University of Pennsylvania ScholarlyCommons Undergraduate Humanities Forum 2009-2010: Penn Humanities Forum Undergraduate Connections Research Fellows 4-2010 Macready's Triumph: The Restoration of King Lear to the British Stage Emily Mullin
[email protected] Follow this and additional works at: https://repository.upenn.edu/uhf_2010 Part of the Arts and Humanities Commons Mullin, Emily, "Macready's Triumph: The Restoration of King Lear to the British Stage" (2010). Undergraduate Humanities Forum 2009-2010: Connections. 14. https://repository.upenn.edu/uhf_2010/14 Suggested Citation: Mullin, Emily. (2010). "Macready's Triumph: The Restoration of King Lear to the British Stage." 2009-2010 Penn Humanities Forum on Connections. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/uhf_2010/14 For more information, please contact
[email protected]. Macready's Triumph: The Restoration of King Lear to the British Stage Disciplines Arts and Humanities Comments Suggested Citation: Mullin, Emily. (2010). "Macready's Triumph: The Restoration of King Lear to the British Stage." 2009-2010 Penn Humanities Forum on Connections. This other is available at ScholarlyCommons: https://repository.upenn.edu/uhf_2010/14 Macready’s Triumph: The Restoration of King Lear to the British Stage Emily Mullin 2009–2010 Penn Humanities Forum Undergraduate Mellon Research Fellowship 2 Mullin Macready’s Triumph: The Restoration of King Lear to the British Stage On the evening of January 25, 1838, at the Covent Garden Theatre in London, the curtain opened on the first performance of King Lear to restore Shakespeare’s original story to the stage. For the first time in over 150 years, under the influence of the tragedian and manager William Charles Macready, the play ended tragically, included Shakespeare’s Fool, and refrained from interjecting a romance between Cordelia and Edgar.