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Authority and Integrity in the Modernist Novel by Andrew Bingham a Thesis
Aspects of Intimacy: Authority and Integrity in the Modernist Novel by Andrew Bingham A thesis submitted to the Graduate Program in English Language and Literature in conformity with the requirements for the Degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada November, 2018 Copyright © Andrew Bingham, 2018 “Some ideas exist that are unexpressed and unconscious but that simply are strongly felt; many such ideas are fused, as it were, with the human heart.” (Fyodor Dostoevsky, A Writer’s Diary, “Environment,” 1873) “Special methods of thinking. Permeated with emotion. Everything feels itself to be a thought, even the vaguest feelings (Dostoevsky).” (Franz Kafka, Diaries 1910-1923, 21 July 1913) “One must write from deep feeling, said Dostoevsky. And do I? Or do I fabricate with words, loving them as I do? No, I think not. In this book I have almost too many ideas. I want to give life and death, sanity and insanity; I want to criticise the social system, and to show it at work, at its most intense. But here I may be posing.” (Virginia Woolf, Diary, 19 June 1923) “One can, correctly and immediately, comprehend and feel something deeply; but one cannot, immediately, become a person; one must be formed into a person. It is a discipline.” (Fyodor Dostoevsky, A Writer’s Diary, February 1877) “Each spiritual stance creates its own style.” (Witold Gombrowicz, Diary, 495) ii Abstract In the following thesis I strive to offer renewed ways of construing “one’s own,” authority, integrity, and intimacy as literary themes, and appropriate form, provisional tonality, and approximate, inexhaustible address as formal aspects of literary works or methodological tools for literary scholars. -
A Convenient Myopia: Seek, Shaughnessy, and the Rise of High-Stakes Testing at Cuny
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 A Convenient Myopia: SEEK, Shaughnessy, and the Rise of High- Stakes Testing at CUNY Sean Molloy The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1513 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] A CONVENIENT MYOPIA: SEEK, SHAUGHNESSY, AND THE RISE OF HIGH-STAKES TESTING AT CUNY by SEAN MOLLOY A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 SEAN MOLLOY All Rights Reserved ii A Convenient Myopia: SEEK, Shaughnessy, and The Rise of High-Stakes Testing at CUNY by Sean Molloy This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________ ________________________________________ Date Sondra Perl Chair of Examining Committee __________________ ________________________________________ Date Mario DiGangi Executive Officer Supervisory Committee: Rebecca Mlynarczyk George Otte THE CITY UNIVERSITY OF NEW YORK iii A Convenient Myopia: SEEK, Shaughnessy, and The Rise of High-Stakes Testing at CUNY by Sean Molloy Advisor: Sondra Perl A great struggle for racial justice was fought at City College and CUNY from 1964 to 1978. In this archival history, supplemented with thirteen oral histories of students and teachers, and grounded in the larger context of racial segregation and exclusion within American public education and American higher education through 1970, I argue that this larger struggle for justice should be seen as two distinct but intertwined struggles that had very different results. -
CRIME and PUNISHMENT in the 19Th CENTURY
CRIME AND PUNISHMENT IN THE 19th CENTURY The French revolution and Gordon Riots of the 18th Century had given way to the political and social unrest of the 19th Century, with accompanying riots. During the 18th Century there had been much acclaim as to the need for reform of the Criminal Code, of prisons and the policing arrangements. Much was spoken and written by the Reformers but no general success was achieved against the strong opposition and fears that changes would lead to a military gendarmerie with accompanying espionage and interference with individual liberty. In such agricultural districts as Lingfield and the surrounding villages, the Inclosure Act brought distress to many. The position was exacerbated by the evils accompanying the social and economic upheavals of the industrial revolution and the food and commodity shortages caused by the war with CRIME AND PUNISHMENT IN THE 19 TH CENTURY France. Against the menace of crime and mob violence, prior to 1829, there were few effective measures. Pitt had, as early as 1785, presented to Parliament a Bill for the prevention of Crime and its detection, which had a marked similarity to the Bill presented by Peel in 1829, which set up the Metropolitan Police. That there was a need can be seen from the remarks of Sir Archibald McDonald to the House of Commons in 1785: ‘The gallows groaned, and yet the example was found ineffective, for the evil was increasing’. Pitt’s proposals, like others prior to 1829, were swiftly thrown out, with much opposition coming from the Aldermen of the City of London who, out of self interest, wanted to preserve their Chartered privileges and to appoint and control their own magistrates and constables, even though they were no more efficient than other parish constables. -
Humor As Epiphanic Awareness and Attempted Self-Transcendence
Humor as Epiphanic Awareness and Attempted Self-Transcendence The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Shonkwiler, Curt. 2015. Humor as Epiphanic Awareness and Attempted Self-Transcendence. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:14226070 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Humor as Epiphanic Awareness and Attempted Self-Transcendence A dissertation presented by Curtis Shonkwiler to The Department of Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Comparative Literature Harvard University Cambridge, Massachusetts December 2014 © 2014 Curtis Shonkwiler This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/ licenses/by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. William Mills Todd Curtis Shonkwiler Luis Girón-Negrón Judith Ryan Humor as Epiphanic Awareness and Attempted Self-Transcendence Abstract The starting premise of this dissertation is that the formal techniques of comedy make the comic novel a distinct form within the category of the novel, not just in terms of content, the way one novelistic genre is distinct from another, but also in terms of form, similar to the way poetry is distinct from prose. -
Toward the Abolition of the Death Penaltyt
Toward the Abolition of the Death Penaltyt SHIGEMITSu DANDo" DE FACTO ABOLITION IN EARLY JAPANESE HISTORY I would like to begin with a remarkable fact in Japanese history, a fact of which we are proud. The death penalty was stopped during the period from A.D. 810 to 1156. This was de facto, though not legal, abolition for a period of nearly three and a half centuries. In those days of the Heian period, every death sentence had to be approved by the Emperor. And it became customary in practice that every death sentence be commuted to a deportation of the criminal to a remote place by a separate order issued by the Emperor. The practice prevailed throughout this period, with only a few exceptions in particular cases. But how and why was it possible at all that such a memorable practice materialized at the time of the Heian period? The answer will be twofold. First, this was obviously due to the peace Japan was enjoying throughout this period. It is interesting to note that political struggles among the court nobles became violent and a rebellion known as the Hdgen-no-Ran burst out in 1156, the very year in which this glorious period ended. When the leaders of the rebellion were caught, there was a debate among the court nobles. Many were of the opinion that the traditional commutation should be granted even in this case as well, but one influential noble insisted strongly on execution. Everybody, though rather reluctantly, obeyed him. The Emperor, consequently, did not issue an order of commutation, and all the leaders were executed. -
Kristen Bell a Dissertation Submitted to the Faculty of the University of North
MERCY AND CRIMINAL JUSTICE Kristen Bell A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Philosophy. Chapel Hill 2010 Approved by: Gerald Postema Susan Wolf Thomas Hill Ryan Preston-Roedder Michael Corrado ABSTRACT KRISTEN BELL: Mercy and Criminal Justice (Under the direction of Gerald J. Postema) This dissertation analyzes criminal justice from the perspective of non-ideal theory. In the first half of the dissertation, I propose a new understanding of mercy as a moral response to injustice within existing criminal justice systems. In the second half, I argue that certain expressions of blame are an injustice plaguing most criminal justice systems. In short, I am highlighting a new type of injustice and suggesting a new mode of response to injustice. In my analysis of mercy in Part I, I distinguish between two concepts of mercy in Western political thought: negative mercy and positive mercy. To grant negative mercy is to compassionately spare someone from harsh treatment that she deserves. To grant positive mercy is to respond to someone justly when unjust social rules call for a harsher response. Following Seneca and departing from most contemporary philosophical literature, I focus on the concept of positive mercy. I argue that officials within criminal justice systems have moral reason to exercise positive mercy and that most political communities have moral reason to incorporate a general practice of positive mercy into their criminal justice systems. I argue that judges who exercise positive mercy are not impermissibly derogating from rules in service of personal feelings, but are rather serving the rule of law and fulfilling their obligation to support just institutions. -
Virginia Woolf's Mrs. Dalloway: Invisible Presences, by Molly Hoff C( Lemson, SC: Clemson University Digital Press, 2009), X+286 Pp
Clemson University TigerPrints Monographs Clemson University Digital Press 2009 Virginia Woolf 's Mrs. Dalloway: Invisible Presences Molly Hoff Follow this and additional works at: https://tigerprints.clemson.edu/cudp_mono Recommended Citation Virginia Woolf's Mrs. Dalloway: Invisible Presences, by Molly Hoff C( lemson, SC: Clemson University Digital Press, 2009), x+286 pp. Paper. ISBN: 978-0-9796066-7-0 This Book is brought to you for free and open access by the Clemson University Digital Press at TigerPrints. It has been accepted for inclusion in Monographs by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Virginia Woolf’s Mrs. Dalloway Invisible Presences To the memory of my parents Th ey were avid readers. Sit vobis terra levis. Th e Life and Age of Woman, a print by A. Alden (Barre, Mass., [1835]). (Library of Congress Prints and Photographs Division, Washington, D.C.) Virginia Woolf’s Mrs. Dalloway Invisible Presences by Molly Hoff CLEMSON UNIVERSITY DIGITAL PRESS Works produced at Clemson University by the Center for Electronic and Digital Publishing, including Th e South Carolina Review and its themed series “Virginia Woolf International,” may be found at our Web site: http://www.clemson.edu/caah/cedp. Contact the director at 864-656-5399 for information. Copyright 2009 by Clemson University ISBN 978-0-9796066-7-0 CLEMSON UNIVERSITY DIGITAL PRESS Published by Clemson University Digital Press at the Center for Electronic and Digital Publishing, Clemson University, Clemson, South Carolina. Produced with the Adobe Creative Suite CS2 and Microsoft Word. Th is book is set in Adobe Garamond Pro and was printed by Standard Register for Clemson University. -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in ^pewriter face, while others may be from aiy type of conq)uter printer. Theq u a lityof this reproduction is dqiendaxt upon the quali^ of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and inqnoper alignment can adverse^ affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing firom left to tight in equal sections with small overl^)s. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photogrsq>bs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photogTEq>hic prints are available for aiy photographs or illustrations appearing in this copy for an additional charge. Contact UMI directfy to order. UMI A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800.521-0600 PHOTOGRAPHY AND THE PHOTOGRAPHER IN CARL STERNHEIM’S DIE KASSETTE. THOMAS MANN’S DER ZAUBERBERG. AND MARIELUISE FLEIBER’S PIONIERE IN INGOLSTADT DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ann Bladder Young, B.A., M.A.