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RICHARD III By Directed by Ian Gallanar February 10 – March 5, 2017 Thank You High sparks of honor in thee have I seen. - Richard II

Sponsors

Funders

Mayor Catherine E. Pugh & the City of Baltimore This production has been funded by Mayor Catherine E. Pugh and the Baltimore Office of Promotion and The Arts

The William G. Baker, Jr. Memorial Fund creator of the Baker Artist Awards | www.bakerartistawards.org

Media Partners

2 RICHARD III Richard’s Revival A Note from the Founding Artistic Director Richard III is a remarkable play.

The history in it is not very good. Shakespeare compresses events at will. The idea of who the protagonist and antago- Ian Gallanar. Photo by Theatre nists are in this play might not match the historical record. Consultants Collaborative Inc. The play is not as deeply moving or profound as or . Instead, what makes this play great are Shakespeare’s craftsmanship and innovation.

Richard, is one of the greatest anti-heroes in the theater. Shakespeare prac- tically invents for the stage the notion that our main fi gure can be villainous and yet, somehow, likable. Why? Because he’s entertaining, he’s funny, he’s wicked, and he speaks to us directly.

The anti-hero is a creation that has stood the test of time. My favorite period of Shake- speare in performance is the era in which troupes of toured the California gold rush towns. Their productions were deeply important to these guys in the middle of nowhere trying to strike it rich. As the actors performed, many of the miners followed along, mouthing the words to the plays. If the actors got their lines wrong, the audi- ence would let the actors know it!

Richard III was one of the miners’ favorite plays. I’m sure it had something to do with how fun it is to follow along with this dastardly character. Richard III has always been one of Shakespeare’s most popular plays and it was certainly his fi rst great play. Its infl uence on the English-speaking theatre and culture is indisputable. To recognize its infl uence today, all one has to do is to look to the hugely popular Netfl ix drama, House of Cards (which is sometimes fi lmed just down the street on Redwood).

Richard III has also been one of CSC’s most talked-about productions. We performed an out- door “movable” version of the play back in 2012 at PFI Historic Park. Audiences loved it, and that’s why we’ve brought the production indoors. Many of the original cast members have returned, joined by several new designers and actors who’ve helped us adapt this unique and wonderful play for this intimate space. We hope you’ll agree that reviving this Richard is well worth the eff ort.

Ian Gallanar Founding Artistic Director

BOARD OF TRUSTEES Earle W. Pratt, III President Robin Hough President Scott Helm Treasurer CHESAPEAKE SHAKESPEARE Laura Boydston Bill Henry Sean Rhoderick COMPANY Kevin G. Burke Jack McCann Emily Rockefeller Kimberly Citizen Lesley Malin Nan Rohrer Ian Gallanar Dan Moylan David Stack Linda Pieplow

RICHARD III 3 Chesapeake Shakespeare Company Ian Gallanar+ Founding Artistic Director Lesley Malin+ Managing Director RICHARD III By William Shakespeare

Directed by Ian Gallanar+ Production Manager: Kyle Rudgers+ Technical Director, Set and Lighting Designer: Daniel O’Brien+ Production Stage Manager: Lauren Engler+ Costume Designer: Heather C. Jackson+ Fight Choreographer: Christopher Niebling+

Setting:

CAST

The KING EDWARD IV ...... Frank B. Moorman+ GEORGE, DUKE OF CLARENCE, ...... Ron Heneghan*+ brother to King Edward RICHARD III, DUKE OF GLOUCESTER, ...... Vince Eisenson+ brother to King Edward EDWARD, PRINCE OF WALES, ...... Mia Boydston son to King Edward RICHARD, DUKE OF YORK, ...... Gareth Swing youngest son to King Edward DUCHESS OF YORK, ...... Greta Boeringer mother to King Edward and his brothers CHILDREN OF GEORGE, DUKE OF CLARENCE ...... Mia Boydston, Gareth Swing

THE AND TUDOR LADY ANNE, ...... Lizzi Albert+ Widow of Edward, Prince of Wales (son of King Henry VI) HENRY TUDOR, EARL OF RICHMOND ...... James Jager+ The remaining leader of the House of Lancaster SIR JAMES BLUNT ...... Patrick Miller GHOST OF KING HENRY VI ...... Eric Poch

THE WOODVILLES QUEEN ELIZABETH ...... Lesley Malin+ Wife to King Edward IV

THOMAS GREY, MARQUESS OF DORSET ...... Scott Farquhar+ Son to Queen Elizabeth by her fi rst marriage

4 RICHARD III POLITICIANS and OFFICIALS LORD HASTINGS, ...... Dave Gamble+ DUKE OF BUCKINGHAM ...... Scott Alan Small+ LORD STANLEY ...... Gregory Burgess+ Richmond’s stepfather, but neutral in the SIR ROBERT BRAKENBURY ...... Bart Debicki Lieutenant of the Tower NUNS, MESSENGERS, SOLDIERS ...... Kate Forton+, Lee Conderacci, Eric Poch, Patrick Miller, Matthew Ancarrow+, James Jager+ MAYOR ...... Patrick Miller PHOTOGRAPHER ...... Patrick Miller

FOLLOWERS OF RICHARD SIR ...... Joshua Witt SIR ...... Kelsey Painter+ FIRST MURDERER ...... Eric Poch SECOND MURDERER ...... Lee Conderacci RICHARD III UNDERSTUDY...... Keegan Cassady+

*Member of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.

+CSC Company Member

THERE WILL BE ONE 15-MINUTE INTERMISSION

SPECIAL THANKS: CSC’s volunteers and ushers; Bin 604; Arrow Parking; Todd M. Zimmerman Design; Mount Royal Printing Co.; Clarice Smith Performing Arts Center and the University of Maryland, School of Theatre, Dance, and Perfor- mance Studies; Peter Coulson; HCC Department of Theatre/Rep Stage

On the cover: Vince Eisenson+ as Richard III. Photo by Teresa Castracane+

RICHARD III 5 ARTISTIC AND PRODUCTION STAFF

Director ...... Ian Gallanar+ Production Manager ...... Kyle Rudgers+ Production Stage Manager ...... Lauren Engler+ Assistant Stage Manager ...... Dawn Marie Kelley Technical Director, Set and Lighting Designer ...... Daniel O’Brien+ Sound Designer ...... David Crandall Costume Designer ...... Heather C. Jackson+ Assistant Costume Designer ...... Sam Callanta Dramaturg ...... Lesley Malin+ Properties Designer ...... Mollie Singer Hair, Wig and Makeup Designer ...... Haley Raines Young+ Music Director ...... Scott Farquhar+ Fight Choreographer ...... Christopher Niebling+ Fight Captain ...... James Jager+ Scenic Carpenter and Painter ...... Chester Stacy+ Stitcher ...... Alexa Duimstra Light Board Operator ...... Michael Lonegro+ House Managers ...... Pamela Forton, Tyler C. Groton, Alice Stanley, Donna Burke, Mary H. Pohlig+ Volunteer Coordinator ...... Sara Small

*Member of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.

+CSC Company Member

6 RICHARD III A Glorious Summer for a Controversial King A Note from CSC’s Managing Director and Richard III Dramaturg

Lesley Malin. Photo by Teresa Castracane. Many years ago, I was a book editor at Ballantine Books and lucky enough to be the American editor for the respected English historian, Alison Weir, and her books The and The Wars of the Roses. I was also the (paperback) editor of The Sunne In Splendour, a novel about Richard III by the respected and popular writer, Sharon Kay Penman.

Alison presented lots of evidence smartly and compellingly that Richard, being a typical medieval ruler, most likely killed the young Princes Edward and Richard. Sharon, on the other hand, had written a very pro-Richard novel, creating a character (based on extensive research of other historians) of an intelligent man enlightened for his time and the model of what we would want a medieval king to be. I fell for Sharon’s Richard—fi ction had triumphed over history. Of course, Shakespeare’s fi ctitious, villainous Richard has triumphed over the historic Richard for centuries now.

Shakespeare used as his main source the highly biased anti-Richard account from Sir ’s (yes, the saint beheaded by Henry VIII) A History of King Richard the Thirde which falsely ascribed to Richard almost every major death of the 1480s. Generally, the History is seen as an obsequious pandering to More’s patrons, the Tudor family which had assumed Richard’s throne on pretty slim genealogical grounds and would have welcomed any eff orts to portray the last Plantagenet king as a kind of monster. Others say the History is itself a kind of parody or ironic eff ort never intended to be published.

Whatever the History’s background, the deformed, monstrous uncle and vile, tyrannical king was there for Shakespeare’s taking. Take it he did and ran with it. He created a villain so gleeful in his evil, so charismatic in his manipulations, that the play has become one of Shakespeare’s most popular, despite all the complicated Wars of the Roses politics and personalities. We can’t take our eyes off Shakespeare’s Richard, even if he little resembled the historic king.

But it looks like the historic Richard III has gotten a little of his own back. Archeologists in the city of Leicester excavated a parking lot in 2012 to fi nd the remains of the Greyfriars Church where Richard was supposed to have been buried ignominiously after being killed in battle (the last English king to be so). Amazingly, they found, near the altar, bones of a man with major skull injuries, and a spine curved from scoliosis—the source of the evil hunchback story? In 2013, the bones were confi rmed through DNA analysis as belonging to Richard, and in 2015, he received a king’s reburial in Leicester Cathedral.

Shakespeare has certainly made Richard III immortal, but the 21st century has proved to be a “glorious summer” of Ricardian reconsideration. I hope, after you enjoy our energetic production, you take the time to reconsider this unforgettable king.

Lesley Malin, Managing Director

RICHARD III 7 SYNOPSIS: Richard III brother, Lord Rivers, executed. Queen Elizabeth and the younger of her two sons, the Duke of York, claim sanctuary in Westminster Abbey. On arrival in London, Edward, Prince of Wales, asks for his mother, his younger brother, and his Woodville uncles. Richard's allies arrange for the Duke of York to be brought from sanctuary. Richard suggests that the young princes should lodge in the until the coronation.

The plot thickens Richard learns that the powerful Lord Hastings will not support his claim to the throne. He falsely accuses Hastings of treason and has him executed. Buckingham and Catesby spread rumors that Edward's children are not true heirs, that they are technically bastards. The conspirators then present Richard to the people as a pious and unwilling claimant to the throne. He is acknowledged king. Richard’s supporter, Tyrell, Richard III is sent by Richard to murder the two young A Rocky Peace, A Squabbling Court princes in the tower. At the end of the bloody Wars of the Roses between the rival royal houses of Lancaster The backlash and York, the victorious Yorkists look forward As the people become increasingly fearful to a period of peace under the newly crowned of Richard, he falls out with his chief ally, Edward IV. But King Edward's younger brother, Buckingham. Henry Tudor, the Earl of Richmond Richard, Duke of Gloucester, has other ideas. (a member of the house of Lancaster), also has a claim to the throne and gathers forces in France A deformed and jealous Richard confi des to the to challenge Richard. audience that he is a villain who plots to get the throne for himself. He begins with a conspiracy To strengthen his own claim, Richard arranges to have his other brother, George, Duke of to have his wife Anne murdered and asks Queen Clarence, imprisoned. Elizabeth for her daughter, Princess Elizabeth, young sister of the murdered princes. To further his plans, Richard intends to marry the wealthy Lady , whose husband, Spoiler – stop here if you don't want to know the Lancastrian Prince of Wales, Richard had how it ends killed in battle. Richard has also murdered her Richard's plans begin to unravel. Queen father-in-law, Henry VI. Richard proposes to Elizabeth secretly agrees to marry her daughter Anne and wins her, over Henry VI's dead body. to Richmond, who arrives in England to As King Edward IV fails in health, his Queen challenge Richard on Bosworth Field. Elizabeth and Richard argue about the power The night before the battle, the ghosts of of her relatives, the Woodvilles, and the Richard’s victims appear, cursing him and imprisonments of Lord Hastings, the Lord praying for Richmond's success. Having fought Chamberlain, and George, the Duke of Clarence. bravely, Richard is killed in battle by Richmond, Richard arranges the murder of George in who becomes King Henry VII. prison. Edward tries to reconcile the squabbling factions of his court but dies shortly after. Promising a new era of peace for England, the new king is betrothed to the young Richard, the Elizabeth, uniting the warring houses of York Edward leaves behind him two young sons, and Lancaster. not old enough to rule. Richard is appointed Lord Protector of England and has the Queen's Source: Royal Shakespeare Company

8 RICHARD III RICHARD III 9 Timeline: Key Dates of the Wars of the Roses

1455 (May 22, 1455): The First English invasion led by Margaret, 1478: George, Duke of Clarence, is Battle of St. Albans begins the civil Warwick, and Clarence. secretly executed in the Tower of war in England called the Wars of London, after continually plotting the Roses. 1470: King Edward IV is forced to against the King. fl ee from England when Warwick's 1455 - 1460: Constant clashes brother, John Neville changed to 1483 (Easter): The King becomes between the Lancastrian faction the Lancastrian side. ill. He names his brother Richard, of King Henry VI, his wife Queen Duke of Gloucester, as Protector , and the Yorkist 1470 (October): Henry VI briefl y after his death and entrusts his forces led by Richard, Duke of York, restored to the throne of England. young sons, Edward and Richard, and his ally, the Earl of Warwick to his brother’s care. Prince (the “Kingmaker”). Edward has been mainly raised 1470 (November): Queen by his mother’s relatives, the Elizabeth, in sanctuary at Woodvilles. 1460 (July 10): Battle of Westminster Abbey, gives birth to Northampton. The Yorkist army a Yorkist Prince of Wales, Edward. under Warwick the Kingmaker 1483 (April 9): King Edward IV dies. captures King Henry VI. 1470 (December): The Lancastrian Prince Edward is 1483 (May): The young Prince 1460: King Henry VI suffers a bout of married to Lady Anne Neville, Edward, now King Edward V, is madness and Richard, Duke of York, Warwick's younger daughter. brought to London. His Woodville is appointed Regent of England. uncle and his half-brother are arrested by Richard, Duke of 1471 (March): King Edward IV Gloucester and later executed. 1460: October: The Act of Accord. lands with an invasion force in Queen Elizabeth enters sanctuary. Richard, Duke of York, is named England. He reconciles with his Edward V is joined by his brother as successor to the throne, brother, the Duke of Clarence. disinheriting Henry's six-year-old Prince Richard, Duke of York, at son Prince Edward. the Tower of London to await his 1471 (April): . coronation. King Edward IV wins the battle and 1460: The Battle of Wakefi eld: Warwick is killed. Edward’s brother, 1483 (June 16): The coronation of Richard, Duke of York, took a Richard, Duke of Gloucester, is a key Edward V is cancelled. strong position at Sandal castle military leader supporting the king. and far out-numbered the Lancastrian army. Unbelievably, 1483 (June 25): Parliament 1471: King Henry VI is imprisoned Richard left Sandal castle and was declares the two princes in the Tower of London. defeated by the Lancastrian army. illegitimate and, as next in line Richard was killed in the battle. His to the throne, their uncle and son, Edward of York, now pressed 1471 (May 4): Battle of Protector, Richard, Duke of his claim to the throne of England. Tewkesbury. King Edward IV Gloucester, is declared the true wins a decisive victory and the King. The two princes are never Lancastrian male line is virtually 1461 (March 4): Edward of York seen again. destroyed. Edward, the Lancastrian declared King Edward IV in London. Prince of Wales is killed. 1483 (June 26): Richard, Duke of 1464: King Edward IV secretly Gloucester declared King Richard III. 1471 (May 22): The death of King marries a Lancastrian widow, Lady Henry VI at the Tower of London. Grey. 1485 (August 22): Battle of The cause of his death is unknown, Bosworth Field. King Richard but he is believed to have been III killed and his supporters 1465: King Edward’s marriage is murdered. revealed, infuriating Warwick the defeated in Leicestershire Kingmaker. The Queen’s Woodville against Lancastrian forces led King Edward IV reigned as King relatives began to challenge by Henry Tudor, a descendent of England from March 4, 1461 Warwick’s power. of the illegitimate Beaufort line. - October 31, 1470 and April 11, Richard was the last king of the 1471 - April 9, 1483. Plantagenet family, who had ruled 1470: A rebellion led by Warwick over England for more than 300 the Kingmaker and King Edward’s 1472: Richard, Duke of Gloucester, years. Richard's defeat at Bosworth brother, the Duke of Clarence, fails; marries his cousin, Lady Anne Field by Henry Tudor ended the they flee to France where they Neville, the heiress of Warwick Plantagenet dynasty and the Wars make an uneasy alliance with the the Kingmaker, and widow of the of the Roses, and heralded the Lancastrian Queen Margaret. Lancastrian Prince Edward. Tudor dynasty. 1470: The French support an

10 RICHARD III Who’s Who CAST PHOTOS, in alphabetical order

Lizzi Greta Gregory Albert+ Boeringer Burgess+

Keegan Lee Bart Vince Cassady+ Conderacci Debicki Eisenson+

Scott Kate Dave Ron Farquhar+ Forton+ Gamble+ Heneghan*+

James Lesley Patrick Frank B. Jager+ Malin+ Miller Moorman+

Kelsey Eric Scott Alan Joshua Painter+ Poch Small+ Witt

+CSC Company Member

RICHARD III 11 Bios CAST, in alphabetical order rious Achievement, Ensemble - TANYS) and Lizzi Albert (Lady Anne) is a CSC Resident directed Simply Shakespeare with Sullivan Acting Company Member and Associate County Dramatic Workshop. She also has Artistic Director. She has appeared with appeared with Gorilla Rep, Kings County CSC in Anne of the Thousand Days, Wild Shakespeare (intern), Instant Shakespeare Oats, Uncle Vanya, The Importance of Being NYC, and Cressid Theatre Company. Earnest, , and Richard III (2012). In Washington, D.C., Lizzi has performed Mia Boydston (Edward, Prince of Wales) is with Constellation Theater Company, a sixth grader at the Bryn Mawr School and Barabbas Theatre, Peter’s Alley Theater, and has appeared with CSC in (2016), A The American Century Theater. She directed Christmas Carol (2016, 2015, and 2014), and All’s Well That Ends Well with CSC’s Blood & A Midsummer Night’s Dream (2014). Courage company and Macbeth with CSC’s partnership with Notre Dame University of Gregory Burgess (Lord Stanley), a mem- Maryland. She is the co-host of the Balti- ber of CSC's Resident Acting Company, more-D.C. theatre podcast Is Anyone Calling has performed in CSC’s productions of This Show?! She holds a BFA from NYU Tisch/ Anne of the Thousand Days, Wild Oats, A Stella Adler Studio. www.lizzialbert.com Christmas Carol (2016, 2015, and 2014), (2015), The Importance of Greta Boeringer (Duchess of York) has Being Earnest, A Midsummer Night’s Dream appeared with CSC as Third Witch in Mac- (2014, 2010), As You Like It, The Merry beth; Apemantus in Timon 2016 with Off the Wives of Windsor, , Quill; and Gremio in Taming of the Shrew Richard III (2012), , with Walking the Dog Theater. She ap- Pride and Prejudice, , peared as Lucille in Cemetery Club (Merito- , , Lysistrata, , and . His training includes The Martin Blank Studio, The Shakespeare Theater, and Howard University.

Keegan Cassady (Richard III Understudy) has appeared with CSC as Planchet and Cardinal’s Guard in The Three Musketeers, Bassianus in Titus Andronicus (2015), and Touchstone in As You Like It. With Blood & Courage (CSC’s Under-30 company) he ap- peared as Parolles in All’s Well That Ends Well. He was Assistant Director for CSC’s Much Ado About Nothing. He has also appeared with , Nu Sass, Half Mad Theatre, and American Century Theatre. He holds a BA with Honors from the College of William & Mary and an MBA from George Mason University. Keegancassady.com

Lee Conderacci (Murderer, Nun, Messen- ger) is making her CSC debut. She has appeared in Minotaur and Flatland with Bal-

12 RICHARD III Bios timore Annex Theater; A Midsummer Night’s Dame of Maryland University and a BS in Dream and with the Music Theory and Composition from Towson Baltimore Shakespeare Factory; The Rocky University. www.scottfarquhar.com Horror Show at Baltimore Theatre Project; and with Gorilla Rep NYC. Kate Forton (Nun, Messenger, Vocalist) is a She holds a BA in English and Theatre from CSC Company Member and Marketing and Princeton University. Administrative Assistant. She has appeared with CSC as Madge Shelton in Anne of the Bart Debicki (Sir Robert Brakenbury), Thousand Days; Marian and Mrs. Dilber in played Brakenbury and Norfolk in CSC’s A Christmas Carol (2016, 2015); a Goth in 2012 movable production of Richard III. He Titus Andronicus; and Duke Solinus in The has also appeared in The Complete Works Comedy of Errors. She was Stage Manager of William Shakespeare (Abridged) with the for the movable production of Romeo and Fells Point Corner Theatre. Some of his Juliet (2016) and Assistant Stage Manager for musical theatre roles include El Gallo in The , The Three Musketeers, Macbeth, Wild Fantasticks, Cornelius Hackl in Hello Dolly!, Oats, Much Ado About Nothing, The Impor- Jamie in The Last 5 Years, and Juan Peron in tance of Being Earnest, A Midsummer Night’s Evita with Spotlighters Theatre. Bart holds a Dream, , The Taming PhD in Management Strategy and teaches of the Shrew, Uncle Vanya, A Christmas Carol, cross-cultural management and interna- and Romeo and Juliet. She holds a BA in The- tional business at Towson University. atre Arts and Vocal Music from Gettysburg College. Vince Eisenson (Richard III) is a member of CSC’s Resident Acting Company and a CSC Teaching Artist. He has appeared in CSC's Who was Ella Shields? Macbeth, Wild Oats, Titus Andronicus, Romeo The music in our production of Richard III and Juliet, and A Midsummer Night’s Dream, features World War I-era songs, including among others. Regional credits include a tribute to Ella Shields. She was born Merchant of Venice at Faction of Fools, Fear in Baltimore in 1879. In the early 1900s, at Longacre Lea; Kafka's Metamorphosis she moved to London and married the at Synetic Theater; The Tooth of Crime at British songwriter William Hargreaves. She made quite a WSC Avant Bard; The Imaginary Invalid at name for herself Shakespeare Theatre Company; Romeo in the music halls and Juliet at Folger Theatre, and Richard II of London during at PlayMakers Repertory. Television credits World War I as a include American Genius, Legends & Lies, and male impersonator. Later, she toured, Turn: Washington's Spies. and performed in Baltimore in the Scott Farquhar (Dorset, Music Director) is 1920s. A very young CSC’s Resident Music Director. He provid- Julie Andrews ed music direction for A Christmas Carol performed with Ella, and later sang Ella’s (2016) and appeared on stage as Snout in A signature song Ella Shields Midsummer Night’s Dream (2014). Recently, “Burlington Bertie he was music director, arranger, and pianist from Bow” on her own concert tours and for American Ensemble Theatre’s production in the 1968 fi lm Star! Ella was almost cer- of Character Building at The Kennedy Center’s tainly a strong source of inspiration for Dame Andrews’ role in Victor/Victoria. 15th Annual Page-To-Stage Festival. He holds an MA in Nonprofi t Management from Notre - Scott Farquhar, Music Director

RICHARD III 13 Bios Dave Gamble (Lord Hastings), a CSC Ensem- mer Night’s Dream, As You Like It, The Taming of ble Member, has appeared as Banks in Wild the Shrew, The Two Gentlemen of Verona, and Oats, Capulet in Romeo and Juliet, Northum- Hamlet, among many others. He is a Society berland in Richard II, Shallow in The Merry of American Fight Directors recognized Ad- Wives of Windsor, Maecenas in Antony and vanced /Combatant, and he was Fight Cleopatra, and Stage Manager in Our Town. He Consultant on the Helen Hayes Award-win- has appeared with Folger Theatre, Theater Al- ning Three Musketeers at Synetic Theater. liance, FPCT, Vagabond Players, and Molotov. Lesley Malin (Queen Elizabeth, Managing Ron Heneghan (George, Duke of Clar- Director) is a founder of the Chesapeake ence) is a CSC Resident Acting Company Shakespeare Company and has served Member. He has appeared with CSC in as its Managing Director since 2003. Her Anne of the Thousand Days (2016), Much acting credits at CSC include Lady Mac- Ado About Nothing (2016), Uncle Vanya, beth, Amelia in Wild Oats, Lady Bracknell, Richard III (2012) and Our Town. He has ap- Mrs. Fezziwig, Beatrice (2010), Mrs. Bennet, peared with Olney Theatre Center, Every- Mistress Page in The Merry Wives of Windsor, man Theatre, Ford’s Theatre, and Alliance the Queens in Richard III and Cymbeline, for New Music Theatre in this area. His TV and Titania (2005). She produced Anne of and Film credits include Sally Pacholok, the Thousand Days. She managed CSC’s Better Living Through Chemistry, VEEP, and building renovation of an 1885 bank into House of Cards. Ron holds an MFA from the our modern Shakespeare playhouse as University of Washington and a BS from well as the associated $6.7 million capital the University of Maryland. He is a proud campaign. She has, for more than a decade, member of Actors’ Equity Association and been the Vice President of the board of SAG/AFTRA. He is also CSC’s Director of trustees of The Lark, a new play develop- Community Engagement. ment center in New York City, where she once served as Managing Director. She has James Jager (Earl of Richmond) is a CSC been Vice President and an executive com- Resident Acting Company Member. He has mittee member of the international Shake- performed in CSC’s Anne of the Thousand speare Theatre Association and organized Days, Titus Andronicus (2015, 2010), Much Ado its January 2017 conference in Baltimore. About Nothing, Romeo and Juliet, A Christmas She is a graduate of Washington University Carol (2016, 2015, 2014), Richard II, A Midsum- in St. Louis, NYU’s Arts Management pro- gram, and Leadership Howard County.

Patrick Miller (Sir James Blunt, Photog- rapher) appeared in these roles with CSC in the movable Richard III (2012) at the PFI Historic Park. He served as assistant direc- tor for the movable production of Dracula. He also produces, directs, and performs with Washington, D.C.'s The COIL Project.

CSC’s Resident Photographer also offering Headshots for Actors Executive Portraits Photography of Children & Families TeresaCastracane.com

14 RICHARD III Bios Frank B. Moorman (King Edward IV) has Doll’s House, and The Front Page. His directing appeared with CSC in The Three Musketeers, credits include CSC’s A Christmas Carol (2016, The Taming of the Shrew (2012), Romeo and 2015), The Comedy of Errors, the movable Juliet, Richard II, The Complete Works of Wil- productions of Romeo and Juliet (2016) and liam Shakespeare (Abridged), Dracula, and The Complete Works of William (director), Cyrano de Bergerac, King Lear, Shakespeare: (abridged). and A Midsummer Night's Dream (2005). He appeared with the Forum Theatre in The Gareth Swing (Richard, Duke of York) is a Last Days of Judas Iscariot. fifth grader at Glenelg Country School and has appeared with CSC in A Christmas Carol Kelsey Painter (Sir James Tyrrell) is a CSC En- (2016, 2015). semble Member and has appeared as Tybalt and Friar John in our movable Romeo and Joshua Witt (Catesby) is making his CSC Juliet (2016), Young Lucius in Titus Andron- debut. He recently performed as Antonio icus, Dromio of Syracuse in The Comedy of in Twelfth Night at Annapolis Shakespeare. Errors, Peaseblossom in A Midsummer Night’s He has performed mostly in Chicago, and Dream, Lancelot Gobbo in The Merchant of favorite roles have included Jerry in Zoo Venice, and Emily Webb in Our Town. She had Story at Triton, Scooter in Tracers at Inn Town several roles in Unseen with CSC’s Blood & Players, The Man in Brilliant Adventures with Courage company, and has also appeared Steep Theatre, Sheriff Heck Tate in To Kill a as Lucy in Mr. Marmalade with Stillpointe Mockingbird at Wisdom Bridge, and Mon- Theatre Initiative; Fenton/Nym/Robert in The tana Smith in LIFEIDREAMEDOF at Center Merry Wives of Windsor with Shakespeare Op- Theatre. Joshua studied at the Goodman era Theatre; Virgilia/First Citizen in School of Drama at DePaul University. with Cohesion Theatre Company; and Devon Tremor in Devil Dog Six with Venus Theatre Co. Kelsey holds a Bachelor’s degree in The- atre Performance from Towson University. KelseyPainter.com

Eric Poch (Ghost of King Henry VI, Murder- er) has appeared with CSC as de Jussac, Bo- nacieux, and Felton in The Three Musketeers. He appeared in The Beaux’ Stratagem at Everyman Theatre. He holds a BS in Theatre from Towson University, where he appeared in Macbeth, The Bacchae, A Good Brain is Hard to Find, Miss Julie, Elephant’s Graveyard, and The Adventures of Captain Neat-O Man.

Scott Alan Small (Buckingham) is a CSC Associate Artistic Director, Resident Acting Company Member, and Concessions Czar. He has appeared in CSC’s Macbeth, Much Ado About Nothing, Uncle Vanya, A Christmas Car- ol (2015, 2014), A Midsummer Night’s Dream (2014), The Merry Wives of Windsor, Julius Caesar, Titus Andronicus (2015), Measure for Measure, Richard III (2012) The Country Wife, A

RICHARD III 15 Bios ARTISTIC and TECHNICAL CREW and he created the CSC High School Corps, a PRODUCTION STAFF unique educational program in which high school students create and produce live Ian Gallanar (Director, Founding Artistic productions of Shakespeare in a collabo- Director) In addition to founding the Ches- rative working environment. Last year, he apeake Shakespeare Company in 2002, Ian launched CSC’s Blood & Courage Compa- has worked as a professional actor, director ny to provide experience for early career and writer for more than 150 professional professionals. Previously, Ian has served as productions. His career as a professional Ar- Artistic Director for the National Theatre tistic Director spans more than 25 years. His for Children, Minnesota Shakespeare in the directing credits with CSC include produc- Park and the Repertory Theater of America. tions of Othello, Wild Oats, Titus Andronicus Ian is a proud new member of the distin- (2015), A Christmas Carol (original adapta- guished National Theatre Conference; a tion, 2014, 2015), Romeo and Juliet (2015, Helen Hayes Tribute Award, Telly Award 2003), Uncle Vanya (2015), Twelfth Night and Howie Award (Howard County Arts (2002), A Midsummer Night’s Dream (2005, Council) winner; and the recipient of the 2010, 2014), King Lear (2006), Macbeth Distinguished Alumni Award from Indiana (2007), Lysistrata (original adaptation, 2010), University of Pennsylvania. He is Vice Presi- Our Town (2011), Richard III (2012), The Tam- dent and President-elect of the internation- ing of the Shrew (2013), and The Merry Wives al Shakespeare Theatre Association. of Windsor (2014). Ian created the “mov- able” format for CSC productions in which Elizabeth Berman (Finance Manager, audiences travel with the actors through Development Manager) has a Master of the action of the play in multiple outdoor Arts degree in Arts Administration from settings. With CSC’s Education Department, Goucher College and two bachelor’s de-

16 RICHARD III Bios grees from Johns Hopkins University. Liz is She holds a BA with honors in Performance a classically trained musician who teaches Theater from High Point University. at The Music Institute at HCC. She has been at CSC since 2012. Heather C. Jackson (Costume Designer) has designed costumes for CSC’s The Three Kelly Martin Broderick (Audience Services Musketeers, The Comedy of Errors, Uncle Manager) studied Gender and Women’s Vanya, Richard II, and Richard III (2012). Studies at the University of Maryland, Balti- Other credits include Mosaic Theater’s the more County and Art at Towson University. gospel of lovingkindness; Single Carrot Theatre‘s She has been at CSC since 2014. Social Creatures, A Beginner's Guide to Deicide, Hotel Cassiopeia, The Long Christmas David Crandall (Sound Designer) has been an Ride Home, and Eurydice; Loyola University’s award-winning sound designer on the mid-At- Cabaret, The Importance of Being Earnest, lantic theater scene for more than 30 years, and Lysistrata; Baltimore Shakespeare Festi- with companies including DC's GALA Hispanic val’s Antigone and Desdemona: a play about Theatre, WSC Avant Bard, Spooky Action, and a handkerchief; among others. She has Baltimore’s Annex Theater, EMP Collective, and worked with StillPointe, Pumpkin Theatre, Psychic Readings. Recent stage productions in- Dance Exchange, and others. Heather is clude Spooky Action’s production of Rameau's pursuing her MFA at the University of Mary- Nephew, and original music and video design land, where she designed Baltimore and The for Annex Theater's adaptation of Bulgakov's Wild Party. heathercjackson.com The Master and Margarita. David teaches sound at Towson University, and divides the rest of Dawn Marie Kelley (Assistant Stage Manager) his time between music, film/video, stage and is working with CSC for the first time. Some interactive projects. of her previous Stage Management credits include Phoebe in Winter with Single Carrot Sam Callanta (Assistant Costumer) is a Theatre, Harry and the Thief with The Strand leatherwork artist, a technician for Single Theatre, and As You Like It with Baltimore Carrot Theatre, and a scenic charge artist at Shakespeare Factory. She is currently the Assis- CCBC Essex. She has designed the costumes tant Production Manager for the UMBC Theatre for Cohesion Theatre Company’s Neverwhere Program. She holds a Bachelor’s Degree in and worked as a wardrobe assistant for Studies from Towson University. Mesmeric Revelations of Edgar Allan Poe with Submersive Productions. She holds a BA Kristina Lambdin (CSC Resident Costume in Theatre from Ursinus College. Her work Designer, CSC Business Manager). Some of can be seen at www.samcallanta.com and her costuming credits include CSC’s Anne www.boneandbrass.com. of the Thousand Days, Macbeth, A Christmas Carol (2016, 2015, 2014), A Midsummer Night’s Lauren Engler (Stage Manager) a CSC Com- Dream (2014, 2011, and 2005, and winning the pany Member, has stage managed CSC's Greater Baltimore Theater Award for the 2005 Anne of the Thousand Days, Titus Andronicus production); The Importance of Being Earnest; (2015), Uncle Vanya, Richard II, and Romeo The Taming of the Shrew (2006 and 2013 and Juliet (2015). She recently appeared with productions); Romeo and Juliet (2003, 2012, CSC as Hippolyta in A Midsummer Night's 2015 and 2016 productions); A Doll’s House; As Dream and the Courtezan in A Comedy of You Like It (Broadway World Best of Baltimore Errors. She has also performed in Poe's Last Award); and The Country Wife. Broadway World Stanza with Do or Die Productions, Cori- named her as a top artist of the 2007 Baltimore olanus with Cohesion Theatre Company, Theatre. For more than a decade, she served as and Sweeney Todd with Stillpointe Theatre. the Costume Supervisor for the Baltimore Op-

RICHARD III 17 Bios era Company and then Lyric Opera Baltimore. ny, Alvernia College, and Carroll Community College. He is a graduate of Oberlin College, Russell Laury (Porter) Before joining CSC, and he teaches stage combat workshops in Russell worked with Southway Builders on the Baltimore/Washington area. the transformation of our landmark build- ing into this beautiful theater. Daniel O’Brien (Technical Director, Set and Lighting Designer) is CSC’s Resident Technical Michael Lonegro (Light Board Operator, De- Director. A founding member of CSC, Daniel velopment Assistant) is a CSC Resident Tech- has performed, designed scenery and lights, nical and Design Company member. He has and served as Technical Director for many operated lights for CSC’s A Christmas Carol productions, among other jobs too numerous (2016, 2015), Anne of the Thousand Days, Oth- to name. He has overseen the construction of ello, Romeo and Juliet (2016, 2015), Macbeth, CSC’s new theatre in Baltimore. He designed Wild Oats, Titus Andronicus, Much Ado About the sets and lighting for Macbeth and for the Nothing, The Importance of Being Earnest, Un- inaugural season plays, A Midsummer Night’s cle Vanya, Richard II, and A Midsummer Night’s Dream, Richard II, Romeo and Juliet, and A Dream. Michael received a bachelor’s degree Christmas Carol, among many others. with distinction in Literature from Yale University, where he also designed lighting Kyle Rudgers (Production Manager) holds for numerous stage productions. He also has a BA from William and Mary and an MFA studied comparative literature and law, and in Stage Management from UC San Diego. has worked as a scholarly book editor. As a production manager, he has worked at the Atlas Performing Arts Center, the Laura Malkus (Development Director) Washington Performing Arts Society, and previously served as Director of Annual in a similar capacity at the Clarice Smith Giving at Roland Park Country School, and Performing Arts Center. As a stage manager, prior to that served as the coordinator he has worked at theaters in Boston, Los for its record-breaking $25 million capital Angeles, San Diego, and Singapore. campaign. In her personal time, Laura is a performer and writer. Mollie Singer (Props Designer) last worked with CSC on Anne of the Thousand Days. Her Liz Nelson (Marketing and Public Relations credits with Everyman Theatre include Blithe Assistant, Box Office Associate) has worked Spirit (Assistant Scenic Designer) and The with theatre companies in Charleston, SC; Understudy (Assistant Scenic Designer); with Berkeley, CA; and Monmouth, ME. She studied Rep Stage include Hunting and Gathering sound design at Plymouth State University. (Scenic Design); Antigone Project: A Play in 5 Parts (Properties); Technicolor Life (Properties); Chris Niebling (Fight Choreographer) is a CSC Sunset Baby (Properties, Assistant Costume Company Member and a Co-Artistic Director Designer); and Venus in Fur (Properties); with of Live Action Theatre. He is a certified Ad- HCC Arts Collective include The 25th Annual vanced Actor/Combatant and member of The Putnam County Spelling Bee (Scenic Design and Society of American Fight Directors. He has Properties) and It's a Wonderful Life (Properties). worked as an actor, director, fight choreog- She also was Scenic Designer for The Revelation rapher, or combination thereof at numerous of Bobby Pritchard with Iron Crow Theatre and other regional theatres including Catalyst Between Trains with Towson University. Theatre Company, The Hatchery Festival, Journeyman Theatre, Pallas Theatre Collective, Sara Small (Volunteer Coordinator) recruits Red Eye Gravy, Rep Stage, Rorschach Theatre, and oversees the many volunteers and Solas Nua, Washington Shakespeare Compa- ushers who assist during productions.

18 RICHARD III Bios Chester Stacy (Scenic Carpenter and Haley Raines Young (Hair, Makeup, and Painter) of Chester Creates LLC has done Wig Designer) has been a CSC design com- set design, construction and scene painting pany member since 2015. Her work was last for several CSC productions, including A seen at CSC in Anne of the Thousand Days, Christmas Carol, Anne of the Thousand Days, A Christmas Carol (2014 and 2015), Much Othello, Macbeth, Much Ado About Noth- Ado About Nothing, The Comedy of Errors, ing, Titus Andronicus, Uncle Vanya and The The Importance of Being Earnest and Pride Importance of Being Earnest; and for Red and Prejudice (2012). She has worked as the Branch Theatre’s Bring It On: The Musical; Wardrobe Supervisor and Assistant to the and First Baptist Church of Glenarden’s The Costume Designer at Woolly Mammoth Uncut Coming of Christ. Theatre Co. (2010-2014) and as Wig Mainte- nance, and Wardrobe Crew at several the- Jean Thompson (Communications Man- atres in the Washington, D.C. area including ager) is our marketing, public relations, and Signature Theatre, Shakespeare Theatre publications director. A former news re- Company, Gala Theatre, and the University porter and features editor, she has worked of Maryland. Haley holds a Bachelor's de- for The Baltimore Sun, The New York Times, gree in theatre from Radford University and AmericanStyle, and Giftware News magazine. is a fully licensed Cosmetologist.

RICHARD III 19 Artistic Programming, Education, and Operations Donors A theater is so much more than a building. It is a living, breathing community where audiences and actors meet to create art that enlightens, inspires, transforms, awes, and entertains. We are grateful for your gifts that support this artistry, our outreach and education programs, and our operations. This list recognizes gifts of $100 and greater, received as of January 18, 2017. The FRIENDS of Chesapeake Shakespeare Company Benefactor ($5,000+) Friend ($1,000+) Jeff and Linda Pieplow Bart and Tiffany Debicki C. Sylvia and Eddie C. Anonymous (3) Walter and Mary-Ann The Epp Family Brown Isabelle Anderson Pinkard Bruce and Lindsay Robert and Gladys Helm Kevin and Susan Burke John and Carrie Pirie Fleming Scott Helm Virginia Tyler Campbell Earle W. Pratt III and Kelly David and Barbara Richard Ley Yara Cheikh and Firmin Emerson Gamble Lesley Malin DeBrabander Robert Prince Mr. and Mrs. Jesse Jeanne E. Marsh Kimberly Citizen Sean Rhoderick and Ana Gardner Bob and Deeley Jeffrey and Carolyn Crooks Kornegay George Higgins Middleton Patricia L. Delk-Mercer Nan Rohrer George and JoAnn Mary and James Miller and Raymond Mercer Sharon and Michael Runge Holback Emily and John D. John Clinton Eisner and David and Treva Stack Mark A. G. Huffman Rockefeller, V Jennifer Dorr White Scott and Sharon Tim and Jennifer Chip and Rhona Wendler Ian Gallanar and Stewart, CE Science Inc. Kingston Ted and Mary Jo Wiese Trujillo Michael P. and Joanna Wallace Kleid and Ina Judith Golding and Sullivan Sirkis Patron ($2,500+) Robert Brager The Wittenberg- Bob Lienhardt and Anonymous Glen Goodwin and Bonavoglia Family Barbara Leons Laura and Larry Malkus, Jr. Laura Boydston and Jennifer Cooper Player ($500-$999) Mary McDermott and Robin Suleiman Carole and Scott Greenhaus Anonymous William Jongeward Jane Coffey and Arthur Rabbi Joanne and Dr. Steven Beall and Carmel Suzan and Alex Mecinski Renkwitz Gary Heiligman Roques Kevin and Joyce Parks The Flieger Family Eva Higgins Dr. Murry Bentley and Keenan and Natasha Cynthia and Nick Islin Robin and Don Hough Ms. Linda Clark Rice The Sylvia Meisenberg Brenda M. Johnson Elizabeth and Ira Berman Mary Ann and Chuck Endowment for Chris and Mary Ellen Kiehne Susan Betso and Carol Scully Shakespeare Stephen and Joanne Malin Clark Chip Smith and Cheryl Education and the Jack and Donna McCann Sherilyn Brinkley and Bernard-Smith Meisenberg Family Thomas and Janet McGlynn Jeff Brotman The Thompson Family, in Wally and Brenda Stone Frank and Mary Ellen Barbara and Edward memory of Alva “Dolly” Paul J. and Chandler M. Moorman Brody, in honor of Griffith Tagliabue, in honor of Dan and Heidi Moylan James “Séamus” Miller Alice Tracy Emily Rockefeller Dr. and Mrs. Stephen M. Ernie and Linda Czyryca Oppenheimer Marguerite Villasanta

Individual Donors Mechanicals Donna Lee Burke Michele and Ed Swing Laetitia Brooks Elizabeth and Ira Berman Robert Burke and Helen Andrew Tagliabue, in honor Jennifer Burdick, in honor Donna Lee Burke Blumberg of Emily Rockefeller of Tony Tsendeas Shana Carroll Joseph and Meredith Dr. Cheryl Torsney and Delia Burke and Alex Mark A. G. Huffman Callanan Eric “E-Mann” Hansmann Lehukey The Klipp-Lischner Family Dr. Martha J. Connolly Dr. Susan Zieman Susan R. Buswell Michael Lonegro Dana DiCarlo Glenn and Sandy Campbell Laura and Larry Malkus, Jr. Jerry and Carol Doctrow Shana Carroll Michael Nugent and the Doctrow Family $100 - $249 Joan Castellan Katherine Schnorrenberg Fund Anonymous (5) Harry and Erica Cikanek The Thompson Family, in Howard and Beth Anne Agee Janet and Sean Coleman memory of Alva “Dolly” Eisenson, in honor of Paul and Irene Aldridge Lee Conderacci Griffith Vince Eisenson and Amal The Alleman Family David and Susan Cooke Susan M. Watts Saade Clifford Amend Kristen and Mike Cooper Dean Ford and Mary Turos Matthew and Ann Ansel Edith M. Cord Laura Freitag Kathleen Barber and Barry The Courtesan $250 - $499 The Klipp-Lischner Family Feinstein Grace and Frank Anonymous (3) Barry Linkner Charlie and Kathy Beach Cunningham George and Julia Alderman William MacDonald Patricia Howland Bond The Curtis Family Mr. and Mrs. A. Stanley Paul and Jenny Oxborough The Bower Family Roger and Brenda Cutter Brager, Jr. Mr. and Mrs. David B. Shapiro Joan K. Braden Jim and Suzanne Davis

20 RICHARD III Individual Donors, continued Edwin N. Dean, Jr. Sarah S. Robinson Howard County Arts Margaret M. H. Obrecht John and Lorna Delaney, Dianne Scheper Council, through a grant Family Foundation in memory of Nicholas Katherine Schnorrenberg from Howard County PNC Foundation Delaney The Eugene and Alice Government The Sheridan Foundation Michele DeMusis and John Schreiber Philanthropic The John J. Leidy T. Rowe Price Foundation Campbell Fund Foundation The Venable Foundation Martin Disney Herbert and Susan The M&T Charitable David and Denise Ditman Shankroff Foundation Mary Alane Downs and Judy Sheldon and Chris Macy’s Foundation IN-KIND SUPPORT Christopher P. Downs Gorman The Dr. Frank C. Marino Baker Donelson Valerie Fenton and Ed Simpson Foundation, Inc Bin 604 Christopher Niebling Patricia E. Smeton Maryland State Arts Dr. Martha J. Connolly Dr. Esther Fleischmann and F. Louise and Wayne F. Council Alan J. Fink and J. Wynn Dr. Peter Griffi th Smith The Morris A. Mechanic Rousuck June and Larry Fletcher-Hill Mary Soules Foundation, Inc. Kelly Keenan and Jason Pamela S. Forton and Kate Susan Spencer The Sylvia Meisenberg Trumpbour Forton Jeff rey and Kathleen Endowment for Maryland Public Television Mike and Anne Foss Sprague Shakespeare Education The Wine Bin Jacquelyn Galke The Stansbury Family The Charles F. and Dennis Gallagher and Brian and Carolan Stansky Carol Barthel Paul and Amy Stone Donald and Gail Gann Alan Stubbs and Jean Mrs. Jane R. Geuder Frank Gil and Terry Gleim Joan D. Sullivan Susan and Richard William Sweet Goodlaxson David and Irene Tabish Michael and Colleen Michael L. Terrin and Bess Gottleib Keller Mr. and Mrs. Santo Grande Brent Tolbert-Smith Adam and Fredye Gross Lorraine and Leon Ukens Ralph and Elizabeth Heimlich The Velapoldi Family Mr. and Mrs. Bill Heneghan Jim Volz and Evelyn Carol Frank Heneghan, in honor Case of Helen Heneghan Susan Watson Ron Heneghan Susan M. Watts Pam and Sam Himmelrich, Jr. John and Marie Wells Mike and Connie Jack Kem and Susan White Patricia Jonas Suellen Wideman and Eric and Hattie Katkow Virginia Shimak Dennis Kelly, in honor of Lisa Wilde and Philip Kathryn Kelly Vilardo Stephen and Linda Kelly, in Nancy and Kenneth honor of Kathryn Kelly Williams Terry Leitch Beverly Winter, in memory Erin Loeliger, in memory of of Jackson B. Winter Nicholas Delaney Judy Wixted and George Michael Lonegro Dappert James and Sherry Carol and Ron Zielke Macdonald Anne Marie Zwycewicz Kristen Mahoney and Dennis Pitta Vivian and Robert Manekin Michael and Lucia Martin CORPORATE, Judy and David Mauriello FOUNDATION, AND Audrey Maynard GOVERNMENT Dr. Fran McCabe Steven and Mary McKay SUPPORT Mark McKitrick The Allegis Group The McNamara Family AmazonSmile Foundation Daniel and Patricia Medinger The Arts Insurance Arianna Miceli Program, LLC Nancy Moores The William G. Baker, Ken Moss and Patryce Toye Jr. Memorial Fund, Michael and Ell Murphy creator of the Baker What makes Dr. Tara Muscovich Artist Awards, www. Michael Nugent bakerartistawards.org Lynne O’Brien and Roger Baltimore City Foundation Shakespeare so great? Mitchell and Baltimore City Margaret M. Obrecht Council President Jack Lee and Marilyn Ogburn Young -Our FRIENDS do. Marc Okrand Baltimore National Bodil Bang Ottesen Heritage Area James Passarelli Mayor Catherine Pugh and Please consider Rebecca S. Pearlman the Baltimore Offi ce of Alan Penczek Promotion and the Arts becoming a Friend of CSC. Mark and Joanne Pollak BGE Julie and Bruce Press Brown Capital Barbie and James Prince Management Hazel Rectanus The Brenda Brown-Lipitz More information at Paula and Charles Rees Family Foundation, Inc. John Reid and Lisa Orisich The Campbell Foundation chesapeakeshakespeare.com Nicole Ripken and Jeff Community Foundation of Jenkins Howard County Michael Robertson The Helm Foundation

RICHARD III 21 Cheers to Chesapeake Shakespeare Company and their continued growth and success here in Charm City!

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22 RICHARD III STAFF OUR CREATIVE MEDIA TEAM Ian Gallanar, Founding Artistic Director Sandra Maddox Barton, Todd M. Zimmerman, Lesley Malin, Managing Director Bridget Parlato, Graphic Design Kyle Rudgers, Production Manager Teresa Castracane, Photography Molly Moores, Program Advertising Laura Malkus, Director of Development Elizabeth Berman, Finance and Development Manager ASSOCIATE ARTISTIC DIRECTORS Jean Thompson, Communications Manager Lizzi Albert Daniel O’Brien, Technical Director/Facilities Manager Scott Alan Small Ron Heneghan, Director of Community Engagement Gerrad Alex Taylor Kevin Costa, Education Director RESIDENT ARTISTS Kristina Lambdin, Resident Costume Designer Isabelle Anderson, Distinguished Artist in Residence and Business Manager Nellie K. Glover, Resident Choreographer Kelly Martin Broderick, Audience Services Manager Scott Farquhar, Resident Musical Director Elizabeth Nelson, Marketing and Public Relations Teresa Castracane, Resident Text Coach Assistant, Box Offi ce Associate Michael Lonegro, Development Assistant TEACHING ARTISTS Robby Rose, Production and Education Assistant Keegan Cassady Jeff Keogh Francesca Chilcote Bethany Mayo Russell Laury, Porter Blythe Coons Jeff Miller Kate Forton, Marketing and Administrative Assistant Kathryne Daniels Molly Moores Sara Small, Volunteer Coordinator Lauren Davis Mary Myers Scott Alan Small, Concessions Czar Vince Eisenson Laura Rocklyn Bobby Henneberg Emily Sucher Emily Karol Gerrad Alex Taylor

RESIDENT ACTING COMPANY Lizzi Albert Jose Guzman Jeff Keogh Scott Alan Small Gregory Burgess Ron Heneghan Lesley Malin Michael P. Sullivan Vince Eisenson James Jager Molly Moores Gerrad Alex Taylor

RESIDENT TECHNICAL AND DESIGN COMPANY ASSOCIATE MEMBERS Mindy Braden Heather C. Jackson Teresa Castracane Kristina Lambdin Jeannie Anderson Katie Keddell Sarah Curnoles Michael Lonegro Steve Beall Patrick Kilpatrick Alexis E. Davis Sandra Maddox Barton Mike Boynton Jenny Leopold Lauren Engler Mary Hoff man Pohlig Keegan Cassady Frank Mancino Scott Farquhar Daniel O’Brien Tamieka Chavis Michele Massa Nellie K. Glover Chester Stacy Jenny Crooks Bethany Mayo Blythe Coons Séamus Miller Ruthie Griffi th Haley Raines Young Karen Eske Tami Moon Valerie Fenton Christopher Niebling CSC ENSEMBLE Kate Forton Christina Schlegel Matthew Ancarrow Frank B. Moorman Ashly Ruth Fishell Erin Bone Steele Kecia A. Campbell Jack Novak B.J. Gailey David Tabish Diane Curley Kelsey Painter Kate Graham Nathan Thomas Dave Gamble Laura Rocklyn Scott Graham Wayne Willinger Elana Michelle Robby Rose Ty Hallmark Shannon Listol Wilson

The Chesapeake Shakespeare Company creates performances and education programs out of great classic theater. Classic plays can be awfully good, but only if they speak to their audience and the community in a way that is dynamic, personal, and pleasurable. We do plays that people like and we perform them in innovative and intimate ways that intensify the connection between audiences and artists. We do this because we want to know what makes Shakespeare so great — and we ask our audience and our community to explore that question alongside us. Chesapeake Shakespeare Company is a 501c3 nonprofi t organization. Chesapeake Shakespeare Company 7 South Calvert Street, Baltimore, MD 21202 Offi ce: 410-244-8571 Box Offi ce: 410-244-8570 www.ChesapeakeShakespeare.com

RICHARD III 23 Lauren Davis 15th Anniversary Season All shows are on sale now.

Book and lyrics by Tom Jones Music by Harvey Schmidt

Outdoors at PFI Historic Park

Reserve your seats today: ChesapeakeShakespeare.com 410-244-8570