DOCSLIB.ORG

Poche Parole September 2010

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Poche Parole September 2010 September, 2010 Vol. XXVIII, No. 1 ppoocchhee ppaarroollee The Italian Cultural Society of Washington D.C. Preserving and Promoting Italian Culture for All www.italianculturalsociety.org ICS EVENTS Social meetings start at 3:00 PM on the third Sunday of the month, September thru May, at the Friendship Heights Village Center, 4433 South Park Ave., Chevy Chase, MD (See map on back cover) Sunday, September 19: I BRONZI DI RIACE, Presentation and discussion by Prof. Roberto Severino and special guest with a personal story about the bronzes (see President’s message below) ITALIAN LESSONS on September 19 at 2:00 Movie of the Month: “Dov’ è la Libertà”(Roberto Rossellini) see pages 6 and 7 IT’S NOT TOO LATE TO SIGN UP FOR ICS TOUR OF PUGLIA, SEE PAGE 7 PRESIDENT’S MESSAGE the presentation with a special guest having an interesting personal story to tell in connection with the We hope you have all had a chance to enjoy the bronzes. The September meeting will be a joint one in summer season since our last get-together in June for which we are happy to welcome members of the our annual Awards dinner/gala. This catered event Abruzzo Molise Heritage Society to enjoy the featured awards to remarkable young scholars of presentation and to socialize with us. As usual, before Italian, music, and science and of other persons the meeting there will be a showing of a Rossellini film accomplished in keeping alive Italian artistic and craft Dov’ È La Libertà, about which see pages 6 and 7. I traditions. Please read about them further on in this hope to see you there as we begin another exciting issue. Also in June, the ICS along with Fieri and Holy year. Rosary parish sponsored the annual Festa Italiana Ron Cappelletti, president which this year featured Italy’s newest region, Molise, and was highlighted by the appearance of a wonderfully In This Issue costumed and talented group of performers from Page Lanciano in Abruzzo, Mastrogiurato. This ensemble performed in pageantry with flags and drums to usher 2. ICS Scholarship Awards in a group of dignitaries wearing medieval costume who repeated in ritual Latin the investiture of Il Mastrogiurato 4. World War II: Saving Italy’s Artistic Treasures to oversee honest trade during the annual fair in this 6. Film of the Month important ancient trading town. It was a spectacular display, much enjoyed by our Washington Festa-goers 7. Cecilia Fiermonte Profile and also a day earlier by Silver Spring residents in a 7. Welcome to New Members sister event sponsored by SMATCH. 8. Pane e Biscotti This year we are in the planning stages of several 9. Chocolate Biscotti Recipe events for our social meetings. We begin on September 19 with a presentation on I bronzi di Riace, the beautiful 9. Pictures from the May 16 Meeting and Concert Greek warrior statues discovered beneath the sea near 10. Pictures from the Festa Italiana 2010 Reggio di Calabria in 1972. Professor emeritus Roberto Severino of Georgetown University has agreed to make 11. Patricia Segnan 11. Local Events of Interest ICS SCHOLARSHIP AWARDS The Italian Cultural Society sponsors an annual competition for awards made possible through donations and fund raising events. Prizes were awarded at the ICS Gala Dinner on June 12. The Candida Pitassi Di Croce Italian Language Award of $1000, to be given to a scholar who has excelled in learning the Italian Language and shows promise of continued commitment to excel in the language and culture of Italy. The 2010 awardee is Lily Jaffe-Shupe. Michela Mansuino receiving her half of the Vincenzo Palumbo Artisan Award from Ronald Cappelletti, ICS president. Michela is a practicing painter, sculptor, draftsperson, and designer. A collection of her work was distributing during the event. The Ruggiero Morigi Artist Awardof $1000, to be given to a scholar who has excelled in the Arts. This year the awardee is Miriam Costa-Jackson, a junior at Utah State University, for her operatic accomplishments. A recording of Ms. Costa-Jackson featuring a performance of "O mio babbino caro" from Lily Jaffe Shupe (above) addressed the Gala guests in Puccini's Gianni Schicchi was played excellent Italian. She is a recent graduate of the University of during the Gala. Ms. Jackson and her Delaware where, among other honors, she was selected sisters Ginger and Marina gave a outstanding student of Italian in 2010. memorable concert to the ICS in the fall The Vincenzo Palumbo Artisan Award of $1000, to be of 2009. given to an artisan who has excelled in working with stone, The Young Scientist Award of $1,000, to be given to a wood, natural and synthetic fibers and other relevant media. young person (not older than 25 years by May 22th, 2010), There age restriction does not apply to this award. This year who has excelled in the Sciences. The awardee this year is there are two co-recipients: Maestro Roberto Paolinelli and Lois Bangiolo, who recently finished her junior year at Smith artist Michela Mansuino College. Maestro Roberto Paolinelli poses with ICS VP Olga Mancuso in front of examples of his ceramics in the Castelli d'Abruzzi Lois Bangiolo waits patiently while her long list of style for which he is being recognized as one of the foremost accomplishments is read out to the audience. Ms. Bangiolo is exponents in the United States a straight-A student focussing on biology at Smith and plans to attend medical school. The Pietro Antonio Donna Italian Scholarship of $600 for a high school student who has excelled in the study of Italian. The awardee this year is Emma Ross, beginning senior at Washington International School. Ms. Emma Ross, a top-grade student at WIS, addressed the Gala attendees with remarkable aplomb, and in impeccable Italian, making it obvious why she was selected for the Donna Scholarship. ►►►►► 2 ICS Board of Directors and their Responsibilities ITALIAN LANGUAGE Ron Cappelletti, President & Webmaster Olga Mancuso, Vice President PROGRAM Cesarina Horing, Membership, Treasurer & 4827 Rugby Avenue, Suite 301 Italian Language Program Bethesda, MD 20814 Cecilia Fiermonte, Secretary Day, Evening and Weekend Classes Arrigo Mongini, Editor of Poche Parole for Adults and Children Joe Onofrietti, Film & Hospitality Serving Maryland, Virginia, and Washington, DC Nick Monaco, Outside Events FALL CLASSES START SEPTEMBER 13 Luigi De Luca, At large (Past President) website: www.italianculturalsociety.org Paolo Vidoli, At large Anthony Sinopoli, At Large phone: 301-215-7885 Romeo Segnan, At large, - Maria Wilmeth, Historian CONSULAR SECTION Elio Grandi, Emeritus Aldo Bove, Liaison in Italy ITALIAN EMBASSY 3000 Whitehaven Avenue, N.W. Washington, DC 20008 Antenna Italia Information: 202-612-4400 is now on the AMICO website. Get Serves residents of Washington, DC, news from Italy and information on Montgomery & Prince George’s Counties, Italian and Italian-American events as MD; Arlington & Fairfax Counties, VA well as music & commentary in streaming audio. Log on any time at Pino Cicala’s web site www.italianamericancommunications.org ITALIAN GOURMET MARKET 12169 Darnestown Road (Rt.28) Gaithersburg, MD Darnestown Rd & Quince Orchard Rd Tel: 301-926-9236 Gourmet deli and catering Featuring an extensive line of Italian food favorites, wines and beers! Italian deli products, panini, subs and Bethesda Travel, LLC sandwiches, fresh mozzarella, & home We Know Italy made delicious Italian meals to go! Engage your family. What better time to Seasonal Specialties Available take the whole crowd to the land of your Panettone * Pandoro*Panforte ancestors! We can make it happen. Call us *Torrone * Perugina Chocolates* for suggestions. Customized ancestral research throughout Italy. **************************** Bring this Poche Parole ad for www.bethesdatravel.com a 10% discount from Mark! 301-656-1670 (except for beer wine, and other beverages) 3 WORLD WAR II: SECONDA GUERRA MONDIALE: SAVING ITALY’S ARTISTIC TREASURES IL SALVATAGGIO DEI TESORI ARTISTICI DELL’ ITALIA (first in a series) (primo di una serie) by Luciano Mangiafico di Luciano Mangiafico On September 8, 1943, Italy’s surrender to the Allies, Dopo la ratifica segreta di un documento preliminare following the secret signing of a preliminary document in a avvenuta il 3 settembre in un campo vicino a Siracusa, la field near Syracuse, Sicily on September 3, was made public resa dell’ Italia agli Alleati fu annunciata dal Generale by General Eisenhower, despite a plea for a delay by Eisenhower l’otto settembre 1943, nonostante una richiesta Marshall Pietro Badoglio, Mussolini’s successor after the per ritardare l’annuncio fosse stata fatta dal Maresciallo Duce was fired on July 26 by the diminutive King Victor Pietro Badoglio, successore di Mussolini dopo le dimissioni Emmanuel III. del Duce del 26 luglio su ordine del minuscolo Re Vittorio Emmanuele III. Feeling betrayed by the duplicity of the new Italian government and its abject surrender to its new masters, the Sentendosi traditi dalla duplicita’ del nuovo governo italiano e Allied armies, the Germans’ heavy hand slammed its fist la sua resa abbietta alle forze Alleate, i suoi nuovi padroni, la throughout the areas they controlled. The shock was felt not mano pesante dei tedeschi si abbatte’ con un pugno di ferro only in the destruction of public works and utilities, and in the su tutte le zone da loro controllate. La scossa fu sentita non dismantling of industrial machinery, but, despite the efforts of solo nella distruzione di opere pubbliche e delle infrastrutture a few Germans, just as importantly in the destruction of e nella devastazione di apparecchiature industriali ma works of art or cultural artifacts, or their outright theft, on the altrettanto importante, e malgrado tentativi contrari di alcuni patently false claim they were safeguarding the works of art tedeschi, nella distruzione di opere d’arte e oggetti culturali, o from the pillage of the uncouth, unappreciative Allied semplicemente nel loro furto dietro la ovvia falsa pretesa di “barbarians”.
Load more

Recommended publications
  • © 2018 Donata Panizza ALL RIGHTS RESERVED
    © 2018 Donata Panizza ALL RIGHTS RESERVED OVEREXPOSING FLORENCE: JOURNEYS THROUGH PHOTOGRAPHY, CINEMA, TOURISM, AND URBAN SPACE by DONATA PANIZZA A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Italian Written under the direction of Professor Rhiannon Noel Welch And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey OCTOBER, 2018 ABSTRACT OF THE DISSERTATION Overexposing Florence: Journeys through Photography, Cinema, Tourism, and Urban Space by DONATA PANIZZA Dissertation Director Rhiannon Noel Welch This dissertation examines the many ways in which urban form and visual media interact in 19th-, 20th-, and 21st-centuries Florence. More in detail, this work analyzes photographs of Florence’s medieval and Renaissance heritage by the Alinari Brothers atelier (1852- 1890), and then retraces these photographs’ relationship to contemporary visual culture – namely through representations of Florence in international cinema, art photography, and the guidebook – as well as to the city’s actual structure. Unlike previous scholarship, my research places the Alinari Brothers’ photographs in the context of the enigmatic processes of urban modernization that took place in Florence throughout the 19th century, changing its medieval structure into that of a modern city and the capital of newly unified Italy from 1865 to 1871. The Alinari photographs’ tension between the establishment of the myth of Florence as the cradle of the Renaissance and an uneasy attitude towards modernization, both cherished and feared, produced a multi-layered city portrait, which raises questions about crucial issues such as urban heritage preservation, mass tourism, (de)industrialization, social segregation, and real estate speculation.
    [Show full text]
  • 1 Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the Universi
    Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Art History and Visual Culture In March 2017. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (Signature)…………………………………………………………………………….. 1 Abstract The church of Santo Spirito in Florence is universally accepted as one of the architectural works of Filippo Brunelleschi (1377-1446). It is nevertheless surprising that contrary to such buildings as San Lorenzo or the Old Sacristy, the church has received relatively little scholarly attention. Most scholarship continues to rely upon the testimony of Brunelleschi’s earliest biographer, Antonio di Tuccio Manetti, to establish an administrative and artistic initiation date for the project in the middle of Brunelleschi’s career, around 1428. Through an exhaustive analysis of the biographer’s account, and subsequent comparison to the extant documentary evidence from the period, I have been able to establish that construction actually began at a considerably later date, around 1440. It is specifically during the two and half decades after Brunelleschi’s death in 1446 that very little is known about the proceedings of the project. A largely unpublished archival source which records the machinations of the Opera (works committee) of Santo Spirito from 1446-1461, sheds considerable light on the progress of construction during this period, as well as on the role of the Opera in the realization of the church.
    [Show full text]
  • Italy in Song the Great & Grand American Choral Series in Italy Florence · Verona · Venice · Lake Garda
    Italy In Song The Great & Grand American Choral Series in Italy Florence · Verona · Venice · Lake Garda Thursday, May 30 – Sunday, June 9, 2019 from $4145 with air / $2500 without air Registration Deadline: November 1, 2018 Experience Italy alongside HSU students during a choral festival in Florence, Italy, and surrounding areas. HSU’s Dr. Clell Wright is directing the festival choir in a performance of the Schubert Mass in G. The trip is open to any and all who want to go. You are welcome to sing in the chorus or simply tag along. Either Florence, Italy way, you’ll have a wonderful experience touring Florence, Verona, Lake Garda, and Venice. If you chose to sing the Schubert, no prior rehearsals are required – familiarize yourself with the piece on your own, then participate in rehearsals after arriving in Italy. (Purchase your copy of the score here: http://bit.ly/2ofgVBc.) The HSU choir will also present a concert in Verona with a repertoire different from the Schubert. If you’d like to sing these pieces with the HSU Choir, you must attend three days of rehearsals in Abilene, immediately prior to departure. TOUR ITINERARY (individual tour descriptions are listed below itinerary section) Day 1 – Thursday, May 30, 2019 Depart DFW (or other airport, as pre-arranged) Day 2 – Friday, May 31, 2019 - Florence Arrive in Rome via Frankfurt, Germany. Travel to Florence via motocoach. Check-in to 4-star hotel* located in central Florence. 7:00 PM-8:00 PM: Organizational meetings at Caffè Gilli or Caffè Pawszowski with MidAm and Custom Travel of Firenze staff.
    [Show full text]
  • Santo Spirito Neighborhood Crawl
    florence for free free walks and work-arounds for rich italian adventures neighborhood crawl: santo spirito Distance: 2 km (about 1.2 miles) Time: 25 minute walk in total, plus time (up to a day!) for leisurely exploring Cost: $0 Directions: Start out by crossing the Ponte Vecchio. At the bridge’s end, walk straight ahead, looking for a small piazza on your left with a church tucked in the back corner (Sant Felicita). Venture further down Via de’ Guicciardini, past Palazzo Pitti, onto Via Romana, until you reach Via del Campuccio. Turn right, and then make the next right again at Via Caldaie. Walk up to Santo Spirito, head out at the far right of the piazza and turn left on Via Maggio. Walk down to St. Mark’s Church, cross the street and take that right on Via dei Vellutini down to Piazza della Passera. Take Via dello Sprone back out and follow it until you reach Ponte Santa Trinita. Places to see: • Santa Felicita – One of the oldest worship sites in the city, although the current structure mostly dates back to the 18th century. Head here when open in the early morning and venture in under the Vasari Corridor (the arch-shaped interruption in the church’s facade), which also doubled as a private balcony the Medici could worship from without mingling with ordinary plebs. The inside is certainly inspired by the style of Renaissance heavyweight Brunelleschi – the man who solved the riddle of the cathedral dome. He even designed the chapel immediately to the entrance’s right, today known as the Capponi Chapel, which features two masterpieces by Mannerist favorite Jacopo Pontormo.
    [Show full text]
  • The Corsini Collection: a Window on Renaissance Florence Exhibition Labels
    The Corsini Collection: A Window on Renaissance Florence Exhibition labels © Auckland Art Gallery Toi o Tāmaki, 2017 Reproduction in part or in whole of this document is prohibited without express written permission. The Corsini Family Members of the Corsini family settled in Florence in the middle of the 13th century, attaining leading roles in government, the law, trade and banking. During that time, the Republic of Florence became one of the mercantile and financial centres in the Western world. Along with other leading families, the Corsini name was interwoven with that of the powerful Medici until 1737, when the Medici line came to an end. The Corsini family can also claim illustrious members within the Catholic Church, including their family saint, Andrea Corsini, three cardinals and Pope Clement XII. Filippo Corsini was created Count Palatine in 1371 by the Emperor Charles IV, and in 1348 Tommaso Corsini encouraged the foundation of the Studio Fiorentino, the University of Florence. The family’s history is interwoven with that of the city and its citizens‚ politically, culturally and intellectually. Between 1650 and 1728, the family constructed what is the principal baroque edifice in the city, and their remarkable collection of Renaissance and Baroque art remains on display in Palazzo Corsini today. The Corsini Collection: A Window on Renaissance Florence paints a rare glimpse of family life and loyalties, their devotion to the city, and their place within Florence’s magnificent cultural heritage. Auckland Art Gallery Toi o Tāmaki is delighted that the Corsini family have generously allowed some of their treasures to travel so far from home.
    [Show full text]
  • Management Plan Men Agement Plan Ement
    MANAGEMENTAGEMENTMANAGEMENTEMENTNAGEMENTMEN PLAN PLAN 2006 | 2008 Historic Centre of Florence UNESCO WORLD HERITAGE he Management Plan of the His- toric Centre of Florence, approved T th by the City Council on the 7 March 2006, is under the auspices of the Historic Centre Bureau - UNESCO World Heritage of the Department of Culture of the Florence Municipality In charge of the Management Plan and coordinator of the project: Carlo Francini Text by: Carlo Francini Laura Carsillo Caterina Rizzetto In the compilation of the Management Plan, documents and data provided di- rectly by the project managers have also been used. INDEXEX INDEX INTRODUCTIONS CHAPTER V 45 Introduction by Antonio Paolucci 4 Socio-economic survey Introduction by Simone Siliani 10 V.1 Population indicators 45 V.2 Indicators of temporary residence. 46 FOREWORD 13 V.3 Employment indicators 47 V.4 Sectors of production 47 INTRODUCTION TO THE MANAGEMENT 15 V.5 Tourism and related activities 49 PLANS V.6 Tourism indicators 50 V.7 Access and availability 51 FIRST PART 17 V.8 Traffi c indicators 54 GENERAL REFERENCE FRAME OF THE PLAN V.9 Exposure to various sources of pollution 55 CHAPTER I 17 CHAPTER VI 56 Florence on the World Heritage List Analysis of the plans for the safeguarding of the site I.1 Reasons for inclusion 17 VI.1 Urban planning and safeguarding methods 56 I.2 Recognition of Value 18 VI. 2 Sector plans and/or integrated plans 60 VI.3 Plans for socio-economic development 61 CHAPTER II 19 History and historical identity CHAPTER VII 63 II.1 Historical outline 19 Summary
    [Show full text]
  • The Catholic Church and the Holocaust, 1930–1965 Ii Introduction Introduction Iii
    Introduction i The Catholic Church and the Holocaust, 1930–1965 ii Introduction Introduction iii The Catholic Church and the Holocaust, 1930 –1965 Michael Phayer INDIANA UNIVERSITY PRESS Bloomington and Indianapolis iv Introduction This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://www.indiana.edu/~iupress Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2000 by John Michael Phayer All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and re- cording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of Ameri- can University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Perma- nence of Paper for Printed Library Materials, ANSI Z39.48-1984. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Phayer, Michael, date. The Catholic Church and the Holocaust, 1930–1965 / Michael Phayer. p. cm. Includes bibliographical references and index. ISBN 0-253-33725-9 (alk. paper) 1. Pius XII, Pope, 1876–1958—Relations with Jews. 2. Judaism —Relations—Catholic Church. 3. Catholic Church—Relations— Judaism. 4. Holocaust, Jewish (1939–1945) 5. World War, 1939– 1945—Religious aspects—Catholic Church. 6. Christianity and an- tisemitism—History—20th century. I. Title. BX1378 .P49 2000 282'.09'044—dc21 99-087415 ISBN 0-253-21471-8 (pbk.) 2 3 4 5 6 05 04 03 02 01 Introduction v C O N T E N T S Acknowledgments ix Introduction xi 1.
    [Show full text]
  • Italia Sacra Studi E Documenti Di Storia Ecclesiastica
    ITALIA SACRA STUDI E DOCUMENTI DI STORIA ECCLESIASTICA Nuova serie 5 COMITATO SCIENTIFICO S. Fodale - M. Miglio - A. Monticone A. Paravicini Bagliani - A. Rigon M. Rosa - A. Tilatti - F. Traniello - G. Vian italia sacra stUDI E DOCUMENTI DI stORIA ECCLESIastICA Nuova serie 5 enrico BaruZZO OBBedienZA E Parola Vita e azione pastorale di Elia Dalla Costa Istituto storico italiano per il medio evo Roma 2020 con i contributi di Coordinatore scientifico: Isa Lori Sanfilippo Redattore capo: Salvatore Sansone ISBN 978-88-31445-07-8 Stabilimento Tipografico « Pliniana » - Viale F. Nardi, 12 - 06016 Selci-Lama (Perugia) - 2020 SOMMARIO INTRODUZIONE ................................................ XI CAPITOLO PRIMO GLI ANNI DELLA FORMAZIONE E LE PRIME ESPERIENZE pastorali.................................................. 1 1. I primi anni e l’ambiente familiare ............................. 1 2. Il seminario................................................. 6 3. Gli studi universitari e l’insegnamento in seminario ............... 12 4. La permanenza a Pievebelvicino e il primo incarico di parroco a Poz- zoleone..................................................... 24 CAPITOLO SECONDO GLI ANNI DELL’ARCIPRETURA A SCHIO (1911-1923) .......... 35 1. L’arrivo a Schio e l’avvio della collaborazione con Ferdinando Rodolfi nel quadro della crisi modernista ............................... 35 2. L’opera di riorganizzazione della realtà cattolica scledense........... 47 3. L’impegno durante le elezioni del 1913.......................... 56 4. La «sollecitudine pastorale» di Elia Dalla Costa negli anni della Grande Guerra.............................................. 62 5. L’interpretazione della guerra offerta dall’arciprete Elia Dalla Costa .. 74 6. Il difficile dopoguerra a Schio .................................. 81 CAPITOLO TERZO L’EPISCOPATO PADOVANO (1923-1931)....................... 93 1. Un vescovo nella «bufera» padovana: Elia Dalla Costa, il caso Salva- gnini e la vertenza Casa Antoniana Buoni Fanciulli ............... 93 2.
    [Show full text]
  • I Diari E Le Agende Di Luca Pietromarchi (1938-1940)
    Ruth Nattermann (Hrsg.): I diari e le agende di Luca Pietromarchi (1938-1940). Politica estera del fascismo e vita quotidiana di un diplomatico romano del ’900 Schriftenreihe Ricerche dell'Istituto Storico Germanico di Roma Band 5 (2009) Herausgegeben vom Deutschen Historischen Institut Rom Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online-Publikationsplattform der Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland, zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat der Creative- Commons-Lizenz Namensnennung-Keine kommerzielle Nutzung-Keine Bearbeitung (CC BY-NC-ND 4.0) unterliegt. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Herunterladen, das Speichern der Daten auf einem eigenen Datenträger soweit die vorgenannten Handlungen ausschließlich zu privaten und nicht-kommerziellen Zwecken erfolgen. Den Text der Lizenz erreichen Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode RICERCHE DELL’ISTITUTO STORICO GERMANICO DI ROMA 5 Collana fondata da Michael Matheus diretta da Gritje Hartmann, Thomas Hofmann, Lutz Klinkhammer, Alexander Koller, Michael Matheus, Andreas Rehberg e Kordula Wolf I diari e le agende di Luca Pietromarchi (1938-1940) Politica estera del fascismo e vita quotidiana di un diplomatico romano del ’900 a cura di Ruth Nattermann viella Copyright © 2009 Istituto Storico Germanico di Roma & Viella S.r.l. Tutti i diritti riservati Prima edizione: settembre 2009 ISBN 978-88-8334-369-8 Traduzione di Gerhard Kuck per l’Introduzione viella libreria editrice via delle Alpi 32 I-00198 ROMA tel. 06 84 17 75 8 fax 06 85 35 39 60 www.viella.it Indice Introduzione di Ruth Nattermann Gli appunti del diplomatico Luca Pietromarchi (1938-1940) 9 I.
    [Show full text]
  • 1 Official Tourist Office Website
    Official tourist office website http://www.firenzeturismo.it/en/ Drone Tour over Florence https://www.youtube.com/watch?v=z9rc8LmJy3I https://www.youtube.com/watch?v=a-jAU9lOqnI&t=22s https://www.youtube.com/watch?v=DfW-Tn231Skvisit From Piazza del Duomo to Piazza della Signoria What to see: Cathedral, Bell Tower and Baptistery https://www.museumflorence.com/ https://operaduomo.firenze.it/en http://www.bargellomusei.beniculturali.it/musei/3/orsanmichele/ http://musefirenze.it/en/musei/museo-palazzo-vecchio/ The Uffizi Museum https://www.uffizi.it/en 1 North of the Arno What to see: The Bargello Museum http://www.bargellomusei.beniculturali.it/musei/1/bargello/ Santa Croce and the Opera di Santa Croce Museum (Pazzi Chapel) http://www.santacroceopera.it/en/default.aspx http://www.casabuonarroti.it/it/ Piazza SS. Annunziata and the Ospedale degli Innocenti https://www.istitutodeglinnocenti.it/?q=content/what-we-do ’Accademia (with the famous statue of Michelangelo’s David) http://www.galleriaaccademiafirenze.beniculturali.it/ San Marco Monastery and Museum https://www.youtube.com/watch?v=91vteW5Hxfk Palazzo Medici Riccardi http://www.museumsinflorence.com/musei/medici_riccardi_palace.html http://www.bargellomusei.beniculturali.it/musei/2/medicee/ http://www.operamedicealaurenziana.org/en/home-2/ http://museicivicifiorentini.comune.fi.it/en/smn/ Oltrarno (Left or South bank of the Arno) What to see: Ponte Vecchio Ponte Santa Trinita Palazzo Pitti (Galleria Platina, Museo degli Argenti, Galleria del Costume, Museo d’Arte Moderna) https://en.wikipedia.org/wiki/Palazzo_Pitti 2 https://www.youtube.com/watch?v=P917888uVhc https://en.wikipedia.org/wiki/Santo_Spirito,_Florence acci Chapel) http://museicivicifiorentini.comune.fi.it/en/brancacci/ http://museicivicifiorentini.comune.fi.it/en/bardini/ 3 .
    [Show full text]
  • OPUSCOLI RACCOLTI NELLA BIBLIOTECA CAPITOLARE SCATOLA. Sala 1 Scaff. 1 F 174 1 ADRIANO AUGUSTO MICHIELI CHI FU E COSA FECE RUSTICIANO DA PISA - 1925 - Sala 1 Scaff
    OPUSCOLI RACCOLTI NELLA BIBLIOTECA CAPITOLARE SCATOLA. Sala 1 Scaff. 1 F 174 1 ADRIANO AUGUSTO MICHIELI CHI FU E COSA FECE RUSTICIANO DA PISA - 1925 - Sala 1 Scaff. 1 F 174 2 ADRIANO AUGUSTO MICHIELI PER LA STORIA DELLA SOCIETA' DEI XL - 1940 - Sala 1 Scaff. 1 F 174 3 ADRIANO AUGUSTO MICHIELI I LONTANI PRECEDENTI DELLA SISTEMAZIONE DELL'ADIGE - 1940 - Sala 1 Scaff. 1 F 174 4 ADRIANO AUGUSTO MICHIELI IL CANONICO TRIVIGIANO PAOLO APROINO DISCEPOLO ED AMICO DI GALILEI Sala 1 Scaff. 1 F 174 5 ADRIANO AUGUSTO MICHIELI ORAZIO ANTINORI - 1942 - Sala 1 Scaff. 1 F 174 6 ADRIANO AUGUSTO MICHIELI UNA FAMIGLIA DI MATEMATICI E DI POLIGRAFI TRIVIGIANI - IACOPO RICCATI - 1943 - Sala 1 Scaff. 1 F 174 7 ADRIANO AUGUSTO MICHIELI UNA FAMIGLIA DI MATEMATICI E DI POLIGRAFI TRIVIGIANI - VINCENZO RICCATI - 1943 - Sala 1 Scaff. 1 F 174 8 ADRIANO AUGUSTO MICHIELI UNA FAMIGLIA DI MATEMATICI E DI POLIGRAFI TRIVIGIANI - GIORDANO RICCATI - 1943 - Sala 1 Scaff. 1 F 174 9 ADRIANO AUGUSTO MICHIELI UNA FAMIGLIA DI MATEMATICI E DI POLIGRAFI TRIVIGIANI - FRANCESCO RICCATI - 1943 - Sala 1 Scaff. 1 F 174 10 ADRIANO AUGUSTO MICHIELI LA STORIA DI UN CORPO SANTO E UN DONO DEI REZZONICO - 1945 - Sala 1 Scaff. 1 F 174 11 ADRIANO AUGUSTO MICHIELI ANCORA DEL CAN. PAOLO APROINO DELLA SUA GENTE E DELLA COLTURA DEL SUO TEMPO Sala 1 Scaff. 1 F 174 12 ADRIANO AUGUSTO MICHIELI UN GRANDE STUDIOSO DELLA MONTAGNA : QUINTINO SELLA Sala 1 Scaff. 1 F 174 13 ADRIANO AUGUSTO MICHIELI TRE SCIENZATI DA NON SCORDARE Sala 1 Scaff. 1 F 174 14 ADRIANO AUGUSTO MICHIELI UN MAESTRO DI IACOPO RICCATI : STEFANO DEGLI ANGELI Sala 1 Scaff.
    [Show full text]
  • Tuscany Travels Through Art
    TUSCANY TRAVELS THROUGH ART Searching for beauty in the footsteps of great artists tuscany TRAVELS THROUGH ART Searching for beauty in the footsteps of great artists For the first time, a guide presents itineraries that let you discover the lives and works of the great artists who have made Tuscany unique. Architects, sculptors, painters, draughtsmen, inventors and unrivalled genius– es have claimed Tuscany as their native land, working at the service of famous patrons of the arts and leaving a heritage of unrivalled beauty throughout the territory. This guide is essential not only for readers approaching these famous names, ranging from Cimabue to Modigliani, for the first time, but also for those intent on enriching their knowledge of art through new discoveries. An innovative approach, a different way of exploring the art of Tuscany through places of inspiration and itineraries that offer a new look at the illustrious mas– ters who have left their mark on our history. IN THE ITINERARIES, SOME IMPORTANT PLACES IS PRESENTED ** DON’T MISS * INTERESTING EACH ARTIST’S MAIN FIELD OF ACTIVITY IS DISCUSSED ARCHITECT CERAMIST ENGINEER MATHEMATICIAN PAINTER SCIENTIST WRITER SCULPTOR Buon Voyage on your reading trip! Index of artists 4 Leona Battista Alberti 56 Caravaggio 116 Leonardo da Vinci 168 The Pollaiolo Brothers 6 Bartolomeo Ammannati 58 Galileo Chini 118 Filippo Lippi 170 Pontormo 8 Andrea del Castagno 62 Cimabue 120 Filippino Lippi 172 Raffaello Sanzio 10 Andrea del Sarto 64 Matteo Civitali 124 Ambrogio Lorenzetti 174 Antonio Rossellino
    [Show full text]