Peaches: Ripe Off the Tree
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Peaches Does Sherman
- Press release - Peaches Does Sherman Wednesday, 10 February 2016, 7:30 pm me Collectors Room Berlin / Olbricht Foundation Auguststrasse 68, 10117 Berlin Opening hours: Tue–Sun, 12–6 p.m. The Canadian singer and musician discusses the Cindy Sherman exhibition and her new album Rub Moderation and concept: Florian Werner Musician, singer, and filmmaker Peaches is one of the most prominent admirers of Cindy Sherman’s photographs. Numerous parallels run through the artists’ work: Both focus on the use of their own bodies in uncompromising, extreme, erotic, and sometimes humourous ways. Both masterfully transform their bodies into supra-individual characters using masks, costumes, and gestures. These transformations raise powerful questions relating to identity and stereotypes, sexuality and gender, the male gaze, and the perception of artists in our society. On the occasion of the exhibition ‘Cindy Sherman – Works from the Olbricht Collection’ (on view until 10 April 2016) in me Collectors Room Berlin, Peaches will join writer Florian Werner in a conversation on her fascination with Sherman’s work, the relationship between Peaches’ own art and Sherman’s photographs, as well as her new album Rub. Since the release of her album The Teaches of Peaches (2000), Peaches has gained a reputation as one of today’s most provocative and glamorous pop stars. Under the title Peaches Christ Superstar she staged Andrew Lloyd Webber’s musical as a one-woman show, and later sang the lead part in a production of a Monteverdi opera. In 2012 she released her first full-length motion picture film Peaches Does Herself, and in 2015 she collaborated on the book of photographs What Else Is In the Teaches of Peaches. -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
The Teaches of Peaches: Rethinking the Sex Hierarchy and the Limits of Gender
MA MAJOR RESEARCH PAPER The Teaches of Peaches: Rethinking the Sex Hierarchy and the Limits of Gender Discourse by Christina Bonner Supervised by Dr. Jennifer Brayton The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Arts Joint Graduate Program in Communication & Culture Ryerson University -- York University Toronto, Ontario, Canada, 2010 © Christina Bonner 2010 I hereby declare that I am the sole author of this research paper. I authorize Ryerson University to lend this research paper to other institutions or individuals for the purpose of scholarly research. 7 / ChristinaLBonner I further authorize Ryerson University to reproduce this research paper by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. EMlstma Honner ii The Teaches of Peaches: Rethinking the Sex Hierarchy and the Limits of Gender Discourse Christina Bonner Master of Arts, Program in Communication and Culture Ryerson and York University 2010 Abstract: The goal of this Major Research paper is an exploration detailing how Canadian Electro-Pop artist Peaches Nisker transcends nonnative gender and sex politics through perfonnance and frames the female erotic experience in a way that not only disempowers heterosexuality but also provides a broader more inclusive sexual politics. Through this analysis I focus specifically on three distinct spheres; perfonnance, fandom and use of technology to argue that her critique of sexual conventions provides an cxpansive and transgressive new defmition of female sexuality. Musical perfonnances by female artists, particularly icons such as Madonna and Britney Spears, have demonstrated popular culture's inability to legitimize quecr and non compulsory heterosexual practices. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Evaluation of Shelf-Life Improvements of Wet Pack Clingstone Peaches Designed for Military Operation Rations by Addition of Calc
University of Tennessee, Knoxville Trace: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2011 Evaluation of Shelf-Life Improvements of Wet Pack Clingstone Peaches Designed for Military Operation Rations by Addition of Calcium Salts Lee Charles Morse [email protected] Recommended Citation Morse, Lee Charles, "Evaluation of Shelf-Life Improvements of Wet Pack Clingstone Peaches Designed for Military Operation Rations by Addition of Calcium Salts. " Master's Thesis, University of Tennessee, 2011. https://trace.tennessee.edu/utk_gradthes/1010 This Thesis is brought to you for free and open access by the Graduate School at Trace: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of Trace: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Lee Charles Morse entitled "Evaluation of Shelf-Life Improvements of Wet Pack Clingstone Peaches Designed for Military Operation Rations by Addition of Calcium Salts." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Science, with a major in Food Science and Technology. John Mount, Major Professor We have read this thesis and recommend its acceptance: Svetlana Zivanovic, Arnold Saxton Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official student records.) Evaluation of Shelf-Life Improvements of Wet Pack Clingstone Peaches Designed for Military Operation Rations by Addition of Calcium Salts A Thesis Presented for the Master of Science Degree The University of Tennessee, Knoxville Lee Charles Morse August 2011 Copyright © 2011 by Lee Charles Morse All rights reserved. -
Cat Power Seduces with Her Jukebox Picks Chill out with Costa Juno's
9 • JANUARY 25, 2008 arcade Cat Power seduces with her Jukebox picks broke out in 2007 with The Reminder Dirty Delta Blues Band, the same band rap group famous for Cat Power (fueled by her omnipresent iPod com- with which Cat Power recorded her last launching Lil' Wayne's CAT POWER JUKE SOX Jukebox mercial), so naturally the world seems album The Greatest, the hip New York career. "I Feel" is an Matador Records ready for her "rival." City girl finds her inner Southern soul odd and ironic choice alternative Cat Power (whose real name is Chan singer, and finds a way to make her nor- of cover, but like every- B+ Marshall), while not a new artist by any mally soft-yet-sexy vocals reach new thing else on Jukebox, means, sounds particularly ready for and affecting heights. The DDBB pro- Cat Power's rendition the spotlight on Jukebox, even if she vides great backing with its roots-style, is all her own. Michael Drohan is mostly singing other people's songs. bluesy tracking, which, along with Mar- reviews editor Jukebox, though, is a seductive collec- shall's vocals, make covers often unrec- Bottom Line: An tion, so steeped in Cat Power's own sul- ognizable next to their original form. eclectic mix of covers The classic, female, silk-voiced try style that one cannot help but lust The track list Cat Power put together so boiled in blues they crooner - where art thou? In recent to listen. here, played in the songs' original ver- are transformed into years, women in popular music have had Cat Power starts the set with the sions, would sound erratic and random Cat Powers own. -
Description 9781156042236-Electro-Albums-Music-Guide.Pdf
WNBY0VDWTUWL « Book \\ Electro albums (Music Guide) Electro albums (Music Guide) Filesize: 2.58 MB Reviews A must buy book if you need to adding benefit. It is actually rally fascinating throgh studying time. Your way of life span will likely be transform as soon as you complete looking over this publication. (Ms. Bernice Rolfson) DISCLAIMER | DMCA 41MOPPPFRL4W \\ Doc # Electro albums (Music Guide) ELECTRO ALBUMS (MUSIC GUIDE) To save Electro albums (Music Guide) PDF, make sure you access the button beneath and download the file or gain access to additional information that are related to ELECTRO ALBUMS (MUSIC GUIDE) ebook. Reference Series Books LLC Apr 2012, 2012. Taschenbuch. Book Condition: Neu. 247x193x20 mm. This item is printed on demand - Print on Demand Neuware - Source: Wikipedia. Commentary (music and lyrics not included). Pages: 59. Chapters: 1 Giant Leap albums, Adult (band) albums, Afrika Bambaataa albums, Air Liquide albums, Black Dog Productions albums, Cazwell albums, DMX Krew albums, Dandi Wind albums, Deitiphobia albums, Disco D albums, Egyptian Lover albums, Fan Death albums, FannyPack albums, Fischerspooner albums, GoldieLocks albums, I-F albums, Live electro albums, M.I.A. albums, Mantronix albums, Miss Kittin albums, Nadia Oh albums, Peaches (musician) albums, Plaid albums, Rye Rye albums, Simian Mobile Disco albums, Space Cowboy albums, Spank Rock albums, Suicide Commando albums, The Juan MacLean albums, Tiga albums, Maya, Kala, Arular, Peaches discography, I Feel Cream, Miss Kittin discography, Fatherfucker, Two, -
Feist (Singer) from Wikipedia, the Free Encyclopedia
Feist (singer) From Wikipedia, the free encyclopedia Feist Feist performing at the Olympic Island Festival, 2006 Background information Birth name Leslie Feist Born 13 February 1976 (age 33) Amherst, Nova Scotia Origin Calgary, Alberta, Canada Genre(s) Pop rock, anti-folk, indie folk,baroque pop Occupation(s) Singer-songwriter Instrument(s) Vocals, guitar, piano, banjo Years active 1991–present Label(s) Arts & Crafts, Cherrytree,Interscope Associated Placebo acts Kings Of Convenience By Divine Right Broken Social Scene Website www.listentofeist.com Notable instrument(s) Guild Starfire Leslie Feist (born 13 February 1976 in Amherst, Nova Scotia, Canada) is a Canadian singer-songwriter. She performs as a solo artist under the name Feist and as a member of the indie rock group Broken Social Scene. At the 2008 Juno Awards on 6 April 2008 in Calgary, Alberta, she was the top winner with five awards, including Songwriter of the Year, Artist of the Year, Pop Album of the Year, Album of the Year and Single of the Year. On 20 October 2008, she told the Canadian press that, following the success of her last album, The Reminder , she felt she needed to step away from the pressures of the music industry to consider her next career move and "rest for a minute". [1] Biography Early life Feist's parents are both artists. Her father, Harold Feist, is an American abstract expressionist painter who worked at both the Alberta College of Art and Design and Mount Allison University in Sackville, New Brunswick. Her mother Lyn Feist was a student of ceramics from Saskatchewan. -
Read Book Electro Albums (Music Guide) / KZUXGQIHSC7I
XLKIKC7FGNX6 < Doc ^ Electro albums (Music Guide) Electro albums (Music Guide) Filesize: 3.13 MB Reviews Undoubtedly, this is the greatest job by any author. It is actually filled with wisdom and knowledge I am quickly could get a pleasure of reading a written book. (Kade Ankunding) DISCLAIMER | DMCA ZZJKAINOG969 < Kindle \\ Electro albums (Music Guide) ELECTRO ALBUMS (MUSIC GUIDE) To read Electro albums (Music Guide) PDF, you should follow the button below and save the file or gain access to other information which are related to ELECTRO ALBUMS (MUSIC GUIDE) ebook. Reference Series Books LLC Apr 2012, 2012. Taschenbuch. Book Condition: Neu. 247x193x20 mm. This item is printed on demand - Print on Demand Neuware - Source: Wikipedia. Commentary (music and lyrics not included). Pages: 59. Chapters: 1 Giant Leap albums, Adult (band) albums, Afrika Bambaataa albums, Air Liquide albums, Black Dog Productions albums, Cazwell albums, DMX Krew albums, Dandi Wind albums, Deitiphobia albums, Disco D albums, Egyptian Lover albums, Fan Death albums, FannyPack albums, Fischerspooner albums, GoldieLocks albums, I-F albums, Live electro albums, M.I.A. albums, Mantronix albums, Miss Kittin albums, Nadia Oh albums, Peaches (musician) albums, Plaid albums, Rye Rye albums, Simian Mobile Disco albums, Space Cowboy albums, Spank Rock albums, Suicide Commando albums, The Juan MacLean albums, Tiga albums, Maya, Kala, Arular, Peaches discography, I Feel Cream, Miss Kittin discography, Fatherfucker, Two, Impeach My Bush, Vicki Leekx, The Teaches of Peaches, Piracy -
Songs by Artist
Songs by Artist Title Title Title +44 3 Doors Down 5 Stairsteps, The When Your Heart Stops Live For Today Ooh Child Beating Loser 50 Cent 10 Years Road I'm On, The Candy Shop Beautiful When I'm Gone Disco Inferno Through The Iris When You're Young In Da Club Wasteland 3 Doors Down & Bob Seger Just A Lil' Bit 10,000 Maniacs Landing In London P.I.M.P. (Remix) Because The Night 3 Of Hearts Piggy Bank Candy Everybody Wants Arizona Rain Window Shopper Like The Weather Love Is Enough 50 Cent & Eminem & Adam Levine These Are Days 30 Seconds To Mars My Life 10CC Closer To The Edge My Life (Clean Version) Dreadlock Holiday Kill, The 50 Cent & Mobb Deep I'm Not In Love 311 Outta Control 112 Amber 50 Cent & Nate Dogg Peaches & Cream Beyond The Gray Sky 21 Questions U Already Know Creatures (For A While) 50 Cent & Ne-Yo 1910 Fruitgum Co. Don't Tread On Me Baby By Me Simon Says Hey You 50 Cent & Olivia 1975, The I'll Be Here Awhile Best Friend Chocolate Lovesong 50 Cent & Snoop Dogg & Young 2 Pac You Wouldn't Believe Jeezy California Love 38 Special Major Distribution (Clean Changes Hold On Loosely Version) Dear Mama Second Chance 5th Dimension, The How Do You Want It 3LW Aquarius (Let The Sun Shine In) 2 Pistols & Ray J No More Aquariuslet The Sunshine You Know Me 3OH!3 In 2 Pistols & T Pain & Tay Dizm Don't Trust Me Last Night I Didn't Get To She Got It StarStrukk Sleep At All 21 Demands 3OH!3 & Ke$ha One Less Bell To Answer Give Me A Minute My First Kiss Stoned Soul Picnic 3 Doors Down 3OH!3 & Neon Hitch Up Up & Away Away From The Sun Follow Me Down Wedding Bell Blues Be Like That 3T 6 Tre G Behind Those Eyes Anything Fresh Citizen Soldier 4 Non Blondes 702 Duck & Run What's Up I Still Love You Here By Me 4 P.M. -
Paperwait Volume 13 2010 | 2011
1 PAPERWAIT VOLUME 13 2010 | 2011 aceartinc. 2ND FLOOR | 290 McDERMOT AVENUE | WINNIPEG, MB | R3B 0T2 204.944.9763 | www.aceart.org 1 BOARD OF DIRECTORS Josh Ruth President Laura Magnusson Vice President PAPERWAIT Sally MacDonald Treasurer Takashi Iwasaki VOLUME 13 Secretary Emily Doucet Director Paperwait is published with the generous support of WH & SE Loewen Foundation. Kendra Goertzen Director ISSN: 1497-8776 Helga Jakobson Director This publication is copyrighted to ace inc. Rights to reproduce individual articles and art Darren Stebeleski artworks remain with their authors and creators. Some documentation images are the Director property of aceartinc. or the artists or other contributing organizations. Stephanie Middaugh Director Doug Smith ACKNOWLEDGMENTS Director aceartinc. would like to thank the following people, organizations and businesses for their ongoing support and assistance: all contributing artists, curators, writers, and photographers; STAFF our volunteers and membership; corporate and private donors; the Manitoba Arts Council, Jamie Wright the Winnipeg Arts Council, the Canada Council for the Arts, Manitoba Lotteries, WH and Gallery Coordinator Jen Moyes SE Loewen Foundation, the Winnipeg Foundation; Designtype, The Sign Source, Video Pool, Administrative Coordinator Plug In ICA, MAWA, Platform: Centre for Digital and Photographic Arts, Urban Shaman hannah_g Gallery, The Winnipeg Film Group, MAWA, Martha Street Studio, Art City, La Maison des Program Coordinator artistes visuels francophone, RAW Gallery of Architecture -
Mangino 1 “To Congo, to Colombo, Can't Stereotype My Thing Yo:” M.I.A.'S Politics of Difference a Senior Honors Thesis P
Mangino 1 “To Congo, To Colombo, can’t stereotype my thing yo:” M.I.A.’s Politics of Difference A Senior Honors Thesis Presented in partial fulfillment of the with research distinction in Comparative Studies in the undergraduate colleges at The Ohio State University By Gabriella Marie Mangino The Ohio State University 2008 Project Advisor: Barry Shank, Comparative Studies Mangino 2 Introduction Nearly four years ago, I sat in my dorm room struggling with homework while the television provided some background noise. Tuned to MTV’s college sibling station, “MTV-U” I dismissed most of the uninteresting indie-rock. Then a new song came on, starting with a simple rhythm, a single drum tap, soon followed by a female vocal. Rapping in unrefined couplets, the voice was gritty with a slight British twang. The song intensified with a dance-y electronic loop. It was not like anything I had recently heard, what was this music? The screen offered equally interesting visuals; a woman of South-East Asian descent roaming the jungle and dancing. The song was “Sunshowers,” and the artist, Mathangi (Maya) Arulpragasam, better known as M.I.A. Since then I have been following the journey of M.I.A. as she occupies a unique space in popular music. I soon discovered she was an art school grad, and the war- inspired graphics in the following video for “Galang” were in fact created by her. I soon started to notice the stories of her revolutionary father along with numerous rumors about her love life and radical opinions. Her sound perplexed music journalists—it’s not quite hip hop, not quite electronic—and after recognizing her Sri Lankan heritage, it most frequently got thrown under the vast umbrella of the “world music” category.