Shakespeare Survey 65
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Midsummer Night's Dream: Entire Play")
Masarykova univerzita Filozofická fakulta Ústav slavistiky Magisterská diplomová práce 2016 Veronika Psicová Masarykova univerzita Filozofická fakulta Ústav slavistiky Literární komparatistika Veronika Psicová Adaptations of A Midsummer Night’s Dream – a case study Magisterská diplomová práce Vedoucí práce: Jeffrey Alan Smith, M.A., Ph. D. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank my supervisor for his advice, patience and support that he provided throughout the whole semester. I would also like to thank the whole Gypsywood Players for the unforgettable semester spent with them. Table of Contents 1 Introduction ............................................................................................................... 1 2 A brief introduction to Shakespearean era’s performances ....................................... 3 3 A brief summary of A Midsummer Night’s Dream ................................................... 8 4 The genesis of A Midsummer Night’s Dream ......................................................... 12 4.1 The genesis ....................................................................................................... 12 4.2 The name game ................................................................................................ 14 5 Possibilities of staging A Midsummer Night’s Dream ............................................ 16 5.1 A Midsummer -
Table of Contents More Information
Cambridge University Press 978-1-107-02451-9 - Shakespeare Survey: 65: A Midsummer Night’s Dream Edited By Peter Holland Table of Contents More information CONTENTS List of illustrations page x Laura Aydelotte ‘A local habitation and a name’: The Origins of Shakespeare’s Oberon 1 Helen Barr ‘Wrinkled deep in time’: Emily and Arcite in A Midsummer Night’s Dream 12 Michael Hattaway ‘Enter Cælia, the Fairy Queen, in her Night Attire’: Shakespeare and the Fairies 26 Jesse M. Lander Thinking with Fairies: A Midsummer Night’s Dream and the Problem of Belief 42 Henry Buchanan ‘India’ and the Golden Age in A Midsummer Night’s Dream 58 Michael Saenger The Limits of Translation in A Midsummer Night’s Dream 69 Sibylle Baumbach Voice, Face and Fascination: The Art of Physiognomy in A Midsummer Night’s Dream 77 Stuart Sillars A Midsummer Night’s Dream in Illustrated Editions, 1838–1918 92 Laura Levine Balanchine and Titania: Love and the Elision of History in A Midsummer Night’s Dream 110 Michael P. Jensen A Midsummer Night’s Dream on Radio: The Oregon Shakespeare Festival’s Radio Series 121 Russ McDonald Benjamin Britten’s Dreams 138 Roger Warren Staging A Midsummer Night’s Dream: Peter Hall’s Productions, 1959–2010 147 Carol Thomas Neely A Midsummer Night’s Dream at the Millennium: Performance and Adaptation 155 Matt Kozusko Shakesqueer, the Movie: Were the World Mine and A Midsummer Night’s Dream 168 Jacquelyn Bessell Letter from the Chalk Face: Directing A Midsummer Night’s Dream at the Staunton Blackfriars 181 Andrew James Hartley A Dream of Campus -
Film, Television and Video Productions Featuring Brass Bands
Film, Television and Video productions featuring brass bands Gavin Holman, October 2019 Over the years the brass bands in the UK, and elsewhere, have appeared numerous times on screen, whether in feature films or on television programmes. In most cases they are small appearances fulfilling the role of a “local” band in the background or supporting a musical event in the plot of the drama. At other times band have a more central role in the production, featuring in a documentary or being a major part of the activity (e.g. Brassed Off, or the few situation comedies with bands as their main topic). Bands have been used to provide music in various long-running television programmes, an example is the 40 or more appearances of Chalk Farm Salvation Army Band on the Christmas Blue Peter shows on BBC1. Bands have taken part in game shows, provided the backdrop for and focus of various commercial advertisements, played bands of the past in historical dramas, and more. This listing of 450 entries is a second attempt to document these appearances on the large and small screen – an original list had been part of the original Brass Band Bibliography in the IBEW, but was dropped in the early 2000s. Some overseas bands are included. Where the details of the broadcast can be determined (or remembered) these have been listed, but in some cases all that is known is that a particular band appeared on a certain show at some point in time - a little vague to say the least, but I hope that we can add detail in future as more information comes to light. -
Alasdair Buchan Photo: Ben Wulf
191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Alasdair Buchan Photo: Ben Wulf Currently: Gerald Croft in AN INSPECTOR CALLS on UK Tour 2019/2020. Details: https://www.aninspectorcalls.com Eastern European, Appearance: Greater London, England, United Mediterranean, White Kingdom Other: Equity Location: Nottinghamshire, England, United Eye Colour: Brown Kingdom City of Bristol, England, United Kingdom Hair Colour: Dark Brown Height: 6' (182cm) Hair Length: Mid Length Weight: 12st. 7lb. (79kg) Voice Character: Engaging Playing Age: 26 - 40 years Voice Quality: Strong Stage 2019, Stage, Gerald Croft, AN INSPECTOR CALLS - TOUR, National Theatre, Stephen Daldry 2018, Stage, Henry Turner, SEANCE, The Other Palace, Philip Wilson 2017, Stage, Sherlock Holmes, SHERLOCK HOLMES & THE CRIMSON COBBLES, Salisbury Playhouse, Chipping Norton & UK Tour, Kirstie Davis 2016, Stage, Hubert Laurie, NIGHT MUST FALL, Salisbury Playhouse/Original Theatre Company, Luke Sheppard 2015, Stage, Ernst Gombrich, A LITTLE HISTORY OF THE WORLD, Watermill Theatre/Reading Rep, Paul Stacey 2015, Stage, Mr. McQueen, URINETOWN: THE MUSICAL, JSA/Araca Group, Apollo Theatre, Jamie Lloyd 2014, Stage, Messenger (U/s and played Buckingham & Clarence), RICHARD III, ATG/Jamie Lloyd Productions, Trafalgar Studios, Jamie Lloyd 2014, Stage, Onstage Swing (1st Cover Lockstock), URINETOWN: THE MUSICAL, JSA/Araca Group, St. James' Theatre, Jamie Lloyd 2013, Stage, Cover all Male Roles (played over 20 shows), THE PRIDE, -
Ex-MI6 Men Cleared to Write in Book
PROFILE INSIDE ARTS SPORT 2-page sports There is My farewell Dame Kiri nothing like a MOMENTS OF calendar . to Channel 4 CA TASTROPHE Te Kanawa dame of the yearJ JEREMY ISAACS 6 PORTRAIT OF 1987 INTERVIEW 15 26, 27 I I BARRY HUMPHRIES 5 & A BRIEFLY SUMMIT MOVE Soviet Foreign Minister Eduard Shevardnadze latest information, supplied to them Yemeni Embassy in London last they will be moved to a luxurious agreed to meetings with THE TWO British women sold by EILEEN MacDONALD week as brides in the Yemen Arab by The Observer , and was arranging , but was treated as a tourist house in Taiz with their husbands Us Secretary of State to interview the husbands with the HI¦Hiam ^2IIIIIQ9L i ^ H ^ i ^ B '^^ i u^^— ^ ~~~ rather than as a relative wishing to until ' all the paperwork is done.' George Shultz in Republic will not be allowed ' visit the country. On Christmas Day, The Observer home unless they are accompa- women when they arrived in the ports, which are awaiting their visit scared they are not touching us, preparation for a new city. to the British Embassy. Zana reassured her yesterday in a ' They told me to come back on informed the Foreign Office of the summit between Mikhail nied by their husbands. The young children of the When the sisters arrived in Taiz, telephone call . Tuesday with $500, three passport latest development in the women's Gorbachov and President Nadia and Zana-, Muhsen, who women — Nadia's daughter, 21- North Yemen's second city, they The official has also told Miss Ali, photographs and a return air situation. -
Handsworth Songs and Touch of the Tarbrush 86
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/35838 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Voices of Inheritance: Aspects of British Film and Television in the 1980s and 1990s Ian Goode PhD Film and Television Studies University of Warwick Department of Film and Television Studies February 2000 · ~..' PAGE NUMBERING \. AS ORIGINAL 'r , --:--... ; " Contents Acknowledgements Abstract Introduction page 1 1. The Coupling of Heritage and British Cinema 10 2. Inheritance and Mortality: The Last of England and The Garden 28 3. Inheritance and Nostalgia: Distant Voices Still Lives and The Long Day Closes 61 4. Black British History and the Boundaries of Inheritance: Handsworth Songs and Touch of the Tarbrush 86 5. Exile and Modernism: London and Robinson in Space 119 6. Defending the Inheritance: Alan Bennett and the BBC 158 7. Negotiating the Lowryscape: Making Out, Oranges Are Not the Only Fruit and Sex, Chips and Rock 'n' Roll 192 Conclusion 238 Footnotes 247 Bibliography 264 Filmography 279 .. , t • .1.' , \ '. < .... " 'tl . ',*,. ... ., ~ ..... ~ Acknowledgements I would like to express my gratitude to my supervisor Charlotte Brunsdon for her patience, support and encouragement over the course of the thesis. I am also grateful to my parents for providing me with both space and comfortable conditions to work within and also for helping me to retain a sense of perspective. -
HAVE MYNDE 92 the Queen's School Chester
HAVE MYNDE 92 The Queen's School Chester Governing Body Chairman: J A Bruce, MA Deputy Chairman: Miss C M Baxter, JP The Right Reverend The Lord Bishop of Chester D T Doxat-Pratt, ARIBA W C Dutton, MBE, FRICS Mrs G Jones, BSc Mrs J Lea, LLB BAG King, TD Mrs D M McConnell, CC C N Ribbeck, OBE, BSc, DL PAW Roberts, MA, FCA The Reverend Canon J C Sladden, MA, BD, Oxon Miss K M Wood Clerk to the Governors: B Dutton, FCA 10 White Friars, Chester Headmistress: Miss D M Skilbeck, BA Deputy Headmistress: Miss M L Walters, BA Foreword Can high academic achievements, successes in sport, music and many other fields manage to co-exist with thought for others, excit• ing educational opportunities and development of the individual? The answer is YES at The Queen's School. The examination results achieved by Upper Sixth and Upper Fifth in 1991 placed the school fifth in the country and third out of girls' schools, in the Financial Times ranking. League Tables cer• tainly have their weaknesses but nevertheless they are one mea• sure of success. This high academic achievement is maintained along with the wide variety of activities detailed in the magazine. The fact that high standards exist in so many areas in school reflects the commitment of a very dedicated team of staff who give time and inspiration to the girls. At the head of this team I would put Miss Walters and it there• fore came as no surprise when she was appointed to the Headship of Durham High School. -
Mark Hinton Stewart
MARK HINTON STEWART COMPOSER Mark Hinton Stewart is a British film composer whose music moves seamlessly from a refined classicism to a more contemporary feel. He has recently re-ignited his passion for writing classical works; full details are available on request. Mark composed the title music for Waterloo Road with Shed Productions for the BBC, and created a compelling score for Magnolia for Red Productions. He scored the US film feature The Man From Earth with Richard Schenkman, as well as a special two-parter of the BBC’s Casualty. He scored Holby Blue Series II, the latest creation from Tony Jordan for BBC1 made by Red Planet / Kudos, having also scored series 1, and then went onto score The Chase series 2, for Rollem Productions. He also scored the 6-part comedy series for the BBC, Parents Of The Band, created by Jimmy Nail and Tarquin Gotch. Mark most recently scored Crash, for Red Planet Pictures. Originally a classically trained pianist and organist, he has worked with some of the biggest names in the film/pop scene, from Sir George Martin to Jools Holland and Adam F. Mark assisted on the Music Supervision of both, Lock, Stock and Two Smoking Barrels and The Real Howard Spitz, and has scored a number of films including Tube Tales (the Sky Pictures movie with Ewan McGregor, Denise van Outen, Rachel Weisz, Jason Flemyng and Bob Hoskins), The Truth Game for Screen Production Associates, the feature Dog Eat Dog for Film Four/Tiger Aspect Pictures and Baby Juice Express for The Spice Factory starring Nick Moran. -
TWENTY-FIRST CENTURY AMERICAN FILM ADAPTATIONS of SHAKESPEARE by ©2011 Alicia Anne Sutliff-Benusis Submit
BASED ON SHAKESPEARE: TWENTY-FIRST CENTURY AMERICAN FILM ADAPTATIONS OF SHAKESPEARE BY ©2011 Alicia Anne Sutliff-Benusis Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ____________________________________ Chairperson: Geraldo U. de Sousa Committee Members: ____________________________________ David Bergeron ____________________________________ Richard Hardin ____________________________________ Courtney Lehmann ____________________________________ Caroline Jewers Date Defended: _________Aug. 24, 2011___________ ii The Dissertation Committee for Alicia Anne Sutliff-Benusis certifies this is the approved version of the following dissertation: BASED ON SHAKESPEARE: TWENTY-FIRST CENTURY AMERICAN FILM ADAPTATIONS OF SHAKESPEARE ___________________________________ Chairperson: Geraldo U. de Sousa Date approved: Aug. 24, 2011 iii Abstract This dissertation investigates turn-of-the-century American Shakespeare films and how they adapt Shakespeare’s plays to American contexts. I argue that these films have not only borrowed plots and characters from Shakespeare’s plays, they have also drawn out key issues and brought them to the foreground to articulate American contexts in contemporary culture. For instance, issues about gender, race, and class addressed in the plays remain reflected in the films through the figure of the modern American Amazon, the venue of a high school basketball court, and the tragic arc of a character’s rise from fry-cook to restaurant entrepreneur. All of these translations into contemporary culture escalate in the diegesis of the films, speaking to American social tensions. Whereas individual studies of these turn-of-the-century films exist in current scholarship, a sustained discussion of how these films speak to American situations as a whole is absent. -
Gillian Kearney
Gillian Kearney Gillian played a series regular Emma Barton on ITV's award-winning soap, Emmerdale. The series has won Best Soap for the British Soap Awards 2017, as well as Most Popular Serial Drama at the National Television Awards. Agents Olivia Homan Associate Agent [email protected] Gabriella Capisani Actors [email protected] Roles Film Production Character Director Company Harrigan's Nick Phelan Vince Woods TallTree Pictures HOMECOMING Dashiri Emma Farrell Piperfilms/6 ft High Films SHIRLEY VALENTINE Young Shirley Lewis Gilbert Paramount Pictures THE JOHN LENNON STORY: IN Cynthia David Carsons LA Productions HIS LIFE THE LIVES OF SAINTS Christella Rankin Dazed Film and TV THE OTHER HALF Holly Richard Nockles Indirect Films THE RUBY RING Elizabeth Hallmark Productions Television Production Character Director Company EMMERDALE Emma Barton ITV SUSPECTS Tamsin Fiona Walton Channel 5 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company MOVING ON Danielle Pauline Harris LA Productions / BBC 1 SILENT WITNESS DI Andrea Andy Hay BBC Bridges JUSTICE Louise Ian Barber & Noreen LA Productions Kershaw CASUALTY S22, 23, 24 Dr Jessica BBC Harrison THE SECOND SON Laura BBC BLACK CAB Girl Susan Tully BBC BLUE MURDER Lesley Paul Wrobeleski Granada TV BROOKSIDE Debbie Patrick Tucker Mersey TV CLOCKING OFF Lynne Juliet Charlesworth Red Productions DAMON AND DEBBIE Debbie Bob Carlton Mersey TV HEARTBEAT Susan Michael -
A Midsummer Night's Dream
04_9781118486719-ch01.qxd:9781118486719-ch01.1.qxd 8/6/12 9:45 PM Page 27 COLES NOTES TOTAL STUDY EDITION A MIDSUMMER NIGHT’S DREAM ACT I Scene 1 . 29 Scene 2 . 40 Hermia If then true lovers have been ever crossed, It stands as an edict in destiny. Then let us teach our trial patience, Because it is a customary cross, As due to love as thoughts, and dreams, and sighs, Wishes and tears, poor fancy’s followers. COPYRIGHTED MATERIAL 04_9781118486719-ch01.qxd:9781118486719-ch01.1.qxd 8/6/12 9:45 PM Page 28 04_9781118486719-ch01.qxd:9781118486719-ch01.1.qxd 8/6/12 9:45 PM Page 29 Coles Notes Total Study Edition A Midsummer Night’s Dream • Act I, Scene 1 29 Act I, The play begins in Athens. Theseus plans to marry Hippolyta. Hermia Scene 1 wants to marry Lysander, but is ordered to marry Demetrius, who is loved by Helena. Hermia and Lysander decide to run away together. ACT I, SCENE 1 NOTES [Enter THESEUS, HIPPOLYTA, PHILOSTRATE, with others] Theseus Now, fair Hippolyta, our nuptial hour 1. nuptial: marriage. Draws on apace; four happy days bring in Another moon; but, o, methinks, how slow This old moon wanes! She lingers my desires, 4. lingers: puts off. Like to a step-dame or a dowager, 5 5. step-dame: stepmother. Long withering out a young man’s revenue. dowager: widow. Hippolyta Four days will quickly steep themselves in night; 6. Long withering out a young man’s revenue: wasting a young man’s Four nights will quickly dream away the time; inheritance. -
Teacher's Notes 2007
A Midsummer Night’s Dream SCHOOLSDAY PERFORMANCES IMPORTANT INFORMATION Date: 22 & 29 August 2007 Venue: Sydney Theatre Pre-performance forum 10.30 am Lunch Break 11.15 am Performance commences: 12.15 pm Performance concludes: 3.00pm Post performance Q+A concludes: 3.20pm We respectfully ask that you discuss theatre etiquette with your students prior to coming to the performance. Running Late? Please contact Sydney Theatre Company’s main switch on 9250 1700 and a message will be passed to Front of House. Booking Queries Please contact Barbara Vickery on 02 9250 1778 or [email protected] General Education Queries Please contact Helen Hristofski, Education Manager, on 02 9250 1726 or [email protected] Sydney Theatre Company’s A Midsummer Night’s Dream Teachers Notes 1 A Midsummer Night’s Dream by William Shakespeare Directed by Edward Dick Teacher's Resource Kit Written and compiled by Elizabeth Surbey Copyright Copyright protects this Teacher’s Resource Kit. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. Sydney Theatre Company’s A Midsummer Night’s Dream Teachers Notes 2 Contents Sydney Theatre Company 4 Sydney Theatre Company Education 5 A Midsummer Night’s Dream Production Credits 6 Summary 7 Plot Overview 7 Overview of the Writer - 9 Context of the Play 10 Character Summaries 12 Interview with the Director 14 Set Design 16 Useful Teacher Resources 17 Before the Play For students who haven’t read the play 19 For students who have read the play 19 Questions After the Play For students who hadn’t read the play 20 For students who had read the play 20 Theme Activities 20 Speeches 21 Sydney Theatre Company’s A Midsummer Night’s Dream Teachers Notes 3 Sydney Theatre Company Sydney Theatre Company (STC) produces theatre of the highest standard that consistently illuminates, entertains and challenges.