Historical Writing in Britain from the Late Middle Ages to the Eve of Enlightenment
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Boy in the Tower Free Ebook
FREEBOY IN THE TOWER EBOOK Polly Ho-Yen | 336 pages | 29 Jan 2015 | Random House Children's Publishers UK | 9780552569163 | English | London, United Kingdom Princes in the Tower, Richard Duke of York and Edward V The two brothers were the only sons of Edward IV, King of England and Elizabeth Woodville surviving at the time of their father's death in When they were 12 and 9 years old, respectively, they were lodged in the Tower of London by the man appointed to look after them, their uncle, the Lord Protector : Richard, Duke of Gloucester. This was supposedly in preparation for Edward's forthcoming coronation as king. However, before the young king could be crowned, he and his brother were declared illegitimate. Boy in the Tower uncle, Richard, ascended to the throne. It is unclear what happened to the boys after the last recorded sighting of them in Boy in the Tower tower. It is generally assumed that they were murdered; a common hypothesis is that they were killed by Richard in an attempt to secure his hold on the throne. Their deaths may have occurred sometime inbut apart from their disappearance, the only evidence is circumstantial. As a result, several other hypotheses about their fates have been proposed, including the suggestion that they were murdered by Henry Stafford, 2nd Duke of Buckingham or Henry VIIamong others. Boy in the Tower has also been suggested that one or both princes may have escaped assassination. From until his capture inPerkin Warbeck claimed to be Richard, Duke of York, having supposedly escaped to Flanders. -
Historians in Recent Histories of Historiography
The Historical Journal, , (), pp. – © Cambridge University Press doi:./SX REPUBLICANS OF LETTERS, MEMORY POLITICIANS, GLOBAL COLONIALISTS: HISTORIANS IN RECENT HISTORIES OF HISTORIOGRAPHY CASPAR HIRSCHI Eidgenössische Technische Hochschule, Zürich ABSTRACT. Writing the history of historiography is a tricky business. There is no unbiased way of doing it, and it can serve different goals that at best complement and at worst contradict each other. The genre can seem both suitable to promote one’s own academic agenda and to reflect upon one’s own ideological constraints, epistemological presumptions, and social aspirations. This article analyses the motivations and methods of recent authors in the field, and it does so principally by focusing on the roles they attribute to historians past and present. To enable comparisons, the article includes works with a national, European and global framework, on early modern and late modern historiography, by intellectual, cultural and post-colonialist historians. A general conclusion will be that while most publications use the genre to pursue academic interests with epistemic arguments, only few try to exploit its potential for critical self-reflexion. As a consequence, they tend to be of limited credibility and originality when it comes to describing historiography’s functions and historians’ roles. This article does not treat their lack of critical commitment as an isolated phenomenon in a historiographical sub-field, but as a symptom of a larger problem within academic scholarship today. There are, however, exceptions to the rule, and this article will also try to work out their particular strengths. In the early days of book reviewing, critics were busy looking for a solution to a problem that the new genre brought with it: how to expose published errors without soiling their authors’ name. -
Genre and Identity in British and Irish National Histories, 1541-1691
“NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 A dissertation presented by Sarah Elizabeth Connell to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts April 2014 1 “NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 by Sarah Elizabeth Connell ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2014 2 ABSTRACT In this project, I build on the scholarship that has challenged the historiographic revolution model to question the valorization of the early modern humanist narrative history’s sophistication and historiographic advancement in direct relation to its concerted efforts to shed the purportedly pious, credulous, and naïve materials and methods of medieval history. As I demonstrate, the methodologies available to early modern historians, many of which were developed by medieval chroniclers, were extraordinary flexible, able to meet a large number of scholarly and political needs. I argue that many early modern historians worked with medieval texts and genres not because they had yet to learn more sophisticated models for representing the past, but rather because one of the most effective ways that these writers dealt with the political and religious exigencies of their times was by adapting the practices, genres, and materials of medieval history. I demonstrate that the early modern national history was capable of supporting multiple genres and reading modes; in fact, many of these histories reflect their authors’ conviction that authentic past narratives required genres with varying levels of facticity. -
4. Ars Historica Como Arte Da Prudência
4. Ars historica como arte da prudência. Quando eu considero a quantidade e a variedade dos acidentes, das enfermidades, do acaso e da violência a que a vida do homem é submetida e quantas coisas devem concorrer no ano para que a colheita seja boa, não há nada que me espante mais que ver um homem velho, um ano fértil (Francesco Guicciardini. Ricordi, máxima 161). 4.1 Uma construção de fatos e palavras. Tucídides: sobre a distinção entre logos e ergon e o procedimento da autópsia. O princípio da utilidade: Tucídides e Políbio. O tratamento latino para a tensão entre res e verba. Os preceitos da ars historica no De Oratore. A história como monumento da virtus: Salústio e Tito Lívio. Embora a história – entendida como prática de inquirição sobre as grandes e memoráveis obras dos homens calcada numa "atitude crítica com relação ao registro de acontecimentos”,1 cujo propósito central seria o de salvar os feitos humanos do esquecimento –2 tenha não apenas surgido na Grécia do V século como alcançado, com Heródoto e Tucídides, sua maior expressividade no mundo antigo, a discussão acerca da concepção retórica de história predominante na Antiguidade deve dar atenção especial às reflexões de Cícero no livro II do diálogo De Oratore, isto porque os gregos jamais chegaram a definir a história como um gênero retórico-poético. Porém, antes de discutir os preceitos ciceronianos sobre a escrita da história, dedicarei algumas páginas à análise da tensão entre logos e ergon na História da Guerra do Peloponeso de Tucídides, assim como ao exame da concepção de autópsia e do privilégio do testemunho ocular sobre os relatos orais predominantes entre os historiadores gregos, como 1 MOMIGLIANO, Arnaldo. -
RICHARD III by William Shakespeare Directed by Ian Gallanar February 10 – March 5, 2017 Thank You High Sparks of Honor in Thee Have I Seen
RICHARD III By William Shakespeare Directed by Ian Gallanar February 10 – March 5, 2017 Thank You High sparks of honor in thee have I seen. - Richard II Sponsors Funders Mayor Catherine E. Pugh & the City of Baltimore This production has been funded by Mayor Catherine E. Pugh and the Baltimore Office of Promotion and The Arts The William G. Baker, Jr. Memorial Fund creator of the Baker Artist Awards | www.bakerartistawards.org Media Partners 2 RICHARD III Richard’s Revival A Note from the Founding Artistic Director Richard III is a remarkable play. The history in it is not very good. Shakespeare compresses events at will. The idea of who the protagonist and antago- Ian Gallanar. Photo by Theatre nists are in this play might not match the historical record. Consultants Collaborative Inc. The play is not as deeply moving or profound as King Lear or Hamlet. Instead, what makes this play great are Shakespeare’s craftsmanship and innovation. Richard, Duke of Gloucester is one of the greatest anti-heroes in the theater. Shakespeare prac- tically invents for the stage the notion that our main fi gure can be villainous and yet, somehow, likable. Why? Because he’s entertaining, he’s funny, he’s wicked, and he speaks to us directly. The anti-hero is a creation that has stood the test of time. My favorite period of Shake- speare in performance is the era in which troupes of actors toured the California gold rush towns. Their productions were deeply important to these guys in the middle of nowhere trying to strike it rich. -
QU-Alumni-Review-2018-Issue-1.Pdf
Issue @, A?@F The magazine of Queen’s University Kingston, Ontario queensu.ca/alumnireview Queen’ALU MN IREVIsEW The waıstsueer Broaden your opportunities and take the rst step in your journey towards a Queen’s MBA Learn the fundamentals of business in just 4 months • Program runs May-August • Earn credits toward an MBA • Designed for recent graduates of any discipline • Broaden your career prospects For more inforo mation 855.933.3298 [email protected] ssb.ca/gdb contents Issue y, zxy, Volume z, Number y Serving the Queen’s community since yz queensu.ca/alumnireview p Queen’ALU MN IREVIsEW Editor’s notebook r From the principal: The water-conscious CAMPUS NEWS university on Clean s water Quid novi A critical mass for News from campus cutting-edge water research: learn about v the interdisciplinary Research news: approach of the Innovation in Beaty Water cancer research Research Centre. pv Research news: Road salt and the environment qn Keeping in touch notes ro ON Your global THE alumni network: COVER Branch events m o and news c Award-winning . t r conceptual illustrator a i 2 i Eric Chow adds a / rr w o tricolour splash to our Ex libris h c rainy day cover. c i New books from r illustration: E © © Eric chow, i2iart.com faculty and alumni l l a h . P l E a h c ou i m CAMPUS NEWS Working with water Swimmers and scientists, astronauts and artists: meet a few people who work with (or in) water. ed ito rs NO TEBOO’K On water, the arts, and football orking at this magazine is really special. -
Of Danes and Giants: Popular Beliefs About the Past in Early Modern England1 Among the Popular Beliefs That One Is Likely To
Daniel Woolf Of Danes and Giants: Popular Beliefs about the Past in Early Modern England1 Among the popular beliefs that one is likely to find in any society, whether it be a largely oral cu!ture of the sort studied in recent times by anthropologists, or a highly literate culture of the kind that predominates in the modem west, there is certain to be a large component which deals expressly with the past. A curiosity as to one's own origins, and the origins of one's material surroundings, is not the exclusive prerogative of literate societies, and still less of the educated elite in those societies; whether or not popular beliefs and traditions about the past actually reflect views held higher up the social ladder is thus in a certain sense-a non-question. It is more important to come to terms with what a given group, class or community believed about its own past, local or national, mythic, legendary or "historical," than it is to categorize these beliefs rigidly as either "popular" or "elite," though the cultural historian should properly remain aware at all times of their social context.2 The purpose of this essay is to offer a variety of examples illustrating several types of popular belief about the past, current in England between the end of the Middle Ages and the early eighteenth century. The word "popular" is here taken to mean "widely held" within a broad cross-section of society (even if only local society), a cross-section which generally included the middling and poorer elements of a community, but which might in some instances embrace members of an educated elite increasingly disposed to be crilical of "vulgar error. -
August 2010, Issue 3(Link Is External)
lorem ipsum issue #, date Issue 3, August 2010 NEWT NEWS Message from the Director Issue 3, August 2010 We’re delighted to update you with this issue of NewT News. I don't have to add anything to the details. They speak for themselves. The past In this Issue: year has been an extremely busy but also satisfying one as we have seen the fruits of our research collaboration mature and flourish. The Message from the Director workshops, the books, the completed dissertations, the academic 1 advancement and other markers all exude evidence of that. I The ‘Security Games’ Workshop congratulate the team for your achievements and for your ongoing Report work, new network configurations and your commitment to both high By Adam Molnar quality research and to well-placed research communication. 2 What strikes me particularly as I write is the timely nature of our work. Exhibiting Surveillance Every week, sometimes each day, newscasts include surveillance items By Jan Allen that demand our attention and indeed, are often accompanied by 3 comment from one team member or another. In the global north, the The Surveillance Studies Summer fall-out from 9/11 continues to bolster security states and thus drive the Seminar 2009 surveillance industry. In the global south, much commercial as well as By Jimena Valdés Figueroa global north pressure is placed on countries to adopt surveillance 4 techniques as part of their modernizing drives. Some surveillance serves Publications the cause of human rights and civil liberties but much, at the present 5 - 7 time, does not. Thus the ethical and political dimensions of our research Team News and Resources become ever more critical, as seen for example in the Vancouver Statement following the recent Surveillance Games workshop. -
MEMOIRSOF SIR JAMES TYRELL. (Communicatedby the Rev
MEMOIRSOF SIR JAMES TYRELL. (Communicatedby the Rev. W. H. SEWELL, Vicar of Yaxley.) - In. Suffolk at Gipping, which is a hamlet about two milesto the east of HaughleyRoadRailwayStation,there is a remarkablyinteresting Chapel,the building of which localtraditionassignsto Sir James Tyre11in expiationof the crime it is supposedhe committedin murderingthe Princesin the Tower. But little'is reallyknownwith accuracYofthe life of Sir JamesTyrell. An inscription is however to be seenon. the Chapel,in whichhis nameis found togetherwith that of his wife: whichfact lends its support to the tradition that Sir Jamesbuilt the Chapel; but in no wayjustifies the prevailingidea that it wasbuilt in expiationofa crime, still lessthat that crimewasthe murderofthe Princes. What then are the facts of Sir James Tyrell's life? How comesit that his name the nameof a great Captain, was ever connectedwithsofOula deedP When and with whomdid the commonstoryof the murdersarise? And to what extent is the storyitselfto be believed? No printed Historyof England with whiChI am ac- quainted assistsus very much in answering any of the abovequeries. It is a problemthe solutionofwhichwould take the generalhistoriantoo far perhaps from his course to discover. He would scarcelypause in his narrativeto collect what informationis to be met with in chronicles and continuationsprintedor unprinted,respectingany one personagebeneath the dignity of a Sovereign. Such an inquiry however respecting a subject of the realm, an eminent person in his time, seems properly undertaken in a separate essay. Hence the present contribution, which, attempting to clear the character of a Suffolk 126 INTRODUCTION. gentleman, i'shere offered through a Society that extends its researches only as far as the county of Suffolk. -
Dryden and Johnson on Shakespeare Nicholas Hudson
Document generated on 09/26/2021 11:31 p.m. Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies Travaux choisis de la Société canadienne d'étude du dix-huitième siècle The Mystery of Aesthetic Response: Dryden and Johnson on Shakespeare Nicholas Hudson Volume 30, 2011 URI: https://id.erudit.org/iderudit/1007713ar DOI: https://doi.org/10.7202/1007713ar See table of contents Publisher(s) Canadian Society for Eighteenth-Century Studies / Société canadienne d'étude du dix-huitième siècle ISSN 1209-3696 (print) 1927-8284 (digital) Explore this journal Cite this article Hudson, N. (2011). The Mystery of Aesthetic Response: Dryden and Johnson on Shakespeare. Lumen, 30, 21–31. https://doi.org/10.7202/1007713ar Copyright © Canadian Society for Eighteenth-Century Studies / Société This document is protected by copyright law. Use of the services of Érudit canadienne d'étude du dix-huitième siècle, 2011 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The Mystery of Aesthetic Response 21 2. The Mystery of Aesthetic Response: Dryden and Johnson on Shakespeare The year 1678 marked an important and formative moment in the his- tory of Shakespearian criticism. It was in the this year that John Dryden read a copy of Thomas Rymer’s The Tragedies of the Last Age, which the author had sent him. -
The Development of the Study of Seventeenth-Century History Author(S): C
The Development of the Study of Seventeenth-Century History Author(s): C. H. Firth Source: Transactions of the Royal Historical Society, Vol. 7 (1913), pp. 25-48 Published by: Cambridge University Press on behalf of the Royal Historical Society Stable URL: http://www.jstor.org/stable/3678415 Accessed: 26-06-2016 17:12 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Cambridge University Press, Royal Historical Society are collaborating with JSTOR to digitize, preserve and extend access to Transactions of the Royal Historical Society This content downloaded from 128.110.184.42 on Sun, 26 Jun 2016 17:12:47 UTC All use subject to http://about.jstor.org/terms THE DEVELOPMENT OF THE STUDY OF SEVENTEENTH-CENTURY HISTORY By Professor C. H. FIRTH, LL.D., F.B.A., President (1913). Read May 15, 1913. MY purpose is to trace the development of the study of one particular century in our national history, to show how the knowledge we now possess of it was acquired; how gradually the darkness which overhung the time was dissipated and the truth part by part revealed, and finally by what hands this work was achieved; and by what general causes its progress was promoted or retarded. -
James I and Gunpowder Treason Day.', Historical Journal., 64 (2)
Durham Research Online Deposited in DRO: 01 October 2020 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Williamson, P. and Mears, N. (2021) 'James I and Gunpowder treason day.', Historical journal., 64 (2). pp. 185-210. Further information on publisher's website: https://doi.org/10.1017/S0018246X20000497 Publisher's copyright statement: This article has been published in a revised form in Historical Journal https://doi.org/10.1017/S0018246X20000497. This version is published under a Creative Commons CC-BY-NC-ND. No commercial re-distribution or re-use allowed. Derivative works cannot be distributed. c The Author(s) 2020. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk JAMES I AND GUNPOWDER TREASON DAY* PHILIP WILLIAMSON AND NATALIE MEARS University of Durham Abstract: The assumed source of the annual early-modern English commemoration of Gunpowder treason day on 5 November – and its modern legacy, ‘Guy Fawkes day’ or ‘Bonfire night’ – has been an act of parliament in 1606.