DOCSLIB.ORG

Walking the Path with Jesus and Kahlil Gibran (1883-1931): Lent and Early Easter SESSION THREE: Mon Eve

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Walking the Path with Jesus and Kahlil Gibran (1883-1931): Lent and Early Easter SESSION THREE: Mon Eve Walking the Path with Jesus and Kahlil Gibran (1883-1931): Lent and Early Easter SESSION THREE: Mon Eve. April 23 (6:30-8 p.m.) repeated Tues. Morn. April 24 (9:30-11 a.m.) Once, as I was burying one of my dead selves, the grave-digger came by and said to me, “Of all those who come here to bury, you alone I like.” Said I, “You please me exceedingly, but why do you like me?” “Because,” said he, “They come weeping and go weeping—you only come laughing and go laughing.” The Gravedigger, Gibran: Gibran Readings, Session 3 [On Left-- cancelled Dubai stamp honoring Gibran] 1. Introduction: Overview of Gibran Sessions & Artwork page 1 2. Maronite Heritage pages 1-2 3. Political Writing and Views pages 2-3 4. More about Mary Haskell Minis pages 3 5. Gibran’s Death and Legacy pages 3-5 6. Gibran, Spirits Rebellious (1908) pages 5-6 7. Gibran, Spiritual Vision pages 6-7 8. Gibran, Pity the Nation pages 7-8 9. Mary Magdalen selections, Jesus, Son of Man (1928) pages 8-11 10. Gibran’s Art: Rodin and Gibran page 10 11. Gibran’s Art & Writing: Blake & Gibran pages 11-14 Reading 1: Overview (a) 3 Gibran Sessions and Gibran’s Artwork Email me at [email protected] & I’ll email back Session 1-2 packets to you! Session 1 February 19-20. We read and discussed Gibran’s achievement, early life, his devout Maronite (Catholic) faith, and his openness to other religion (the Baha’i faith). We focused primary on his most famous work (The Prophet, 1923) and his earliest work (The Madman, 1918). We discussed the voices that appear in Gibran’s Jesus, Son of Man (1928) and read one of the opening narratives from that work. Session 2 (March 19-20). We considered the middle part of Gibran’s life followed by a more extenGsive discussion of The Prophet. We also considered the life and work of 13th C. Persian, Sufi poet Rumi, a central influence on Gibran. We continued our discussion of the narratives from Jesus, Son of Man. This is the Third Session packet (April 16-17). We will explore Gibran’s political thought, his relationship to the Maronite Church to Gibran, and Gibran’s death burial, and legacy. We will also explore Gibran’s spiritual vision, focusing on his watercolor Divine World and selections from Sand and Foam (1926) and A Poet’s Voice. We will consider the Mary Magdalen series of narratives from Jesus, Son of Man, Gibran’s patriotic poem, and Gibran’s artistic influences: poet-engraver William Blake and Parisian sculptor Auguste Rodin. Finally, we’ll work with a PowerPoint of Gibran’s art work. Link to Gibran’s major works and biography: https://www.famousauthors.org/khalil-gibran Project Gutenberg Australia has almost all of Gibran’s works online. Here are the 2 Gibran major works. Son of Man = http://gutenberg.net.au/ebooks03/0301451h.html The Prophet = http://gutenberg.net.au/ebooks02/0200061h.html (b) Gibran’s Artwork. Although Gibran thought he would become an artist, his artwork has never taken center stage. Even so, his artwork is worth noting for its mysticism, its subject matter, and the evidence of artists who influenced his work, especially the mystical writing and artwork of William Blake, the 17th-early 18th c. English engraver, painter, and poet. You’ll find a reading in the packet on Gibran’s mentors: William Blake and Parisian artist Auguste Rodin. Using a PowerPoint sequence I’ve developed, we’ll look at Blake’s art. Reading 2. Gibran’s Maronite Heritage 2A. Gibran’s Maronite Catholic religious heritage: The Maronites began in the Near East in an area common language was Aramaic, the same language spoken by Jesus. Aramaic is still used by the Maronites in various hymns and parts of the Mass, especially at the Consecration. Celibacy is not strictly required for Maronite deacons and priests in parishes outside of North America; monks, however, must remain celibate, as well as bishops who are normally selected from the monasteries. Gibran--Sess. 3—April 23-24, 2018--St. Richard’s Episcopal Church, Winter Park FL--Session designer-facilitator Pamela Menke 1 An Eastern rite churches, the Maronite Church is named for St. Maron, a 4th century hermit. After his death around the year 410, his monastic disciples built a large monastery in his honor, from which other monasteries were founded. The Maronite Church is the only one Eastern Church that has maintained an unbroken allegiance to Rome and the Pope (considered the Successor of St. Peter). In fact, in 517, as major controversy arose in other Eastern churches over the Council of Chalcedon’s 451 declaration that Jesus is “true God and true Man.” The Maronites supported the declaration. As a result, 350 Maronite monks were martyred for defending the Council’s degrees. Because of their unwavering support of the Council, the Maronites became known as the “Chalcedonians.” Even today, on the feast of Saints Peter and Paul, the central Maronite liturgical prayer is “O Lord, preserve your children from all error or deviation, grant us to live and die proclaiming: ‘Our faith is the faith of Peter, the faith of Peter is our faith!’” During the 7th C., the Maronites again suffered persecution and fled for refuge in the mountains of Lebanon. There they maintained and grew in their Christian faith and culture. At the time of the Crusades, close bonds were established by the Maronites with the West which have endured to this day. A number of Maronite monasteries—each consisting of a small number of monks—were established in the natural mountain caves of the most Holy Mountain not far from Gibran’s birthplace. The Divine Liturgy of the Maronite Mass traces its roots to Antioch where “the disciples were first called Christians” (Acts 11:26). St. Peter fled to Antioch when a persecution broke out in Jerusalem, resulting in the martyrdom of St. James (Acts 12). According to tradition, St. Peter founded the Church at Antioch and became its first bishop, and the early Maronites became the direct descendants of the people who received their faith from the Apostle Peter. Shortly after the time of the Apostles, a liturgy developed in Antioch which exists today in the Maronite rite. The overall characteristic of this tradition is primary belief in the Trinity coupled with emphasis on Jesus as true God and true Man. The liturgy also retains certain aspects of the ancient liturgy of the Sacred Jewish Scripture. For example, at the Consecration, the priest tips the chalice in the four directions of the compass to symbolize the shedding of Christ’s blood for the entire universe. 2B. Gibran: Spirits Rebellious and Excommunication (1908). [Short selections from Spirits Rebellious is included as a reading.] The Church was uneasy about Gibran’s open praise and acceptance of all forms of worship: "I love you when you bow in your mosque, kneel in your temple, pray in your church. For you and I are sons of one religion, and it is the spirit." But when Church leaders became aware of his 1908 short story collection Spirits Rebellious (written in Arabic), he was excommunicated. The book was publicly burned in the Beirut market place by Maronite Church and Ottoman State officials who judged it fiercely dangerous to the peace of the country. Gibran’s bitter denunciation of both religious and political injustice brought his anticipated exile from the country. He was already living in Paris to study art, but could not return to Lebanon for any purpose. Excommunication was particularly serious in a country where civil identity and justice was based on religious membership. In many ways, Gibran was being torn from his birth religion and his Lebanese roots. Beginning in the mid-1920”s and concluding in 1931, the hold of the Ottoman Empire was broken, and Lebanon had become part of greater Syria. Sometime around the middle of the 1920’s, Gibran, who had become famous, was welcomed back into the Maronite communion. 2C. Gibran’s Spiritual Vision. As Gibran became more aware of the world, he became increasingly committed to approaching and embracing a vision of the divine. In this reading packet, you’ll find 3 examples of Gibran’s spiritual vision: (1) Gibran’s “Divine World” watercolor that uses the ancient symbol of Hand of God, short selections from the sayings and insights in Sand and Foam (1926), and the conclusion of Gibran’s A Poet’s Voice. Reading 3. Gibran’s Political Writing and Views Even though Gibran insisted: "I am not a politician, nor do I wish to become one,” he was a Syrian nationalist. He wrote articles and a column for a U.S. Arabic newspaper denouncing the Ottoman presence in Lebanon. Arguing for Syrian independence, he called for the adoption of Arabic as the Syrian national language, arguing his position from a geographic point of view. His articles were designed to inspire and motivate Arab Americans. He caught the spirit of identify with country that President Kennedy was to espouse years later. Speaking about Lebanon and Syria, Gibran asks: "Are you a politician asking what your country can do for you or a zealous one asking what you can do for your country?" Gibran--Sess. 3—April 23-24, 2018--St. Richard’s Episcopal Church, Winter Park--Session designer-facilitator Pamela Menke 2 In another article, Gibran article exhorted Arab Americans to be proud of their mixed heritage: “...stand before the towers of New York, Washington, Chicago and San Francisco saying in your heart, 'I am the descendant of a people that built Damascus, and and Tyre and Sidon, and Antioch, and now I am here to build with you, and with a will….It is to be proud of being an American, but it is also to be proud that your fathers and mothers came from a land upon which God laid His gracious hand and raised His messengers.” During this years, Gibran published his poem “Pity the Nation” in Arabic.
Load more

Recommended publications
  • The Prophet (Discussion Questions)
    The Prophet (Discussion Questions) 1. Is Lebanese or Arab patriotism discernable? What is Gibran's view of America? Is there a political dimension to his work? 2. Can you identify with any of the characters? Does Gibran want you to identify with them? Do you think somebody in Lebanon would feel closer or less close to them? Why? 3. What is the prophet's message? What is his vision of human relationships in society? 4. How, overall, does Almustafa rate his ministry to Orphalese? 5. Can Gibran's writing be classified as immigration literature or are there more universal themes at work here? Could it just be romantic idealism? 6. How does Almitra figure in The Prophet? 7. How does Almustafa view nudity? 8. How does Almustafa relate to cities? 9. What is the function of human labor? 10. What is God's function in The Prophet? Is God a creator, provider, or savior, or does God serve some other function? 11. Does Almustafa's enigmatic promise to return through reincarnation fit in with his teachings on human nature? https://www.grpl.org/wp-content/uploads/2017/05/The-Prophet.pdf The Prophet (About the Author) Kahlil Gibran, known in Arabic as Gibran Khalil Gibran, was born January 6, 1883, in Bsharri, Lebanon, which at the time was part of Syria and part of the Ottoman Empire. In 1885 Gibran emigrated with his mother and siblings to the United States, where they settled in the large Syrian and Lebanese community in Boston, Massachusetts. In 1904 Gibran began publishing articles in an Arabic-language newspaper and also had his first public exhibit of his drawings, which were championed by the Boston photographer Fred Holland Day.
    [Show full text]
  • Exhibition Guide
    A free exhibition presented at the State Library of New South Wales 4 December 2010 to 20 February 2011 Exhibition opening hours: 9 am to 8 pm Monday to Thursday, 9 am to 5 pm Friday, 10 am to 5pm weekends Macquarie Street Sydney NSW 2000 Telephone (02) 9273 1414 Facsimile (02) 9273 1255 TTY (02) 9273 1541 Email [email protected] www.sl.nsw.gov.au Curator: Avryl Whitnall The State Library of New South Wales is a statutory authority Exhibition project manager: Phil Verner of, and principally funded by, the NSW State Government Exhibition designers: Beth Steven and Stephen Ryan, The State Library acknowledges the generous support of the Freeman Ryan Design Nelson Meers Foundation Exhibition graphics: Nerida Orsatti, Freeman Ryan Design Print and marketing graphics: Marianne Hawke Names of people and works in this exhibition have been Editor: Theresa Willsteed westernised where appropriate for English-language publication. Unless otherwise stated, all works illustrated in this guide are Conservation services in Lebanon: David Butcher, by Kahlil Gibran (1883–1931), and are on loan from the Gibran Paris Art Consulting Museum, Bsharri, Lebanon. International freight: Terry Fahey, Global Specialised Services Printed in Australia by Pegasus Print Group Cover: Fred Holland Day, Kahlil Gibran with book, 1897, Paper: Focus Paper Evolve 275gsm (cover) and 120 gsm (text). photographic print, © National Media Museum/Science & Society The paper is 100% recycled from post-consumer waste. Picture Library, UK Print run: 10,000 Above: Fred Holland Day, Portrait of Kahlil Gibran, c. 1898, P&D-3499-11/2010 photographic print, © National Media Museum/Science & Society Picture Library, UK ISBN 0 7313 7205 0 © State Library of New South Wales, November 2010 FOREWORD Kahlil Gibran’s visit to the State Library of Kahlil Gibran had an enormous impact on many Gibran Khalil Gibran — writer, poet, artist From Bsharri to Sydney New South Wales is both timely and fitting.
    [Show full text]
  • The Translated Works of Kahlil Gibran (Alphabetical Order)
    Institute of Lebanese Thought at Notre Dame University – Louaize, Lebanon The Translated Works of Kahlil Gibran (Alphabetical Order) To African Language 1. The Garden of the Prophet, from English into African Language, Translated by Gerhard J. Beukes, South Africa, J. L. Van Schaik, 1989. 2. Sand and Foam, from English into African Language, Translated by Gerhard J. Beukes, South Africa, J. L. Van Schaik, 1994. To Arabic Translated by Archbishop ,رمل وزبد ,Sand and Foam, from English into Arabic .3 Anṭoniūs Bshīr, Beirut, Karam Printing Press, 1926, 48 pages. Translated by Archbishop Anṭoniūs ,السابق ,The Forerunner, from English into Arabic .4 Bshīr, Beirut, [n.p.], 1937. Translated and ,يسوع إبن اﻹنسان ,Jesus the Son of Man, from English into Arabic .5 Prefaced by Tharwat Akāshah, Cairo, Dār Al-Ma’ārif, 1962, 247 pages. Translated and Prefaced by ,رمل وزبد,Sand and Foam, from English into Arabic .6 Tharwat Akāshah, Cairo, Dār Al-Ma’ārif, 1963, 63 pages. ,التائه ,The Wanderer: His Parables and His Sayings, from English into Arabic .7 Translated by Yaʿqūb Afrām Mansūr, Baghdād, An-Nahḍah Printing Press, 1964, 128 pages. Translated by Yūsūf Al-Khāl, Beirut, Dār ,النب ي ,The Prophet, from English into Arabic .8 An-Nahār, 1968, 111 pages. Translated by Archbishop ,آلهة اﻷرض ,The Earth Gods, from English into Arabic .9 Anṭoniūs Bshīr, 1st Edition, Beirut, Nawfal, 1982, 72 pages. Translated by ʿAbd-Al-Laṭīf ,آلهة اﻷرض ,The Earth Gods, From English into Arabic .10 Sharārah, 1st Edition, Beirut, Nawfal, 1983, 87 pages. 1 Institute of Lebanese Thought at Notre Dame University – Louaize, Lebanon ,Translated by Mikhāʾīl Nūʿaymah ,النب ي ,The Prophet, from English into Arabic .11 Beirut, Dār Nawfal, 1988, 125 pages.
    [Show full text]
  • Modern Arabic Literature Between the Nation and the World: the Bilingual Singularity of Kahlil Gibran
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online 1 Modern Arabic Literature between the Nation and the World: The Bilingual Singularity of Kahlil Gibran Ghazouane Arslane Queen Mary University of London Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy 2019 2 I, Ghazouane Arslane, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Ghazouane Arslane Date: 23/12/2019 3 Table of Contents Abstract ............................................................................................................................ 4 Note on Translation,
    [Show full text]
  • Figurative Language in “The Broken Wings” by Kahlil Gibran : a Pragmatic Perspective School of Teacher Training and Educati
    FIGURATIVE LANGUAGE IN “THE BROKEN WINGS” BY KAHLIL GIBRAN : A PRAGMATIC PERSPECTIVE PUBLICATION ARTICLES Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department Proposed by: GINANJAR ARDY WASKITHA A320100274 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2015 FIGURATIVE LANGUAGE IN “THE BROKEN WINGS” BY KAHLIL GIBRAN: A PRAGMATIC PERSPECTIVE Ginanjar Ardy Waskitha A 320100274 School of Teacher Training and Education Muhammadiyah University of Surakarta [email protected] Abstract This study is about figurative language. This research is a descriptive qualitative research in which the objective is to describe the actual user of language for communication. The objectives of this research are: To identify the types of figurative language used in The Broken Wings by Kahlil Gibran; and to examine the intention of figurative language used in The Broken Wings by Kahlil Gibran. The data of the research is the sentence that contains a figurative language in Kahlil Gibran’s novel. The data taken from The Broken Wings by Kahlil Gibran. There were 70 sentences of figurative language. It shows Simile 40 sentences (57%), Personification 15 sentences (22%), Metaphor 2 sentences (3%), Metonymy 10 sentences (14%), and Synecdoche 3 sentences (4%). There are 51 sentences are Assertive (73%); 4 sentences are Directive (6%), content of advice; 3 sentences are Commisive (4%); 11 sentence are expressive (16%); and 1 sentence is Declaration (1%). Key words: figurative language, the intention of figurative language. A. Introduction Language is symbol of communication. When people want to say something they always use the language as instrument of communication.
    [Show full text]
  • Gibran Kahlil (Gibrān Khalīl Gibrān) Biography and Achievements (1883-1931)
    Institute of Lebanese Thought at Notre Dame University – Louaize, Lebanon Gibran Kahlil (Gibrān Khalīl Gibrān) Biography and Achievements (1883-1931) Prelude It goes without saying that Gibran Khalīl is one of the most prominent and famous Lebanese figures, known nationally and internationally. His good reputation was gained in two sectors: literature and art. His work, biography and personality draw interest and they were, until this day, piquing the curiosity of many researchers and scholars from all over the world. Many researches and studies were conducted on Gibran’s personality and work. In the valuable and elaborative analytical-synthetic study written by “Ghāzī Fūʾād Brax” on Gibran’s style in literature, personality and work, Brax classified all what was written about him in three categories1: the first one is when “the facts were mixed with illusions” and were written in a narrative style that was sometimes supportive (as in “Barbara Yang Book”2) and in other times was dominated by self-display (as Mīkhāʾīl Nuʿaymah’s book was critiqued3). In the second category, the authors avoided the previous mistakes; however, they sometimes succeeded and in other times failed (as in Jabr4 and other books). In the third category, they followed the scientific method, which has helped them to correct their previous mistakes and avoid roving (as with Khalīl Ḥāwī5 and Anṭūn Ghaṭṭās Karam6). 1 Brax, Ghāzī, Gibran Kahlil: An analytical-synthetic study on Gibran’s personality, art and achievements, Printing And Publishing House of An-Nisr Al-Mūḥalliq, Beirut, Lebanon, 1973, pp. 17-19. 2 Young, Barbara, This Man From Lebanon: A Study Of Kahlil Gibran, New York, A.A.
    [Show full text]
  • “Kahlil Gibran”, in American Writers
    List of Subjects Introduction ix REGINALD MCKNIGHT 147 Stefanie K. Dunning List of Contributors xi JIM WAYNE MILLER 161 MARY ANTIN 1 Morris A. Grubbs Janet McCann TOVA MIRVIS 177 T. CORAGHESSAN BOYLE 17 Terry Barr D. Quentin Miller FLOYD SKLOOT 193 PIETRO DI DONATO 33 Ron Slate Tom Cerasulo GENE STRATTON-PORTER 211 TIMOTHY FINDLEY 49 Susan Carol Hauser Nancy Bunge HOWARD OVERING STURGIS 227 WALDO FRANK 67 Benjamin Ivry Kathleen Pfeiffer LEON URIS 243 JONATHAN FRANZEN 83 Jack Fischel Stephen J. Burn PATRICIA NELL WARREN 259 HENRY LOUIS GATES, JR. 99 Nikolai Endres S. Bailey Shurbutt PHILLIS WHEATLEY 277 KAHLIL GIBRAN 113 Caleb Puckett Christopher Buck Cumulative Index 293 ANNE LAMOTT 131 Pegge Bochynski Authors List 567 vii Contributors Terry Barr. Terry Barr holds a Ph.D in English Nancy Bunge. Nancy Bunge, a professor at from the University of Tennessee–Knoxville, Michigan State University, has held senior Ful- and has taught courses in Holocaust Literature bright lectureships at the University of Vienna and Southern Jewish Literature. He has taught in Austria, at the University of Ghent and the Modern Literature and Film Studies at Presbyte- Free University of Brussels in Belgium and at rian College, in Clinton, SC, for the past 23 the University of Siegen in Germany. She is the years. His essays have been published in Stud- interviewer and editor of Finding the Words: ies in American Culture, The Journal of Popular Conversations with Writers Who Teach and Mas- Film and TV, the American Literary Review, ter Class: Lessons from Leading Writers, the and in Half-Life: Jew-ishy Tales from Interfaith editor of Conversations with Clarence Major Homes.
    [Show full text]
  • THE PROPHET KAHLILGIBRAN Mm
    THE PROPHET KAHLILGIBRAN mm GIBRAN'S MASTERPIECE Illustrated with twelve full-page drawings by the author Alfred • A* Knopf • Publisher • New -York THE FEOFHET KAHLIL GIBRAN This book, which is Gibran's masterpiece, has become one of the beloved classics of our time. Published in 1923, it has been translated into more than twenty lan- guages, and the American edition alone has sold almost 3,000,000 copies. Gibran considered The Prophet his greatest achievement. He said: "I think I've never been without The Prophet since I first conceived the book back in Mount Lebanon. It seems to have been a part of me I kept the manuscript four years be- fore I delivered it over to my publisher because I wanted to be sure, I wanted to be very sure, that every word of it was the very best I had to offer." The Chicago Post said of The Prophet: "Cadenced and vibrant with feeling, the words of Kahlil Gibran bring to one's ears the majestic rhythm of Ecclesiastes If there is a man or woman who can read this book without a quiet acceptance of a great man's philosophy and a singing in the heart as of music born within, that man or woman is indeed dead to life and truth." THE PROPHET 8 THE BOOKS OF KAHLIL GIBRAN "His power came from some great reservoir of spiritual life else it could not have been so universal and so potent, but the majesty and beauty of the language with which he clothed it " were all his own CLAUDE bragdon The Madman 191 Twenty Drawings 1919 The Forerunner 1920 The Prophet 1923 Sand and Foam 1926 Jesus the Son of Man 1928 The Earth Gods 1931 The Wanderer 1932 The Garden of the Prophet 1933 Prose Poems 1934 Nymphs of the Valley 1948 Spirits Rebellious 1948 A Tear and a Smile 1950 • This Man from Lebanon: A Study of Kahlil Gibran by Barbara Young PUBLISHED BY ALFRED A.
    [Show full text]
  • Toward an Arabic Modernism: Politics, Poetics, and the Postcolonial
    University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2021 Toward an Arabic Modernism: Politics, Poetics, and the Postcolonial Alaa Taha University of Central Florida Part of the Arabic Language and Literature Commons, and the Arabic Studies Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Taha, Alaa, "Toward an Arabic Modernism: Politics, Poetics, and the Postcolonial" (2021). Electronic Theses and Dissertations, 2020-. 770. https://stars.library.ucf.edu/etd2020/770 TOWARD AN ARABIC MODERNISM: POLITICS, POETICS, AND THE POSTCOLONIAL by ALAA TAHA B.A. UNIVERSITY OF CENTRAL FLORIDA, 2019 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2021 © Alaa Taha 2021 ii ABSTRACT This thesis explores modernism’s temporality and location through the examination of Arabic modernism’s occurrence. In this thesis, I question whether the authenticity of modernism derives from its temporality period or its literary content while concurrently investigating several poems by Lebanese authors Kahlil Gibran and Nadia Tuéni and Syrian poet Adonis. Additionally, I trace Arabic modernism’s influence to the early 1900s-1910s to the conception of the Mahjar movement and the Pen League, an Arabic literary society consisting of Arabic immigrant writers.
    [Show full text]
  • Descriptive Study on Gibran Khalil Gibrans' Point of View About
    European Online Journal of Natural and Social Sciences 2013; www.european-science.com Vol.2, No.2 Special Issue on Teaching and Learning. ISSN 1805-3602 Descriptive study on Gibran Khalil Gibrans’ Point of view about Religion and Religious Thought Abdolah Rahimi PHD student in theology, Arak branch, Islamic Azad University, Arak, Iran [email protected] and Rooholah Samadi PHD student in theology Arak branch, Islamic Azad University, Arak, Iran Abstract Gibran Khalil Gibran was born in Christian family in Lebanon..His mother was a virtuous woman who could familiar him with religious principle from childhood .After some years ,he went to the west. He spent the best of his life time there. He made himself a great author and poet by his interest and talent in literature. The comparison between culture of west and south in Gibrans’ mind caused a great change in his life .Although, Niches᾿ thought had great effect on him and he acted independent on religious in world analysis and had been called infidel, we cant ignore his holy life and affection song which replaced by rebellious and also some of his mystically educations which gave for human who drowned in material things. In this paper, the researchers tried to investigate different part of Gibrans’ character and his belief about Islam , the Jews and Christ, so the method which applied by researchers was descriptive. Key words: Gibran Khalil Gibran, Christ, the Jews, Islam . Gibran Khalil Gibran (1883-1931) is Lebanon/Syria’s greatest poet, and one of the world’s most popular poets of all times, ranking only behind Shakespeare and Lao-tsu.
    [Show full text]
  • Kahlil Gibran (1883–1931), and Are on Loan from the Gibran Paris Art Consulting Museum, Bsharri, Lebanon
    A free exhibition presented at the State Library of New South Wales 4 December 2010 to 20 February 2011 Exhibition opening hours: 9 am to 8 pm Monday to Thursday, 9 am to 5 pm Friday, 10 am to 5pm weekends Macquarie Street Sydney NSW 2000 Telephone (02) 9273 1414 Facsimile (02) 9273 1255 TTY (02) 9273 1541 Email [email protected] www.sl.nsw.gov.au Curator: Avryl Whitnall The State Library of New South Wales is a statutory authority Exhibition project manager: Phil Verner of, and principally funded by, the NSW State Government Exhibition designers: Beth Steven and Stephen Ryan, The State Library acknowledges the generous support of the Freeman Ryan Design Nelson Meers Foundation Exhibition graphics: Nerida Orsatti, Freeman Ryan Design Print and marketing graphics: Marianne Hawke Names of people and works in this exhibition have been Editor: Theresa Willsteed westernised where appropriate for English-language publication. Unless otherwise stated, all works illustrated in this guide are Conservation services in Lebanon: David Butcher, by Kahlil Gibran (1883–1931), and are on loan from the Gibran Paris Art Consulting Museum, Bsharri, Lebanon. International freight: Terry Fahey, Global Specialised Services Printed in Australia by Pegasus Print Group Cover: Fred Holland Day, Kahlil Gibran with book, 1897, Paper: Focus Paper Evolve 275gsm (cover) and 120 gsm (text). photographic print, © National Media Museum/Science & Society The paper is 100% recycled from post-consumer waste. Picture Library, UK Print run: 10,000 Above: Fred Holland Day, Portrait of Kahlil Gibran, c. 1898, P&D-3499-11/2010 photographic print, © National Media Museum/Science & Society Picture Library, UK ISBN 0 7313 7205 0 © State Library of New South Wales, November 2010 FOREWORD Kahlil Gibran’s visit to the State Library of Kahlil Gibran had an enormous impact on many Gibran Khalil Gibran — writer, poet, artist From Bsharri to Sydney New South Wales is both timely and fitting.
    [Show full text]
  • The Wanderer Les and His Sayings Lil Gib the Wanderer
    THE WANDERER LES AND HIS SAYINGS LIL GIB THE WANDERER HIS PARABLES AND HIS SA YIN GS "His power came from some great reser­ voir of spiritual Zife else it could not have been so universal and so potent, but the majesty and beauty of the language with which he clothed it were all his own." - CLAUDE BRAGDON THE BOOKS OF KAHLIL GIBRAN The Madman • 1918 Twenty Drawings · 1919 The Forerunner • 1920 The Prophet • 1923 Sand and Foam • 1926 /esus the Son of Man • 1928 The Earth Gods · 1930 The Wanderer • 1932 PUBLISHED BY ALFRED A, KNOPF THE WANDERER HIS PARABLES AND HIS SAYINGS BY KAHLIL GIBRAN New York . ALFRED A. KNOPF . Mcmxxxii COPYRIGHT 1932 BY ALFRED A. KNOPF, INC, All rights reserved - no part of this book may be re­ printed in any form without permission in writing from the publisher CONTENTS FIRST EDITION THE w ANDERER 3 GARMENTS s THE EAGLE AND THE SKYLARK 6 THE LovE SoNG 9 TEARS AND LAUGHTER IO AT THE FAIR II THE Two PRINCESSES 13 THE LIGHTNING FLASH rs THE HERMIT AND THE BEASTS r6 THE PROPHET AND THE CHILD r8 THE PEARL 20 BoDY AND SouL 2I THE KING 22 UPON THE SAND 27 THE THREE GIFTS 28 PEACE AND w AR 30 THE DANCER 32 THE Two GUARDIAN ANGELS 34 THE STATUE 37 THE EXCHANGE 39 MANUFACTURED IN THE UNITED STATES OF AMERICA LovE AND HA,TE 40 DREAMS 41 SEVENTY 86 THE MADMAN 42 FINDING Gan 87 THE FROGS 44 THE RIVER 88 LA ws AND LAW-GIVING THE Two HUNTERS 47 YESTERDAY, TonAY AND ToMORROW THE OTHER ANDERER 49 w THE PHILOSOPHER AND THE COBBLER 51 BUILDERS OF BRIDGES 52 THE FIELD OF ZAAD 54 THE GOLDEN BELT 56 THE RED EARTH 58 THE FuLL MooN 59 THE HERMIT PROPHET 60 THE OLD, OLD WINE 62 THE Two PoEMS 64 LADY RUTH 66 THE MousE AND THE CAT 68 THE CURSE 70 THE POMEGRANATES 71 Gan AND MANY Gans 72 SHE WHO w AS DEAF 74 THE QUEST 77 THE SCEPTRE 79 THE PATH 80 THE WHALE AND THE BUTTERFLY 82 PEACE CONTAGIOUS 83 THE SHADOW 85 THE WANDERER HIS PARABLES AND HIS SAYINGS THE SEVEN ILLUSTRATIONS THE WANDER ER IN THIS VOLUME ARE RE­ PRODUCED FROM ORIGINAL I met him at the crossroads, a man with but DRAWINGS BY THE AUTHOR a cloak and a staff, and a veil of pain upon his face.
    [Show full text]