Kristen Bell a Dissertation Submitted to the Faculty of the University of North
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The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker Honors Scholar Project May 6, 2019
Masthead Logo Scholar Works Honors Theses Honors 2019 Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker University of Maine at Farmington Follow this and additional works at: https://scholarworks.umf.maine.edu/honors_theses Part of the Comparative Literature Commons Recommended Citation Decker, Nichole, "Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl" (2019). Honors Theses. 5. https://scholarworks.umf.maine.edu/honors_theses/5 This Research Project is brought to you for free and open access by the Honors at Scholar Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholar Works. For more information, please contact [email protected]. 2 Bricolage on the Upper East Side: The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker Honors Scholar Project May 6, 2019 “Okay, so you’re probably going, is this like a Noxzema commercial or what?” - Cher In this paper I will analyze the classic novel Emma, and the 1995 film Clueless, as an adaptive pair, but I will also be analyzing the TV series, Gossip Girl, as a derivative text. I bring this series into the discussion because of the ways in which it echos, parallels, and alludes to both Emma and Clueless individually, and the two as a source pair. I do not argue that the series is an actual adaptation, but rather, a sort of collage, recombining motifs from both source texts to create something new, exciting, and completely absurd. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
GOSSIP GIRL Reboot Launches Official Trailer
The iconic series returns: “GOSSIP GIRL” reboot launches official trailer MIAMI, FL., June 10, 2021 – The iconic series returns! HBO Max has just launched the official trailer for the GOSSIP GIRL reboot, a Max Original, that premieres exclusively on the platform on July 8. Click here to watch the trailer! Eight years after the original website went dark, Gossip Girl is back as your number one source into the scandalous lives of New York’s elite, and she’s making up for lost time. A new generation of Upper East Siders will now be targeted, bringing to light their scandals, angst and gossip in the new era of social media. The cast includes performances by Whitney Peak, Emily Alyn Lind, Evan Mock, Jordan Alexander, Thomas Doherty, Eli Brown, Zión Moreno, Savannah Smith and Tavi Gevinson. GOSSIP GIRL is narrated by the original voice, Kristen Bell. GOSSIP GIRL is produced by Fake Empire and Alloy Entertainment in association with Warner Bros. Television and CBS Studios. The series is written, executive produced and developed by Joshua Safran of Random Acts. Executive producers also include Josh Schwartz and Stephanie Savage of Fake Empire, and Leslie Morgenstein and Gina Girolamo of Alloy Entertainment. Lis Rowinski of Fake Empire serves as co-executive producer. Karena Evans directs two episodes and original costume designer Eric Daman rejoins the series.All complete seasons and episodes of the original GOSSIP GIRL will also be available on HBO Max, when it launches on June 29. Posted on 2021/06/10 on hbomaxlapress.com. -
2019 Olden Lobes Ballot
CD 2019 �olden �lobes Ballot BEST MOTION PICTURE / BEST PERFORMANCE BY AN ACTOR IN A BEST PERFORMANCE BY AN ACTRESS MUSICAL OR COMEDY TELEVISION SERIES / MUSICAL OR COMEDY IN A SUPPORTING ROLE IN A SERIES, ¨ Crazy Rich Asians ¨ Sasha Baron Cohen Who Is America? LIMITED SERIES OR MOTION PICTURE MADE ¨ The Favourite ¨ Jim Carrey Kidding FOR TELEVISION ¨ Green Book ¨ Michael Douglas The Kominsky Method ¨ Alex Bornstein The Marvelous Mrs. Maisel ¨ Mary Poppins Returns ¨ Donald Glover Atlanta ¨ Patricia Clarkson Sharp Objects ¨ Vice ¨ Bill Hader Barry ¨ Penelope Cruz The Assassination of Gianni Versace: American Crime Story ¨ Thandie Newton Westworld BEST MOTION PICTURE / DRAMA BEST PERFORMANCE BY AN ACTRESS ¨ Yvonne Strahovski The Handmaid’s Tale ¨ Black Panther IN A TELEVISION SERIES / DRAMA ¨ BlacKkKlansman ¨ Caitriona Balfe Outlander BEST PERFORMANCE BY AN ACTOR ¨ Bohemian Rhapsody ¨ Elisabeth Moss Handmaid’s Tale IN A SUPPORTING ROLE IN A SERIES, ¨ Sandra Oh Killing Eve ¨ If Beale Streat Could Talk LIMITED SERIES OR MOTION PICTURE MADE ¨ A Star Is Born ¨ Julia Roberts Homecoming FOR TELEVISION ¨ Keri Russell The Americans ¨ Alan Arkin The Kominsky Method BEST TELEVISION SERIES / ¨ ¨ Kieran Culkin Succession MUSICAL OR COMEDY BEST PERFORMANCE BY AN ACTOR ¨ Edgar Ramirez The Assassination ¨ Barry HBO IN A TELEVISION SERIES / DRAMA of Gianni Versace: American Crime Story ¨ The Good Place NBC ¨ Jason Bateman Ozark ¨ Ben Wishaw A Very English Scandal ¨ Kidding Showtime ¨ Stephan James Homecoming ¨ Henry Winkler Barry ¨ The Kominsky Method -
Original Music from the Motion Picture by Dan Romer & Saul Simon Macwilliams About Chasing Coral
ORIGINAL MUSIC FROM THE MOTION PICTURE BY DAN ROMER & SAUL SIMON MACWILLIAMS ABOUT CHASING CORAL From the Filmmakers Wake Up the World “Over three and a half years, our Communities around the world are embracing It can be in your home, school, place of team set out on a mission to reveal the great transformation that Richard speaks worship or with a local community group, of by transitioning to clean energy and an important story hidden beneath wherever you feel you can bring new people reducing emissions. If we are going to give into the conversation about our changing the waves. We went to far-reaching coral reefs and other ecosystems a chance we planet. corners of the planet, working with need to make this transition unstoppable. divers, photographers, filmmakers and There is still time for coral reefs, but no time scientists, all to be able to document Whether you live near a coral reef or to waste. the impact that warming ocean waters thousands of miles from the sea, slowing the warming of our oceans begins with making Sign-up to host a screening and are having on the world’s coral reefs. changes on land. We all can play an important role in revealing this story by hosting a get resources to help speed The result: Chasing Coral — a story Chasing Coral screening. the great transformation at: sharing visual evidence of what is now ChasingCoral.com acknowledged as the largest global coral bleaching event in history. We hope this is both a celebration of our ocean’s beauty and an urgent wake- “This is inevitable, this great up call to citizens, scientists, businesses transformation, and that’s what and policymakers.” makes me so optimistic, is — all we gotta do is give it a bit of a shove.” - Jeff Orlowski & - Richard Vevers from Chasing Coral Larissa Rhodes “We hope this is both a celebration of our ocean’s beauty and an urgent wake-up call to citizens, scientists, businesses and policymakers. -
Top 10 Celebrities Flaunting the Most Flawless Maternity Fashions
ZULILY RELEASES ANNUAL LIST OF “BEST-DRESSED BUMPS” Top 10 Celebrities Flaunting the Most Flawless Maternity Fashions Tips for Moms to Get the Look Seattle, WA – February 9, 2015 – zulily, a retailer that offers thousands of new and unique products daily, today announced in conjunction with zulily Maternity Fashion Week, the second annual list of the “Best-Dressed Bumps,” featuring the top 10 celebrities who make pregnancy style look perfect. From actresses and reality stars, to rockers and princesses, these celebs are sure to inspire moms-to-be everywhere with their knack for a well-styled bump. “Forget everything you think you know when it comes to maternity style! You don’t need to hide in black leggings and an oversized top for nine months,” says Robin Otto, maternity fashion expert at zulily. “There are so many great brands creating maternity clothes now that are stylish and affordable, not to mention styles that can be worn post-pregnancy without looking frumpy. These celebrities nail it with looks that range from casual to red carpet.” zulily’s list of “Best-Dressed Bumps” include: 1. Blake Lively. Just wow. Her debut bump photo with mixed prints gave us all goose bumps and it’s not stopped since! Between her red carpet styles (who can forget the backless black number) to her everyday eclectic looks, she always looks chic no matter what. 2. Kristen Bell: For her second pregnancy, Kristen showed a great balance of fashion and comfort, and we couldn’t agree more with her when it comes to keeping your maternity clothes fitted. -
Tolerant Criminal Law of Rome in the Light of Legal and Rhetorical Sources
UWM Studia Prawnoustrojowe 25 189 2014 Artyku³y Przemys³aw Kubiak Katedra Prawa Rzymskiego Wydzia³ Prawa i Administracji Uniwersytetu £ódzkiego Some remarks on tolerant criminal law of Rome in the light of legal and rhetorical sources Introduction Roman criminal law, as majority of ancient legal systems, is commonly considered cruel and intolerant. Most of these negative views is based on the fact that the Romans created and used a great variety of painful and severe penalties, very often accompanied by different kinds of torture or disgrace1. Although such opinions derive from legal and literary sources, occasionally in their context a very important factor seems to be missing. Sometimes in the process of evaluation of foreign or historical legal systems researchers make a mistake and use modern standards, both legal and moral, and from this point of view they proclaim their statements. This incorrect attitude may lead to ascertainment that no legal system before 20th century should be judged positively in this aspect. However, the goal of this paper is not to change those statements, as they are based on sources, but rather to give examples and to underline some important achievements of Roman crimi- nal law which, sometimes forgotten or disregarded, should be considered in the process of its historical evaluation. 1 The most cruel are definitely aggravated forms of death penalty, such as crucifixion (crux), burning alive (vivi crematio), throwing to wild animals during the games (damnatio ad bestias), throwing to the sea in a sack with ritual animals (poena cullei). These are the most common, but during the history of Roman empire there existed many other severe kinds of capital punishment, see A.W. -
D E E L 5 2 , S U P P L E M E N T 1 , 2 0
http://ngtt.journals.ac.za 1 1 0 2 1, SUPPLEMENT , 2 5 L E E D NED GEREF TEOLOGIESE TYDSKRIF DEEL 52, NOMMERS 1 & 2, MAART & JUNIE 2011 http://ngtt.journals.ac.za NED GEREF TEOLOGIESE TYDSKRIF DEEL 52, SUPPLEMENT 1, 2011 Redaksie: Dr G Brand (redakteur), HL Bosman, JH Cilliers, J-A van den Berg en DP Veldsman. Adres van redaksie: NGTT, Die Kweekskool, Dorpstraat 171, Stellenbosch 7600 (Posadres: NGTT, Fakulteit Teologie, P/sak X1, Matieland 7602; e-posadres: [email protected].) http://academic.sun.ac.za/theology/NGTT.htm Die redaksie vereenselwig hom nie noodwendig met die menings wat deur skrywers in die tydskrif uitgespreek word nie. Redaksiesekretaresse: Me HS Nienaber Medewerkers van NGTT aan SA Universiteite en akademiese instellings: Universiteit van Stellenbosch Proff P Coertzen, KTh August, HJ Hendriks, NN Koopman, DJ Louw, AEJ Mouton, J Punt, DJ Smit, LC Jonker, I Swart, drr Gerrit Brand, AL Cloete, CC le Bruyns, IA Nell, DX Simon, C Thesnaar, RR Vosloo en me EM Bosman. Ekklesia, U.S. Drr CW Burger en JF arais, PM Goosen en C Jones (Navorsingsgenote: Prof A Boesak, Drr Auke Compaan, Christoff Pauw en ds Jan Nieder-Heitmann) Universiteit van Pretoria Proff DE de Villiers, DJ Human, JH le Roux, PGJ Meiring, JC Müller, GJ Steyn, JG van der Watt, CJA Vos, CJ Wethmar, Malan Nel, drr A Groenewald, CJP Niemandt, Graham Duncan en Maake Masango, AS van Niekerk en JM van der Merwe. Instituut vir Terapeutiese Ontwikkeling Prof DJ Kotze Universiteit van die Vrystaat Proff RM Britz, J Janse van Rensburg, SJPK Riekert, SD Snyman, PJ Strauss, DF Tolmie, HC van Zyl, P Verster, J-A van den Berg, J Steyn, en en ds. -
Death by Crucifixion and Damnatio Ad Bestias Were Usually Watched by the Public. Why Do You Think This Was? Punishments For
Roman law: the art of the fair and good? Punishments Romans Romans in f cus Punishment under Roman law was harsh. Often punishments were a way of deterring others from committing the same crime and making a public spectacle out of the criminal. Punishment in Ancient Rome was decided upon by two factors: the social status of the condemned person and the severity of committed offence. Punishments for citizens: - fines - bonds - retaliation - infamy - banishment - property confiscation - death (for committing treason only, and not by crucifixion) Punishments only for non- Above: mosaic showing damnatio ad bestias, from The more severe citizens: the Zliten mosaic, c. 200 AD punishments were - death by crucifixion (Archaeological Museum in usually reserved for - death in the arena by wild Tripoli). For more information criminals of the lower animals, called damnatio see: https://en.wikipedia.org/ wiki/Zliten_mosaic classes. ad bestias Patricide, or killing one’s father, was considered the ultimate crime. As soon as someone was convicted of patricide they would be blindfolded as they were unworthy of the light and taken to the Field of Mars outside Rome. There they were stripped naked and whipped with rods. The convicted criminal would then be sewed up in a sack and thrown out to sea. This was so he would not die on Roman soil and pollute the earth with his evil. Later on a serpent was also sewed up into the sack with him, and still later an ape, a dog and a cockerel were added. Death by crucifixion and damnatio ad bestias were usually watched by the public. -
Authority and Integrity in the Modernist Novel by Andrew Bingham a Thesis
Aspects of Intimacy: Authority and Integrity in the Modernist Novel by Andrew Bingham A thesis submitted to the Graduate Program in English Language and Literature in conformity with the requirements for the Degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada November, 2018 Copyright © Andrew Bingham, 2018 “Some ideas exist that are unexpressed and unconscious but that simply are strongly felt; many such ideas are fused, as it were, with the human heart.” (Fyodor Dostoevsky, A Writer’s Diary, “Environment,” 1873) “Special methods of thinking. Permeated with emotion. Everything feels itself to be a thought, even the vaguest feelings (Dostoevsky).” (Franz Kafka, Diaries 1910-1923, 21 July 1913) “One must write from deep feeling, said Dostoevsky. And do I? Or do I fabricate with words, loving them as I do? No, I think not. In this book I have almost too many ideas. I want to give life and death, sanity and insanity; I want to criticise the social system, and to show it at work, at its most intense. But here I may be posing.” (Virginia Woolf, Diary, 19 June 1923) “One can, correctly and immediately, comprehend and feel something deeply; but one cannot, immediately, become a person; one must be formed into a person. It is a discipline.” (Fyodor Dostoevsky, A Writer’s Diary, February 1877) “Each spiritual stance creates its own style.” (Witold Gombrowicz, Diary, 495) ii Abstract In the following thesis I strive to offer renewed ways of construing “one’s own,” authority, integrity, and intimacy as literary themes, and appropriate form, provisional tonality, and approximate, inexhaustible address as formal aspects of literary works or methodological tools for literary scholars. -
“Damnatio Ad Bestias”; Or, Condemnation to Beasts: the Digital As Animal
PEER - REVIEWED ARTICLE “Damnatio ad Bestias”; or, Condemnation to Beasts: The Digital as Animal Lucia Nguyen A meretricious glitter lies over the whole of this civilisation.1 —Johan Huizinga The victory, like the blood, is sweet.2 —Neil Gaiman RomE wasn’t built in a day, but perhaps it only takes 24 hours to dismantle it. In contemporary life, where mobile devices exist as pervasive and near-permanent human prostheses, the increasing digitisation of communication and the corresponding embrace of “computationalism” ensure that human conceptions of reality are ir- reversibly mediatised.3 Objectivity spars with emotional appeal, and miscommunication runs rampant in digital discourse. And yet, to castigate online media, and hold it responsible for an unforeseen age of incivility, would be myopic. Violence may be more easily inflicted on the internet’s democratised playing field, but violent punish- ment—and its modes of representation—has long masqueraded Philament: A Journal of Literature, Arts, and Culture 2018, vol. 24, no. 2. © 2018 Philament and the respective author. All rights reserved. 49 as public entertainment. The Colosseum fixed bloodthirst at its very epicentre, yet famously redressed it as “gladiatorial spectacle,” to be fed to the public as bread and circuses.4 As Claudio Colaguori claims, to argue about the origin of violence in the contemporary world is to argue about its heritage, and not its genesis.5 Digital violence is a hybrid of all barbarism that has come before, and an augural reading of the apocalyptic phantasmagoria -
Narrative of Androcles and the Lion.' Patricia Watson University of S
1 ‘Reality, Paradox and Storytelling in Aulus Gellius’ Narrative of Androcles and the Lion.’ Patricia Watson University of Sydney [email protected] The tale of Androcles and the Lion is best known from Aulus Gellius (NA 5.15), whose account may be summarised as follows: At a venatio in the Circus Maximus, a number of condemned criminals, including the slave Androclus, were brought in to face a particularly ferocious lion. On sighting Androclus, the lion approached and greeted him like a pet dog in an astounding scene of mutual recognition between man and beast. The audience went wild, prompting the presiding emperor to ask Androclus for an explanation. Then Androclus related his story: he had been the slave of the governor of Africa, whose habitual cruel treatment had forced him to flee and take refuge in the desert. Sheltering in a cave, he encountered a lion with a wounded paw, which he treated; thereafter he lived with the lion, sharing its food, for three years, until he tired of his animal-like existence, left, was caught and handed back to his master, who had him summarily condemned to the arena. The lion, explained Androclus, was simply showing gratitude for the benefaction it had received. The story was written on a tablet and circulated around the Circus; by popular request both slave and lion were freed and afterwards Androclus was often seen, with the lion on a leash, doing the rounds of the shops throughout the city, everyone who encountered them exclaiming: ‘This is the lion that played host to a man, this is the man who played physician to a lion’.