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Haruomi Hosono, Shigeru Suzuki, Tatsuro Yamashita
Haruomi Hosono Pacific mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Jazz Album: Pacific Country: Japan Released: 2013 Style: Fusion, Electro MP3 version RAR size: 1618 mb FLAC version RAR size: 1203 mb WMA version RAR size: 1396 mb Rating: 4.1 Votes: 218 Other Formats: AA ASF VQF APE AIFF WMA ADX Tracklist Hide Credits 最後の楽園 1 Bass, Keyboards – Haruomi HosonoDrums – Yukihiro TakahashiKeyboards – Ryuichi 4:03 SakamotoWritten-By – Haruomi Hosono コーラル・リーフ 2 3:45 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki ノスタルジア・オブ・アイランド~パート1:バード・ウィンド/パート2:ウォーキング・オン・ザ・ビーチ 3 9:37 Keyboards – Ryuichi SakamotoWritten-By – Tatsuro Yamashita スラック・キー・ルンバ 4 Bass, Guitar, Percussion – Haruomi HosonoDrums – Yukihiro TakahashiKeyboards – Ryuichi 3:02 SakamotoWritten-By – Haruomi Hosono パッション・フラワー 5 3:35 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki ノアノア 6 4:10 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki キスカ 7 5:26 Written-By – Tatsuro Yamashita Cosmic Surfin' 8 Drums – Yukihiro TakahashiKeyboards – Haruomi Hosono, Ryuichi SakamotoWritten-By – 5:07 Haruomi Hosono Companies, etc. Record Company – Sony Music Direct (Japan) Inc. Credits Remastered By – Tetsuya Naitoh* Notes 2013 reissue. Album originally released in 1978. Track 8 is a rare early version of the Yellow Magic Orchestra track. Translated track titles: 01: The Last Paradise 02: Coral Reef 03: Nostalgia of Island (Part 1: Wind Bird, Part 2: Walking on the Beach 04: Slack Key Rumba 05: Passion Flower 06: Noanoa 07: Kiska Barcode and Other Identifiers Barcode: 4582290393407 -
Exam Mishap As Students Given Test with Answers Attached
ISSUE 1633 FRIDAY 6th MAY 2016 The Student Newspaper of Imperial College London Imperial 3rd most We need to talk about prestigious uni in UK Israel PAGE 4 NEWS PAGE 7 COMMENT EXAM MISHAP AS STUDENTS GIVEN TEST WITH ANSWERS AT TACHED • First year geophysics students surprised to open file that included solutions • Test will be replaced with coursework unit th PAGE 2 THE STUDENT NEWSPAPER OF IMPERIAL COLLEGE LONDON FRIDAY 6 MAY 2016 felixonline.co.uk [email protected] Contents A word from the Editor News 3 Editor-in-Chief Grace Rahman Comment 6 his editorial has been a you’re too frightened to put your News Editor Matt Johnston Science 9 long time coming, and name to it. I know you’ve all been Nowadays, you do have to log in Comment Editors Music 12 waiting for this: the to comment on articles. You can still Tessa Davey and Vivien Hadlow FELIX view on the Labour anti- remain anonymous to other FELIX Science Editors Film 18 semitismT row. Just kidding! I can’t website surfers, but our webmasters Jane Courtnell and Lef Apostolakis think of anything I’d want to give will know who you are. You can still Arts 22 my inexperienced view on less, up or downvote comments without Arts Editors except maybe last week’s sex toy being logged in, so the people have Indira Mallik, Jingjie Cheng and Max Falkenberg TV 25 review. free reign to decide whether they What do you get when you agree with you or not. So yes, you Music Editor Clubs & Societies 27 combine controversial, emotive can still post bile. -
Untitled Spreadsheet
Founded in 2002, Light In The Attic is a leading archival reissue label, distribution company, and creative house with offices in Seattle and Los Angeles. They earned their reputation as the quintessential champion of the underdog through their grassroots success with Rodriguez and the soundtrack to the Academy Award®-winning documentary SEARCHING FOR SUGAR MAN (2012). Since then, LITA has gone on to garner nominations for multiple GRAMMY Awards, including one for Best Historical Album for Native North America (Vol. 1) (2015). Their exuberance and dedication to spreading joy through music has propelled them through the release of 200+ titles worldwide, setting the pace for reissue labels and the archival process. From D’Angelo to Donnie & Joe Emerson, Jim Sullivan to Serge Gainsbourg, Betty Davis to Karen Dalton, Lewis to Lifetones, the list goes on and on. In addition to the label’s acclaimed output, the company operates a thriving and rapidly growing distribution business and is home to nearly 150 like-minded labels including heavyweights MONDO / Death Waltz, iam8bit, Tidal Waves, and more. True to their record-loving roots, Light In The Attic also maintains a thriving physical brick and mortar record store inside the KEXP Gathering Space in Seattle. PRE-ORDER before 30th April 2020 Underlined texts been hyperlinked to it's webpage ETA are on May 2020 unless is stated otherwise For more new arrivals, pre-orders and merch, do visit www.tandangstore.com BENNY SOEBARDJA W I C The Lizard Years 2xCD STRAWBERRY RAIN RECORDS K E psych rock -
Detroit Techno Und Die Frage Nach Der Hautfarbe
John-F.-Kennedy-Institut für Nordamerikastudien Abteilung für Kultur Freie Universität Berlin Detroit Techno und die Frage nach der Hautfarbe Magisterarbeit Erstgutachter: Prof. Dr. Winfried Fluck Zweitgutachter: Prof. Dr. Rolf Lindner (Institut für Europäische Ethnologie, Humboldt Universität Berlin) Verfasser: Daniel Schneider 05. Februar 2009 1 Inhalt 1. Einleitung S. 3 2. Einführung in Techno S. 5 2.1 Was ist Techno? S. 5 2.2 Wie funktioniert Techno? S. 8 2.3 Struktur der Technoszene und eigene Position S. 9 3. Einführung in die Geschichte Detroits S. 15 3.1 Die Geschichte der Stadt S. 16 3.2 Die Stadt als Inspiration und Kulisse S. 18 4. Die Vorgeschichte von Detroit Techno S. 21 5. Die Technoszene von Detroit S. 24 5.1 Die erste Generation S. 24 5.2 Die zweite Generation S. 27 5.3 Detroit House s. 34 6. Detroit Techno und „schwarze“ Musik S. 36 6.1 „Schwarze“ und „weiße“ Musik S. 36 6.2 Rockmusik vs. Tanzmusik S. 40 6.3 Ein Beispiel: Simon Reynolds vs. Jeff Mills S. 43 6.4 Stuart Cosgrove – der radikale Bruch mit der Vergangenheit S. 48 6.5 Wie „weiß“ sind eigentlich Kraftwerk? S. 52 6.6 Post-Soul S. 57 6.7 Kodwo Eshun – Düsseldorf als Mississippidelta S. 59 6.8 Afrofuturismus und Posthumanismus S. 61 6.9 Underground Resistance und die ethnischen Identitäten S. 69 7. Die Bedeutung von Detroit Techno in der europäischen Technoszene S. 76 7.1 Die Relevanz des afroamerikanischen Hintergrundes S. 77 7.2 Distinktionsmerkmal Detroit Techno S. 80 7.3 Detroit Techno und die „linken Kreise“ S. -
The Big Day) – Hopefully More Well-Received Than Chance the Rapper’S Ill-Conceived Paean to Loving His Wife by Kenji Shimizu
Festivus 2020: TBD (The Big Day) – Hopefully More Well-Received than Chance the Rapper’s Ill-Conceived Paean to Loving His Wife by Kenji Shimizu Note to players: Two answers required. 1. After declaring “I like my rock and roll all the same,” the singer declares that he doesn’t “give a fuck” if he does either of these two actions in “Back to the Motor League” by Propagandhi. Kurgan quotes a line mentioning these two actions in a church scene in Highlander, referencing a 1983 song’s spoken-word intro in which that line follows the gibberish phrase “Gunter glieben glauten globen.” In a 1979 album’s final track, the second half of a line about these two actions is replaced by the album’s title, (*) Rust Never Sleeps. That line about these two actions is quoted at the beginning of Def Leppard’s “Rock of Ages” and in the closing statements of Kurt Cobain’s suicide note. For 10 points, the song “My My, Hey Hey (Out of the Blue)” by Neil Young declares that “it’s better to” do what action “than to” do what other action? ANSWER: burn out and fade away [accept “It’s better to burn out than to fade away”] 2. In reference to a song titled after one of these people, the Martin guitar company embedded a coin into 73 limited-edition guitars to commemorate the victim of a September 1973 plane crash. The twist that Marie is the narrator’s six-year-old daughter is the final piece of information given to a person with this job in Chuck Berry’s “Memphis, Tennessee.” The words of a person with this job are juxtaposed with several excuses given by Mrs. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
In This Issue…
ISSUE TWENTY SEVEN Autumn 2017 In this issue… 14 18 28 ASSOCIATION NEWS & REVIEWS FEATURES 3 Presidents Report 12-13 Technology and ecology – Sebastian Gonzato 4 RSMA AGM and Final Year BBQ – June 29th 2017 14-17 IMechE Simulation and Modelling Conference 5 CGCA 2017 AGM and President’s Evening Dinner 2017 – Hasan Amin, Laura Cattaneo, Oisin Shaw 6 Data Protection, Privacy and your CGCA 18-19 A Cappella at Imperial membership; New CGCA President; 20-21 Self-ePublishing (not to be confused with Selfe- IABSE Honorary Membership publishing) – Peter Buck 7 CGCU win Sparkes Cup; Imperial College students 22-23 Meet Hugh Kendrick (Mech Eng 1958-61) do the double at cybersecurity competitions 24-27 Development, advancement and alumni engagement in the Faculty of Engineering – FACULTY NEWS Nic Katona et al 8 Imperial researchers win double awards; IEEE award; Prototype technology for unearthing mines OBITUARIES 9 Prince William at Imperial’s Data Science Institute; 31 Prof. Tim Shaw; Barry Wooton Staynes Indian village gets electricity thanks to PhD student; 32 Dr. Tony Frank Mason; Henry James Samuel Mason Imperial and ABB exploring new collaboration 33 Cyril Jewitt; John Leslie Wilson 10 New RA Eng Fellows; Imperial engineer inspires the 34 Andrew (Andy) Hill; Alan Patrick next generation of women in STEM 35 Dr. Paul Garrard; Denis Grantham Maxwell; 11 Design and wearable technology event; Imperial Michael Seaward; David Hart McLellan Festival dates for 2018 Front Cover photo: This image of Earth was taken by ALUMNI NEWS & VIEWS a NASA camera on the Deep Space 28 New Dean of Engineering; Singapore Deputy PM Climate Observatory (DSCOVR) hails 40 years of alumni excellence satellite. -
YMO BGM Mp3, Flac, Wma
YMO BGM mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: BGM Country: Europe Released: 2016 Style: Synth-pop MP3 version RAR size: 1700 mb FLAC version RAR size: 1450 mb WMA version RAR size: 1263 mb Rating: 4.3 Votes: 469 Other Formats: MP3 AAC WAV TTA AU XM MPC Tracklist Hide Credits Ballet = バレィ A1 4:30 Written-By – Yukihiro Takahashi Music Plans = 音楽の計画 A2 4:30 Written-By – Riuichi Sakamoto* Rap Phenomena = ラップ現象 A3 4:30 Written-By – Haruomi Hosono Happy End = ハッピーエンド A4 4:30 Written-By – Riuichi Sakamoto* 1000 Knives = 千のナイフ A5 5:20 Written-By – Riuichi Sakamoto* Cue = キュー B1 4:30 Written-By – H. Hosono*, Y. Takahashi* U・T = ユーティー B2 4:30 Written-By – Y M O* Camouflage = カムフラージュ B3 4:30 Written-By – Yukihiro Takahashi Mass = マス B4 4:30 Written-By – Haruomi Hosono Loom = 来たるべきもの B5 5:20 Written-By – Hideki Matsutake, Y M O* Companies, etc. Manufactured By – Music On Vinyl B.V. Distributed By – Music On Vinyl B.V. Published By – Yano Music Publishing Co., Ltd. Published By – 1980 Music Inc. Recorded At – Studio A, Shibaura, Tokyo Mastered At – JVC Cutting Center, Aoyama Phonographic Copyright (p) – Sony Music Entertainment Copyright (c) – Sony Music Entertainment Credits A&R – Kazusuke Obi Art Direction – Yukimasa Okumura Artwork [Creative Service] – Plan-Net Werk*, Toshinao Tsukui Design – The Studio Engineer – Mitsuo Koike Engineer [With] – Yoshifumi Iio Executive-Producer – Shoro Kawazoe Lyrics By [Additional] – Peter Barakan Management [Yoroshita Music Inc.] – Hiroshi Okura, Yoichi Itoh* Mastered By – Hiroshi Yuasa Mixed By – Y M O* Mixed By [With] – Mitsuo Koike Photography By – Kenji Miura Producer – Haruomi Hosono Programmed By [Computer] – Hideki Matsutake Technician [Equipments Coordination] – Don Nagata, Takeshi Fujii , Tomoki Miyadera Written-By, Performer, Arranged By – Y M O* Notes Standard black vinyl edition. -
December 1987
VOLUME 11, NUMBER 1 2, ISSUE 98 Cover Photo by Jaeger Kotos EDUCATION IN THE STUDIO Drumheads And Recording Kotos by Craig Krampf 38 SHOW DRUMMERS' SEMINAR Jaeger Get Involved by by Vincent Dee 40 KEYBOARD PERCUSSION Photo In Search Of Time by Dave Samuels 42 THE MACHINE SHOP New Sounds For Your Old Machines by Norman Weinberg 44 ROCK PERSPECTIVES Ringo Starr: The Later Years by Kenny Aronoff 66 ELECTRONIC INSIGHTS Percussive Sound Sources And Synthesis by Ed Mann 68 TAKING CARE OF BUSINESS Breaking In MANU KATCHE by Karen Ervin Pershing 70 One of the highlights of Peter Gabriel's recent So album and ROCK 'N' JAZZ CLINIC tour was French drummer Manu Katche, who has gone on to Two-Surface Riding: Part 2 record with such artists as Sting, Joni Mitchell, and Robbie by Rod Morgenstein 82 Robertson. He tells of his background in France, and explains BASICS why Peter Gabriel is so important to him. Thoughts On Tom Tuning by Connie Fisher 16 by Neil Peart 88 TRACKING DRUMMING AT DISNEY Studio Chart Interpretation by Hank Jaramillo 100 WORLD DRUM SOLOIST When it comes to employment opportunities, you have to Three Solo Intros consider Disney World in Florida, where 45 to 50 drummers by Bobby Cleall 102 are working at any given time. We spoke to several of them JAZZ DRUMMERS' WORKSHOP about their working conditions and the many styles of music Fast And Slow Tempos that are represented there, by Peter Erskine 104 by Rick Van Horn 22 CONCEPTS Drummers Are Special People STEVE HOUGHTON by Roy Burns 116 He's known for his big band work with Woody Herman, EQUIPMENT small-group playing with Scott Henderson, and his teaching at SHOP TALK P.I.T. -
Download the Issue
Autumn 2011 Volume 23 Issue 03 totaltheatre.org.uk IMMERSE YOURSELF IN PROTO-TYPE’S FORTNIGHT IN BRISTOL INTERACT WITH ADRIAN HOWELLs – aLWAYS A PLEASURE! INTERROGATE THE ROLE OF THE AUDIENCE AT THE EDINBURGH FESTIVAL FRINGE COMMUNE WITH LIKE-MINDED CITIZENS OF THE WORLD AT THE INTERNATIONAL COMMUNITY ARTS FESTIVAL HEAR THE CASE FOR VERNACULAR ARTS VOICED BY JOHN FOX PLUS: TOTAL THEATRE AWARDS 2011, FUN AND GAMES AT THE NORFOLK & NORWICH FESTIVAL, THE LiFE AND DEATH OF MARINA AbRAMOVIC, BE, BRIGHTON, AND NEAT FESTIVAL REPORTS THE BASEMENT Operation Greenfield, Little Bulb Theatre HOME OF THE ODD See what’s coming up at: www.thebasement.uk.com The Basement, 24 Kensington St. Brighton, BN1 4AJ 01273 699733 TOTAL TOtaL THEatRE MAGAZINE THEATRE TOtaL THEatRE MAGAZINE Editor Autumn 2011 Volume 23 Issue 03 Dorothy Max Prior MAGAZ [email protected] Remarking on the shows seen on the Total Theatre Awards shortlist for Innovation and Deputy Editor Experimentation, one of the judges commented that sitting down in an auditorium to watch a I John Ellingsworth NE piece of theatre presented on a stage seemed to be so rare as to be almost innovative in itself! [email protected] Autumn 2011 Volume Autumn23 Volume Issue 2011 03 Perhaps a tipping point has been reached with ‘interactive’ and ‘immersive’ theatre work, Reviews Editor which is now everywhere, including all over Edinburgh in this year’s Fringe. The list of Award Beccy Smith winners reflects this, with four of the six shows chosen being ‘offstage’ productions. See the [email protected] Total Theatre Awards report in this issue for full details of winners and shortlist, and see our brand new ‘reviews and news’ website at www.totaltheatrereview.com for full reviews of Editorial Assistant winning and shortlisted shows amongst more than seventy shows reviewed at this year’s Fringe. -
Looking for Inspiration?
Issue 221 • 1 July 2010 reporterSharing stories of Imperial’s community Reporter finds out how Imperial is supporting its first Junior Research Fellows > centre pages Careering aheadLooking for inspiration? Summer Science queen’S liSt wacky raceS Imperial Arthur Spirling Themed dinner researchers and Carol raises money take their work Propper on for student to the public their royal opportunities PAGE 3 recognition fund PAGE 8 PAGE 9 2 >> newsupdate www.imperial.ac.uk/reporter | reporter | 1 July 2010 • Issue 221 The Group visited the College in being finalised, are par- Recognised by RCUK April 2010 as part of a national ticularly singled out by programme to assess provision in the Group, which recom- institutions that receive over mends that they should £1 million annually from RCUK for be shared with other uni- edItoR’s CoRneR the career development and trans- versities. The guidelines ferable skills training of PhD stu- will be disseminated at today dents and postdocs. Imperial via Heads of 29 Family Its report praises Imperial’s two Department shortly. Emily, Graduate Schools and its Postdoc Professor Mary Ritter, affair Development Centre (PDC) for help- Pro Rector (International birthday ing research postgraduates and Affairs) commented: postdocs to develop well-rounded “It’s great to have inde- Happy Last week streams of skills, for example, enabling them pendent confirmation eager and anxious-to- to communicate and present their that we are leading the impress sixth formers imperial’s training and development programmes work efficiently, and for alerting way in this area, both visited the College for for researchers in the early stages of their careers them to future career opportunities. -
Brand New Cd & Dvd Releases 2004 5,000+ Top Sellers
BRAND NEW CD & DVD RELEASES 2004 5,000+ TOP SELLERS COB RECORDS, PORTHMADOG, GWYNEDD,WALES, U.K. LL49 9NA Tel. 01766 512170: Fax. 01766 513185: www. cobrecords.com // e-mail [email protected] CDs, Videos, DVDs Supplied World-Wide At Discount Prices – Exports Tax Free SYMBOLS USED - IMP = Imports. r/m = remastered. + = extra tracks. D/Dble = Double CD. *** = previously listed at a higher price, now reduced Please read this listing in conjunction with our “ CDs AT SPECIAL PRICES” feature as some of the more mainstream titles may be available at cheaper prices in that listing. Please note that all items listed on this 2004 5,000+ titles listing are all of U.K. manufactured (apart from Imports which are denoted IM or IMP). Titles listed on our list of SPECIALS are a mix of U.K. and E.C. manufactured product. We will supply you with whichever item for the price/country of manufacture you choose to order. 695 10,000 MANIACS campfire songs Double B9 14.00 713 ALARM in the poppy fields X4 12.00 793 ASHER D. street sibling X2 12.80 866 10,000 MANIACS time capsule DVD X1 13.70 859 ALARM live in the poppy fields CD/DVD X1 13.70 803 ASIA aqua *** A5 7.50 874 12 STONES potters field B2 10.50 707 ALARM raw E8 7.50 776 ASIA arena *** A5 7.50 891 13 SENSES the invitation B2 10.50 706 ALARM standards E8 7.50 819 ASIA aria A5 7.50 795 13 th FLOOR ELEVATORS bull of the woods A5 7.50 731 ALARM, THE eye of the hurricane *** E8 7.50 809 ASIA silent nation R4 13.40 932 13 TH FLOOR ELEVATORS going up-very best of A5 7.50 750 ALARM, THE in the poppyfields X3