Albert Camus and Education
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Albert Camus' Biography
Albert Camus’ biography (briefly) Born November 7th, 1913, in Mondovi, a small village in French Algeria where Camus’ great grandfather, originally from Bordeaux in France, had settled in the early 19th century. Camus’ father was a shipping wine clerk and military veteran who died in WW1 when Camus was less than a year old. All he knew of his father was that he had become violently ill after witnessing a public execution. Camus’ mother was illiterate, partially deaf, and poor. After her husband’s death, Camus, his mother and his older brother lived with his maternal uncle and grandmother in a cramped three-room apartment in a working-class area of Algiers where his mother worked in an ammunition factory and cleaned houses. Camus was able to afford elementary school because of his dead father’s veteran status and, although he had recurring health issues, including tuberculosis, he distinguished himself as a student and won a scholarship to the Grand Lycee. There he was an avid reader (Gide, Proust, Verlaine, etc.). In 1932, Camus received his Baccalauréat Degree; in 1933, he enrolled at the University of Algeria for an advanced degree. 1933-1937: Married Simone Hié, divorced her, briefly joined the Communist Party, became disillusioned with it, and was expelled. During this period, he began his theatrical and writing career. 1940s—Married Francine Faure, worked as a journalist in France for the French Resistance newspaper Combat, wrote The Stranger which brought him immediate literary renown, followed by the philosophic The Myth of Sisyphus and became an editor at Gallimard Publishing. -
A View of Rebellion and Humanism in Albert Camus’ The
A VIEW OF REBELLION AND HUMANISM IN ALBERT CAMUS’ THE PLAGUE THESIS Submitted as a Partial Fulfillment of the Requirements for the Sarjana Degree of English Department Faculty of Arts and Humanities State Islamic University of Sunan Ampel Surabaya By: Siti Nur Aviva Reg. Number: A33213075 ENGLISH DEPARTMENT FACULTY OF ARTS AND HUMANITIES STATE ISLAMIC UNIVERSITY SUNAN AMPEL SURABAYA 2018 ABSTRACT Aviva, Siti Nur. 2018. A View of Rebellion and Humanism in Albert Camus’ The Plague. English Department, Faculty of Arts and Humanities, State Iislamic Uinversity (UIN) Sunan Ampel Surabaya. Advisor: Dr. Mohammad Kurjum, M. Ag. This thesis analyzes a philosophical novel written by the French-Algerian author namely Albert Camus, The Plague. The purpose of this thesis is to interpret an opposition in The Plague novel and with the proposition of Albert Camus's philosophical book The Rebel. This thesis uses descriptive analysis method. In that method, the first is reading novel stories. The two is collecting important sections dealing with the issues contained in The Rebel's book. The third is interpreting, which uses the hermeneutic theory of Hans-George Gadamer. The Fourth is ending with a conclusion. The results of this interpretation are; (1) the main character as a measure of rebellion; (2) a plague metaphor which means a symbol of human lust. Through the image of the citizens of Oran, human desires are seen where the state of calm, they do the habit of seeking comfort and security by searching for materialistic life, suddenly become chaotic because of epidemic; (3) humanism is a rebellious human who always appreciates life and has a noble value; (4) The rebellion is divided into two: physical rebellion and metaphysical rebellion. -
An Artist in the Age of Terrorism: Camus and the Algerian Confl Ict( 1 )
四天王寺大学紀要 第 49 号(2010年 3 月) An Artist in the Age of Terrorism: Camus and the Algerian Confl ict( 1 ) Keiji OKAZAKI Whatever our[writers’]personal frailties may be, the nobility of our calling will always be rooted in two commitments difficult to observe: refusal to lie about what we know and resistance to oppression.(Camus’s Nobel Prize address of December 10, 1957)(2 ) Keywords: Camus, Algiers, Terrorism, Revolt, The Just 1. Introduction If Camus had survived the automobile accident to witness Algeria’s independence and its aftermath, the collapse of the Soviet Union, or the proliferation of terrorism, culminating in the 9.11 attack in New York, would he have remained silent as he did in the late fi fties concerning the Algerian confl ict? This, we are confi rmed, is a question requiring an urgent answer which would present a possible key to our dealing with the twin contemporary problems – justice and terrorism. David Schalk refers to Camus as ‘the wrong model for American antiwar activists during the Vietnam era...(’ 3 ) Emily Apter argues that “The failure of Camus’s cosmopolitical hybrid – a vision of French Algeria...offers a kind of object lesson for the future of globalization theory or transnational identity-formation.”( 4 ) Accordingly, we are convinced that it would not be futile, rather very rewarding and signifi cant, to re-read and re-interpret his artistic achievements to have an overview of the present world crisis and gain a deeper insight into the reality of the contemporary political situation. We are living in the age of terrorism as was Camus half a century ago. -
Rebel Alliances
Rebel Alliances The means and ends 01 contemporary British anarchisms Benjamin Franks AK Pressand Dark Star 2006 Rebel Alliances The means and ends of contemporary British anarchisms Rebel Alliances ISBN: 1904859402 ISBN13: 9781904859406 The means amiemls 01 contemllOranr British anarchisms First published 2006 by: Benjamin Franks AK Press AK Press PO Box 12766 674-A 23rd Street Edinburgh Oakland Scotland CA 94612-1163 EH8 9YE www.akuk.com www.akpress.org [email protected] [email protected] Catalogue records for this book are available from the British Library and from the Library of Congress Design and layout by Euan Sutherland Printed in Great Britain by Bell & Bain Ltd., Glasgow To my parents, Susan and David Franks, with much love. Contents 2. Lenini8t Model of Class 165 3. Gorz and the Non-Class 172 4. The Processed World 175 Acknowledgements 8 5. Extension of Class: The social factory 177 6. Ethnicity, Gender and.sexuality 182 Introduction 10 7. Antagonisms and Solidarity 192 Chapter One: Histories of British Anarchism Chapter Four: Organisation Foreword 25 Introduction 196 1. Problems in Writing Anarchist Histories 26 1. Anti-Organisation 200 2. Origins 29 2. Formal Structures: Leninist organisation 212 3. The Heroic Period: A history of British anarchism up to 1914 30 3. Contemporary Anarchist Structures 219 4. Anarchism During the First World War, 1914 - 1918 45 4. Workplace Organisation 234 5. The Decline of Anarchism and the Rise of the 5. Community Organisation 247 Leninist Model, 1918 1936 46 6. Summation 258 6. Decay of Working Class Organisations: The Spani8h Civil War to the Hungarian Revolution, 1936 - 1956 49 Chapter Five: Anarchist Tactics Spring and Fall of the New Left, 7. -
Albert Camus' Dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Illing, Sean Derek, "Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky" (2014). LSU Doctoral Dissertations. 1393. https://digitalcommons.lsu.edu/gradschool_dissertations/1393 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. BETWEEN NIHILISM AND TRANSCENDENCE: ALBERT CAMUS’ DIALOGUE WITH NIETZSCHE AND DOSTOEVSKY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Sean D. Illing B.A., Louisiana State University, 2007 M.A., University of West Florida, 2009 May 2014 ACKNOWLEDGEMENTS This dissertation is the product of many supportive individuals. I am especially grateful for Dr. Cecil Eubank’s guidance. As a teacher, one can do no better than Professor Eubanks. Although his Socratic glare can be terrifying, there is always love and wisdom in his instruction. It is no exaggeration to say that this work would not exist without his support. At every step, he helped me along as I struggled to articulate my thoughts. -
FAITH, REVOLT and ALBERT CAMUS' the Just Assassins
Caroline Sheaffer-Jones* FAITH, REVOLT AND ALBERT CAMUS’ THE JUST ASSASSINS Keywords: Camus; faith; revolt; The Just Assassins; justice Abstract: In Albert Camus’ play The Just Assassins, religion and spirituality are of paramount importance, as can be seen especially in the interaction between the protagonist Kaliayev and the devoutly religious Grand Duchess, who expresses her steadfast view, for example, in the following words: “There is no love far from God” (289). However, is this religious conception of ‘love’ exactly what is at the heart of Camus’ play The Just Assassins? Indeed there is a different notion of spirituality, associated with revolt, which is more central to Camus’ writings and notably his major theoretical text The Rebel. What sort of spirituality is put forward and how might it be differentiated from religious convictions and the coming of the kingdom of God? In what sense is there a spirituality in The Just Assassins, particularly in the relentless revolt by Kaliayev and the members of the fraternity? Furthermore, is there not a fundamental position of ‘faith’ implied not simply in religion but also in the conception of knowledge itself? Jacques Derrida has discussed this question in “Faith and Knowledge,” in Acts of Religion, among other texts, where he describes a notion of ‘faith’, which precedes the opposition between religion and reason. In what way might there be, in Camus’ The Rebel and play The Just Assassins, a ‘faith’, which is distinguished from religious beliefs and which is necessarily linked to justice -
Of Plagues and Nazis: Camus' Journey from Moral Nihilism
The Journal of Social Encounters Volume 4 Issue 2 Article 10 2020 Rereading Albert Camus’ The Plague During a Pandemic: Of Plagues and Nazis: Camus’ Journey from Moral Nihilism Stephen I. Wagner College of St. Benedict/St. John’s University Follow this and additional works at: https://digitalcommons.csbsju.edu/social_encounters Part of the African Languages and Societies Commons, French and Francophone Language and Literature Commons, Modern Literature Commons, Peace and Conflict Studies Commons, Philosophy Commons, Politics and Social Change Commons, Race and Ethnicity Commons, and the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Wagner, Stephen I. (2020) "Rereading Albert Camus’ The Plague During a Pandemic: Of Plagues and Nazis: Camus’ Journey from Moral Nihilism," The Journal of Social Encounters: Vol. 4: Iss. 2, 103-106. Available at: https://digitalcommons.csbsju.edu/social_encounters/vol4/iss2/10 This Book Review is brought to you for free and open access by DigitalCommons@CSB/SJU. It has been accepted for inclusion in The Journal of Social Encounters by an authorized editor of DigitalCommons@CSB/SJU. For more information, please contact [email protected]. The Journal of Social Encounters Rereading Albert Camus’ The Plague During a Pandemic: Of Plagues and Nazis: Camus’ Journey from Moral Nihilism Stephen I. Wagner College of St. Benedict/St. John’s University During our current pandemic, Albert Camus’ novel, The Plague, can serve readers well by illustrating and perhaps helping us resolve the feelings, options and decisions we are now facing. Indeed, Camus can help us learn much from our current situation. Camus’ plague takes place in Oran, an Algerian city under the control of France. -
Excerpts from Albert Camus' “Exile and the Kingdom”
Exile and Inclusion: Excerpts from Albert Camus’ “Exile and the Kingdom” Alison M. Brady *This is an Accepted Manuscript to be published in a collection of short essays, entitled “Educational Frontiers: The Anxiety of Inclusion” by Kyoto University in March 2017. Do not quote without permission. Abstract The collection of short stories entitled “Exile and the Kingdom” by pied-noir Albert Camus embrace the themes of exile and return as illuminating an underlying anxiety of inclusion and exclusion. Written during the time of the French-Algerian war, these stories may be said to exemplify those who, in Cassin’s terms, “’are’ never there, never at home.” Through considering such stories, this paper discusses the connection between belonging and identity, and what it means, then, to be simultaneously included and excluded. Such ideas are important for education, not only in recognising identities of those who ‘belong-in-exile’, but in creating educational spaces where such identities can be more fully accounted for. Firstly, I will give a brief overview of Camus’ pied-noir status as an influential factor in his writings, before looking more closely at two of these stories, and discussing the ways in which they explore these themes in relation to Camus’ absurdism. I will then briefly point to how such themes might be understood in relation to the wider themes of anxiety, recognition, and rootedness. Finally, I will briefly offer some insights into the role education might play in relation to these themes. Introduction In 1957, the French-Algerian writer Albert Camus wrote a collection of short stories entitled “Exile and the Kingdom”. -
Bibliography
Bibliography Amnesty International (2015) Death Sentences and Executions 2014, https://www.amnesty.org.uk/sites/ default/files/death_sentences_and_executions_2014 _ en.pdf, accessed 12 March 2015. Appiah, K. A. (2007) Cosmopolitanism: Ethics in a World of Strangers (New York: W. W. Norton). Archambault, P. (1972) Camus’ Hellenic Sources (Chapel Hill, NC: University of North Carolina Press). Arendt, H. (1994) Essays in Understandingg (New: York: Schocken Books). Aristotle (1932) Politics, trans. H. Rackham (Cambridge, MA: Harvard University Press). Aristotle (1976) The Nicomachean Ethics, trans. J. A. K Thomson (London and New York: Penguin Books). Aristotle (2013) Poetics, trans. A. Kenny (Oxford: Oxford University Press). Barthes, R. (1972) Critical Essays (Evanston, IL: Northwestern University Press). Beck, U. and Sznaider, N. (2006) ‘Unpacking Cosmopolitanism for the Social Sciences: A Research Agenda’, British Journal of Sociology, 57(1), 1–23. Benjamin, W. (1999) ‘Theses on the Philosophy of History’ in Illuminations (London: Pimlico). Brown, G. W. (2009) Grounding Cosmopolitanism: From Kant to the Idea of a Cosmopolitan Constitution (Edinburgh: Edinburgh University Press). Brown, G. W. and Held, D. (eds) (2010) The Cosmopolitanism Readerr (Cambridge: Polity). DOI: 10.1057/9781137525833.0010 Bibliography Camus, A. (1946–7) ‘The Human Crisis’, Twice a Year, 14–15, 19–33. Camus, A. (1948) The Plague (New York: Vintage Books). Camus, A. (1950) Actuelles I: Chroniques, 1944–1948 (Paris: Gallimard). Camus, A. (1956) The Rebell (New York: Vintage Books). Camus, A. (1957) ‘Nobel Banquet Speech’, 10 December, http://www. nobelprize.org/nobel_prizes/literature/laureates/1957/camus-speech. html, accessed 14 November 2014. Camus, A. (1960) Resistance, Rebellion and Death (New York: Vintage Books). -
Far from Men and Camus' Algerians
Guests, hosts, strangers: Far From Men and Camus' Algerians Citation: Sharpe, Matthew 2017, Guests, hosts, strangers: Far From Men and Camus' Algerians, Film- Philosophy, vol. 21, no. 3, pp. 326-348. DOI: https://doi.org/10.3366/film.2017.0054 ©2017, The Author Reproduced by Deakin University under the terms of the Creative Commons Attribution Non-Commercial Licence Downloaded from DRO: http://hdl.handle.net/10536/DRO/DU:30104043 DRO Deakin Research Online, Deakin University’s Research Repository Deakin University CRICOS Provider Code: 00113B Guests, Hosts, Strangers: Far From Men and Camus’ Algerians Matthew Sharpe, Deakin University ([email protected]) Abstract: I argue that David Oelhoffen’s 2014 film Far From Men (Loin des Hommes), while departing from the letter of Camus’ 1957 story, “The Guest/Host”, does remarkable cinematic justice to its spirit. Oelhoffen’s Daru and the Arab character Mohamed, it is suggested, represent embodiments of Camus’ idealised Algerian “first men”, in the vision Camus was developing in Le Premier Homme at the time of his death in January 1960. Part 1 frames the film in light of Camus’ “The Guest/Host”, and Part 2 frames Camus’ story in light of Camus’ agnonised struggle to come to terms with the Algerian situation. Part 3 makes the case that Oelhoffen’s departures from Camus’ original story present in cinematic form Camus’ ideal of a post-colonial, post-ethnic solidarity between people, predicated on the overcoming of all arche-ideological fantasies of untained prelapsarian community. Keywords: Camus; Oelhoffen; The Guest/Host; Loin des Hommes/Far From Men; Algerian crisis; The First Man. -
Camus' Absurdity
1 Editor’s Desk This issue is a part of our project, Exile and Kingdom, commemorating the birth centennial of the great French philosopher and author, Albert Camus, while presenting a wide array of articles in the hope of bridging his philosophy with theatre and its various facets. The project Exile and Kingdom includes two plays, Na Hanyate (inspired from Camus’ The Just Assassins) and Mritashaucha (inspired by Camus The Misunderstanding), both plays written and directed by Sir (Sh. Torit Mitra). Both the plays are the result of collective and individual researches, workshops, talk shows and study group discussions. Why Camus? What is so important about a French writer? What does he have to do with us? This must be some mere pseudo- cultural indulgence! These are few of the probable reactions to one of the greatest 20th century minds, especially, when he is introduced to our artistic ambiance; if they have heard his name. Well, not knowing cannot be a crime. But criticizing with parochial biasness or blinded practices of a discipline, without an open global learning portal (not I.T.!), is, certainly, pitiful. The aim of our group has always been to uphold theatre as a learning tool to think out of the box; beyond all boundaries and prejudices. As avant-gardes, we have no nation, that’s why we belong to every nation. We have no language, so we have the right to all languages. We have no religion; we are not dogmatic with fanatic beliefs. The group’s theatre newsletter, ‘Yavanpat’, is one such voice that connects to the contemporary cultural practitioners and aesthetes with thought provoking ideas. -
Albert Camus: Rebellion Through the Ethical Frameworks of Emmanuel Levinas and Soren Kierkegaard
The University of Notre Dame Australia ResearchOnline@ND Theses 2020 Albert Camus: Rebellion Through the Ethical Frameworks of Emmanuel Levinas and Soren Kierkegaard Conor Spence The University of Notre Dame Australia Follow this and additional works at: https://researchonline.nd.edu.au/theses Part of the Philosophy Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Spence, C. (2020). Albert Camus: Rebellion Through the Ethical Frameworks of Emmanuel Levinas and Soren Kierkegaard (Master of Philosophy (School of Philosophy and Theology)). University of Notre Dame Australia. https://researchonline.nd.edu.au/theses/ 263 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. Albert Camus: Rebellion through the ethical frameworks of Emmanuel Levinas and Soren Kierkegaard Conor Spence Supervisors: Professor Philip Matthews Dr Richard Hamilton Submitted in fulfilment of the requirements for the Master of Philosophy School of Philosophy and Theology Fremantle Campus 12 December 2019 1 | P a g e Statement of Authorship This research is the candidate’s own work and contains no material which has been accepted for the award of any other degree or diploma in any university or other institution. To the best of my knowledge, the thesis contains no material previously published or written by another person, except where due reference is made in the text.