Hellish Visions
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mysteries of Silence Anaphora Press Port Townsend, WA Anaphorapress.Com
Mysteries of Silence Anaphora Press Port Townsend, WA anaphorapress.com Address Correspondence to: Anaphora Press 3110 San Juan Ave. Port Townsend, WA 98368 [email protected] First Printing, 2007 All Rights Reserved Copyright 2007 by Christopher Lewis Graphic Design: Nina Noble ISBN: 978-0-9801241-1-1 Printed in the United States of America Mysteries of Silence CONTEnts Wisteria 1 Preparing the Manuscript of a Garden Journal 3 Songbird from the Seasons of Paradise 15 Three Drops of Silence 21 The Ancient Teachings of the Winter Silence 23 Pilgrim 31 Nobilissima Visione 33 The Midnight Sun 41 Dry Season in an Ancient Orchard 43 Daughter 49 Marathon 51 Les Larmes ne Rappelle Point a la Vie 53 Elegy in Autumn Mist 55 Mimesis 59 Harvest 61 Golden Gate Park 65 A New Sketch of the Hidden Season 67 The Palace of Fine Arts 69 Seven Days from Home 71 The Funeral of Father Thomas 73 Notes 75 Mysteries of Silence WistEria (At St. Michael’s Orthodox School, Santa Rosa, on grounds once owned by the horticulturist Luther Burbank) A tapestry of sky woven into your balconies. Graceful arms stretch the canopy in clustered blooms. Each is a bell announcing one of the hours. Under the veil of your perpetual incense, children learn to listen, sing and play... The mysterious gardener that planted and pruned you, trained your branches to embrace and overshadow these buildings… Flowering during the fast, how many years to grow this large and strong? Silent witness of the interior secret, whisper—what is in the seedpod? “The secret is this: when it falls safely cradled in its pod, the pea does not know it has separated from me. -
EPILOGUE Before We Consider Where Gloss Scholarship Might
EPILOGUE Before we consider where Gloss scholarship might want to go next, let us consider what I hope this book has shown that we do know. Th e Gloss was not the work of Walafrid Strabo. It originates with the glossed biblical books produced by masters Anselm and Ralph at their school at Laon, for use in the classroom. Th eir work was carried on by their pupils or collaborators, especially Gilbert of Auxerre, and possibly Alberic of Reims. From the beginning, the text of the Gloss was presented in a particular format, which includes the entire bibli- cal text written out continuously, but visibly separately from the text of the glosses. Th e glosses are both marginal and interlinear, but they are not two diff erent texts: marginal glosses may move into the space between the lines, and vice versa. Only part of the Bible seems to have been covered at this stage—up to about twenty years aft er Anselm’s death (1117). Few manuscripts of Glossed books remain from this period; it is not until about 1140, from the milieu of the Paris schools, that copies start appearing in larger numbers. Th e Gloss seems to have been given a new lease of life by some combination of Peter Lombard, Gilbert de la Porrée and the school of St Victor. Th ey were aided in this by the beginnings of a secular commercial book trade in the city. It may be that it is only at this point that “the Gloss” as a conceptual entity comes into existence. -
Tolerant Criminal Law of Rome in the Light of Legal and Rhetorical Sources
UWM Studia Prawnoustrojowe 25 189 2014 Artyku³y Przemys³aw Kubiak Katedra Prawa Rzymskiego Wydzia³ Prawa i Administracji Uniwersytetu £ódzkiego Some remarks on tolerant criminal law of Rome in the light of legal and rhetorical sources Introduction Roman criminal law, as majority of ancient legal systems, is commonly considered cruel and intolerant. Most of these negative views is based on the fact that the Romans created and used a great variety of painful and severe penalties, very often accompanied by different kinds of torture or disgrace1. Although such opinions derive from legal and literary sources, occasionally in their context a very important factor seems to be missing. Sometimes in the process of evaluation of foreign or historical legal systems researchers make a mistake and use modern standards, both legal and moral, and from this point of view they proclaim their statements. This incorrect attitude may lead to ascertainment that no legal system before 20th century should be judged positively in this aspect. However, the goal of this paper is not to change those statements, as they are based on sources, but rather to give examples and to underline some important achievements of Roman crimi- nal law which, sometimes forgotten or disregarded, should be considered in the process of its historical evaluation. 1 The most cruel are definitely aggravated forms of death penalty, such as crucifixion (crux), burning alive (vivi crematio), throwing to wild animals during the games (damnatio ad bestias), throwing to the sea in a sack with ritual animals (poena cullei). These are the most common, but during the history of Roman empire there existed many other severe kinds of capital punishment, see A.W. -
A Commentary on the General Instruction of the Roman Missal
A Commentary on the General Instruction of the Roman Missal A Commentary on the General Instruction of the Roman Missal Developed under the Auspices of the Catholic Academy of Liturgy and Cosponsored by the Federation of Diocesan Liturgical Commissions Edited by Edward Foley Nathan D. Mitchell Joanne M. Pierce Foreword by the Most Reverend Donald W. Trautman, S.T.D., S.S.L. Chairman of the Bishops’ Committee on the Liturgy 1993–1996, 2004–2007 A PUEBLO BOOK Liturgical Press Collegeville, Minnesota A Pueblo Book published by Liturgical Press Excerpts from the English translation of Dedication of a Church and an Altar © 1978, 1989, International Committee on English in the Liturgy, Inc. (ICEL); excerpts from the English translation of Documents on the Liturgy, 1963–1979: Conciliar, Papal, and Curial Texts © 1982, ICEL; excerpts from the English translation of Order of Christian Funerals © 1985, ICEL; excerpts from the English translation of The General Instruction of the Roman Missal © 2002, ICEL. All rights reserved. Libreria Editrice Vaticana omnia sibi vindicat iura. Sine ejusdem licentia scripto data nemini licet hunc Lectionarum from the Roman Missal in an editio iuxta typicam alteram, denuo imprimere aut aliam linguam vertere. Lectionarum from the Roman Missal in an editio iuxta typicam alteram—edition iuxta typica, Copyright 1981, Libreria Editrice Vaticana, Città del Vaticano. Excerpts from documents of the Second Vatican Council are from Vatican Council II: The Basic Sixteen Documents, edited by Austin Flannery, © 1996 Costello Publishing Company, Inc. Used with permission. Cover design by David Manahan, OSB. Illustration by Frank Kacmarcik, OblSB. © 2007 by Order of Saint Benedict, Collegeville, Minnesota. -
Death by Crucifixion and Damnatio Ad Bestias Were Usually Watched by the Public. Why Do You Think This Was? Punishments For
Roman law: the art of the fair and good? Punishments Romans Romans in f cus Punishment under Roman law was harsh. Often punishments were a way of deterring others from committing the same crime and making a public spectacle out of the criminal. Punishment in Ancient Rome was decided upon by two factors: the social status of the condemned person and the severity of committed offence. Punishments for citizens: - fines - bonds - retaliation - infamy - banishment - property confiscation - death (for committing treason only, and not by crucifixion) Punishments only for non- Above: mosaic showing damnatio ad bestias, from The more severe citizens: the Zliten mosaic, c. 200 AD punishments were - death by crucifixion (Archaeological Museum in usually reserved for - death in the arena by wild Tripoli). For more information criminals of the lower animals, called damnatio see: https://en.wikipedia.org/ wiki/Zliten_mosaic classes. ad bestias Patricide, or killing one’s father, was considered the ultimate crime. As soon as someone was convicted of patricide they would be blindfolded as they were unworthy of the light and taken to the Field of Mars outside Rome. There they were stripped naked and whipped with rods. The convicted criminal would then be sewed up in a sack and thrown out to sea. This was so he would not die on Roman soil and pollute the earth with his evil. Later on a serpent was also sewed up into the sack with him, and still later an ape, a dog and a cockerel were added. Death by crucifixion and damnatio ad bestias were usually watched by the public. -
“Damnatio Ad Bestias”; Or, Condemnation to Beasts: the Digital As Animal
PEER - REVIEWED ARTICLE “Damnatio ad Bestias”; or, Condemnation to Beasts: The Digital as Animal Lucia Nguyen A meretricious glitter lies over the whole of this civilisation.1 —Johan Huizinga The victory, like the blood, is sweet.2 —Neil Gaiman RomE wasn’t built in a day, but perhaps it only takes 24 hours to dismantle it. In contemporary life, where mobile devices exist as pervasive and near-permanent human prostheses, the increasing digitisation of communication and the corresponding embrace of “computationalism” ensure that human conceptions of reality are ir- reversibly mediatised.3 Objectivity spars with emotional appeal, and miscommunication runs rampant in digital discourse. And yet, to castigate online media, and hold it responsible for an unforeseen age of incivility, would be myopic. Violence may be more easily inflicted on the internet’s democratised playing field, but violent punish- ment—and its modes of representation—has long masqueraded Philament: A Journal of Literature, Arts, and Culture 2018, vol. 24, no. 2. © 2018 Philament and the respective author. All rights reserved. 49 as public entertainment. The Colosseum fixed bloodthirst at its very epicentre, yet famously redressed it as “gladiatorial spectacle,” to be fed to the public as bread and circuses.4 As Claudio Colaguori claims, to argue about the origin of violence in the contemporary world is to argue about its heritage, and not its genesis.5 Digital violence is a hybrid of all barbarism that has come before, and an augural reading of the apocalyptic phantasmagoria -
Early Middle Ages (Fall 2020) – Martha Carlin
8/24/2020 HIST 203 – Early Middle Ages (Fall 2020) – Martha Carlin M HOME ; COURSES HIST 203 – EARLY MIDDLE AGES (FALL 2020) HIST 840 – THE HOUSE IN HISTORY (FALL 2020) HIST 204 – HIGH MIDDLE AGES (SPRING 2020) HIST 600 – THE HOUSE IN HISTORY (SPRING 2020) HIST 203 – EARLY MIDDLE AGES (FALL 2019) HIST 840 – FOOD, CULTURE, AND POWER (FALL 2019) HIST 204 – HIGH MIDDLE AGES (SPRING 2019) HIST 840 – THE HOUSE IN HISTORY (SPRING 2019) HIST 192 – LIFE IN A MEDIEVAL CASTLE (FALL 2018) HIST 203 – EARLY MIDDLE AGES (FALL 2018) HIST 203 – EARLY MIDDLE AGES (FALL 2017) HIST 600 – FOOD, CULTURE, AND POWER (FALL 2017) HIST 204 – HIGH MIDDLE AGES (SPRING 2017) HIST 840 – FOOD, CULTURE, AND POWER (SPRING 2017) https://sites.uwm.edu/carlin/hist-203-early-middle-ages-fall-2020/ 1/22 8/24/2020 HIST 203 – Early Middle Ages (Fall 2020) – Martha Carlin HIST 203 – EARLY MIDDLE AGES (FALL 2016) HIST 371 – ENGLAND 1200-1250 (FALL 2016) HIST 204 – HIGH MIDDLE AGES (SPRING 2016) HIST 840 – FOOD, CULTURE, AND POWER (SPRING 2016) HIST 203 – EARLY MIDDLE AGES (FALL 2015) HIST 371 – ENGLAND 1200-1250 (FALL 2015) HIST 204 – HIGH MIDDLE AGES (SPRING 2015) HIST 371 – ENGLAND 1200-1250 (SPRING 2015) TEACHING A COLLECTION OF MEDIEVAL SOURCES SOME HISTORIC MENUS COURSES TAUGHT IN PREVIOUS SEMESTERS DOCUMENTATION GUIDES UNIVERSITIES & HISTORY DEPARTMENTS https://sites.uwm.edu/carlin/hist-203-early-middle-ages-fall-2020/ 2/22 8/24/2020 HIST 203 – Early Middle Ages (Fall 2020) – Martha Carlin RESEARCH LINKS HISTORY, ARCHAEOLOGY & MEDIEVAL STUDIES LIBRARIES & BIBLIOGRAPHIES -
A Living Past: the Historical Environment of the Middle Ages
A living past: The historical environment of the Middle Ages The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Constable, Giles. 1990. A living past: The historical environment of the Middle Ages. Harvard Library Bulletin 1 (3), Fall 1990: 49-70. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42661216 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 49 A Living Past: The Historical Environment of the Middle Ages Giles Constable his paper looks at some questions that arose in the course of preparing an article T on the attitude towards time and the past in the twelfth century. 1 I particularly noticed that the environment created by art, architecture, and ceremony fostered a closeness, and at times an identity, with history. People lived the past in a very real sense, and the past, living in them, was constantly recreated in a way that made it part of everyday life. Scholars tend to rely so heavily on verbal sources that they underestimate the influence of the senses in developing an awareness of history. Sight, smell, hearing, and touch were all enlisted in the task of reconstructing the past. Even speech was a dramatic performance, and the actions that accompanied many rites and ceremonies helped to bring past people and events into the present, giving meaning to history and linking it to the future. -
Cuyahogareview ISSN 0737-139X
CuyahogaReview ISSN 0737-139X VOLUME ONE " SPRING1983 " NUMBER ONE TABLE OF CONTENTS Editor's Note The St. Gall Papers: An Introduction DAVID M. CRATTY The World of Saint Gall JOSEPH H. LYNCH The Plan of St. Gall and Medieval Ecclesiastical Palaces GARY M. RADKE Benedictine Child Rearing: Architectural Clues from the St. Gall Plan PATRICIA A. QUINN The Plan of Saint Gall and the Monastic Reform Councils of 816 and 817 EDWARD A. SEGAL 57 The Ninth-Century Library at St. Gall JOHN J. BUTT 73 Early Medieval Irish Exegetical Texts at Saint Gall JOSEPHF. KELLY 77 The Quarrel between Gallus and Columbanus MICHAEL HERREN 89 (continued on next page) 2" CUYAHOGA REVIEW The Chronicles of St. Gall JOHN D. CRANE The St. Gall Festival RICHARD CHARNIGO and JEROME M. McKEEVER 105 Notes on Contributors 115 Art Credits: PAUL SCHUPLIN cover, 104 JESSIE THERIOT 7 DEBBIE JOSEPHS 10 SR MARY ROBERT CLAIR, S.N. D. 22,100,116 MARGARET MEEK 34 GEORGEP. KEMP 56 JIM RIZEN 72 KATHY FOLCIK 88 Photo Credits: RICHARD CHARNIGO : 06.08 110-11 The Plain Deuler / GEORGE HEINZ 109 University of California Press 112 The Cuyahoga Review was set in English Times by Christine Heyman, Galeshuk. Photo Larry Mack. Becky Mack, J. Farmer, and Linda pro- duction was by Ken Riley; additional production assistancewas pra`1d- Mackenzie Ron Humphrey. The cd by Judy and CuyahogaRevie4' was printed by Brownprint of Cleveland, Ohio. Cover: Thirteenth-century French castle. Pen and Ink by Paul Schuplin. Editor's Note Though it wasin the planning stageslong before Columbus Day. -
Narrative of Androcles and the Lion.' Patricia Watson University of S
1 ‘Reality, Paradox and Storytelling in Aulus Gellius’ Narrative of Androcles and the Lion.’ Patricia Watson University of Sydney [email protected] The tale of Androcles and the Lion is best known from Aulus Gellius (NA 5.15), whose account may be summarised as follows: At a venatio in the Circus Maximus, a number of condemned criminals, including the slave Androclus, were brought in to face a particularly ferocious lion. On sighting Androclus, the lion approached and greeted him like a pet dog in an astounding scene of mutual recognition between man and beast. The audience went wild, prompting the presiding emperor to ask Androclus for an explanation. Then Androclus related his story: he had been the slave of the governor of Africa, whose habitual cruel treatment had forced him to flee and take refuge in the desert. Sheltering in a cave, he encountered a lion with a wounded paw, which he treated; thereafter he lived with the lion, sharing its food, for three years, until he tired of his animal-like existence, left, was caught and handed back to his master, who had him summarily condemned to the arena. The lion, explained Androclus, was simply showing gratitude for the benefaction it had received. The story was written on a tablet and circulated around the Circus; by popular request both slave and lion were freed and afterwards Androclus was often seen, with the lion on a leash, doing the rounds of the shops throughout the city, everyone who encountered them exclaiming: ‘This is the lion that played host to a man, this is the man who played physician to a lion’. -
The 1844 Study Bible the Cross of Christана1 the Cross
The 1844 Study Bible The Cross of Christ 1 The Cross of Christ “The cross of Christ will be the science and the song of the redeemed throughout all eternity” (GC 651). “The mystery of the cross explains all other mysteries” (GC 652). Introduction: Prediction = Preparation (Dn 89; Lk 24:1335; Mt 16:21; 17:12, 2223) Historical: Crematio Decollatio (damnatio ad bestias) Crux = the worst death 1. The Cross in the Sanctuary: God would rather have your sins in His house than for you to keep them in your heart (Ex 30:10; b. Lev 6:26; 10:1718; 16:21; Jer 17:1) “The Priest flicks the animal blood from finger to ground before the veil. The red sin drops through the air as so many dark looks, black tongues, and murky deeds passing from sinner to Sanctuary; thus, carrying sin’s tarry prints from my temple only to begrime God’s. Sin stored in God’s closet; sin dried, cracked, caked and laminated in a stratum of flyspots and healing scabs. The Sanctuary will be cleansed, but not before it gets dirty. Yet, (and here’s a strong irony) God’s Temple can only be washed clean with more blood—blood that flies from priestly fingers to splatter God’s Throne in spots of gore life blood lost and then kept to save sinners. The ‘keeping’ presages a function and an end; the blood accumulates, as does the sin forgiven, until a certain time when sin and sinners will be no more. -
Ruthenica. Supplementum 4 EARLY CHRISTIANITY on the WAY
Ruthenica. Supplementum 4 EARLY CHRISTIANITY ON THE WAY FROM THE VARANGIANS TO THE GREEKS Edited by Ildar Garipzanov ɚnd Oleksiy Tolochko KIEV 2011 Ɋɟɤɨɦɟɧɞɨɜɚɧɨ ɞɨ ɞɪɭɤɭ ɜɱɟɧɨɸ ɪɚɞɨɸ ȱɧɫɬɢɬɭɬɭ ɿɫɬɨɪɿʀ ɍɤɪɚʀɧɢ ɇȺɇ ɍɤɪɚʀɧɢ ɍ ɪɚɡɿ ɩɟɪɟɞɪɭɤɭ ɦɚɬɟɪɿɚɥɿɜ ɭɡɝɨɞɠɟɧɧɹ ɡ ɜɢɞɚɜɰɹɦɢ ɨɛɨɜɹɡɤɨɜɟ ȼɢɫɥɨɜɥɸɽɦɨ ɩɨɞɹɤɭ «Ɏɨɧɞɭ ɤɚɬɟɞɪ ɭɤɪɚʀɧɨɡɧɚɜɫɬɜɚ» ɡɚ ɩɿɞɬɪɢɦ- ɤɭ ɜɢɞɚɧɧɹ http://history.org.ua/ Ⱥɞɪɟɫɚ ɪɟɞɚɤɰɿʀ: 01001, ɦ. Ʉɢʀɜ, ɜɭɥ. Ƚɪɭɲɟɜɫɶɤɨɝɨ, 4 e-mail: [email protected]; [email protected] Ɏɚɤɫ: +380 (44) 279-63-62 © Ruthenica, 2011 ɋɜɿɞɨɰɬɜɨ ɩɪɨ ɞɟɪɠɚɜɧɭ ɪɟɽɫɬɪɚɰɿɸ ɋɟɪɿɹ Ʉȼ ʋ 6937 ɜɿɞ 04.02.2003 ɪ. ISSN 1995-0276 CONTENTS List of Figures .....................................................................................................7 List of Abbreviations ...........................................................................................8 Introduction: Early Christianity on the Way from the Varangians to the Greeks by Ildar Garipzanov and Oleksiy Tolochko ..................................................9 Early Christian Scandinavia and the Problem of Eastern Influences by Ildar Garipzanov ...................................................................................17 Scythian Christianity by Henrik Jansson ......................................................................................33 Varangian Christianity in Tenth-century Rus´ by Oleksiy Tolochko ....................................................................................58 Symbols of Faith or Symbols of Status? Christian Objects in Tenth-Century Rus´ by Fedir Androshchuk