DOCSLIB.ORG

La Nueva Música. Del Industrial Al Tecno-Pop

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
La Nueva Música. Del Industrial Al Tecno-Pop Adolfo Marín La Nueva Música Del Industrial al Tecno Pop La Nueva Música Diseño de cubierta: Studio Symbol Traducciones y fichas: Catalina Rosa Vives Phipps © 1984 by Ediciones Teorema Edita: Teorema S.A. Avda. República Argentina 248, bajos 3a. 08023 Barcelona ISBN: 84-7604-005-9 Depósito legal: B-33638-84 Edición en formato digital (abril de 2020): www.calmagrafica.es Contenido Prólogo . 10 Introducción . 13 Hablando con las máquinas . 22 Precursores: Las ondas Martenot . 22 Precursores: el Mellotron . 24 El Sintetizador y el Secuenciador . .25 La guitarra y el bajo sintetizados/el Stick Bass . 34 El Lyricon/el Variophone . 35 La caja de ritmos/las baterías electrónicas . 36 El Vocoder . 38 El Emulator . 39 La Computadora . 40 La música electrónica en Alemania y el rock alemán . 47 Tangerine Dream . 51 Klaus Schulze . 53 Konrad Schnitzler . 55 Faust . 66 Can . 69 Neu! . 73 Kraftwerk y la nueva música alemana . 76 Der Plan . 95 D .A .F . 106 Malaria . 111 Liaisons Dangereuses . 115 Goebbels & Harth . 117 A) Inglaterra, primera parte (psicodelia y más cosas) B) Brian Eno . 120 Inglaterra, segunda parte (punk, industrial, tecno…) . 139 Throbbing Gristle . 141 Chris & Cosey . 145 Psychic T .V . 146 Cabaret Voltaire . 148 Human League . 151 B .E .F . / Heaven 17 . 153 Thompson Twins . 155 Orchestral Manoeuvres in the Dark . 157 Soft Cell . 159 Gary Numan . .160 Visage . 161 Depeche Mode / Yazoo . 162 Japan . 164 Ultravox / John Foxx . 166 S .P .K . 168 Flying Lizards . 172 Thomas Dolby . 172 Blancmange . 173 Estados Unidos . 174 Primera Parte: Harry Partch . 174 Segunda Parte: The Residents . 178 Tercera Parte: Tuxedomoon . 187 Parte Cuarta: Chrome . 191 Parte Quinta: Radio Free Europe . 191 Sexta Parte: Laurie Anderson . 194 Séptima Parte: Devo . 198 País digital . 203 Yellow Magic Orchestra . 205 Plastics . 207 Anexo Japonés . 208 Yello . 211 Bélgica . 215 Telex . 215 Bene Gesserit . 216 Francia . 219 Richard Pinhas . 223 Pascal Comelade . 225 Un Departement . 227 Ptôse Production . 228 Etant Donnés . 229 Die Form . 231 Video Aventures . 231 Kas Product . 233 Fin del viaje . 235 Macromassa . .237 Esplendor Geométrico . 241 Metakrilato® . 242 El Aviador Dro y sus Obreros Especializados . 247 La Otra Cara de un Jardín . 253 Comando Bruno . 253 Neo Zelanda . 253 La T . 254 Todo Todo . 255 Líneas Aéreas . .256 Javier Segura . 256 El Grito Acusador . 257 A Juan Crek Mi especial agradecimiento por la documentación cedida, a: Javier Hernando la revista NOTES (Francia) la revista ATEM (Francia) la revista EUROCK (U.S.A.) los S.I.I: y el Centro de Documentación Leticia Vinaroz lo mismo que al grupo Der Plan, por ceder amablemente la cubierta de su LP Geri Reig para la portada de este libro. 9 PRÓLOGO El libro que tienes en las manos me pareció una obra imposible cuando el autor me habló de ello. Pensé que era demasiado pronto. Que los suti- les lazos que pudieran unir a todos los grupos y músicos que él pensaba incluir, eran muy difíciles de determinar. Que, prácticamente, había que “descubrir” muchas de las cosas que eran necesarias. Ahora, me encuentro frente a una especie de ensayo enciclopédico casi exhaustivo; adivino al autor haciendo de arqueólogo, de científico, de filósofo y de futurólogo. Y leo el original con asombro… ¡Lo ha conseguido!. Muchos de los puntos tratados eran para mí, auténticos eslabones perdidos, minas del rey Salomón aún por descubrir. Catedrales ente- rradas. Tablas cuneiformes que la música actual guardaba celosamente. Quizás el valor de este libro no llegue a apreciarse hasta dentro de unos años, y quizás entonces, sea necesario revisar y corregir muchas cosas. Pero realmente te encuentras ante el primer trabajo sobre el tema. El que su redacción se haya llevado a cabo en 1984 es, para mí, altamente significativo; pienso que si ahora ve la luz, con la inmediatez necesaria, años adelante será obra de consulta. Muchas veces pensé que las relaciones que mantenemos con la música, como simples aficionados, son el equivalente de las que mantenemos entre nosotros mismos. También pienso así de los músicos y su actitud. El concepto de música “free” que creó Europa, incorporado de la indu- dable revolución que se dio en la música negra, pretendía dirigirse justa- mente ahí, al cambio de actitudes en las relaciones del ser humano con la música. Después todos vimos claramente que la utopía de “Música Total”, música instantánea que surgiera de la improvisación creando nuevas 10 sensaciones, era imposible, porque en realidad, todo lo que hacemos pro- viene de nuestra memoria. No podemos inventar nada, sólo re-ordenar, combinar, transformar. Cualquier sentido político que se pudiera dar a la música, descalificaba a ésta misma de su verdadera categoría de música… Por eso, cualquier transformación que pudiera producirse, debía venir de la música. Estamos acostumbrados a no ver lo que tenemos delante de nuestras narices y esperar, ingenuamente, que lo nuevo será desco- nocido. Olvidamos muy frecuentemente, que en la sociedad que vivi- mos, lo nuevo deja de serlo con tanta rapidez que no solemos ni aperci- birnos de su aparición. Hay una sobrecarga de información. Vivimos en la sociedad de la información. Son las cosas que produce esta sociedad, antes de que nosotros mismos podamos separarlas del contexto, las que nos liarán cambiar a nosotros mismos y a la propia sociedad. No podría ser de otra manera. Los puntos básicos que este libro recalca a lo largo de entrevistas, procesos históricos y análisis técnicos de la música que se está haciendo ahora mismo, todos van a parar al mismo sitio. Se destila una idea gene- ral, bella y esperanzada; la técnica está creada por nosotros y de ella nos debemos servir. Los nuevos sonidos crean nuevas actitudes frente a la vida, pero nuestras emociones humanas son las mismas, y debemos trabajarlas igualmente que si hubiéramos nacido en cualquier época. Yo no me había dado cuenta nunca de que cuando apareció el violín Stradivarius, aque- llo era alta tecnología para la época, como ahora lo es un sintetizador… A través de la lectura de este libro podrás descubrir cosas de la histo- ria occidental de este siglo, cosas que estaban demasiado cerca como para que nadie se atreviera a olvidarlas. Bien, ahora están ahí, sobre el tapete de este libro. Quién podrá atreverse a decir que una caja de ritmos o un sintetizador son cosas inhumanas y frías, después de saber lo que pasaba en 1910. Quién seguirá imaginando un futuro lleno de robots, sin dar una mirada a su alrededor y descubrir que la nevera, el tostador de pan, el mando a distancia del televisor, la trituradora de frutas, son robots que nos ayudan en nuestra vida cotidiana. Prolongaciones de nuestro cuerpo y de nuestro cerebro. Terminales… Un estudio norteamericano (ellos son muy aficionados a hacer serios estudios sobre cosas evidentes) revela que en el futuro, la sociedad 11 americana se dividirá en pobres en información y ricos en información. Yo he notado, tras leer este libro, cómo algunas cosas que permanecían para mí en el mundo de lo que no sabes si has soñado, se convertían en ideas fundadas que me daban una nueva visión del mundo. A través de cosas tan simples como el tecno pop o el tecno funky, de la música para bailar que el hombre moderno produce para su propia diversión. Y, por último, a todos aquellos que están en la música, haciéndola e inventándola: este es un libro muy útil, donde se pueden saber muchas cosas nuevas sobre los sintetizadores y otros materiales de un grupo de hoy. Espero que lo aprecies como yo lo he apreciado. JESÚS QUEDLEJANO 12 INTRODUCCIÓN “Coincidiendo con la entrada de la era de Acuario, un nuevo estilo de música electrónica está naciendo; los sin- tetizadores han asimilado perfectamente la armonía y el ritmo. Compositores, productores e intérpretes están desa- rrollando una gran actividad en este campo para comu- nicar, a través de este sonido, su arte”. Nos ha parecido bien reproducir aquí este texto de una hoja discográ- fica promocional, para abordar el delicado y moderno tema de la música tecno. Varias son las razones y es el mismo texto el que nos las suministra. Vayamos, pues, por partes, y analicemos dicho texto utilizándolo como hilo conductor de esta introducción: “Coincidiendo con la entrada de la era de Acuario…” Bien vale hablar un poco de esto ya que esta colección de libros cuenta con la colabora- ción de un astrólogo, y él ha sido quién nos ha dado estos datos funda- mentales al alcance de cualquier persona y no exentos de actualidad: Todos sabemos que los signos zodiacales comienzan en Aries y acaban en Piscis; pues bien, en el orden inverso se suceden las Eras, de manera que encontrándonos en la Era de Piscis como todo el mundo ha podido comprobar durante los últimos 2000 años, la que ahora se acerca, es la de Acuario. No existe una fecha concreta para el cambio de Era porque los calendarios de más de dos mil años no tienen días de 24 horas; pero si hacemos caso de lo que tantos autores de best-seller nos vienen insi- nuando (Nostradamus, Orwell, Huxley, Torres Villarroel, las compañías discográficas y la portera de mi casa), la que se nos viene encima es la 13 Era de Acuario y los grandes adelantos científicos y técnicos están dis- puestos a corroborarlo, desde la retransmisión de la llegada a la Luna por televisión hasta los ordenadores de bolsillo, capaces de traducir del sáns- crito al arameo mientras interpretan una deliciosa melodía campestre. La música no ha podido quedarse atrás en esta carrera hacia lo nuevo y seguramente deseado, es decir: que todo sea más cómodo, que todo sea más bonito, que todo sea más rápido… y se ha visto enriquecida por los adelantos técnicos que detallamos a continuación y que encontramos referidos en el texto promocional que nos sirve de hilo conductor de esta introducción.
Load more

Recommended publications
  • Erg Ä Nzungsliste 1
    E R G Ä N Z U N G S L I S T E 1 - 2 0 1 8 (gültig bis 30.10.2018) 6COMM Fleischmachine; One Men Hel; Ontogeny I jeCD 15,30 € GODLESSTATE The Godlesstate project by P.Leagas (6COMM) CD 15,30 € AM NOT Developing World CD 13,95 / LP 21,50 € AH CAMA SOTZ Exorcise MurderIII;State of Mind;Obsession Diaboli jeCD13,95€ ANYTHING BOX Hope LP 17,50 € ARCANA The New Light ; Le Serpent Rouge ; Raspail jeCD 15,30 € ARNICA Cabeza De Lobo CD 15,30 € ARROWWOOD Dark Fairytales; Eye of Ivy..; Hemlock.. (DarkFolk) jeCD 15,30 € ASHCODE Perspektive (neues album) CD 15,30 / LP 21,50 € A S H R A M Human and Divine CD 13,95 € langerwartetes neues Album, Releasedate: 22.Juni 2018 Italienische Neo-Klassik für alle Fans von CURRENT 93, SALLY DOHERTY oder CORDE OBLIQUE.... Lieferbarer Back-Katalog: Shinning Silver Skies ; Ashram je CD 14,80 E ASH CODE / GEOMETRIC VISION / HAPAX Live Freiburg CD 15,30 € ASH CODE Posthuman ; Oblivion jeCD 15,30 € ASMUS TIETCHENS & TERRY BURROWSWatching the Burning.. 2CD 18,95 € ASMUS TIETCHENS Eisgang ; Dämmerattacke ; Parergon jeCD 13,95 € ATARAXIA Prophetia ; Deep Blue Firmament ; Ena jeCD 15,30 € ATRIUM CARCERI & HERBST9 Ur Djupan Dal CD 15,30 € ATRIUM CARCERI & CITIES LAST BROADCAST Black Corner CD 15,30 € ATRIUM CARCERI / CITIES LAST BROADCAST Miles To Midnight CD 15,30 € BOOTBLACK Fragments (label:ManicDepression) CD 15,30 € BAUHAUS Logo (black Shirt, onesided print, L-M-XL) T-Shirt 17,50 € BLURT Poppycock (label:Klanggalerie) CD 14,80 € BLACKHOUSE Live In Leipzig CD 13,95 / LP (black) 17,50 € BLACKHOUSE Five Minutes After I
    [Show full text]
  • A Level Music
    A level Music Areas of Study – Other Perspectives NB: updates to this document were made in April 2021 and these are highlighted in yellow. © artwork: Mark Bolitho | Origami photography Pearson Education Ltd/Justin Hoffman Introduction This qualification features a Component entitled Appraising. The purpose of this component is for students to develop their listening and appraising skills through the study of music across a variety of styles and genres. The content is grouped into six areas of study, containing either two or three set works. This component gives students the opportunity to reflect on, analyse and evaluate music in aural and/or written form. To achieve this objective, students need to use their knowledge and understanding of musical elements, context and language to make critical judgements about the repertoire and context of music within the areas of study. Students should also study a range of pieces beyond these set works. The suggested other musical pieces for each area of study (see Appendix 4 of the specification) provide students with breadth, enabling them to place their knowledge of musical elements, context and language in a wider context, and apply their knowledge and understanding to more pieces of music. The suggested other music can help students to relate their learning to music in the set works, but their study is not compulsory. Teachers can identify and teach other pieces of music to support their students’ learning. The following music and musicians are examples of how each of the areas of study can be approached from a diverse range of other perspectives. The pieces have been chosen to encourage students to think beyond the mainstream and over-represented composers and styles of music, and instead to consider alternative and less well-known types and origins of music.
    [Show full text]
  • Geri Reig Originally Released 1980 CD / LP (180G Vinyl) / Download Release Date: July 27, 2012
    DER PLAN Geri Reig Originally released 1980 CD / LP (180g vinyl) / download Release date: July 27, 2012 Label: Bureau B In a few words Cat- no.: BB104 Barcode (EAN): Der Plan (Moritz R®, Frank Fenstermacher, Pyrolator) are seen as key pioneers of the German New Wave (Neue Deutsche CD 4047179633321 LP 4047179633314 Welle). They revolutionized synthesizer pop on their debut album Distributor: Indigo “Geri Reig” (1980): produced with minimal means, at times Indigo order no.: experimental electronic music, playful bordering on dilettantish, 963332 (CD) and always with a sense of humour. Brothers in the spirit of The 963331 (LP) Residents, but more radical. Digipak reissue with liner notes by Carsten Friedrichs, rare photos and six bonus tracks Tracklisting: available as CD, download and 180g vinyl 1. Adrenalin lässt das Blut kochen 2. Geri Regi 3. Persisches Cowboy Golf 4. Gefährliche Clowns 5. Kleine Grabesstille “Geri Reig” is Der Plan’s debut album, but not their first release. 6. Der Weltaufstandsplan 7. Hans und Gabi An EP, recorded with the aid of an Electric Memo dictation 8. Commerce extérieur mondial preceded “Geri Reig”. But the band is not very keen on sentimentale reissueing this early work. Why did they call themselves “Der 9. Was ich von mir denke Plan” actually? “A concept which has something to do with the 10. San José Car Muzak 11. Erste Begegnung mit dem Tod capacity of people to think and shape their future” as Plan 12. ch bin schizophren member Moritz Reichelt, alias Moritz R®, once explained. 13. Nessie 14.Gefährliche Clowns (manisch-idiotisch) 15.
    [Show full text]
  • Billboard 1978-05-27
    031ÿJÚcö7lliloi335U7d SPOTLIG B DALY 50 GRE.SG>=NT T HARTFJKJ CT UolOo 08120 NEWSPAPER i $1.95 A Billboard Publication The International Music -Record -Tape Newsweekly May 27, 1978 (U.S.) Japanese Production Tax Credit 13 N.Y. DEALERS HIT On Returns Fania In Court i In Strong Comeback 3y HARUHIKO FUKUHARA Stretched? TOKYO -March figures for By MILDRED HALL To Fight Piracy record and tape production in Japan WASHINGTON -The House NBC Opting underscore an accelerating pace of Ways and Means Committee has re- By AGUSTIN GURZA industry recovery after last year's ported out a bill to permit a record LOS ANGELES -In one of the die appointing results. manufacturer to exclude from tax- `AUDIO VIDISK' most militant actions taken by a Disks scored a 16% increase in able gross income the amount at- For TRAC 7 record label against the sale of pi- quantity and a 20% increase in value tributable to record returns made NOW EMERGES By DOUG HALL rated product at the retail level, over last year's March figures. And within 41/2 months after the close of By STEPHEN TRAIMAN Fania Records filed suit Wednesday NEW YORK -What has been tales exceeded those figures with a his taxable year. NEW YORK -Long anticipated, (17) in New York State Supreme held to be the radio industry's main 5S% quantity increase and a 39% Under present law, sellers of cer- is the the "audio videodisk" at point Court against 13 New York area re- hope against total dominance of rat- value increase, reports the Japan tain merchandise -recordings, pa- of test marketing.
    [Show full text]
  • “Afin D'être En Pleine Possession De Ses Moyens
    Le“AFIN D’ÊTRE FORUM EN PLEINE POSSESSION DE SES MOYENS” VOLUME 38, #2 PRINTEMPS/SPRING 2016 Websites: Le Forum: http://umaine.edu/francoamerican/le-forum/ Oral History: Francoamericanarchives.org Library: francolib.francoamerican.org Occasional Papers: http://umaine.edu/francoamerican/occasional-papers/ Maine’s French Communities: http://www.francomaine.org/English/Pres/Pres_intro.html francoamericanarchives.org other pertinent websites to check out - Les Français d’Amérique / French In America Calendar Photos and Texts from 1985 to 2002 http://www.johnfishersr.net/french_in_america_calendar.html Franco-American Women’s Institute: $6.00 US http://www.fawi.net Le Forum Sommaire/Contents Lettres/Letters..............................3 Joshua Barrière....................45-47 Le Centre Franco-Américain Université du Maine L’État du NH Orono, Maine 04469-5719 .....................3, 38-41 Coin des jeunes.....................42-44 [email protected] Téléphone: 207-581-FROG (3764) L’État du ME..........................4-13 Télécopieur: 207-581-1455 REMINDER!!! Volume 38 Numéro 2 L’État du CT.........................14-23 Printemps/Spring 2016 Publishing Board Please check your mail- Don Levesque Books/Livres..........................24-26 ing labels for expiration date Paul Laflamme Virginia Sand Roy to your subscription. The Lin LaRochelle James Myall...........................27-28 Louella Rolfe year/month, for example, Diane Tinkham 11/09 means your subscrip- David Vermette......29, 30 & 37-38 Rédactrice/Gérante/Managing Editor
    [Show full text]
  • Haruomi Hosono, Shigeru Suzuki, Tatsuro Yamashita
    Haruomi Hosono Pacific mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Jazz Album: Pacific Country: Japan Released: 2013 Style: Fusion, Electro MP3 version RAR size: 1618 mb FLAC version RAR size: 1203 mb WMA version RAR size: 1396 mb Rating: 4.1 Votes: 218 Other Formats: AA ASF VQF APE AIFF WMA ADX Tracklist Hide Credits 最後の楽園 1 Bass, Keyboards – Haruomi HosonoDrums – Yukihiro TakahashiKeyboards – Ryuichi 4:03 SakamotoWritten-By – Haruomi Hosono コーラル・リーフ 2 3:45 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki ノスタルジア・オブ・アイランド～パート1:バード・ウィンド/パート2:ウォーキング・オン・ザ・ビーチ 3 9:37 Keyboards – Ryuichi SakamotoWritten-By – Tatsuro Yamashita スラック・キー・ルンバ 4 Bass, Guitar, Percussion – Haruomi HosonoDrums – Yukihiro TakahashiKeyboards – Ryuichi 3:02 SakamotoWritten-By – Haruomi Hosono パッション・フラワー 5 3:35 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki ノアノア 6 4:10 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki キスカ 7 5:26 Written-By – Tatsuro Yamashita Cosmic Surfin' 8 Drums – Yukihiro TakahashiKeyboards – Haruomi Hosono, Ryuichi SakamotoWritten-By – 5:07 Haruomi Hosono Companies, etc. Record Company – Sony Music Direct (Japan) Inc. Credits Remastered By – Tetsuya Naitoh* Notes 2013 reissue. Album originally released in 1978. Track 8 is a rare early version of the Yellow Magic Orchestra track. Translated track titles: 01: The Last Paradise 02: Coral Reef 03: Nostalgia of Island (Part 1: Wind Bird, Part 2: Walking on the Beach 04: Slack Key Rumba 05: Passion Flower 06: Noanoa 07: Kiska Barcode and Other Identifiers Barcode: 4582290393407
    [Show full text]
  • Thompson Twins King for a Day (キング・フォー・ア・デイ) Mp3, Flac, Wma
    Thompson Twins King For A Day (キング・フォー・ア・デイ) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: King For A Day (キング・フォー・ア・デイ) Country: Japan Released: 1986 Style: Synth-pop MP3 version RAR size: 1525 mb FLAC version RAR size: 1842 mb WMA version RAR size: 1955 mb Rating: 4.8 Votes: 967 Other Formats: WAV MMF DTS AA AIFF WMA AUD Tracklist Hide Credits King For A Day A 4:07 Edited By [Re-edit By] – Tom Bailey B Rollunder 6:34 Companies, etc. Phonographic Copyright (p) – Arista Records Ltd. Copyright (c) – Arista Records Ltd. Manufactured By – Nippon Phonogram Co., Ltd. Credits Producer – Nile Rodgers, Tom Bailey Written-By – Alannah Currie, Joe Leeway, Tom Bailey Notes © 1985 Arista Records Ltd. "King For A Day" lyrics are printed on the insert. "Rollunder" is the 12" mix, not the 7" mix found on most 7" versions of this release. Barcode and Other Identifiers Matrix / Runout: 〄 B TWINS-7A 111 N Matrix / Runout: TWINS-7B 111 Z Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year TWINS 7, TW Thompson King For A Day (7", Single, Arista, TWINS 7, TW UK 1985 INS 7 Twins Blu) Arista INS 7 7RS-134, Thompson King For A Day (キング・フォー・ Arista, 7RS-134, Japan 1986 TWINS 7 Twins ア・デイ) (7") Arista TWINS 7 Thompson King For A Day (U.S. Re- TWINS 227 Arista TWINS 227 UK 1985 Twins Mix) (12", Single) Thompson King For A Day (7", 107 776 Arista 107 776 Europe 1985 Twins Single) Thompson King For A Day (7", Single, A-107776 Ariola A-107776 Spain 1985 Twins Promo) Related Music albums to King For A Day (キング・フォー・ア・デイ) by Thompson Twins Thompson Twins - Watching Thompson Twins - Sister Of Mercy Thompson Twins - Side Kicks Thompson Twins - Don't Mess With Doctor Dream Thompson Twins - Love On Your Side (Rap Boy Rap) Thompson Twins - Doctor! Doctor! Thompson Twins - Lies Thompson Twins - Get That Love Thompson Twins - Revolution (Extended Mix) Thompson Twins - Lay Your Hands On Me.
    [Show full text]
  • (718) 636-4123 for IMMEDIATE RELEASE October 24, 1984
    NEWS CONTACT: fllen Ldmpert FOR IMMEDIATE RELEASE Susan Spier October 24, 1984 (718) 636-4123 RICHARD LANDRY PERFORMS IN BAM'S NEXT WAVE FESTIVAL ON NOVE~1BER 10, 1984 Saxophonist and composer RICHARD LANDRY will make his first New York solo appearance in over two years in the Brooklyn Academy of Music's NEXT WAVE FESTIVAL on November 10, 1984. Joining Richard Landry in the second half of his concert is guest percussionist David Van Tieghem. Born and raised in Cecilia, Louisiana, where he still resides, Richard Landry's roots are in Cajun music, rural southern rhythm and blues, and jazz. His concerts are distinguished by virtuosic improvisations on the uncharted range of the tenor saxophone, processed through a quadrophonic delay system which allows him to form his own quintet. He has also performed and recorded with Steve Reich and Musicians, the Philip Glass Ensemble, Talking Heads, and Laurie Anderson, while presenting more than two hundred solo concerts throughout the United States, Canada, and Europe. Richard Landry's concert for tenor saxophone will be held in BAM's Carey Playhouse on Saturday, November 10, at 8:00pm. Tickets are $15.00 . The NEXT WAVE Production and Touring Fund is supported by the National Endowment for the Arts, the National Endowment for the Humanities, the Rockefeller Foundation, the Howard Gilman Foundation, the Ford Foundation, the Pew Memorial Trust, AT&T, WilliWear Ltd., Warner Communications Inc. , the Educational Foundation of America, the CIGNA Corporation, the Best Products Foundation, Abraham & Straus/Federated Department Stores Foundation, Inc. and the BAM NEXT WAVE Producers Council.
    [Show full text]
  • NEA-Annual-Report-1992.Pdf
    N A N A L E ENT S NATIONAL ENDOWMENT FOR~THE ARTS 1992, ANNUAL REPORT NATIONAL ENDOWMENT FOR!y’THE ARTS The Federal agency that supports the Dear Mr. President: visual, literary and pe~orming arts to I have the honor to submit to you the Annual Report benefit all A mericans of the National Endowment for the Arts for the fiscal year ended September 30, 1992. Respectfully, Arts in Education Challenge &Advancement Dance Aria M. Steele Design Arts Acting Senior Deputy Chairman Expansion Arts Folk Arts International Literature The President Local Arts Agencies The White House Media Arts Washington, D.C. Museum Music April 1993 Opera-Musical Theater Presenting & Commissioning State & Regional Theater Visual Arts The Nancy Hanks Center 1100 Pennsylvania Ave. NW Washington. DC 20506 202/682-5400 6 The Arts Endowment in Brief The National Council on the Arts PROGRAMS 14 Dance 32 Design Arts 44 Expansion Arts 68 Folk Arts 82 Literature 96 Media Arts II2. Museum I46 Music I94 Opera-Musical Theater ZlO Presenting & Commissioning Theater zSZ Visual Arts ~en~ PUBLIC PARTNERSHIP z96 Arts in Education 308 Local Arts Agencies State & Regional 3z4 Underserved Communities Set-Aside POLICY, PLANNING, RESEARCH & BUDGET 338 International 346 Arts Administration Fallows 348 Research 35o Special Constituencies OVERVIEW PANELS AND FINANCIAL SUMMARIES 354 1992 Overview Panels 360 Financial Summary 36I Histos~f Authorizations and 366~redi~ At the "Parabolic Bench" outside a South Bronx school, a child discovers aspects of sound -- for instance, that it can be stopped with the wave of a hand. Sonic architects Bill & Mary Buchen designed this "Sound Playground" with help from the Design Arts Program in the form of one of the 4,141 grants that the Arts Endowment awarded in FY 1992.
    [Show full text]
  • Strong Show from First Year Art Graduates
    2A Thursday, May 24,1984 Daily Nexus ORCHID BOWL Strong Show from First Year Art Graduates By MATTHIAS • • ROSENTHAL Usually, exhibitions of EVERY OTHER contemporary modem art just bore me out of my mind, BMME FREE and I find myself looking at Moidiy, May 21st tfen Momorlal Dayl pretty women looking at Oror Rowllni «fen Lams avrMrMr ugly artifacts, musing about how much superior nature’s OPEN 24 H O URS products of beauty are to the Take a Bowling Breakl arbitrary attempts at meaning of some modem O R C H ID BO W L - GALLEO N R O O M art. The course of modem art, it seems, has been the 5925 Calle Real - Goleta • • • Ph. 967-0128 elimination of three things: beauty, pleasure and artistic skills. Don’t get me wrong: this exhibition is different. The 1984 WÆ.B. DU BO IS UCSB Art Department’s first year graduate students W8ITKVG aW ftfiBS are now presenting a small but exciting selection from their recent work. Louise Fowler-Smith, Victoria Palrick Bernard gesticulates in front of his piece, L a s t Tango Taylor-Gore, Patrick Deadline is this Friday, 5/25 Bernard, Sharon Coughran, Jerusalem.” MITCH VICINO/Nwus Michael Drury and Joyce Flager feature pre and post- frustrating them, as is so often the case in contemporary apocalyptic issues, which are, as a matter of fact, artistic art. beautifications of imminent and immanent psychological Fowler-Smith’s preoccupation with her Australian origin, Please submit your essays, and historical (or should I say: post-historical?) horror. is obvious.
    [Show full text]
  • Dogs in Space Tail Credits
    Title: For Christine Introducing MICHAEL HUTCHENCE as Sam SASKIA POST as Anna DEANNA BOND as The Girl NIQUE NEEDLES as Tim TONY HELOU as Luchio CHRIS HAYWOOD as Chainsaw Man Also with Anthony Peter Walsh Clare Laura Swanson Grant Adam Briscomb Leanne Sharon Jessop Nick Edward Clayton-Jones Mark Martii Coles Charles Chuck Meo Jenny Caroline Lee Barbara Fiona Latham Erica Stephanie Johnson Barry Gary Foley Lisa Glenys Osborne Anna's Girlfriends Allanah Hill Robyn McLellan Skinhead Troy Davies Leanne's Brothers John Murphy Troy Davies Owen Roberson Stacey Helen Phillips Chainsaw Woman Kelly Hoare Chainsaw Baby Robyn Lowenstein The Dealer Robert Ratti Sam's Mother Barbara Jungwirth Hardcore Hippie Beamish Elliot Policemen Noel Pennington Ted Fahrner Grant's Girls Michelle Bennett Lian Lunson Crazy George George Maleckas Pierre Hugo Race Terry Towelling Man Joe Camilleri Sales People Liz Meyers Tim McLaughlan Mount Waverley Mum Lillian Wilson Champion Girls Emma Di Clario Sybil Gibb TV Interviewer Helen Gianevsky Anna's Mum Jean Osborne Countdown Announcer Gavin Wood 3RRR D. J. Bohdan and Martha Butler, Kate Doherty, Harriet Freeman, Kelly Gallagher, Angela Howard, Tim Millikan, Marie Hoy, John Murphy, Sarah Newsome, Ollie Olsen, Miriam Smith, Miles Standish and Noah Taylor THE BANDS 'Dogs in Space' 'Whirlywirld' Edward Clayton-Jones Arnie Hanna Michael Hutchence David Hoy Chuck Meo John Murphy Nique Needles Ollie Olsen Glenys Osborne 'Too Fat To Fit Through the Door' 'Thrush and the C...S' Marcus Bergner Denise Grant Marie Hoy Marie Hoy John
    [Show full text]
  • MVD5251D Total Music
    :: Total Music Magazine :: Page 1 of 2 Class Act Archive interviews A monthly retrospective a class act look at the most Influential acts of the last fifty years. more ****************** Live listings Buy albums, DVDs and book in association with Amazon What we actually know about the Residents can be comfortably written on the What's on and where back of an eyeball with a four inch paintbrush. What we can take a healthy Check the listings for all stab at however (if you’ll pardon the Luis Buñuel allusion) is the band possibly the latest news on formed in 1972 and in all probability released their first record, ‘Santa Dog’, where to go and why the same year. Speculation surrounding the members' true identities are more generally fended off by their management team The Cryptic Corporation - formed by Jay Clem, Homer Flynn, Hardy Fox, and John Kennedy in 1976 - all ****************** Album reviews of whom strenuously deny having ever been band members (indeed Clem and Coochie Brake Kennedy left the Corporation in 1982). Many long term fans however insist Fox Audio CD and Flynn are The Residents, Flynn the singer and lyricist and Fox the musician, and a delve into the details of their publishing company Pale Pachyderm Publishing at the performance rights organization reveals Flynn and Fox as the composers of all original Residents songs. Our monthly roundup of Such probing around however is to entirely miss the point of a band who obviously feel all the latest album their gender, ethnicity, personality, and any tabloid style private revelations are releases good, bad or irrelevant to their listeners, preferring instead to encourage rumours, like the band ugly, we listen and then members are all physically disfigured, are actually a Dutch band from Den Haag or, our rate 'em favourite, that they are in fact The Beatles in disguise.
    [Show full text]