GREAT ACTORS WHOSE FAME IS LINKED with the POET's the Second Wallack's Theatr from 18(1 T Some Traphlo Force the Working of Tk Kw U82

Total Page:16

File Type:pdf, Size:1020Kb

GREAT ACTORS WHOSE FAME IS LINKED with the POET's the Second Wallack's Theatr from 18(1 T Some Traphlo Force the Working of Tk Kw U82 THE SUN, SUNDAY, APRIL 16, 1916. GREAT ACTORS WHOSE FAME IS LINKED WITH THE POET'S the second Wallack's Theatr from 18(1 t some traphlo force the working of tk kW U82. In 1882 ho opened the third and last of taste tn literature. Edwin Booth Wallack's Theatre at Thirtieth street ana The repute that Shakespeare aoaaJsM H Broadway, which he conducted with great his lifetime, though It was rarely deflMa with subtlety, BOOTH wtw the second Bon of liberality and artistic success, although was In spirit all that J EDWIN Brutus llooth, tho celebrated tho financial results were less satisfactory. dlclous admirers could desire. The ary nctor, and was horn In Ho himself was a popular actor, espe- JofinTfacxuUouQt estimate was authorltatltoly llelalr, Marylaihl, November IS, cially in comedy. Ills greatest successes ummed up tn the epitaph which wm In- wore on Htratford-on-Avo- 1WI. Ills Mrt regular appearance un tho as Charles Burfaca, aa Benedick and scribed his monument In n stago wns At Uic Boston Museum In Sep- especially as JJIHot Urey In his own play, ohurch soon after his death. In that "Kn.scdalc," comedy inscription tember. 1849, with his father In "Hlchurd and in similar light and ha was hailed as the equal of Members of the thentrlcnl pretension, romantic parts, for which his fascinating great l.eroes of classical antiquity of Nes- lilt" manner person welt fitted In who held the elder Booth's noting In great and handsome tor wisdom, of Socrates li genius, of reverence, seemed to agree lilm. He was tho author of several other Virgil tn literary art; ho was acknowledged that the gcnlm. plays, Is hud not descended on tho son. but "Hosedalc" the best known of In plain terms to be tho greatest of contem- of the father his works. He nlso wrote his own "Mem- porary His father, too, was disappointed with his writers; all living writers were de- ories of fifty Years." sjlj clared to be worthy only to serve him as acting. Ho Booth's appearance In New married a sister of Sir John Mlllala. psges or menials. Edwin first Ho died at Htamford, Conn., In 1881. Tork was at tho Nutlonal Theatre In Chat- Shakespeare's epitaph, the significance of ham street In September, 18,10. A year .ssslsl stlsl which Is not always appreciated, justllea later In consequence of tho Illness of the no doubt of the supremacy that he enjoyed elder Booth tho son took his place, In tho John Maccullough In the English world of letters of his own part of .Richard III, It was not until tho day. The homage of literary contempor- death of his father, however, that IiIh bril- John Maccullough was bora at Blakes, aries was confirmed without faltering and liant acting won recognition. Ho toured near Colcralne, Londonderry, Ireland, Nor. in finer phrase by Milton, the next occu- extensively and his Hamlet. Klchard and 14, 1832, of extremely poor parents. Ills pant of ths throne of English letters. RtcheHru were highly praised. father was unable to provide for his large No subsequent change of literary tut In 189S he became manager of tho Wln-t- r family and In 1847 John and hts slstsr Jane or literary fashion In England really Garden Theatre, New York, where he emigrated to America. Thsy had heard of dimmed Shakespeare's fame. In the day) gave a series of Shakespearian produc- a cousin named John Maocullouffh In Phila- of the Restoration, Dryden humbly ac tions of a magnificence unexampled up to delphia. Tho Immigrant boy and hla Isnowledged dlsclpleshlp to him. Some cen- that time. The splendor of this period of sister found htm and John obtained work sure he suffered from thoughtless lips; but his career, however, was temporarily ex- In his cousin's chair factory. the right to the rank of classic, which had tinguished when In 1863 his brother, John His dramatic faculty was deyeloped by been granted him as soon as the breath Wilkes Booth, assassinated President Lin- tho accident of his association with a left his body, was never effectually dis- coln. The three Booth brothers, Junius mngestruck fellow workman In the shop. puted. Brutus, Edwin and John Wilkes, had He made his first appearance on the stage The formal critics of the eighteenth cen- played together In "Julius Cn-sar- In tho at the Arch Street Theatre, Philadelphia, tury sought to show that much of hts autumn of the previous year the perform- under the management of William RnssssssssssssssslB work deviated from formal standards or ance being memorable both for its own Wheatley and John Draw In 1167. Ills from rules of formal art. But these cen- excellence and for the tragic situation riio In the dramatic profession was gradual. sors gave 'him the worship of Incessant Into which two of the prlnclp.il performers In support of Kdwln Booth and Edwin BBssssssssssssssssKiHsBMss study. They edited and annotated hts writ- were hurled by the subsequent crime of played II1SsssssssssssH3sssssssBfJ( gen- appear Forrest he second roles In Shake- ings, with the result that a succeeding the third. Edwin Booth did not spearian and other tragedies. Forrest left eration of readers acquired a more ac- stage some o.i- - I, on tho for time after tho him by will all his prompt books. In 1881, curate comprehension of his work than was ssssinauon. men no piayca uamici ai when he accompanied Forrest to California progress Theatre, audtenco possible before. The triumphal the Winter Garden tho he was received with Immediate and un- of Shakespeare's reputation was stimulated showing by unstinted applause that no common favor. He remained tn Call grudge was held against him on account of by eighteenth century research and criti- infamy fornla with the consent of Forrest and cism to a quicker pace. the of his brother. undertook, with his distinguished contem- 1889 Booth built a theatre of his own The critical faculty of the nation was In porary, Lawrence Barrett, the management open- at Twenty-thir- d street and Sixth avenue, especially acute and sagacious at the of the California Theatre, and writers have ing of the ninteeenth century, and Sheka-speare- 's Hew Tork, and organized a splendid stock period company was distinguished by us- declared that this was a brilliant preeminence was then sees In which chapter In the history of the dramatlo ing the true text of Shakespeare, thus an- sharper outline and In fuller rondeur than profession on the Pacific coast. any epoch. sympathetic In- tedating by several years a similar reform greatest t at earlier The tn Rmrland. Tn 1874 Booth failed flnan- - Virninlua was his success, and tuition of three early nineteenth century he K ,,' dally, It was many years before he played that part and others with favor critics Coleridge, Lamb and Hazlltt re- and in New London. 1884 p rebuilt his fortune. He converted his resi- York and In he mains unsurpassed. But there has been no down mentally physically c . m i dence on Gramrrcy Park Into the riayers broke and and ai vzsssssssssb". r .v tr assart j, f r W4 hiw trace of retrogression In the wise and rea- died In on asylum In Philadelphia In 1885. ivsnjw3 it .rr lwtaa xz' Club for the elect of the profusion, retain- 24t&'&Tt soned enthusiasm of later generations of ing only a small apartment for himself, William Winter, In a remarkable sketch reading public. of Maccullough, says: Mac- - j tho where he died June 7, 1893. "When John The history of Shakespeare's fame is in- cullough, a youth of 16, came to America His most famous part was Hamlet, for rtJG7lGCllCJC deed that of a flowing tide; the ebbing was gifts lie could read nut lie could not write, tie long enough sustained to give It gen- which his extraordinary peculiarly received no education and was In Ignorance never fitted him. Ho protwbly played the part uine Importance; the forward march was of literature and art. Dying thirty-eig- ht oftener than any other actor beforo or years never seriously Impeded, and Is from start later, he had become a man of large commanding of since. and varied mental acquirements, a con- to finish the feature the siderable scholar in the dramatic profes- chronicle. sion, and the most conspicuous heroic ac- Lawrence Barrett tor of his time on the American stage. Such a career, beginning In obscure and Ignorant penury nr.d ending in culture, honorable ' manager, sol- aMsija Lawrence Barrett, actor, eminence, prosperity and fame, is extraor- lsLsV JSmKii HOW THE BIBLE INSPIRED MANY dier and biographer, was born of Irish dinary, and In dramatic annals It makes parents April 4, 1838, at Putcraon, N, J. John Maccullough a memorable name." Ills family name was Branulgau. Hu THINGS IN SHAKESPEARE made his first stage uppeurunce at Detroit ns Jlurml in "The French Spy" In 1853. In December, 1S56, he made his Unit Now Fanny Davenport ANY persons confuse the Bible and 8hakespeare in placing quotations. The York appearance in, "Tho Hunchback." reason to twofold. FlrsJ, elevated thought may be expected of either, and Il;s career as a soldier in the Civil War Fanny Lily Gipsy Davenport was the , second, the Authorized Version was produced In 1611, Jut when Shakespeare th"e M was distinguished. He served as captain daughter of celebrated actor Edward was at the height of his career, so that the English of the time Is reflected li the T.wnty-i-ight- h Massachusetts In- LoomU Davenport. She was born In Lon- In both the Bible and his works.
Recommended publications
  • Barretto: (--- ) Supported by (--- ) :0 Andmr
    McVICKER'S L. L. SHARPE, Stage Manager. BILL OF THEPLAY C. S. REDFIELD, Treasurer. J. H. ROGERS, Scenic Artist. HENRY DOEHNE, Musical Director. T WENTY-EIGHTH SEASON. MR. LAWRENCE BARRETTO: (--- ) SUPPORTED BY (--- ) :0 ANDMR. LOUISJAMES AN EXCELLENT COMPAN Y. Monday and TuesdayEvenings, November 17 and 18, 1884, and Saturday Matinee, November 22 Mr. W. D. Howell's adaptationfrom the Spanish,in ThreeActs, entitled YORICK'S LOVE CAST OF CHARACTERS: MASTER YORICK, Comedian of the Globe Theatre LAWRENCE BARRETT MASTER HEYWOOD, Manager of the Globe Theatre LOUIS JAMES MASTER WALTON, LeadingActor of the GlobeTheatre S. E. SPRINGER MASTEREDMUND, Protege of Yorick F. C. MOSLEY MASTER WOODFORD, Authorof a NewPlay CHAS M. COLLINS GREGORY, an old servantof YorickBEN G.ROGERS THOMAS, Prompter of the Globe Theatre ALBERT RIDDLE PHILIP } Servants of Warrener, the Painter, { PERCY WINTER TOBIAS } Servants of Warrener, the Painter, { J. L. FINNEY MISTRESS ALICE, Wife of Yorick } Servants of Warrener, the Painter, { MARIE WAINRIGHT MISTRESS DOROTHY, Maid to Alice } Servants of Warrener, the Painter, { ROSA FRANCE CHANGE OF CHARACTERS IN ACT THIRD. COUNT OCTAVIO (Yorick) LAWRENCE BARRETT MANFREDO (Edmund) F. C. MOSLEY LANDOLPHO (Walton) S. E. SPRINGER BEATRICE (Alice) MARIE WAINWRIGHT Stage Manager for Mr. Barrett OLIVER DOUD SYNOPSIS OF SCENES AND INCIDENTS: ACT I.-Yorick's Home. ACT II.-Yorick's Garden. ACTIII.—Scenes 1 and 2—Green Room and Stage of old GlobeTheatre. FOR ARGUMENT OF THE PLAY, SEE NEXT PAGE. WEDNESDAY, Mr. BARRETT as HAMLET THURSDAY, Mr. BARRETT as RICHELIEU FRIDAY, Grand Double Bill, MERCHANTOF VENICE and DAVID GARRICK Mr. BARRETT- as SHYLOCK and GARRICK. SATURDAYNIGHT, JULIUS CAESAR Mr.
    [Show full text]
  • 15/7/39 Liberal Arts and Sciences Department of English Charles H
    The materials listed in this document are available for research at the University of Record Series Number Illinois Archives. For more information, email [email protected] or search http://www.library.illinois.edu/archives/archon for the record series number. 15/7/39 Liberal Arts and Sciences Department of English Charles H. Shattuck Papers, 1929, 1937-92 CONTENTS Box Correspondence, A-Z, 1944-61 1 Correspondence, A-Z, 1961-92 2-6 Subject File, A-W, 1929, 1946-91 6-10 Accent File, A-W, 1942-79 10 Shattuck Promptbooks, 1942-77 10-14 Playbills, 1913-88 14-15 Publications & Reviews, 1938-86 15-16 Research Notes & Correspondence, 1937-92 Macready & Booth 16-17 Shakespeare Promptbooks 17-21 Shakespeare on the American Stage 21-22 Theatre and Brecht 23 Posters & Slides 24 Box 1: Correspondence, 1944-61 A, 1946-58 Adams, John C. 1945-58, 1960 B, 1947-60 Brecht, Bertolt, 1955 C, 1947-60 D, 1946-59 E, 1946-60 Engle, Paul, 1946-56 F, 1945-60 Ford Foundation, W. McNeil Lowry, 1958-59 G, 1945-60 Gregor, Arthur, 1951-54 H, 1943-60 Harrison, G.B., 1957-58 Hewitt, Barnard, 1947-56 Hanson, Philip, 1951-57 I-K, 1942, 1947-61 L, 1946-60 M, 1944-61 15/7/39 2 N-O, 1949-60 P, 1949-60 Q, 1958-60 R, 1944-64 Sa-Sh, 1948-61 Sl-Sy, 1943-60 Stoddard, Margaret, 1954-55 Swanson, John Wesley, 1946-59 T, 1946-60 U-V, 1948-61 Vassar College, 1948-49 W, 1946-60 Wallace, Karl, 1947-49 X-Z, 1953-59 Box 2: Correspondence, 1961-92 A, 1961-92 Abou-Saif, Laila, 1964-69, 1978 Adams, John C., 1961-85 Andrews, John F., 1976-91 Andrews, Kenneth R., 1963-91 Archer, Stephen,
    [Show full text]
  • Broadside Read- a Brief Chronology of Major Events in Trous Failure
    NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION Volume 17, Number 1/Volume 17, Number 2 SPECIAL DOUBLE ISSUE Summer/Fa111989 EXHIBITION SURVEYS MANHATTAN'S EARLY THEATRE HISTORY L An exhibition spotlighting three early New York theatres was on view in the Main I Gallery of The New York Public Library at Lincoln Center from February 13, 1990 through March 31, 1990. Focusing on the Park Theatre on Park Row, Niblo's Garden on Broadway and Prince Street, and Wal- lack's, later called the Star, on Broadway and 13th Street, the exhibition attempted to show, through the use of maps, photo- graphic blowups, programs and posters, the richness of the developing New York theatre scene as it moved northward from lower Manhattan. The Park Theatre has been called "the first important theatre in the United States." It opened on January 29, 1798, across from the Commons (the Commons is now City Hall Park-City Hall was built in 1811). The opening production, As You Like It, was presented with some of the fin- est scenery ever seen. The theatre itself, which could accommodate almost 2,000, was most favorably reviewed. It was one of the most substantial buildings erected in the city to that date- the size of the stage was a source of amazement to both cast and audience. In the early nineteenth century, to increase ticket sales, manager Stephen Price introduced the "star sys- tem" (the importation of famous English stars). This kept attendance high but to some extent discouraged the growth of in- digenous talent. In its later days the Park was home to a fine company, which, in addition to performing the classics, pre- sented the work of the emerging American playwrights.
    [Show full text]
  • Appendix: Famous Actors/ Actresses Who Appeared in Uncle Tom's Cabin
    A p p e n d i x : F a m o u s A c t o r s / Actresses Who Appeared in Uncle Tom’s Cabin Uncle Tom Ophelia Otis Skinner Mrs. John Gilbert John Glibert Mrs. Charles Walcot Charles Walcott Louisa Eldridge Wilton Lackaye Annie Yeamans David Belasco Charles R. Thorne Sr.Cassy Louis James Lawrence Barrett Emily Rigl Frank Mayo Jennie Carroll John McCullough Howard Kyle Denman Thompson J. H. Stoddard DeWolf Hopper Gumption Cute George Harris Joseph Jefferson William Harcourt John T. Raymond Marks St. Clare John Sleeper Clarke W. J. Ferguson L. R. Stockwell Felix Morris Eva Topsy Mary McVicker Lotta Crabtree Minnie Maddern Fiske Jennie Yeamans Maude Adams Maude Raymond Mary Pickford Fred Stone Effie Shannon 1 Mrs. Charles R. Thorne Sr. Bijou Heron Annie Pixley Continued 230 Appendix Appendix Continued Effie Ellsler Mrs. John Wood Annie Russell Laurette Taylor May West Fay Bainter Eva Topsy Madge Kendall Molly Picon Billie Burke Fanny Herring Deacon Perry Marie St. Clare W. J. LeMoyne Mrs. Thomas Jefferson Little Harry George Shelby Fanny Herring F. F. Mackay Frank Drew Charles R. Thorne Jr. Rachel Booth C. Leslie Allen Simon Legree Phineas Fletcher Barton Hill William Davidge Edwin Adams Charles Wheatleigh Lewis Morrison Frank Mordaunt Frank Losee Odell Williams John L. Sullivan William A. Mestayer Eliza Chloe Agnes Booth Ida Vernon Henrietta Crosman Lucille La Verne Mrs. Frank Chanfrau Nellie Holbrook N o t e s P R E F A C E 1 . George Howard, Eva to Her Papa , Uncle Tom’s Cabin & American Culture . http://utc.iath.virginia.edu {*}.
    [Show full text]
  • 22760·1 PHOTOGRAPH Surchedlhc Ainley, Henry, 1879-1945 O",..N 2291 Photograph of Ainley As Hamlet, Dol
    -, Gilt Photographs Model theatre based on plans of J ,C'IAdams 6 photogra:,hs of theatre and stage. Gift of Charles Shattuck, 3.3.44 JUN 30 '01' 22760·1 PHOTOGRAPH surchedlhc Ainley, Henry, 1879-1945 o",..n 2291 Photograph of Ainley as Hamlet, Dol. 10-14-86 signed and inscribed. To Tristan Rawson. so=Smith & Fawke 1930. orr.. q 9- 24-86 sel by en Price £2 Rec. by Roc'd1f2. 'fL Iv Ae<'dl-87 lhc LC No. Gilt Aldridge Photograph of Garrick Club portrait Gift of Willard Connel,y 1.17.38 .- Photo raph "All the 110 rId '5 a Stage". Photograph of a painting by Samuel de rilde, Depicting a scene from the playas iven at Drury Lane Theatre on i..arch 18th, 1803. 'r. ~uick as Sir Gilbert Pumpkin and Mrs. F. A. Henry as Kitty Sprightly in Gift of B. F. Stevens & Brown, .Ltd. June 13, 1946. Photographs Allen, Viola Photographs of ss Allen In Shakespearian roles: As Desdemona 1 photograph As Lady lJacbeth 15 photographs As Mistress Ford 2 photographs Scenes from CYD'.beline 5 photographs Scenes from Twelfth Night 6 photographs Scenes from Winter's Tale 5 phntographs In non-5hekespearian roles 7 photographs Gift of Charles W. Allen, June 23, 1948. American Shakespeare Festival TLeatre S.are:h.d and Academy, Stratford, Connecticut. Order n.o photographs from the 1969 15th) Oate season••• frp~ the productions of ll"",let Source JGM and Henry 2:.. 2 photos. orrer Price gift Rec. by Rec'd 4- 26-73 Acc'd • '" \ LC No. Photograph Barrett, La'in'ence aI.
    [Show full text]
  • From Richard III to Rex I
    NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard From Richard III to Rex I Tower of London was a 1939 movie starring Basil Rathbone as the future Richard III of England, with Boris Karloff as the fictional executioner Mord. Vincent Price appeared as George, Duke of Clarence, in this quasi-horror historical drama. In 1962 Tower of London was remade by Roger Corman, this time starring Vincent Price in the lead role as Richard III. Francis Ford Coppola worked on the movie as dialogue director. Vincent Price, Jr. (May 27, 1911 – October 25, 1993), the American actor with the perfect voice for horror movies, grew up in Saint Louis, Missouri, in a well-to-do family whose wealth was made possible years earlier when his grandfather invented “Dr. Price’s Baking Powder”. “The Prices loved to travel”, wrote the actor’s daughter, Victoria Price. “Marguerite and Vincent Sr. had been to Europe, and as their children grew older, whenever they could the couple took shorter trips to interesting cities such as New Orleans … returning with ‘artistic’ souvenirs”. From his travels at home and abroad, young Vincent Price acquired a passion for art and, along with an art history major at Yale University, an interest in the theatre. Despite his long career performing in films of the macabre, Price began as a character actor. He gave a memorable performance in the film Laura in 1944. In the 1950s, viewers enjoyed wearing 3-D glasses to watch Price in House of Wax and thrilled to The Fly (1958) and Return of the Fly (1959).
    [Show full text]
  • Of Allah" Which
    THE OMAHA SUNDAY BKK: FKlHU'AHY 1, 1914 9- -13 FAMOUS ACTRESS OF TWENTY- - YEARS AGO M RRANDEIS THEATER SFIVE CRAWFORD, PHlLLEY G ZEHRUNG, Mgra. M(SVV 1 I Toir8 TIKBDAV J TODAY Tuesday THE MUSIC OKfcAlVf A by OKXK BTIlATTOX.POItTHIt Popular Pricod Matinees -:- - 25c-50- c Iftl nnv ami v i nuc 1 r-a- s ilnur I u - 1. tivi 7ui uatiucci PCI " vhi vii ccddii uuivu u mi inui. aim mum IDA WESTON RAE IN THE MORAL AND UPLIFTIN8 DRAMA AS YE SOW Tr I Mat. 25c and 50c Night 25c, 35c, 50c, 75c FOUR N8GHTS Feb. S, 9, 10, 11 Wed. Mat. OMVIIIt MOHOSCO 1'roscnts tho (Jivntcst Comedy lilt of UioDo-nrt-o Eli 0' MY HEART Ity J. HAHTLRV MAXXI2KS (Lnurt'tte Taylor' Vcrjicttinl New York Success) One Oay 3,iy--Fe- b. 12, fthiinse and Night Wim.iam Morris akxounckb HARRY LAUDER Anil His Compnny of International Artists Engaged In His FIRST ROUKll.THIMVORM) TOUR Price Mat. 50c to $1.50; Night 50c to $2 TWO NSGhTS-Fc- B. 13 - 14, Saturday Matins WILLIAM A. RRADY OKFKRS BOUGHT and PAID FOR Tho Great Nqw York nnd London Success by doorgq Broadhurct ONE WEEK CCD , Ifi MATINEES 4 COE Sunday TIM 13 Wii. mi Saturrfty THK WORLDS GRKATKST DRAMATIO SPKCTACLK The GARDEN 4 AmiPros -- At Ae o&pimm At, the ORPHSCM HE recurrence Jn print of the tors who had played with her Tatd For" at tho Brandels February namo of Mary Anderson is days when alio was "Our Mary." and U for three performances.
    [Show full text]
  • Performing Shakespeare in the Age of Empire
    PERFORMING SHAKESPEARE IN THE AGE OF EMPIRE RICHARD FOULKES PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CBRU,UK West th Street, New York, NY -, USA Williamstown Road, Port Melbourne, VIC , Australia Ruiz de Alarc´on , Madrid, Spain Dock House, The Waterfront, Cape Town , South Africa http://www.cambridge.org C Richard Foulkes Thisbook isin copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge Typeface Baskerville Monotype /. pt. System LATEX ε [TB] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Foulkes, Richard. Performing Shakespeare in the age of empire / Richard Foulkes. p. cm. Includesbibliographical referencesand index. ISBN . Shakespeare, William, – – Stage history – –. Shakespeare, William, – – Stage history – Great Britain. Shakespeare, William, – – Stage history – North America. Shakespeare, William, – – Stage history – Europe. Theater – Great Britain – History – th century. Theater – Great Britain – History – th century. Theater – History – th century. Theater – History – th century. I. Title. PR.F . –dc ISBN hardback Contents List of illustrations page viii Acknowledgements
    [Show full text]
  • The Shakespeare Tradition in Philadelphia. 161
    The Shakespeare Tradition in Philadelphia. 161 THE SHAKESPEARE TRADITION IN PHILADELPHIA. BY JOSEPH JACKSON. (Read before the Contemporary Club, March 13, 1916.) About twenty-five years ago Walt Whitman told his Boswell, Horace Traubel, that Shakespeare would be laid on the upper shelf, but I have a suspicion that the iiGood Gray Poet" unintentionally deceived his liter- ary executor, for there is no evidence that the drama- tist is passe, though he may have become more classic. The fact is, the city fathers tried to lay the bard on the shelf the first time he showed his head, and they did succeed in driving him out of town. Fortunately, Philadelphia in numerous ways has made amends for its hasty conduct in 1749. In driving away the com- pany of actors who strove to enlighten the Quaker City, the Council very nearly prevented this city from enjoy- ing the distinction of being the first on this continent to witness a Shakespearean play. The theatrical histories give the credit to New York, but the evidence, or rather the inference, is that it was in Philadelphia, and not in New York, that Eichard IH received its initial presentation in America. We know from the journals of the Common Council, that in the early winter of 1749, William Allen, the Becorder of the City—he of the splendid turn-out- four black horses and an imported English coachman- acquainted the Council that certain persons had taken it upon themselves to act plays, and as he was in- formed, to have made a practice thereof.
    [Show full text]
  • The Life and Art of Edwin Booth and His Contemporaries
    THE LIFE AND ART OF EDWIN BOOTH AND HIS CONTEMPORARIES EDWIN BOOTH As Hamlet. &/fti <7^F?^sr<) jf^jQe^L^ fl&^rrsyb^^ *< Stye Hife atti Art of IHtomt Imrtlf and I|t3 (Entttemjrorarips wtsW* 19 By Brander Matthews and Laurence Hutton J* Yf/jt&n ifUusttratefc ^^^@^<?^s^>^^^^^^ L C PAGE- 8 COMPANY ""w^W/ BOSTON j» PUBLISHERS Copyright, 1886 By O. M. Dunham All rights reserved Fifth Impression, June, 1907 COLONIAL PRESS Electrotyped and Printed by C. H. Simonds &* Co. Boston, U.S.A. CONTENTS PAGE Miss Mary Anderson . William L. Keese • I Mr. and Mrs. Bancroft William Archer , . 19 Mr. Lawrence Barrett William M. Laffan . 37 Mr. Edwin Booth. Lawrence Barrett . 55 Mr. and Mrs. Dion Boucicault Benjamin Ellis Martin 77 Mr. J. S. Clarke . Edw, Hamilton Bell . 95 Mr. and Mrs. Florence Laurence Hutton . 113 Mr. Henry Irving J. Ranken Towse . 131 Mr. Joseph Jefferson . H C. Bunner . .153 Mr. and Mrs. Kendal . William Archer . .175 Mme. Modjeska . Jeannette Leonard Gilder 193 Miss Clara Morris Clinton Stuart . .211 Mr. John T. Raymond. George H. Jessop . .229 Miss Ellen Terry Geo. Edgar Montgomery 247 Mr. J. L. Toole . Walter Hen ies Pollock 265 Mr. Lester Wallack . William Winter . .283 Index • • . 301 LIST OF ILLUSTRATIONS PAGE Edwin Booth as Hamlet .... Frontispiece Mary Anderson as Galatea in " Pygmalion and Galatea" . 14 " " Lawrence Barrett as Cassius in Julius Caesar . 39 Edwin Booth 57 Dion Boucicault 79 Agnes R. Boucicault 86 W. J. Florence 115 Mrs. W. J. Florence 126 Henry Irving 133 Henry Irving as Mathias in "The Bells" . 136 Joseph Jefferson as Bob Acres in "The Rivals".
    [Show full text]
  • William Shakespeare and the American People: a Study in Cultural Transformation Author(S): Lawrence W
    William Shakespeare and the American People: A Study in Cultural Transformation Author(s): Lawrence W. Levine Source: The American Historical Review, Vol. 89, No. 1 (Feb., 1984), pp. 34-66 Published by: Oxford University Press on behalf of the American Historical Association Stable URL: http://www.jstor.org/stable/1855917 . Accessed: 17/03/2014 16:43 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Oxford University Press and American Historical Association are collaborating with JSTOR to digitize, preserve and extend access to The American Historical Review. http://www.jstor.org This content downloaded from 128.103.149.52 on Mon, 17 Mar 2014 16:43:19 PM All use subject to JSTOR Terms and Conditions WilliamShakespeare and the AmericanPeople: A Study in Cultural Transformation LAWRENCE W. LEVINE THE HUMOR OF A PEOPLE AFFORDS IMPORTANT INSIGHTS into the nature of their culture.Thus Mark Twain's treatmentof Shakespearein his novelHuckleberry Finn helps us place the Elizabethanplaywright in nineteenth-centuryAmerican culture. Shortlyafter the two rogues,who pass themselvesoff as a duke and a king,invade the raftof Huck and Jim,they decide to raise funds by performingscenes from Shakespeare's Romeoand Julietand RichardIII.
    [Show full text]
  • John Wilkes Booth's Other Photograph from Richmond 1859-1860
    John Wilkes Booth’s Other Photograph from Richmond 1859-1860 By Angela Smythe May 10, 2014 Vetting Booth’s Photograph Taken in Costume as Uncas, Chief of the Mohicans Garry Davidson (1849-1923) “Garry Davidson, the super-property man the super any sort of a man, when honor, loyalty, service are standard! Garry, once of Booth's Theatre, but for some seasons past of the Lawrence Barrett Company, said he felt he was in heaven. "Why ! I am seeing Mr. Booth every day again, and in the theatre at rehearsal. What more could I want?' There was only one Garry ever! He alone won the implicit trust of both these great artists.1” In 1908 Otis Skinner told the story of Edwin Booth’s devoted “property man,” Garrison (Garry) Davidson observing the dramatic destruction of John Wilkes’s possessions by his brother Edwin. 2 It is not the purpose of this paper to vet the totality of that story, but to focus solely on the factuality, and thus the credibility, of two parts as they relate to a printed photograph of John Wilkes Booth taken while in 1 Goodale, Katherine (Kitty Molony) Behind the Scenes with Edwin Booth; Boston &New York, Houghton Mifflin Company, 1931, Pg. 14 1 Richmond 1859-1860. This paper will first establish that some version of the event actually occurred, and secondly establish the destruction, and thus, the existence, of a photographic print of John Wilkes Booth taken in costume stemming from Richmond 1859-1860. Garry’s Own Story Otis Skinner’s 1908 fabled rendition of “Garry’s” account of Edwin Booth’s dramatic “midnight” (actually early morning hours) burning of John Wilkes trunks might simply be attributed to journalistic sensationalism, an example of a Mark Twainism’s to “never let the truth get in the way of a good story,” except for the fact that in 1896, three years after his beloved employer’s death, Garry, himself had described the event.
    [Show full text]