphic Design by Sladjana Tutunovic Proofreader Zorana Bojovic Photography Sasa Savovic Published by National Museum, Cacak www.cacakmuzej.org.rs Pre-press by Design studio ‘Trigon’ Cacak Printing ‘Svetlost’, Cacak Printed in 1000 copis ISBN 978-86-84067-32-8 MASTER JOVAN KONAK Science and Art, work of Djordje Jovanovic MASTER JOVAN KONAK Permanent exhibition of the National museum COAT OF ARMS in Cacak is located in a picturesque building of Mater Jovan Konak. his building stands out as a Coat of Arms of General Jovan Obrenovic, residential object of the member of ruling dynasty commander of Morava- among few objects of the Balkan architecture Podrinje military preserved in Serbia with its painted coat of arms command is painted on the main façade. between two windows on the main façade. Two lions in the base with the grassy surface, the right one with a Prince crown and the let one with general kalpak, support the Coat of Arms of Principality of Serbia; shield with a white cross and four Serbian symbols with an open crown leant above them. Painting suggests unity of supreme and local authorities: Serbian Prince (a lion th Konak of Master Jovan Obrenovic, beginning of the 20 century with a Prince crown) and district Duke, i. e. military Master Jovan Konak was built in 1835. Josif commander (a lion with a Dobrovic was a supervisor of the building. Ten general kalpak). ‘gogs (bricklayers) for foundation of the Konak’ were sent from Karanovac on 20th March, 1835. Works were completed in September and Jovan Obrenovic provided window panes and door knockers and shelves. Baron August Von Herder visited his family in a ‘new court’ on 2nd October, 1835. At that time priest Janko Mihailovic was inishing painting and shutters ‘three doors were let to be painted’. He also worked out a painted decoration in the peaky arches above windows, but it is only known to us from photographs. On April, 1836 Sava Stanojevic announced the visit ‘of all village mayors to come and congratulate on 7 MASTER JOVAN KONAK DUKE moving into a new konak’. During the summer, JOVAN OBRENOVIC a painter Uros Knezevic was in Cacak, and he (Srednja Dobrinja, 1796 – painted portraits of Jovan Obrenovic in general Sremski Karlovci, 1850) uniform and in lively town’s costume. On the eve of Takovo gathering he made Turkish tax collectors to run away from Konjusa on 22nd April, 1815. He kept Cacak under siege since 25th April. At the beginning of the battle he was in command of cavalry and in May to all Serbian forces on the positions around the town. Ater the victory in Cacak he took the army to siege Uzice. In 1816 he was the leader of Serbian deputation in Carigrad (Istanbul). Prince Milos appointed him Duke of Rudnik and later, in 1832 he was ruling in Pozega district (nahija) as well. He built Church of St. George in Cacak about 1820, konak in 1835, and in Brusnica he built Church of St. Nicholas in 1837. Prince Milos Obrenovic gave him a silver sword General Jovan Obrenovic, work of Anastas Jovanovic, 1851 as a git in January, 1836. he author and the year of painting of the coat When constitutionalists of arms belong to the time of completing buil- came into power, together with other members of the ding works of Master Jovan Konak in Cacak. It ruling family he moved to was painted by priest Janko Mihailovic - Moler Vojvodina in 1842 and he (Negrisori 1792 - Negrisori 1852) in the autumn never came back to Cacak of 1835. Ambitions for having a personal coat of again. arms can hardly be seen as there is only one per- 8 MASTER JOVAN KONAK sonal detail (a lion with a kalpak), while on the shield a state symbols were repeated. Its creation conirms a wish of the painter to mark a residence of a state representative in province at the time when the civil society in Serbia started developing and pushing way looking up to noble European tradition. His disagreement with stylization of shield’s ele- ments in ‘Serbian Newspapers’ he expressed in this way ‘even when Adolph Berman was in typography four Serbian symbols lost their pur- pose and became something like uncompleted little crown. Interest for that topic was testiied by Diploma of turkish ‘Order of Pride’ of general a painter’s early appearance in Serbian heraldic Jovan Obrenovic literature in 1844 when he published the article (Matica srpska, Novi Sad) ‘Something more about Serbian coat of arm in magazine ‘Podunavka’. he Konak is one loor building of a rectangular base, with the entrance on the south-east side. On Master Jovan Obrenovic Konak, 2007 9 MASTER JOVAN KONAK FELIX KANITZ the ground loor there is a basement with a separate (Budim, 1829 - Vienna, 1904) entrance and a hall which connects a dining room for 12 persons, cofee –room and a room with a ire-place for guards. Between these rooms there is a ire place. A wooden stair- case leads to the irst loor. ‘In every of the four corners there is one room and one of them is with the chimney, and above the cellar there is one saddle room, in the rest of the space among the rooms there is a little open space with a ladder leading downstairs.’ Master Jovan Obrenovic did not live in Cacak for a long time. hat is the reason why only one of Kanitz came in 1860 and his portraits from the ‘small saloon’ with ceiling the appearance of the decorated with rosette, belongs to the initial centre of the town was inventory of the Konak. During his six months’ almost the same as when stay in Belgrade, ater the rebellion in 1839, the Master Jovan Obrenovic let Serbia. Colorfulness of state tried to buy the Konak to settle Cacak District the Balkan town was given Administration in. When leaving Serbia, his wife by the buildings built as Ana Obrenovic delivered ‘one lag half red, half a part of the urban core white’ and the cannon from the Cacak battle. formed around the church th ater its reconstruction in In the forties of the 19 century a district physician 1834. Only two buildings Dr Josif Jankovic and the Chief of Cacak District were diferent from the Stevan-Stevca Mihailovic lived in the Konak. In ambient formed around 1850 it was rented to District Administration. the reconstructed church, school and Konak – Ater moving the District base to Karanovac it representatives of state and was deserted and in a very bad condition. It was spiritual rule, and they reconstructed by the builder Naun Jankovic in were Hadzic House and 1857. Ater returning the Administration to Cacak, pyramid built in the honor the head oice of the District was settled again in of Prince Milos Obrenovic return to the throne and Konak in the autumn of 1859. Ana Obrenovic they brought irst central sold the Konak to the supervisor of her properties, European inluences on the Cacak tradesman Spasoje Tajsic, and later it came old town’s centre and they into possession of the state. marked the coming of not very numerous town’s class he oldest look of the Konak is proserved in the representatives on the civil drawing of Felix Kanitz ‘Main Square in Cacak in engineering stage. 1860’. 10 MASTER JOVAN KONAK Felix Kanitz, traveled through Serbia for the irst time when oriental symbols of once pasha’s region started to disappear, and educated people and national institutions had irst results in studying antiquities. His stay in Cacak would have been unnoticed if he had not let the drawing, apart from a short description, of the square from 1860, which is still the oldest art presentation of the town. Ater his irst visit of Cacak on June, 1860 he writes: ‘Our drawing shows to a reader a main square and the Cathedral. In fact, it is the centre around which other public buildings are located. Main Square in Cacak 1860, To its front side there is Administration Centre, work of Felix Kanitz and then comes the Telegraph building, school and on the right there is District Court. For those who are not very familiar with the appearance of Serbian small towns these buildings do not have some signiicant features. Except from the telegraph building, other buildings are more in the Turkish style.’ 11 MASTER JOVAN KONAK First museum manifestation in Cacak was held in 1896. here was a great interest in researching and collecting antiquities, but the idea of forming a museum was recorded for the irst time between the two world wars. Ater death of Marshal Stepa Stepanovic in 1929, there was an idea of building a Konak, 1938 memorial building with the purpose of exhibiting his weapons, decorations and war trophies, but it remained unrealized. In the 30s of the 20th century it was expected that forming of such an institution should contribute preservation of old town’s architecture in Cacak. hat is why the wishes for opening the museum were connected with Konak of Master Jovan Obrenovic. At the municipality request District Administration gave the permission for settling the town’s museum in Museum of Revolutionary that building on September, 1940. Second World Youth was settled in the house War postponed realization of this idea.