Feist (Singer) from Wikipedia, the Free Encyclopedia

Total Page:16

File Type:pdf, Size:1020Kb

Feist (Singer) from Wikipedia, the Free Encyclopedia Feist (singer) From Wikipedia, the free encyclopedia Feist Feist performing at the Olympic Island Festival, 2006 Background information Birth name Leslie Feist Born 13 February 1976 (age 33) Amherst, Nova Scotia Origin Calgary, Alberta, Canada Genre(s) Pop rock, anti-folk, indie folk,baroque pop Occupation(s) Singer-songwriter Instrument(s) Vocals, guitar, piano, banjo Years active 1991–present Label(s) Arts & Crafts, Cherrytree,Interscope Associated Placebo acts Kings Of Convenience By Divine Right Broken Social Scene Website www.listentofeist.com Notable instrument(s) Guild Starfire Leslie Feist (born 13 February 1976 in Amherst, Nova Scotia, Canada) is a Canadian singer-songwriter. She performs as a solo artist under the name Feist and as a member of the indie rock group Broken Social Scene. At the 2008 Juno Awards on 6 April 2008 in Calgary, Alberta, she was the top winner with five awards, including Songwriter of the Year, Artist of the Year, Pop Album of the Year, Album of the Year and Single of the Year. On 20 October 2008, she told the Canadian press that, following the success of her last album, The Reminder , she felt she needed to step away from the pressures of the music industry to consider her next career move and "rest for a minute". [1] Biography Early life Feist's parents are both artists. Her father, Harold Feist, is an American abstract expressionist painter who worked at both the Alberta College of Art and Design and Mount Allison University in Sackville, New Brunswick. Her mother Lyn Feist was a student of ceramics from Saskatchewan. Their first child, Ben (Ben is now a software engineer at Sapient in Toronto) was born and the family soon moved to Sackville, New Brunswick. Leslie Feist was born on 13 February 1976 across the provincial border in Amherst, Nova Scotia, which had the closest maternity wing to Sackville. Her parents divorced soon afterwards and Leslie, Ben, and their mother moved to Regina, Saskatchewan where they lived with her grandparents. They later moved to Calgary, Alberta. She aspired to be a writer, and spent most of her youth singing in choirs. [2] At the age of twelve Feist performed as one of 1000 dancers in the opening ceremonies of the Calgary Winter Olympics, which she cites as inspiration for the video "1234". Because her father is American, Feist has dual Canadian-American citizenship [3] , though she joked in a televised interview on The Colbert Report that she was given American citizenship as part of a deal with Apple.[4][5] She has two half-siblings, Emily and Jackson, from her father's later marriage. Early career In 1991, at age fifteen, Feist got her start in music when she founded, and was the lead vocalist for a Calgary punk band called Placebo (not to be confused with the European band Placebo). [2] She and her bandmates won a local Battle of the Bands competition and were awarded the opening slot at the festival Infest 1993, featuring the Ramones. At this concert she met Brendan Canning and Kevin Drew, with whom she formed Broken Social Scene ten years later. In 1995, Feist was forced to take time off from music to recover from vocal-cord damage. She moved from Calgary to Toronto in 1996. That year she was asked by Noah Mintz of Head to play bass in his solo project Noah's Arkweld. She played the bass guitar in Noah's Arkweld for a year despite never having played bass before. In 1998, she became the rhythm guitarist for the band By Divine Right and toured with them throughout 1998, 1999, and 2000. In 1999, Feist moved in with a friend of a friend, Merrill Nisker, who then began to perform as an electro-punk musician Peaches; Feist worked the back of the stage at Peaches' shows, using a sock puppet and calling herself "Bitch Lap Lap." [6] The two also toured together in England from 2000-2001, staying with Justine Frischmann of Elastica and M.I.A. [7] Feist appeared as a guest vocalist on The Teaches of Peaches. Feist appears in Peaches' video for the song Lovertits, suggestively rubbing and licking a bike. Later, Feist covered this song with Gonzales on her album "Open Season." She met Gonzales while touring with Peaches, and a long-term collaboration formed. Feist live at the Festival d'été de Québec 2008 (Québec,Québec, Canada). Monarch (Lay Your Jewelled Head Down) Feist's solo debut album, Monarch (Lay Your J ewelled Head Down), was released in 1999. It is composed of 10 songs, including "Monarch" and "That's What I Say, It's Not What I Mean." Monarch (Lay Your Jewelled Head Down) was produced by Dan Kurtz who would later form Dragonette. Let It Die In the summer of 2001, Feist self-produced seven songs at home which she called The Red Demos, which have never been released commercially. She spent more than two years touring throughout Europe wi th Gonzales. In that same year she and a group of old friends formed Toronto indie rock group Broken Social Scene and subsequently recorded You Forgot It in People. While on tour in Europe with Gonzales, they began recording new versions of her home recorded Red Demos, which would later become her major label debut Let It Die. Let It Die featured both original compositions and covers, and Feist has been noted both as a songwriter and as an innovative interpreter of other artists' songs. After the recording of Let It Die, Feist moved to Paris. While in Europe, she collaborated with Norwegian duo Kings of Convenienceas co-writer and guest vocalist on their album Riot on an Empty Street, singing on "Know How," and "The Build Up." She also co-write and sang "The Simple Story" as a duet with Jane Birkin on her album Rendezvous. Feist toured during 2004, 2005 and 2006 through North America, Europe, Asia, and Australia supporting Let It Die. She won two Canadian Juno Awards for "Best New Artist" and "Best Alternative Rock Album" in 2004. Sales of Let It Die totaled 500,000 internationally, and she was awarded a platinum record in Canada, as well as a gold album in France. In 2005, Feist contributed to the UNICEF benefit song "Do They Know It's Hallowe'en?" In early 2006, Feist returned to Europe to record a follow-up to Let It Die at LaFrette Studios with Gonzales, Mocky, Jamie Lidell, and Renaud Letang, as well as her touring band Bryden Baird, Jesse Baird, Julian Brown of Apostle of Hustle, and Afie Jurvanen ofPaso Mino. An album of remixes and collaborations, Open Season , was released on 18 April 2006. The Reminder Feist's third solo album, The Reminder, was released on 23 April 2007 in Europe, and on 1 May 2007 in Canada, the USA, and the rest of the world. She toured worldwide to promote the album. The album features "1234," a song co-written by New Buffalo's Sally Seltmann, that became a surprise hit after being featured in a commercial for the iPod nano, hitting #8 in the US, a rare feat for indie rock musicians and even more notable since it hit the Top Ten on the strength of downloads alone. She has been lauded in the press and was featured on the cover of the New York Times arts section in June 2007. The Reminder had sold worldwide over 1,000,000 copies and is certified gold in the U.S. The album also won a 2008 Juno Award for "Album of the Year" on 6 April 2008 in Calgary, Alberta. "1234" Prior to an Apple iPod Nano commercial featuring this song aired, The Reminder was selling at approximately 6,000 copies per week, and "1234" at 2,000 downloads per week. Following the commercial, the song passed 73,000 total downloads and reached No. 7 on Hot Digital Songs and No. 28 on the Billboard Hot 100; The Reminder jumped from No. 36 to No. 28 on the Billboard 200, with sales of 19,000. [8] Following the television advertisement for the iPod nano in the UK, the single beat its original chart position of 102 to become number 8 in the UK charts. Time magazine named "1234" one of The 10 Best Songs of 2007, ranking it at #2. Writer Josh Tyrangiel called the song a “masterpiece,” praising Feist for singing it “with a mixture of wisdom and exuberance that's all her own." [9][10] On 6 April 2008, Feist won a Juno Award for the single as "Single of the Year". Feist recently performed "1234" on Sesame Street during its 39th season, teaching children to count. She said working with the Muppets was a career highlight. [11] In popular culture In 2006 Feist collaborated with former roommate Peaches on a track entitled "Give 'Er", which appeared on Peaches' album Impeach My Bush. Feist contributed backup vocals. Feist also lent her voice to the two tracks "La Même Histoire" and "We're All in the Dance" for the soundtrack to the film Paris, je t'aime. Feist was photographed by Annie Leibovitz for the November 2007 issue of Vanity Fair (No. 567) as part of a photo essay on folk music, also featuring Joni Mitchell, Peter, Paul and Mary, and The Guthrie Family. Feist performed on the season premiere of Sesame Street that aired on 11 August 2008. She sings a version of “1234” with the lyrics modified to focus on counting, and performs another song accompanied by Elmo.[12] Feist has had her music covered by many artists such as fellow Nova Scotians Travis MacRae and Buck 65, as well as bandmates Broken Social Scene and former tour mate Bright Eyes.
Recommended publications
  • Places to Go, People to See Thursday, Feb
    Versu Entertainment & Culture at Vanderbilt FEBRUARY 28—MARCH 12,2, 2008 NO. 7 RITES OF SPRING PLACES TO GO, PEOPLE TO SEE THURSDAY, FEB. 28 FRIDAY, FEB. 29 SATURDAY 3/1 Silverstein with The Devil Wears Prada — Rocketown John Davey, Rebekah McLeod and Kat Jones — Rocketown Sister Hazel — Wildhorse Saloon The Regulars Warped Tour alums and hardcore luminaries Silverstein bring their popular Indiana native John Davey just might be the solution to February blues — his unique pop/ Yes, they’re still playing together and touring. Yes, they can still rock sound to Nashville. The band teamed up with the Christian group The Devil folk sound is immediately soothing and appealing and is sure to put you in a good mood. with the best of ’em. Yes, you should go. Save all your money this THE RUTLEDGE Wears Prada for a long-winded U.S. tour. ($5, 7 p.m.) 401 Sixth Avenue South, 843-4000 week for that incredibly sweet sing-along to “All For You” (you know 410 Fourth Ave. S. 37201 ($15, 6 p.m.) 401 6th Avenue S., 843-4000 you love it). ($20-$45, 6 p.m.) 120 Second Ave. North, 902-8200 782-6858 Music in the Grand Lobby: Paula Chavis — The Frist Center for the Steep Canyon Rangers — Station Inn Red White Blue EP Release Show — The 5 Spot Visual Arts MERCY LOUNGE/CANNERY This bluegrass/honky-tonk band from North Carolina has enjoyed a rapid Soft rock has a new champion in Red White Blue. Check out their EP Nashville’s best-kept secret? The Frist hosts free live music in its lobby every Friday night.
    [Show full text]
  • Swedish Folk Music
    Ronström Owe 1998: Swedish folk music. Unpublished. Swedish folk music Originally written for Encyclopaedia of world music. By Owe Ronström 1. Concepts, terminology. In Sweden, the term " folkmusik " (folk music) usually refers to orally transmitted music of the rural classes in "the old peasant society", as the Swedish expression goes. " Populärmusik " ("popular music") usually refers to "modern" music created foremost for a city audience. As a result of the interchange between these two emerged what may be defined as a "city folklore", which around 1920 was coined "gammeldans " ("old time dance music"). During the last few decades the term " folklig musik " ("folkish music") has become used as an umbrella term for folk music, gammeldans and some other forms of popular music. In the 1990s "ethnic music", and "world music" have been introduced, most often for modernised forms of non-Swedish folk and popular music. 2. Construction of a national Swedish folk music. Swedish folk music is a composite of a large number of heterogeneous styles and genres, accumulated throughout the centuries. In retrospect, however, these diverse traditions, genres, forms and styles, may seem as a more or less homogenous mass, especially in comparison to today's musical diversity. But to a large extent this homogeneity is a result of powerful ideological filtering processes, by which the heterogeneity of the musical traditions of the rural classes has become seriously reduced. The homogenising of Swedish folk music started already in the late 1800th century, with the introduction of national-romantic ideas from German and French intellectuals, such as the notion of a "folk", with a specifically Swedish cultural tradition.
    [Show full text]
  • Carefully Pieced Together Around Feist
    FEIST ‘Let It Die’ is very much a voice album in close up, “eye to eye and ear to ear”. Carefully pieced together around Feist’s seductive and jhai* voice, the album forms the missing link between ye old folk (storytelling), the Brill building era (the quest for the hook), doo-wop (melody and mood) and minimal modern pop arrangements. Like line drawings as opposed to detailed paintings, these songs leave you space to fill in the emotional blanks. Its lack of complication makes ‘Let It Die’ standout from much of today’s musical offerings; put simply, a beautiful slice of sonic escapism to illustrate and interrupt the little moments that together tell us stories. A history not lacking in variety, the Canadian born singer has accomplished much in her few tender years, so for those inquisitive journo types, here are the last few years in a nut shell… “My first proper gig was supporting the Ramones at an outdoor festival when my high school punk band won a battle of the bands contest. We played together for about 5 years. I moved to Toronto from Calgary to see a musical injuries doctor, after losing my voice on my first cross-Canadian tour when I was 19. Not knowing a soul in Toronto I spent 6 months in a dark basement apartment with a 4 track and having been told not to sing I got a guitar to do it for me. A couple of years later I was playing guitar in By Divine Right and toured for 6 months opening for the Tragically Hip, mostly in front of stadium crowds of around 40,000.
    [Show full text]
  • NIEUWE RELEASES KLIK OP DE HOES VOOR DE SINGLE (Mits Beschikbaar)
    NIEUWE RELEASES KLIK OP DE HOES VOOR DE SINGLE (mits beschikbaar) LEONARD COHEN – You Want It Darker CD/LP 'You Want It Darker', een paar weken geleden werd deze titeltrack vrijgegeven online en ik was meteen verkocht. Ik vond de vorige plaat 'Populair Problems' al fantastisch maar 'You Want It Darker' overtreft het op alle vlakken. Donkere plaat met veel verwijzingen naar de dood bijvoorbeeld wat op zich niet vreemd is gezien zijn leeftijd (82). Prachtig en ontroerend meesterwerk van deze levende legende! Het wordt druk boven in de top tien albums van het jaar.... KENSINGTON – Control CD/LP ‘Control’ is het nieuwe album van Kensington, het Utrechtse viertal dat zich de afgelopen jaren heeft ontwikkeld tot één van de grootste bands van het land. Niet alleen door het succesvolle album ‘Rivals’ maar ook door hun live reputatie waarmee ze de festival- en live podia (én maar liefst 4x in onze winkel!) hebben veroverd. Eerste single van het album ‘Control’ is ‘Do I Ever’. Het album is gelimiteerd verkrijgbaar als cd digipack inclusief een 20 pagina booklet én op vinyl (eerste oplage is genummerd en gekleurd vinyl). KORN – Serenity of Suffering CD/CD-Deluxe/LP/LP-Deluxe 'Serenity of Suffering' is het 12e studio album van de nu-metal band Korn. Volgens gitarist Brian Welch is deze plaat een stuk zwaarder en steviger dan dat iemand in een lange tijd heeft gehoord. Het album is de opvolger van 'The Paradigm Shift' uit 2013 en werd geproduceerd door Grammy-award winnende producer Nick Raskulinecsz (Foo Fighters, Deftones, Mastodon). Op de deluxe versie staan twee extra tracks.
    [Show full text]
  • Soundtrack and Garnering Accolades for Their Debut Album “Remind Me in Three Days.” Check out Our Exclusive Interview on Page 7
    Ver su s Entertainment & Culture at Vanderbilt DECEMBER 3—DECEMBER 9, 2008 VOL. 46, NO. 26 “Abstract Progressive” rapping duo The Knux are giving Vincent Chase his soundtrack and garnering accolades for their debut album “Remind Me in Three Days.” Check out our exclusive interview on page 7. We saw a lot of movies over break. We weigh in on which to see and … from which to fl ee. “808s and Heartbreaks” is really good. Hey, Kanye, hey. PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 4 FRIDAY, DECEMBER 5 SATURDAY, DECEMBER 6 The Regulars Harley Allen Band — Station Inn Parachute Musical and KinderCastle with Noises Carols & Cocoa — Barnes and Noble, Cool THE RUTLEDGE The go-to joint for bluegrass in the Music City features Harley Allen, 10 — The Mercy Lounge and Cannery Ballroom Springs 410 Fourth Ave. S. 37201 Part of the Mercy Lounge’s Winter of Dreamz musical showcase, a well-known song writer who’s worked with Garth Brooks, Dierks Need to get into the Christmas spirit? The Battle Ground Academy 782-6858 Bentley and Gary Allan to name a few. Make sure to see this living Friday’s event showcases Parachute Musical and KinderCastle along Middle School Chorus will lead you in some of your favorite seasonal legend in action. ($10, 9 p.m.) with opener Noises 10. Head to the Mercy Lounge to enjoy some carols as you enjoy delicious hot chocolate. (Free, 11 a.m., 1701 MERCY LOUNGE/CANNERY live local music and $2.50 pints courtesy of Winter of Dreamz co- Mallory Lane, Brentwood) presenter Sweetwater 420.
    [Show full text]
  • Jason Collett Idols of Exile Mp3, Flac, Wma
    Jason Collett Idols Of Exile mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Idols Of Exile Country: USA & Canada Released: 2006 Style: Folk Rock, Acoustic, Indie Rock MP3 version RAR size: 1658 mb FLAC version RAR size: 1248 mb WMA version RAR size: 1721 mb Rating: 4.5 Votes: 849 Other Formats: VQF DXD DMF VOX VOC WMA TTA Tracklist Hide Credits Fire Acoustic Guitar, Vocals – Jason*Backing Vocals – Amy Millan, Kevin DrewBass – Tony 1 ScherrDrums, Shaker, Tambourine, Triangle – Howie*Piano – Brendan CanningSynth – Liam O'NeilTom Tom [Toms] – Justin PeroffTrombone – Evan CranleyVibraphone – Jason Taite* Hangover Days Acoustic Guitar, Electric Guitar, Tres – Andrew WhitemanBacking Vocals – Leslie FeistClavinet – 2 Chris Brown Drums, Bass, Tambourine, Shaker, Guiro – Howie*Electric Guitar – Afie JurvanenPiano – Paul Taylor Vocals – Emily Haines, Jason* Brownie Hawkeye Acoustic Guitar, Vocals – Jason*Drums, Bass, Mandolin, Tambourine – Howie*Handclaps – 3 Andrew Cash, Gabrielle Hrynkiw, Kersti Mcleod, Kevin Drew, Patrick Gilmour, Ravenna BarkerPiano – Paul Taylor Synth – Liam O'NeilTrombone – Evan CranleyTrumpet – James ShawVibraphone, Glockenspiel – Jason Taite* We All Lose One Another Acoustic Guitar, Vocals – Jason*Backing Vocals – Andrew*, Gabrielle*, Kersti*, Kevin*, Patrick*, 4 Ravenna*Banjo – Charles SpearinBass – Julian BrownDrums, Tambourine, Harmonica – Howie*Electric Guitar – Kevin DrewOrgan – Chris Brown Piano – Paul Taylor Violin – Julie Penner Parry Sound Acoustic Guitar, Vocals – Jason*Backing
    [Show full text]
  • Transforming Wikipedia Into a Large-Scale Fine-Grained Entity Type Corpus
    Transforming Wikipedia into a Large-Scale Fine-Grained Entity Type Corpus Abbas Ghaddar, Philippe Langlais RALI-DIRO Montreal, Canada [email protected], [email protected] Abstract This paper presents WiFiNE, an English corpus annotated with fine-grained entity types. We propose simple but effective heuristics we applied to English Wikipedia to build a large, high quality, annotated corpus. We evaluate the impact of our corpus on the fine-grained entity typing system of Shimaoka et al. (2017), with 2 manually annotated benchmarks, FIGER (GOLD) and ONTONOTES. We report state-of-the-art performances, with a gain of 0.8 micro F1 score on the former dataset and a gain of 2.7 macro F1 score on the latter one, despite the fact that we employ the same quantity of training data used in previous works. We make our corpus available as a resource for future works. Keywords: Annotated Corpus, Fine-Grained Entity Type, Wikipedia 1. Introduction considering coreference mentions of anchored texts as can- Entity typing is the task of classifying textual mentions into didate annotations, and by exploiting the out-link structure their respective types. While the standard Named-Entity of Wikipedia. We propose an easy-first annotation pipeline Recognition (NER) task focuses on a small set of types (e.g. described in Section 3 which happens to reduce noise. Sec- 4 classes defined by the CONLL shared task-2003 (Tjong ond, we define simple yet efficient heuristics in order to Kim Sang and De Meulder, 2003)), fine-grained tagging prune the set of candidate types of each entity mention deals with much larger type sets (e.g.
    [Show full text]
  • Showcase PEI 2010: Delegate & Artist Guide
    Showcase PEI 2010: Delegate & Artist Guide International Delegates: The United Kingdom Graham Anderson Newcastle-upon-Tyne www.jumpinhot.com Graham Anderson is the Co-Director and Head Programmer of Northern Roots (Jumpin’ Hot Club). Northern Roots, a company with charitable status, is one of the UK's premier promoters of all kinds of roots music. Based in Newcastle Upon Tyne, it specializes in country, singer songwriter, soul, folk, blues, rock and roll, and reggae. The organization was formed in 1985 as an acoustic music club & is celebrating its 25th anniversary in early December. As well as promoting over 70 concerts a year, the club also programs “The SummerTyne Fest Outdoor Stage”, which is part of the Americana Weekender, The Evolution Festival Ballast Hill stage, and the Boss Sounds Reggae Festival. The club operates out of a number of venues in and around Newcastle and Gateshead, including The Cluny, Cluny2 Theatre, Gateshead Town Hall, Live Theatre, and The Studio in Live T. Graham Anderson is also a musician. Ro Cemm Line of Best Fit End of the Road Festival: www.endoftheroadfestival.com Oh! Canada: www.thelineofbestfit.com/tag/oh-canada Canadian Blast: www.canadianblast.com Ro Cemm is one of the team members behind the award winning End of The Road Festival in the UK. The festival has been supportive of new Canadian talent over the last 5 years and this year has 12 Canadian acts performing. End of the Road also have a record label (End of the Road Records), and have released records by Woodpigeon, Charlie Parr, The Low Anthem and The Young Republic.
    [Show full text]
  • Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
    Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research.
    [Show full text]
  • Valentina Mér Wincent Weiss Feist Gorillaz Adel Tawil Thurston Moore China Moses Alexa Feser ALEX Kasabian VARGAS Inhalt
    GRATIS | APRIL 2017 Ausgabe 37 VALENTINA MÉR WINCENT WEISS FEIST GORILLAZ ADEL TAWIL THURSTON MOORE CHINA MOSES ALEXA FESER ALEX KASABIAN VARGAS INHALT INHALT EdITION – IMPRESSUM 03 ALEX VARGAS HERAUSGEBER 04 VALENTINA MÉR | TOM SCHILLING AKTIV MUSIK MARKETING GMBH & CO. KG 05 WINCENT WEISS | ZWEI VON MILLIONEN | Steintorweg 8, 20099 Hamburg, UstID: DE 187995651 KENSINGTON PERSÖNLICH HAFTENDE GESELLSCHAFTERIN: 06 FEIST | JOHN MELLENCAMP | MARY J BLIGE AKTIV MUSIK MARKETING 07 WILLIE NELSON | RAY DAVIES | PROCOL HARUM VERWALTUNGS GMBH & CO. KG 08 SHERYL CROW | GORILLAZ Steintorweg 8, 20099 Hamburg 09 INCUBUS | THURSTON MOORE | ALPHAVILLE SITZ: Hamburg, HR B 100122 10 ADEL TAWIL | K. FLAY | BEN MARWOOD GESCHÄFTSFÜHRER Marcus-Johannes Heinz 12 CHINA MOSES | TROMBONE SHORTY | HELGE LIEN FON: 040/468 99 28-0 Fax: 040/468 99 28-15 13 25 JAHRE ACT | NATALIA MATEO E-MAIL: [email protected] 14 ALEXA FESER | THOMAS ANDERS 15 PAROV STELAR | MAXIMO PARK | IMMINENCE REDAKTIONS- UND ANZEIGENLEITUNG 16 IMELDA MAY | KASABIAN Daniel Ahrweiler (da) (verantwortlich für den Inhalt) 18 HUBERT VON GOISERN | SAN2 & HIS SOUL PATROL | KALEO MITARBEITER DIESER AUSGABE 19 HÖRSTOFF Marcel Anders (ma), Kai Florian Becker (kfb), 22 DAS LÄUFT IM LADEN Helmut Blecher (hb), Dagmar Leischow (dl), 23 TOP 20 VINYL-CHARTS Patrick Niemeier (nie), Steffen Rüth (sr), Anja Wegner, 24 PLATTENLADEN DES MONATS | PLATTENLÄDEN Nadine Wenzlick (nw) Bleibe auf dem Laufenden und bestelle unseren Newsletter auf WWW.PLATTENLADENTIPPS.DE/NEWSLETTER FOTOGRAFEN DIESER AUSGABE Universal Music (1,3 Alex Vargas, 6 Feist, 9 Alphaville, 10 Adel Tawil, 16 Imelda May), Alexandra Kinga Fekete (4 Tom Schilling & The Jazz Kids), Warner Music AuF TOUR (4 Valentina Mér), Sascha Wernicke/Vertigo Berlin (5 Wincent Weiss), Steve Gullick (7 Ray Davies), AWA LY Mark Seliger (8 Sheryl Crow), Brantley Gutierrez Awa Ly, französische Sängerin mit senegalesischen (9 Incubus), Sylvain Norget (12 China Moses), Jörg Grosse Geldermann/ACT (13 Natalia Mateo), Wurzeln, ist in Italien und Frankreich bereits ein Star.
    [Show full text]
  • Fmqautumn 2016 3 FMQ :: Autumn 2016
    Olavi Louhivuori Physical and Gender equality : : p. 6 cultural in music environments – unfinished of music business? : : p. 12–43 : : p. 44–53 Finnish Music Quarterly FMQAutumn 2016 Contents :: EditorialBY ANU AHOLA Autumn 2016 3 3 Editorial 4 News :: FMQ 6 Beyond genre BY Wif Stenger on Olavi Louhivuori Aural landscapes, sonic mindscapes AUTUMN 12 The voice of freedom BY Andrew Mellor on Outi Tarkiainen 2016 14 Collective resonance BY Merja Hottinen on Nathan Riki Thomson The foundation of every culture consists of the natural environment and the customs and beliefs of the community living in it. These basic elements 18 Spaces and pigeonholes BY Hanna Isolammi shape each other constantly, sometimes in surprising ways. In this issue Jussi Puikkonen on Susanna Mälkki we explore the relationship between music and environment, both natural and cultural. What traces, influences and meanings of the environment do 20 The North in music BY Andrew Mellor the people who create, consume and study music find in it today? 24 Natural born preachers BY Janne Flinkkilä This question prompted further questions: How does a language envi- on Radiopuhelimet ronment manifest itself in music? Why does performing a concert in the natural environment seem to enhance the experience? And what about 26 10 Finnish songs about and inspired by nature BY Matti Nives the evolution of music: is music essential for human beings, biologically speaking? 28 Taking Note: Naturally good music BY Juha Torvinen Although definitive answers cannot be found for all these questions, 30 Nature’s concert halls BY Heidi Horila it is obvious that creating and experiencing music are always affected by on the force of nature in Finnish music events nature, by nurture and by the culture we live in.
    [Show full text]
  • SHAWN KIM Director of Photography
    SHAWN KIM Director of Photography NARRATIVE KIDDING (Season 1) Michel Gondry Dave Holstein / Showtime Network Nominated, Best Musical or Comedy TV Series, Golden Globes (2019) STRAIGHT A’s James Cox Holly Wiersma Productions SMILEY FACE Gregg Araki Anonymous Content DIRECTORS & COMMERCIALS – Partial List MICHEL GONDRY American Airlines, Infiniti, Guerlain, Nike, Bacardi, Pandora, Toyota FRANCOIS ROUSSELET H&R Block FLEUR FORTUNE Chloe TERRI TIMELY Black and Decker, Lincoln, IBM, Rooms to Go, Motorola, Tamilflu, US Cellular, Verizon, Secret Deodorant IBM DAVID SLADE PS3 Chronicles of Narnia BRIAN BILLOW GameStop, McDonalds ROMAN COPPOLA US Census, T-Mobile, Embassy Suites, Geico, ADAM BERG Verizon SPECK/GORDON Washington Mutual DANIEL SAANWALD Evian PATRICK DAUGHTERS Sprite, Coke, Ford, LG, ESPN, Microsoft Zune, Washington, Lottery, Clarks, Above The Influence, AT&T, Cisco BRTHR Internet.org BEN QUINN One-A-Day ANDREAS NILLSON Nike RANDY KRALLMAN Kayak.com, Ebay, Dominoes, AT&T VINCENT HAYCOCK Marriot, Nike Plus JARON ALBERTIN Target DAVID GRAY Showtime Promo “Shameless” TWIN Phillip 66, NFL MIKE MAGUIRE Honda, Old Navy, NY Lotto, Budlight, Honda, Planet Fitness FILIP ENGSTROM Verizon OMRI COHEN Asahi Beer, USPS MUSIC VIDEOS & DIRECTORS – Partial List FLEUR FORTUNE Travis Scott PATRICK DAUGHTERS Depeche Mode “Wrong”, Grizzly Bear “Two Weeks”, The Secret Machines “Nowhere Again”, Death Cab For Cutie “Title and Registration”, Yeah Yeah Yeahs “Maps Muse “Stockholm Syndrome”, Feist “1,2,3,4”, The Shins “Phantom Limb” Kings of Leon “King of
    [Show full text]