Peta Cornish

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Peta Cornish Peta trained at Bristol Old Vic Theatre School. Peta took Guildhall exams up to Grade 6 and received Gold, Silver and Bronze medals in New Era Academy Speech and Drama Exams Grade 8 Guildhall Speech and Drama Awards Member of the National Youth Theatre. Agents Ruth Young Associate Agent Phoebe Trousdell [email protected] +44 (0)20 3214 0800 Assistant Lauren Morgan [email protected] +44 (0)20 3214 0800 Assistant Alex Campbell [email protected] +44 (0)20 3214 0800 Roles Film Production Character Director Company CINDERELLA Patricia Kay Cannon Columbia Pictures Television Production Character Director Company THE ANGEL OF DARKNESS Governess Various Paramount/Netflix United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company VICTORIA WOOD CHRISTMAS Girl Tony Dow Phil McIntyre Television Limited SPECIAL 2009 WILLIAM AND MARY Kate Meridian Broadcasting Ltd Stage Production Character Director Company COMMON Female Ensemble Jeremy Herrin The National Theatre TESTAMENT J Lucy Jane Atkinson Old Sole Theatre Company THE TRACKERS OF Performer Jimmy Walters Proud Haddock Productions OXYRHYNCHUS LTD | Finborough Theatre AFTER OCTOBER Lou St. Rene Troupe/Finborough Theatre PLAY / SILENCE W1 / Ellen Kate Wasserberg The Other Room at Porter's & Titas Halder FUTURE CONDITIONAL Sarah Matthew Warchus Old Vic Theatre Ventures FEVER Katy Anthony Biggs Jermyn Street Theatre TEN WOMEN Bethan Dear Jackdaw TO SIR WITH LOVE Gillian Mark Babych Touring Consortium Theatre Company THE DUG OUT Sasha Splice Productions Tobacco Factory Theatre EVA Zuzka Owen Horsely High Tide Festival WATER WINGS Hilary Genevieve Raghu Ovalhouse Theatre THE WELSH BOY Mary Powell Matthew Lloyd Theatre Royal Bath THE GREAT GATSBY Jordan Linnie Reedman The King's Head Theatre OTHELLO Bianca Andrew Shepherd Chelsea Theatre ON THE PISTE Bev John Godber Tobacco Factory LES LIAISONS Mme. De Tourvel Jenny Stephens Tobacco Factory DANGEREUSES CLARISSA Clarissa Marilyn Imrie Bath Literature Festival THAT FACE Izzy Elle While BOVTS THE WILD PARTY Mae Sue Wilson Tobacco Factory BASH Sue Anna girvan Juncture LISA APPLEBY Lisa Jenny Moule Washing Line Productions THE UNLOVED Girl/lover Miranda Cromwell Bristol Old Vic 24 Hour Plays THE MADRAS HOUSE Jessica / Mrs Adams Andrew Hilton BOVTS THE RECRUITING Julia John Hartock BOVTS OFFICER United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company TWELFTH NIGHT Viola Peter McQueen BOVTS A DOLL'S HOUSE Nora Sonia Fraser BOVTS BURNT BY THE SUN Maroussia/Nadia Dan Bird BOVTS Other Production Character Director Company dancing: Jazz and Hip Hop Full Clean Driving Licence PADI Languages: conversational Open Water Diving certification Spanish Sports: Running, Swimming, Horse- Classical grade 4 riding, Skiing Music and Dance: Singing United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].

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Cambridge University Press 978-1-107-02451-9 - Shakespeare Survey: 65: A Midsummer Night’s Dream Edited By Peter Holland Table of Contents More information CONTENTS List of illustrations page x Laura Aydelotte ‘A local habitation and a name’: The Origins of Shakespeare’s Oberon 1 Helen Barr ‘Wrinkled deep in time’: Emily and Arcite in A Midsummer Night’s Dream 12 Michael Hattaway ‘Enter Cælia, the Fairy Queen, in her Night Attire’: Shakespeare and the Fairies 26 Jesse M. Lander Thinking with Fairies: A Midsummer Night’s Dream and the Problem of Belief 42 Henry Buchanan ‘India’ and the Golden Age in A Midsummer Night’s Dream 58 Michael Saenger The Limits of Translation in A Midsummer Night’s Dream 69 Sibylle Baumbach Voice, Face and Fascination: The Art of Physiognomy in A Midsummer Night’s Dream 77 Stuart Sillars A Midsummer Night’s Dream in Illustrated Editions, 1838–1918 92 Laura Levine Balanchine and Titania: Love and the Elision of History in A Midsummer Night’s Dream 110 Michael P. Jensen A Midsummer Night’s Dream on Radio: The Oregon Shakespeare Festival’s Radio Series 121 Russ McDonald Benjamin Britten’s Dreams 138 Roger Warren Staging A Midsummer Night’s Dream: Peter Hall’s Productions, 1959–2010 147 Carol Thomas Neely A Midsummer Night’s Dream at the Millennium: Performance and Adaptation 155 Matt Kozusko Shakesqueer, the Movie: Were the World Mine and A Midsummer Night’s Dream 168 Jacquelyn Bessell Letter from the Chalk Face: Directing A Midsummer Night’s Dream at the Staunton Blackfriars 181 Andrew James Hartley A Dream of Campus
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Alasdair Buchan Photo: Ben Wulf
191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Alasdair Buchan Photo: Ben Wulf Currently: Gerald Croft in AN INSPECTOR CALLS on UK Tour 2019/2020. Details: https://www.aninspectorcalls.com Eastern European, Appearance: Greater London, England, United Mediterranean, White Kingdom Other: Equity Location: Nottinghamshire, England, United Eye Colour: Brown Kingdom City of Bristol, England, United Kingdom Hair Colour: Dark Brown Height: 6' (182cm) Hair Length: Mid Length Weight: 12st. 7lb. (79kg) Voice Character: Engaging Playing Age: 26 - 40 years Voice Quality: Strong Stage 2019, Stage, Gerald Croft, AN INSPECTOR CALLS - TOUR, National Theatre, Stephen Daldry 2018, Stage, Henry Turner, SEANCE, The Other Palace, Philip Wilson 2017, Stage, Sherlock Holmes, SHERLOCK HOLMES & THE CRIMSON COBBLES, Salisbury Playhouse, Chipping Norton & UK Tour, Kirstie Davis 2016, Stage, Hubert Laurie, NIGHT MUST FALL, Salisbury Playhouse/Original Theatre Company, Luke Sheppard 2015, Stage, Ernst Gombrich, A LITTLE HISTORY OF THE WORLD, Watermill Theatre/Reading Rep, Paul Stacey 2015, Stage, Mr. McQueen, URINETOWN: THE MUSICAL, JSA/Araca Group, Apollo Theatre, Jamie Lloyd 2014, Stage, Messenger (U/s and played Buckingham & Clarence), RICHARD III, ATG/Jamie Lloyd Productions, Trafalgar Studios, Jamie Lloyd 2014, Stage, Onstage Swing (1st Cover Lockstock), URINETOWN: THE MUSICAL, JSA/Araca Group, St. James' Theatre, Jamie Lloyd 2013, Stage, Cover all Male Roles (played over 20 shows), THE PRIDE,
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MERRIE ENGLAND Music by Edward German
Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets.
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Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 I
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Sarah Esdaile Director
Sarah Esdaile Director Sarah graduated in English and Drama from Goldsmiths College in 1991. Whilst at London University and subsequently, she worked with many producers and theatres including Bill Kenwright, Robert Fox and Theatre Royal Brighton. In 1996 she was one of twelve invited on the first Directors’ Course run by the National Theatre Studio. She was previously Associate Director at the West Yorkshire Playhouse. Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Dan Usztan Assistant [email protected] Charlotte Edwards 0203 214 0873 [email protected] 0203 214 0924 Credits In Development Production Company Notes CALL THE MIDWIFE 11 BBC 1 / Neal Street Productions 1 episode 2021 Television Production Company Notes EASTENDERS BBC Continuing Drama 20 episodes and strands in a 16-episode silo 2019 - 2021 block United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Theatre Production Company Notes ABIGAIL’S PARTY ATG UK tour by Mike Leigh; starring Jodie Prenger 2019 DESIGN FOR LIVING LAMDA by Noel Coward 2018 SCRATCH NIGHT & FERTILITY Bush Theatre As part of Fertility Fest 2018 FIGHT CLUB TALK 2018 DANCING AT LUGHNASA BADA 2018 LAMDA SHOWCASE Trafalgar Studios 2018 THE SPOTLIGHT PRIZE The Under Globe Director 2017 ABIGAIL'S PARTY by Mike Leigh Theatre Royal Bath Tour 2017 Productions WALKING ON EGG SHELLS by as part of Fertility Fest Curated by Jessica Hepburn at Amy Rosenthal Birmingham Repertory Theatre and 2016 Park Theatre - May/June 2016 FIVE WOMEN WEARING THE LAMDA Linbury Studio SAME DRESS by Alan Ball 2016 TESTING THE ECHO by David Show curated by Director of David Edgar piece with Edgar Emma Manton Juliet Stevenson & Zubin Varla for 2016 MOVING STORIES Charity event at the National Theatre 14th Feb 2016 fundraiser for the United Nations Refugee Agency THE BFG adapted by David Octagon Theatre.
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A SUBJECT of SCANDAL and CONCERN by John Osborne
Press Information VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Summer Season – May to August 2016 The London Premiere A SUBJECT OF SCANDAL AND CONCERN by John Osborne. Directed by Jimmy Walters. Designed by Philip Lindley. Lighting by Simon Gethin Thomas. Music by Piers Sherwood Roberts. Choreography by Ste Clough. Presented by Proud Haddock in association with Neil McPherson for the Finborough Theatre. Cast: Ralph Birtwell. Doron Davidson. Edmund Digby-Jones. Caroline Moroney. Jamie Muscato. Richard Shanks. “I have injured no man’s reputation, taken no man’s property, attacked no man’s person, violated no oath, taught no immorality. I was asked a question and answered it openly.” In a production commissioned by the Finborough Theatre, the London premiere – and the first production in over 40 years – of John Osborne's A Subject Of Scandal And Concern will run at the Finborough Theatre, playing nine Sunday and Monday evenings and Tuesday matinees from Sunday, 22 May 2016 (Press Night: Monday, 23 M ay 2016 at 7.30pm) Cheltenham, 1842. George Jacob Holyoake is a poor young teacher, making his way from Birmingham to Bristol to visit a friend who has been imprisoned for publishing a journal that criticises the establishment. When he makes a stop in Cheltenham to address a lecture, his words and his overwhelming commitment to speaking the truth will change his life forever. Arrested and tried for blasphemy, and separated from his starving wife and child, Holyoake is faced with the choice of conforming to the establishment or staying true to his beliefs during in a time of injustice and intolerance.
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Two's Company Presents
Two’s Company presents TRICIA THORNS (Director) FORGOTTEN VOICES FROM THE GREAT WAR Started her career in the West End as part of John Neville’s company at Forgotten Voices from the Great War – the Fortune, after a Classics BA from Nottingham University. The project started as a protest against the US/UK invasion of Iraq in As Director: Red Night (Finborough), What The Women Did (Southwark 2003. Two’s Company mounted a production of Miles Malleson’s Black Playhouse), Forgotten Voices from the Great War (Pleasance), Black ‘Ell ‘Ell at the Soho Theatre. The play shows a young officer, returning from (Soho Theatre), Twelfth Night (Dulwich Picture Gallery), Peer Gynt the front, decorated for bravery, but traumatised by his experience and MY REAL WAR 1914 - ? (Alleyn’s Theatre), Passion Play 2000, The Mysteries, The Knack, refusing to go back. We felt that this cry of pain and rage written in 1916 Dulwich Cavalcade and several plays for children which she also wrote. expressed better than anything the folly of starting another war. As Actress, Theatre includes: End of Story (Chelsea Theatre), Harry Adapted from “War Letters” by Havilland Le Mesurier We had discovered Black ‘Ell in the course of a search for plays about and Me (Warehouse), Façade (Dingley and Dulwich Festivals) A Kind of by Tricia Thorns the First World War which were written during the War or soon Alaska (Edinburgh, tour and USA), Time’s Up (Windsor), The Libertine / afterwards. At the time, the only one any of us knew was Journey’s End. Man of Mode (Royal Court & Out of Joint tour), Betrayal (BAC and tour), We were amazed to find not only plays about soldiers but also about Run For Your Wife (West End) and leading roles in theatres in Salisbury, those left at home; German, Russian and American plays; plays by 2nd Lieutenant Havilland Le Mesurier (LEM) is played by Ipswich, Edinburgh, Liverpool, Guildford, Derby and many more.
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Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s
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WHAT the WOMEN DID Theatre Includes Lizzie Siddal (Arcola Theatre), Virgin (Watford Palace), Jack Off the Beanstalk (Above the Stag)
Southwark Playhouse Cafe/Bar FORGOTTEN VOICES FROM THE GREAT WAR: NOW OPEN ALL DAY WHAT THE Mon - Fri 9am - Midnight WOMEN DID Sat 12.30pm - Midnight A TRIPLE BILL OF PLAYS ABOUT THE FIRST WORLD WAR A fantastic menu of simple hot food A wide selection of Hot & Cold drinks Free Wi-Fi A friendly and welcoming atmosphere Experienced baristas Fairtrade, seasonal, locally sourced Great for meetings! For bookings call our Front of House Manager, Nathan, on 020 7407 0234 Enjoy a hot drink on us! Bring this voucher to the cafe between 9am-5pm Mon-Fri for a free hot drink of your choice.* * One voucher per person. Photocopies not accepted. Valid until Friday 14th March 2014 LINDA HAPGOOD | StageAs a protestManager against the US/ inShiverman 2005, which (Theatre503), showed Murder the incomradeship The Cathedral (Oxfordand Playhouse). Her next production is Trained at Royal CentralUK Schoolinvasion of Speech of Iraq and in Drama.2003, For Two’s Company: London Wall humour,Martine (Finborough fading to Theatre). disillusion, Emily of was a theplatoon winner of the Best Costume Designer award at the (Finborough and St James Theatres, and winner of the Stage Management Association Award 2011 OffWestEnd Awards. 2013). Other Theatre Two’sincludes Company Handbagged quickly (Tricycle Theatre), Khadija is 18 (Finborough Theatre), facing misery and death in the trenches. DUNCAN COOMBE | Lighting Designer Tosca (New Diorama),mounted Less Than a Kind production (Jermyn Streetof Miles and national tour), Play it Again Sam TheLighting last Designs rediscovery for Two’s was Company: Velona London Pilcher’s Wall (Finborough and St James Theatres), Ex (Soho (Upstairs at the Gatehouse), Bewitched, Bothered and Bewildered, The Art of Concealment, Mother Malleson’s Black ‘Ell at Soho Theatre), My Real War 1914-? (Trafalgar Studios and national tour).
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Production Credits Oct 19
Name date venue company role type A Real Princess December 2003 The Blue Elephant Stonecrabs Composer Children's Sotoba Komachi and the Damask Drum Mar - Dec 04 Greenwich Picture Playhouse Stonecrabs Composer International theatre The Brockley Jack. New End A Servant of Two Masters November 2004 Theatre Stonecrabs Composer Theatre Miss Julie February 2005 Greenwich Picture Playhouse Stonecrabs Composer Theatre Runners - the return August 2005 Edinburgh Festival - Underbelly Merco Productions Composer Theatre Josephine the singer April 2005 The Diorama Stonecrabs Composer Caberet/Performance Waltz no. 6 June 2005 Greenwich Picture Playhouse Stonecrabs Composer International Theatre Our Lady of the Drowned June 2006 Southwark Playhouse Stonecrabs Composer International Theatre Composer/Sound Basic April 2007 Hackney Empire studio Stonecrabs designer New Writing Composer/Sound Charity wars September 2007 The Pleasance Stonecrabs designer International Theatre Composer/Sound Dogs Sep - Oct 07 Oval House / UK tour Yellow Earth designer Theatre The Story of the Eye June 2008 Central St Martins Degree show Sound design Degree show Name date venue company role type Stonecrabs Young 00:13:00 March 2009 The Albany Directors Showcase Composer New Writing Vivid Dreams Composer/Sound The Doorbells of Florence May 2009 The Rosemary Branch theatre productions designer New Writing Hanjo and Hellscreen double Composer/Sound bill June 2009 Oval House Stonecrabs designer International Theatre Churchill Bromley, Hampstead Ambassador Composer/Sound Heartbreak
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INTO the NUMBERS by Christopher Chen
Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES The European premiere INTO THE NUMBERS by Christopher Chen. Directed by Georgie Staight. Set and Costume Design by Isabella Van Braeckel. Lighting by Matt Cater. Sound and Composition by Benjamin Winter. Presented by Arsalan Sattari Productions in association with Neil McPherson for the Finborough Theatre. Cast: Elizabeth Chan. Timothy Knightly. Jennifer Lim. Amy Molloy. Mark Ota. “Words... they have their limits. They aren’t the same as the things they represent.” Commemorating the 80th anniversary of the Nanking massacre, as well as the first production at the Finborough Theatre building in its 150th anniversary year, the European premiere of Into the Numbers by multi-award-winning American playwright Christopher Chen opens at the Finborough Theatre for a four week limited season on Tuesday, 2 January 2018 (Press Nights: Thursday 4 and Friday 5 January 2018 at 7.30pm). In December 1937, in Nanking, then capital of China, occurred one of the worst atrocities of the 20th century – the rape, torture and murder of 300,000 Chinese civilians and the systematic mass execution of soldiers by the Japanese army. In 2004, Iris Chang, famed author of The Rape of Nanking, a chronicle of the massacre that brought it back into public consciousness, committed suicide at the age of 36. What begins as a standard lecture and interview with the celebrated author, soon descends into a surreal nightmare. As ghosts from her research appear, she tries desperately to find order in the midst of mental chaos. Into the Numbers by the Obie Award and Dramatist Guild’s Lanford Wilson Award winning playwright Christopher Chen, is a thrillingly innovative theatrical exploration of the philosophical and psychological implications of researching genocide, as well as the toll media saturation plays in the process.
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Shakespeare Survey 65
Cambridge University Press 978-1-107-02451-9 - Shakespeare Survey: 65: A Midsummer Night’s Dream Edited By Peter Holland Frontmatter More information SHAKESPEARE SURVEY 65 A Midsummer Night’s Dream © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02451-9 - Shakespeare Survey: 65: A Midsummer Night’s Dream Edited By Peter Holland Frontmatter More information ADVISORY BOARD Jonathan Bate Akiko Kusunoki Margreta de Grazia Kathleen E. McLuskie Janette Dillon Lena Cowen Orlin Michael Dobson Simon Palfrey Andrew Gurr Richard Proudfoot Ton H oe n se la ar s Emma Smith Andreas Hofele¨ Ann Thompson Russell Jackson Stanley Wells John Jowett Assistants to the Editor Catherine Clifford and Ethan Guagliardo (1) Shakespeare and his Stage (35) Shakespeare in the Nineteenth Century (2) Shakespearian Production (36) Shakespeare in the Twentieth Century (3) The Man and the Writer (37) Shakespeare’s Earlier Comedies (4) Interpretation (38) Shakespeare and History (5) Textual Criticism (39) Shakespeare on Film and Television (6) The Histories (40) Current Approaches to Shakespeare through (7) Style and Language Language, Text and Theatre (8) The Comedies (41) Shakespearian Stages and Staging (with an index (9) Hamlet to Surveys 31–40) (10) The Roman Plays (42) Shakespeare and the Elizabethans (11) The Last Plays (with an index to Surveys 1–10) (43) The Tempest and After (12) The Elizabethan Theatre (44) Shakespeare and Politics (13) King Lear (45) Hamlet and its Afterlife (14) Shakespeare and his Contemporaries
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