Canadian Music and American Culture, Pop Music, Culture and Identity, DOI 10.1007/978-3-319-50023-2 270 WORKS CITED
Total Page:16
File Type:pdf, Size:1020Kb
WORKS CITED ‘About Pamela’. Pamela Wallin: Journalist, Diplomat, Entrepreneur and Author. 2014. pamelawallin.com/meet-pamela-wallin/. AC/DC. Back In Black. Atlantic, 1980. Adams, Rachel. Continental Divides: Remapping the Cultures of North America. Chicago: University of Chicago Press, 2010. Adorno, Theodor. The Culture Industry. Ed. J.M. Bernstein. London and New York: Routledge, 1991. Adria, Marco. Music of Our Times: Eight Canadian Singer-Songwriters. Toronto: James Lorimer, 1990. Aguilera, Christina, feat. Peaches. ‘My Girls’. Bionic. RCA, 2010. Aikenhead, Paul David. ‘Man-Sized Inside: A History of the Construction of Masculinity in the Tragically Hip’s Album Fully Completely’. University of Saskatchewan, 2010. ecommons.usask.ca/handle/10388/etd-08112010- 144224 Aikura, Hisato, Yoshio Okabe, and Eiji Ogura. ‘Dare mo shinanai kuni: Amerika to sono ongaku o kataru’ [‘A Nation Where Nobody Dies: Talking About the USA and Its Music’]. Rock of Eiji’s. Music Magazine 41.14 (November 2009): 60–67. Allen, Kevin. ‘Series That Changed a Nation.’ USA Today (17 September 2002): C3. Ammerlaan, Edwin. Saga: The Biography. Amsterdam: EA Media, 2008. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1983. Angus, Ian. A Border Within: National Identity, Cultural Identity, and Wilderness. Montreal and Kingston: McGill-Queens University Press, 1997. Arden, Jann. ‘Could I Be Your Girl?’ Living Under June. A&M, 1994. © The Author(s) 2017 269 T. Connolly, T. Iino (eds.), Canadian Music and American Culture, Pop Music, Culture and Identity, DOI 10.1007/978-3-319-50023-2 270 WORKS CITED Arden, Jann. Facebook post, 17 September 2015. www.facebook.com/ JannArden/ Arden, Jann. Facebook post, 25 June 2014. www.facebook.com/JannArden/ Arden, Jann. Facebook post, 29 June 2014. www.facebook.com/JannArden/ Arden, Jann. Facebook post. 22 March 2015. www.facebook.com/JannArden/ Arden, Jann. Falling Backwards: A Memoir. Toronto: Knopf, 2011. Arden, Jann. ‘If You Loved Me’. Love Is the Only Soldier. Universal, 2003. Arden, Jann. ‘My Life’s Just Funny’. Interview by Sharon Doyle Driedger. Macleans (9 December 2002). Arden, Jann. ‘Q&A: An Interview with Jann Arden’. Interview by Jordan Zivitz. Canada.com: Classic Edition. 1 February 2007. www.canada.com/story.html? id=4383172e-feac-4370-a2e3-e5f0070a5a85 Arden, Jann. ‘Ruby Red’. Love Is the Only Soldier. Universal, 2003. Arden, Jann. I’ll Tell You One Damn Thing and That’s All I Know. Toronto: Insomniac, 2004. Arden, Jann, and Robert Foster. ‘Good Mother’. Living Under June. A&M, 1994. Arden, Jann, and Russell Broom. ‘Waiting in Canada’. Blood Red Cherry. Universal, 2000. Arnold, Chuck. ‘Joan Jett: “There Should Be More Women” in the Rock and Roll Hall of Fame’. Billboard (11 April 2015). www.billboard.com/articles/col umns/rock/6524226/joan-jett-wise-words-rock-wannabes Arthur, Charles. ‘DNA Clears Man of Murder 28 Years On’. The Independent (UK) (23 July 1997): 5. Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. The Empire Writes Back: Theory and Practice in Post-Colonial Literature. London: Routledge, 1989. Atkey, Ronald. ‘Canadian Cultural Industries Exemption from NAFTA – Its Parameters’. Canadian-United States Law Journal 23 (1997): 177–200. Attali, Jacques. Noise: The Political Economy of Music. Trans. Brian Massumi and Susan McClary. Minneapolis: University of Minnesota Press, 1985. Atwood, Margaret. ‘Progressive Insanities of a Pioneer’. The Animals in That Country. Toronto: Oxford University Press, 1968. 36–39. Atwood, Margaret. Strange Things: The Malevolent North in Canadian Literature. New York: Oxford University Press, 1996. Austin Powers: The Spy Who Shagged Me. Dir. Jay Roach. New Line, 1999. Azerrad, Michael. Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981–1991. Boston: Little Brown and Company, 2001. Bachman, Randy, and John Einarson. Randy Bachman: Takin’ Care of Business. Toronto: McArthur, 2000. Band, The. The Band. Capitol, 1969. Barber, Benjamin R. Jihad Vs. McWorld. New York: Ballantine Books, 1996. Barclay, Michael, Ian A. D. Jack, and Jason Schneider. Have Not Been the Same: The CanRock Renaissance 1985–1995. Toronto: ECW Press, 2001. WORKS CITED 271 Barr, Greg. ‘Traipsing through Texas with the Tragically Hip’. The Ottawa Citizen 19 (August 1995): F1. Barthes, Roland. Roland Barthes. Trans. Richard Howard. New York: Hill and Wang, 1977. Barton, Geoff. ‘The Max Factor’. Sounds (12 May 1979). Bataille, Georges. The Accursed Share: an Essay on General Economy, Vol. 1: Consumption. Trans. Robert Hurley. Cambridge, MA: Zone Books, 1991. Bateman, Jeff. ‘Incoming Action: Foreign Labels and Chains Take Aim at a “Sophisticated Growth-Oriented Marketplace”’. Billboard (27 January 1996). Baudelaire, Charles. ‘Any Where Out of the World N’Importe Où Hors du Monde’. Twenty Prose Poems. Trans. Michael Hamburger. San Francisco: City Lights, 1988, 70–73. Baum, L. Frank. The Wonderful Wizard of Oz. Chicago: George M. Hill, 1900. Beatles, The. ‘Back in the USSR’. The Beatles [The White Album]. Apple, 1968. Beatles, The. ‘Taxman’. Revolver. Parlophone, 1966. Bell, David V. J. ‘Political Culture in Canada’. Canadian Politics in the 1990s. Ed. Michael S. Whittington and Glen Williams. Toronto: Nelson, 1995. Bell, Mike. ‘Exclusive: Jann Arden Says Calgary’s AMP Radio and QuickHitz “Massacring” Music’. Calgary Herald (6 August 2014). www.calgaryherald. com/news/calgary/Exclusive+Jann+Arden+says+Calgary+Radio+QuickHitz +massacring+music/10099206/story.html Bellow, Saul. Henderson the Rain King. New York: Viking Press, 1959. Berland, Jody. ‘Marginal Notes on Cultural Studies in Canada’. University of Toronto Quarterly 64.4 (Fall 1995): 514–525. Berland, Jody. North of Empire: Essays on the Cultural Technologies of Space. Durham: Duke University Press, 2009. Berry, Chuck. ‘My Ding-a-Ling’. Chess, 1972. Berton, Pierre. WhyWeActLikeCanadians. Toronto: McClelland and Stewart, 1982. Bhabha, Homi K. The Location of Culture. London: Routledge, 1994. Biddle, Tami Davis. ‘Bombing by the Square Yard: Sir Arthur Harris at War, 1942–1945’. The International History Review 21.3 (1999): 626–664. Bidini, Dave. ‘It Was War: Forty Years after the 1972 Summit Series Between the USSR and Canada, Author Dave Bidini Reminisces About the Eventful “Game 8”’. National Post (4 Sept. 2012): A17. Bidini, Dave, and Brian Pickell. A Wild Stab For It: This Is Game Eight from Russia. Toronto: ECW Press, 2012. ‘Big Mac Index, The’. The Economist Special Report on Obesity. The Economist 405.8815 (December 15–21, 2012): 12. Bird, Graham. IMF Lending to Developing Countries. London: Routledge, 1995. Bissoondath, Neil. Selling Illusions: The Cult of Multiculturalism in Canada. Toronto: Penguin, 1994. 272 WORKS CITED Blake, William. Complete Poetry and Prose of William Blake. Revised edn. Ed. David V. Erdman. New York: Doubleday, 1988. Bliss, Karen. ‘Busting Out All Over: Canadian Artists and Labels Aim for International Success’. Billboard (16 January 1999). Blondie. ‘Call Me’. Chrysalis, 1980. Boggs, Carl. The Crimes of Empire: World Superpower and Rogue Domination. London: Pluto Press, 2010. ‘Bomb Rocks Giant N.Y. Complex: 7 Dead, 300 Injured; Caller Says Croatian Militants Responsible’. The Vancouver Sun (27 February 1993): A1. Bordeleau, Stéphane. ‘Where Canada’s Surplus Energy Goes’. CBC News 30 March 2011. www.cbc.ca/news/canada/story/2011/03/17/f-power-2020- provincial-energy-export.html Bothwell, Robert. Canada and the United States: The Politics of Partnership. Toronto: University of Toronto Press, 1992. Bottner, Nancy. ‘Sonic Cyborgs? Engendering Dissonance and Resistance in Popular Music’. Feminism & Activisms. Ed. Alexandra Zavos, Barbara Biglia, Jude Clark and Johanna Motzkau. Annual Review of Critical Psychology 4, 2005, 97–106. Bow, Brian. ‘Anti-Americanism in Canada, Before and After Iraq’. American Review of Canadian Studies 38.3 (2008): 341–359. Bowie, Malcolm. Lacan. Ed. Frank Kermode. Fontana Modern Masters. London: Fontana Press, 1991. Bowman, Durrell. ‘How Is Rush Canadian?’. Rush and Philosophy: Heart and Mind United. Ed. Jim Berti and Durrell Bowman. Popular Culture and Philosophy series. Chicago: Open Court, 2011, 287–305. Bowman, Durrell. ‘“Let Them All Make Their Own Music”: Individualism, Rush, and the Progressive / Hard Rock Alloy, 1976–1977’. Progressive Rock Reconsidered. Ed. Kevin Holm-Hudson. London: Routledge, 2002, 183–218. Bowman, Durrell. ‘Permanent Change: Rush, Musicians’ Rock, and the Progressive Post-Counterculture’. PhD Dissertation, UCLA, 2003. durrellbow man.com/?page_id=1429 Bowman, Rob. Liner notes. The Band: A Musical History. Capitol Records, 2005. Bricker, Darrell, and Edward Greenspon. Searching for Certainty: Inside the New Canadian Mindset. Toronto: Doubleday, 2001. Brown, Russell. ‘The Written Line’. Borderlands: Essays in Canadian-American Relations. Ed. Robert Lecker. Toronto: ECW, 1991, 1–27. Browne, Jackson. ‘For America’. Lives in the Balance. Asylum, 1986. Budhoo, Davison L. Enough Is Enough: Dear Mr. Camdessus ...Open Letter of Resignation to the Managing Director of the International Monetary Fund. New York: New Horizons Press, 1990. Buffalo Springfield. ‘Broken Arrow’. Buffalo Springfield Again. Atco, 1967. WORKS CITED 273 Burns, Jennifer. Goddess of the Market: Ayn Rand and the American Right. Oxford: Oxford University Press, 2009. Bush, George W. ‘Address to a Joint Session of Congress and the American People’. The White House 20 September 2001. georgewbush-whitehouse. archives.gov/news/releases/2001/09/20010920-8.html