Authority and Integrity in the Modernist Novel by Andrew Bingham a Thesis
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
D E E L 5 2 , S U P P L E M E N T 1 , 2 0
http://ngtt.journals.ac.za 1 1 0 2 1, SUPPLEMENT , 2 5 L E E D NED GEREF TEOLOGIESE TYDSKRIF DEEL 52, NOMMERS 1 & 2, MAART & JUNIE 2011 http://ngtt.journals.ac.za NED GEREF TEOLOGIESE TYDSKRIF DEEL 52, SUPPLEMENT 1, 2011 Redaksie: Dr G Brand (redakteur), HL Bosman, JH Cilliers, J-A van den Berg en DP Veldsman. Adres van redaksie: NGTT, Die Kweekskool, Dorpstraat 171, Stellenbosch 7600 (Posadres: NGTT, Fakulteit Teologie, P/sak X1, Matieland 7602; e-posadres: [email protected].) http://academic.sun.ac.za/theology/NGTT.htm Die redaksie vereenselwig hom nie noodwendig met die menings wat deur skrywers in die tydskrif uitgespreek word nie. Redaksiesekretaresse: Me HS Nienaber Medewerkers van NGTT aan SA Universiteite en akademiese instellings: Universiteit van Stellenbosch Proff P Coertzen, KTh August, HJ Hendriks, NN Koopman, DJ Louw, AEJ Mouton, J Punt, DJ Smit, LC Jonker, I Swart, drr Gerrit Brand, AL Cloete, CC le Bruyns, IA Nell, DX Simon, C Thesnaar, RR Vosloo en me EM Bosman. Ekklesia, U.S. Drr CW Burger en JF arais, PM Goosen en C Jones (Navorsingsgenote: Prof A Boesak, Drr Auke Compaan, Christoff Pauw en ds Jan Nieder-Heitmann) Universiteit van Pretoria Proff DE de Villiers, DJ Human, JH le Roux, PGJ Meiring, JC Müller, GJ Steyn, JG van der Watt, CJA Vos, CJ Wethmar, Malan Nel, drr A Groenewald, CJP Niemandt, Graham Duncan en Maake Masango, AS van Niekerk en JM van der Merwe. Instituut vir Terapeutiese Ontwikkeling Prof DJ Kotze Universiteit van die Vrystaat Proff RM Britz, J Janse van Rensburg, SJPK Riekert, SD Snyman, PJ Strauss, DF Tolmie, HC van Zyl, P Verster, J-A van den Berg, J Steyn, en en ds. -
Texto Completo
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE COMUNICAÇÃO E BIBLIOTECONOMIA PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO E INFORMAÇÃO PABLO ALBERTO LANZONI EFEITOS ATMOSFÉRICOS: O SILÊNCIO NA FILMOGRAFIA DE ANDREI TARKOVSKI Porto Alegre 2016 PABLO ALBERTO LANZONI EFEITOS ATMOSFÉRICOS: O SILÊNCIO NA FILMOGRAFIA DE ANDREI TARKOVSKI Tese de doutorado apresentada ao Programa de Pós-Graduação em Comunicação e Informação da Universidade Federal do Rio Grande do Sul (PPGCOM/UFRGS), como requisito parcial à obtenção de grau de doutor em Comunicação e Informação, sob a orientação da Dra. Miriam de Souza Rossini. Porto Alegre 2016 CIP – Catalogação na Publicação PABLO ALBERTO LANZONI EFEITOS ATMOSFÉRICOS: O SILÊNCIO NA FILMOGRAFIA DE ANDREI TARKOVSKI Tese de doutorado apresentada ao Programa de Pós-Graduação em Comunicação e Informação da Universidade Federal do Rio Grande do Sul (PPGCOM/UFRGS), como requisito parcial à obtenção de grau de doutor em Comunicação e Informação. Aprovado em: BANCA EXAMINADORA ______________________________________________________________________ Profa. Dra. Miriam de Souza Rossini (UFRGS) Orientadora ______________________________________________________________________ Profa. Dra. Cristiane Freitas Gutfreind (PUCRS) Examinadora ______________________________________________________________________ Prof. Dr. Gilberto Icle (UFRGS) Examinador ______________________________________________________________________ Prof. Dr. Rudimar Baldissera (UFRGS) Examinador ______________________________________________________________________ -
Dear Friends! on Behalf of Ministry of Culture of the Russian Federation I
ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ŒÚ ËÏÂÌË ÃËÌËÒÚÂÒÚ‚‡ ÍÛθÚÛ˚ –ÓÒÒËÈÒÍÓÈ On behalf of Ministry of Culture of the Russian ‘‰‡ˆËË ÔÓÁ‰‡‚Ρ˛ ‚‡Ò Ò Ì‡˜‡ÎÓÏ ‡·ÓÚ˚ Federation I would like to congratulate you all on 19-„Ó ŒÚÍ˚ÚÓ„Ó ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÙÂÒÚË‚‡Îˇ the opening of the 19-th Open Russian Film "üËÌÓÚ‡‚". Festival "Kinotavr". ‘ÂÒÚË‚‡Î¸ ‚ —Ó˜Ë ‚Ò„‰‡ ·˚Î Ò‡Ï˚Ï ˇÍËÏ, The Festival in Sochi has always been the most Ò‡Ï˚Ï ÓÊˉ‡ÂÏ˚Ï, Ò‡Ï˚Ï Î˛·ËÏ˚Ï vivid, most anticipated, most admired and most Ô‡Á‰ÌËÍÓÏ Ë ÒÓ·˚ÚËÂÏ Ì‡ˆËÓ̇θÌÓ„Ó ÍËÌÓ. celebrated event for national cinema. But it is Œ‰Ì‡ÍÓ ËÏÂÌÌÓ ÚÂÔ¸, ̇ ‚ÓÎÌ ‡Òˆ‚ÂÚ‡ only now when domestic film industry is ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÓËÒÍÛÒÒÚ‚‡, "üËÌÓÚ‡‚" blooming, "Kinotavr" has become the main ÒÚ‡ÌÓ‚ËÚÒˇ „·‚ÌÓÈ ÔÓÙÂÒÒËÓ̇θÌÓÈ professional platform for the first-night showings, Ô·ÚÙÓÏÓÈ ‰Îˇ ÔÂϸÂÌ˚ı ÔÓÒÏÓÚÓ‚, meetings and discussions for all creative ‚ÒÚ˜ Ë ‰ËÒÍÛÒÒËÈ ‚ÒÂı Ú‚Ó˜ÂÒÍËı ÔÓÍÓÎÂÌËÈ generations of Russian cinematographers. ÓÒÒËÈÒÍËı ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚. Participation in festival's programme is already an ”˜‡ÒÚË ‚ ÍÓÌÍÛÒÌÓÈ ÔÓ„‡ÏÏ "üËÌÓÚ‡‚‡" achievement, already success for every creative Ò‡ÏÓ ÔÓ Ò· ˇ‚ΡÂÚÒˇ ÛÒÔÂıÓÏ ‰Îˇ ÒÓÁ‰‡ÚÂÎÂÈ person in our film industry. To win at "Kinotavr" ͇ʉÓÈ ËÁ ‚˚·‡ÌÌ˚ı ÎÂÌÚ. œÓ·Â‰‡ ̇ beyond doubt means to receive the best ever proof "üËÌÓÚ‡‚Â" ÒÚ‡ÌÓ‚ËÚÒˇ ·ÂÒÒÔÓÌ˚Ï of innovation and craftsmanship and excellence. -
A Convenient Myopia: Seek, Shaughnessy, and the Rise of High-Stakes Testing at Cuny
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 A Convenient Myopia: SEEK, Shaughnessy, and the Rise of High- Stakes Testing at CUNY Sean Molloy The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1513 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] A CONVENIENT MYOPIA: SEEK, SHAUGHNESSY, AND THE RISE OF HIGH-STAKES TESTING AT CUNY by SEAN MOLLOY A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 SEAN MOLLOY All Rights Reserved ii A Convenient Myopia: SEEK, Shaughnessy, and The Rise of High-Stakes Testing at CUNY by Sean Molloy This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________ ________________________________________ Date Sondra Perl Chair of Examining Committee __________________ ________________________________________ Date Mario DiGangi Executive Officer Supervisory Committee: Rebecca Mlynarczyk George Otte THE CITY UNIVERSITY OF NEW YORK iii A Convenient Myopia: SEEK, Shaughnessy, and The Rise of High-Stakes Testing at CUNY by Sean Molloy Advisor: Sondra Perl A great struggle for racial justice was fought at City College and CUNY from 1964 to 1978. In this archival history, supplemented with thirteen oral histories of students and teachers, and grounded in the larger context of racial segregation and exclusion within American public education and American higher education through 1970, I argue that this larger struggle for justice should be seen as two distinct but intertwined struggles that had very different results. -
O Sol Negro De Andriêi Arsiênievich Tarkóvski (Ou Os Primeiros Quatro Minutos E Vinte E Dois Segundos Que Definiram Um Cinema)
Neide Jallageas O SOL NEGRO DE ANDRIÊI ARSIÊNIEVICH TARKÓVSKI (OU OS PRIMEIROS QUatRO MINUtoS E VINTE E DOIS SEGUNDOS QUE DEFINIRAM UM CINEMA) A clareza de Andriêi Tarkóvski acerca de seu posicionamento ético,suas concepções estéticas e procedimentos 1-BENJAMIN, Walter. formais funda-se em seu primeiro longa-metragem. Conectando-se com a primeira crítica realizada ao seu Sobre o conceito da história. In: Walter cinema, pela russa Maia Turóvskaia, esse texto apresenta uma das possíveis chaves para análise da obra Benjamin, obras tarkóvskiana, percorrendo alguns dos elementos construtivos definidos em “A Infância de Ivan”. Embora escolhidas. Magia e técnica, arte e sua obra tenha amadurecido nos vinte anos seguintes, neste filme operam estratégias de construção de um política. Vol. 1. cinema que evidencia, por um lado, um diálogo intenso com as vanguardas russas que o precederam e, por Tradução de Sergio outro, uma linha de fuga da estética soviética que lhe foi contemporânea. Paulo Rouanet. São Paulo: Brasiliense, 1986, p. 244. Título Articular historicamente o passado original em alemão: Auswahl in Drei não significa conhecê-lo “como ele de fato foi”. Baenden. Significa apropriar-se de uma reminiscência, tal como ela relampeja no momento de um perigo.1 Com seu primeiro longa-metragem, “A Infância de Ivan” (1961), o cine- 1. As palavras russas 1 no corpo do texto asta russo Andriêi Arsiênievich Tarkóvski (1932-1986) fez sua iniciação fáustica, foram transliteradas da passagem entre luz e trevas. O céu tanto é cegado, já no prólogo, pelo esplendor grafia russa para o português (Brasil) solar, quanto velado pela densa fumaça do fogo que ainda não assentou e transita seguindo as normas publicadas no Caderno instável e nervosa, bloqueando pesadamente o brilho do Sol, tornando-o negro. -
Andrei Rublev/Andrey Rublyov
ANDREI TARKOVSKY. (4 April 1932, Zavrazhe, Ivono, Russia—28 December 1986, Paris lung cancer). Bio from IMDB: “The most famous Soviet film-maker since Sergei M. Eisenstein, Andrei Tarkovsky (the son of noted poet Arseniy Tarkovsky) studied music and Arabic in Moscow before enrolling in the Soviet film school VGIK. He shot to international attention with his first feature, Ivanovo detstvo (1962), which won the top prize at the Venice Film Festival. This resulted in high expectations for his second feature Andrei Rublyov (1969), which was banned by the Soviet authorities until 1971. It was shown at the 1969 Cannes Film Festival at 4 o'clock in the morning on the last day, in order to prevent it winning a prize - but it won one nonetheless, and was eventually distributed abroad partly to enable the authorities to save face. Solyaris (1972), had an easier ride, being acclaimed 1 November 2005 XI:10 by many in the West as the Soviet answer to Kubrick's 2001 (though Tarkovsky ANDREI TARKOVEKY: ANDREI RUBLYOV/ himself was never too fond of it), but he ran into official trouble again with Zerkalo !>*D,6 CJ$:.& /ANDREI RUBLEV(1969) (1975), a dense, personal web of autobiographical memories with a radically 205 min. innovative plot structure. Stalker (1979) had to be completely reshot on a dramatically reduced budget after an accident in the laboratory destroyed the first Anatoli Solonitsyn...Andrei Rublyov version, and after Nostalghia (1983), shot in Italy (with official approval), Ivan Lapikov...Kirill Tarkovsky defected to the West. His last film, Offret (1986) was shot in Sweden Nikolai Grinko...Danil Chorny with many of Ingmar Bergman's regular collaborators, and won an almost Nikolai Sergeyev...Theophanes the Greek unprecedented four prizes at the Cannes Film Festival. -
CRIME and PUNISHMENT in the 19Th CENTURY
CRIME AND PUNISHMENT IN THE 19th CENTURY The French revolution and Gordon Riots of the 18th Century had given way to the political and social unrest of the 19th Century, with accompanying riots. During the 18th Century there had been much acclaim as to the need for reform of the Criminal Code, of prisons and the policing arrangements. Much was spoken and written by the Reformers but no general success was achieved against the strong opposition and fears that changes would lead to a military gendarmerie with accompanying espionage and interference with individual liberty. In such agricultural districts as Lingfield and the surrounding villages, the Inclosure Act brought distress to many. The position was exacerbated by the evils accompanying the social and economic upheavals of the industrial revolution and the food and commodity shortages caused by the war with CRIME AND PUNISHMENT IN THE 19 TH CENTURY France. Against the menace of crime and mob violence, prior to 1829, there were few effective measures. Pitt had, as early as 1785, presented to Parliament a Bill for the prevention of Crime and its detection, which had a marked similarity to the Bill presented by Peel in 1829, which set up the Metropolitan Police. That there was a need can be seen from the remarks of Sir Archibald McDonald to the House of Commons in 1785: ‘The gallows groaned, and yet the example was found ineffective, for the evil was increasing’. Pitt’s proposals, like others prior to 1829, were swiftly thrown out, with much opposition coming from the Aldermen of the City of London who, out of self interest, wanted to preserve their Chartered privileges and to appoint and control their own magistrates and constables, even though they were no more efficient than other parish constables. -
La Mirada Espejeante. Análisis Textual Del Film El Espejo De Andrei Tarkovski
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN Departamento de Comunicación Audiovisual y Publicidad II TESIS DOCTORAL La mirada espejeante. Análisis textual del film El espejo de Andrei Tarkovski MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Julio César Goyes Narváez Director Jesús González Requena Madrid, 2014 © Julio César Goyes Narváez 2014 i UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN Departamento de Comunicación Audiovisual y Publicidad II TESIS DOCTORAL LA MIRADA ESPEJEANTE Análisis textual del film El espejo de Andrei Tarkovski MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADO POR JULIO CÉSAR GOYES NARVÁEZ DIRECTOR JESÚS GONZÁLEZ REQUENA Madrid, 2014 © Julio César Goyes Narváez, 2014 ii UNIVERSIDAD COMPLUTENSE DE MADRID Facultad de Ciencias de la Información Deparatmento de Comunicación y Publicidad II LA MIRADA ESPEJEANTE Análisis textual del film El espejo de Andrei Tarkovski Tesis doctoral de Julio César Goyes Narváez Director Dr. Jesús González Requena Madrid, 2014 iii Memoria para acceder al Grado de Doctor Título: La mirada espejeante: Análisis textual del film El espejo de Andrei Tarkovski Autor: Julio César Goyes Narváez Director: Dr. Jesús González Requena (Catedrático, UCM) Programa de doctorado 036: Teoría, análisis y documentación cinematográfica Departamento: Comunicación Audiovisual y Publicidad II Facultad de Ciencias de la Información Universidad Complutense de Madrid Madrid, mayo de 2014 iv Para Blanca Elina Narváez Lazo y Segundo Leonidas Goyes Vallejo (in memoriam). v AGRADECIMIENTOS A Jesús González Requena, por su generosa amistad y paciencia al apoyarme desde ultramar con su invaluable saber del que intento –al menos en parte– dar cuenta en este estudio. -
Humor As Epiphanic Awareness and Attempted Self-Transcendence
Humor as Epiphanic Awareness and Attempted Self-Transcendence The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Shonkwiler, Curt. 2015. Humor as Epiphanic Awareness and Attempted Self-Transcendence. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:14226070 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Humor as Epiphanic Awareness and Attempted Self-Transcendence A dissertation presented by Curtis Shonkwiler to The Department of Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Comparative Literature Harvard University Cambridge, Massachusetts December 2014 © 2014 Curtis Shonkwiler This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/ licenses/by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. William Mills Todd Curtis Shonkwiler Luis Girón-Negrón Judith Ryan Humor as Epiphanic Awareness and Attempted Self-Transcendence Abstract The starting premise of this dissertation is that the formal techniques of comedy make the comic novel a distinct form within the category of the novel, not just in terms of content, the way one novelistic genre is distinct from another, but also in terms of form, similar to the way poetry is distinct from prose. -
The Pennsylvania State University Schreyer Honors College
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF COMPARATIVE LITERATURE AND GERMANIC AND SLAVIC LANGUAGES AND LITERATURES A PURIFIED SILVER: ARSENY TARKOVSKY’S POEMS IN ANDREY TARKOVSKY’S FILM, THE MIRROR JOSEPH NAKPIL FALL 2015 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Comparative Literature and Russian with interdisciplinary honors in Comparative Literature and Russian Reviewed and approved* by the following: Irina Mikaelian Senior Lecturer in Russian Thesis Supervisor Adrian Wanner Liberal Arts Research Professor of Slavic and Comparative Literature Thesis Supervisor Sydney Aboul-Hosn Senior Lecturer in Comparative Literature Honors Adviser Linda Ivanits Professor of Russian and Comparative Literature Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT Russian director Andrey Tarkovsky is regarded as an unusual force in the history of cinema. Andrey’s father, the poet-translator Arseny Tarkovsky, has yet to share his son’s fame in the English-speaking world. Notwithstanding, Arseny’s poetry was a catalyst for his son’s cinematic vision as evident by the use of the father’s poetry in a number of Andrey’s films, a topic of growing interest as Arseny becomes more and more known outside of Russia. Besides a handful of short writings, however, no critical analyses exist which explore the usage of Arseny’s poetry in Andrey’s 1975 film, The Mirror, his most personal work. In regard to the greater discussion of Andrey and his poetic influence on cinema, the poetry of Andrey’s father Arseny, I propose, was a mnemonic source of cinematic inspiration, subject matter, and structure for this film; this same source acts as a constant son-to-father, artist-to-artist dialogue, and places both Andrey and Arseny in the canon of Russian poetic tradition. -
Estratégias De Construção No Cinema De Andriêi Tarkóvski
NEIDE JALLAGEAS Estratégias de construção no cinema de Andriêi Tarkóvski a perspectiva inversa como procedimento Programa de Estudos Pós-Graduados em Comunicação e Semiótica PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO Tese apresentada à Banca Examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para obtenção do título de Doutora em Comunicação e Semiótica, na área de concentração Signo e Significação nas Mídias, na Linha de Pesquisa Processos de criação nas mídias, sob a orientação do Prof. Dr. Silvio Ferraz. São Paulo 2007 I Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. BANCA EXAMINADORA ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ II Para aquele que viu o anjo *. * “À celui qui a vu l´ange.” Epitáfio colocado sobre o túmulo de Andriêi Arsiénievitch Tarkóvski, no Cemitério de Sainte-Geneviève-des-Bois, em Paris. III Ao Centro Nacional de Apoio à Pesquisa (CNPq) pela bolsa concedida. Aos professores orientadores, Prof. Dr. Silvio Ferraz (dezembro 2005 até a data da defesa) e Profa. Dra. Irene Machado (primeiro semestre de 2003 até dezembro de 2005). Aos professores, funcionários e colegas do Programa de Pós-Graduação de Comunicação e Semiótica da PUC/SP. À Profa. Dra. Cecilia Almeida Salles e à Profa. Dra. Helena Freddi que trouxeram contribuições, quando da qualificação dessa pesquisa. Aos integrantes do Grupo de Pesquisa Oktiabr - Semiosfera: Espaços Semióticos Compartilhados, com quem convivi de 2002 a 2005, pelas estimulantes discussões, companheirismo e sério espírito de pesquisa. Aos colegas e professores da escola de russo União Cultural pela Amizade dos Povos, em especial a Rafael Tramm e Flora Vezza. -
Toward the Abolition of the Death Penaltyt
Toward the Abolition of the Death Penaltyt SHIGEMITSu DANDo" DE FACTO ABOLITION IN EARLY JAPANESE HISTORY I would like to begin with a remarkable fact in Japanese history, a fact of which we are proud. The death penalty was stopped during the period from A.D. 810 to 1156. This was de facto, though not legal, abolition for a period of nearly three and a half centuries. In those days of the Heian period, every death sentence had to be approved by the Emperor. And it became customary in practice that every death sentence be commuted to a deportation of the criminal to a remote place by a separate order issued by the Emperor. The practice prevailed throughout this period, with only a few exceptions in particular cases. But how and why was it possible at all that such a memorable practice materialized at the time of the Heian period? The answer will be twofold. First, this was obviously due to the peace Japan was enjoying throughout this period. It is interesting to note that political struggles among the court nobles became violent and a rebellion known as the Hdgen-no-Ran burst out in 1156, the very year in which this glorious period ended. When the leaders of the rebellion were caught, there was a debate among the court nobles. Many were of the opinion that the traditional commutation should be granted even in this case as well, but one influential noble insisted strongly on execution. Everybody, though rather reluctantly, obeyed him. The Emperor, consequently, did not issue an order of commutation, and all the leaders were executed.