Poche Parole September 2010
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© 2018 Donata Panizza ALL RIGHTS RESERVED
© 2018 Donata Panizza ALL RIGHTS RESERVED OVEREXPOSING FLORENCE: JOURNEYS THROUGH PHOTOGRAPHY, CINEMA, TOURISM, AND URBAN SPACE by DONATA PANIZZA A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Italian Written under the direction of Professor Rhiannon Noel Welch And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey OCTOBER, 2018 ABSTRACT OF THE DISSERTATION Overexposing Florence: Journeys through Photography, Cinema, Tourism, and Urban Space by DONATA PANIZZA Dissertation Director Rhiannon Noel Welch This dissertation examines the many ways in which urban form and visual media interact in 19th-, 20th-, and 21st-centuries Florence. More in detail, this work analyzes photographs of Florence’s medieval and Renaissance heritage by the Alinari Brothers atelier (1852- 1890), and then retraces these photographs’ relationship to contemporary visual culture – namely through representations of Florence in international cinema, art photography, and the guidebook – as well as to the city’s actual structure. Unlike previous scholarship, my research places the Alinari Brothers’ photographs in the context of the enigmatic processes of urban modernization that took place in Florence throughout the 19th century, changing its medieval structure into that of a modern city and the capital of newly unified Italy from 1865 to 1871. The Alinari photographs’ tension between the establishment of the myth of Florence as the cradle of the Renaissance and an uneasy attitude towards modernization, both cherished and feared, produced a multi-layered city portrait, which raises questions about crucial issues such as urban heritage preservation, mass tourism, (de)industrialization, social segregation, and real estate speculation. -
1 Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the Universi
Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Art History and Visual Culture In March 2017. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (Signature)…………………………………………………………………………….. 1 Abstract The church of Santo Spirito in Florence is universally accepted as one of the architectural works of Filippo Brunelleschi (1377-1446). It is nevertheless surprising that contrary to such buildings as San Lorenzo or the Old Sacristy, the church has received relatively little scholarly attention. Most scholarship continues to rely upon the testimony of Brunelleschi’s earliest biographer, Antonio di Tuccio Manetti, to establish an administrative and artistic initiation date for the project in the middle of Brunelleschi’s career, around 1428. Through an exhaustive analysis of the biographer’s account, and subsequent comparison to the extant documentary evidence from the period, I have been able to establish that construction actually began at a considerably later date, around 1440. It is specifically during the two and half decades after Brunelleschi’s death in 1446 that very little is known about the proceedings of the project. A largely unpublished archival source which records the machinations of the Opera (works committee) of Santo Spirito from 1446-1461, sheds considerable light on the progress of construction during this period, as well as on the role of the Opera in the realization of the church. -
Italy in Song the Great & Grand American Choral Series in Italy Florence · Verona · Venice · Lake Garda
Italy In Song The Great & Grand American Choral Series in Italy Florence · Verona · Venice · Lake Garda Thursday, May 30 – Sunday, June 9, 2019 from $4145 with air / $2500 without air Registration Deadline: November 1, 2018 Experience Italy alongside HSU students during a choral festival in Florence, Italy, and surrounding areas. HSU’s Dr. Clell Wright is directing the festival choir in a performance of the Schubert Mass in G. The trip is open to any and all who want to go. You are welcome to sing in the chorus or simply tag along. Either Florence, Italy way, you’ll have a wonderful experience touring Florence, Verona, Lake Garda, and Venice. If you chose to sing the Schubert, no prior rehearsals are required – familiarize yourself with the piece on your own, then participate in rehearsals after arriving in Italy. (Purchase your copy of the score here: http://bit.ly/2ofgVBc.) The HSU choir will also present a concert in Verona with a repertoire different from the Schubert. If you’d like to sing these pieces with the HSU Choir, you must attend three days of rehearsals in Abilene, immediately prior to departure. TOUR ITINERARY (individual tour descriptions are listed below itinerary section) Day 1 – Thursday, May 30, 2019 Depart DFW (or other airport, as pre-arranged) Day 2 – Friday, May 31, 2019 - Florence Arrive in Rome via Frankfurt, Germany. Travel to Florence via motocoach. Check-in to 4-star hotel* located in central Florence. 7:00 PM-8:00 PM: Organizational meetings at Caffè Gilli or Caffè Pawszowski with MidAm and Custom Travel of Firenze staff. -
Santo Spirito Neighborhood Crawl
florence for free free walks and work-arounds for rich italian adventures neighborhood crawl: santo spirito Distance: 2 km (about 1.2 miles) Time: 25 minute walk in total, plus time (up to a day!) for leisurely exploring Cost: $0 Directions: Start out by crossing the Ponte Vecchio. At the bridge’s end, walk straight ahead, looking for a small piazza on your left with a church tucked in the back corner (Sant Felicita). Venture further down Via de’ Guicciardini, past Palazzo Pitti, onto Via Romana, until you reach Via del Campuccio. Turn right, and then make the next right again at Via Caldaie. Walk up to Santo Spirito, head out at the far right of the piazza and turn left on Via Maggio. Walk down to St. Mark’s Church, cross the street and take that right on Via dei Vellutini down to Piazza della Passera. Take Via dello Sprone back out and follow it until you reach Ponte Santa Trinita. Places to see: • Santa Felicita – One of the oldest worship sites in the city, although the current structure mostly dates back to the 18th century. Head here when open in the early morning and venture in under the Vasari Corridor (the arch-shaped interruption in the church’s facade), which also doubled as a private balcony the Medici could worship from without mingling with ordinary plebs. The inside is certainly inspired by the style of Renaissance heavyweight Brunelleschi – the man who solved the riddle of the cathedral dome. He even designed the chapel immediately to the entrance’s right, today known as the Capponi Chapel, which features two masterpieces by Mannerist favorite Jacopo Pontormo. -
The Corsini Collection: a Window on Renaissance Florence Exhibition Labels
The Corsini Collection: A Window on Renaissance Florence Exhibition labels © Auckland Art Gallery Toi o Tāmaki, 2017 Reproduction in part or in whole of this document is prohibited without express written permission. The Corsini Family Members of the Corsini family settled in Florence in the middle of the 13th century, attaining leading roles in government, the law, trade and banking. During that time, the Republic of Florence became one of the mercantile and financial centres in the Western world. Along with other leading families, the Corsini name was interwoven with that of the powerful Medici until 1737, when the Medici line came to an end. The Corsini family can also claim illustrious members within the Catholic Church, including their family saint, Andrea Corsini, three cardinals and Pope Clement XII. Filippo Corsini was created Count Palatine in 1371 by the Emperor Charles IV, and in 1348 Tommaso Corsini encouraged the foundation of the Studio Fiorentino, the University of Florence. The family’s history is interwoven with that of the city and its citizens‚ politically, culturally and intellectually. Between 1650 and 1728, the family constructed what is the principal baroque edifice in the city, and their remarkable collection of Renaissance and Baroque art remains on display in Palazzo Corsini today. The Corsini Collection: A Window on Renaissance Florence paints a rare glimpse of family life and loyalties, their devotion to the city, and their place within Florence’s magnificent cultural heritage. Auckland Art Gallery Toi o Tāmaki is delighted that the Corsini family have generously allowed some of their treasures to travel so far from home. -
Management Plan Men Agement Plan Ement
MANAGEMENTAGEMENTMANAGEMENTEMENTNAGEMENTMEN PLAN PLAN 2006 | 2008 Historic Centre of Florence UNESCO WORLD HERITAGE he Management Plan of the His- toric Centre of Florence, approved T th by the City Council on the 7 March 2006, is under the auspices of the Historic Centre Bureau - UNESCO World Heritage of the Department of Culture of the Florence Municipality In charge of the Management Plan and coordinator of the project: Carlo Francini Text by: Carlo Francini Laura Carsillo Caterina Rizzetto In the compilation of the Management Plan, documents and data provided di- rectly by the project managers have also been used. INDEXEX INDEX INTRODUCTIONS CHAPTER V 45 Introduction by Antonio Paolucci 4 Socio-economic survey Introduction by Simone Siliani 10 V.1 Population indicators 45 V.2 Indicators of temporary residence. 46 FOREWORD 13 V.3 Employment indicators 47 V.4 Sectors of production 47 INTRODUCTION TO THE MANAGEMENT 15 V.5 Tourism and related activities 49 PLANS V.6 Tourism indicators 50 V.7 Access and availability 51 FIRST PART 17 V.8 Traffi c indicators 54 GENERAL REFERENCE FRAME OF THE PLAN V.9 Exposure to various sources of pollution 55 CHAPTER I 17 CHAPTER VI 56 Florence on the World Heritage List Analysis of the plans for the safeguarding of the site I.1 Reasons for inclusion 17 VI.1 Urban planning and safeguarding methods 56 I.2 Recognition of Value 18 VI. 2 Sector plans and/or integrated plans 60 VI.3 Plans for socio-economic development 61 CHAPTER II 19 History and historical identity CHAPTER VII 63 II.1 Historical outline 19 Summary -
The Catholic Church and the Holocaust, 1930–1965 Ii Introduction Introduction Iii
Introduction i The Catholic Church and the Holocaust, 1930–1965 ii Introduction Introduction iii The Catholic Church and the Holocaust, 1930 –1965 Michael Phayer INDIANA UNIVERSITY PRESS Bloomington and Indianapolis iv Introduction This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://www.indiana.edu/~iupress Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2000 by John Michael Phayer All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and re- cording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of Ameri- can University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Perma- nence of Paper for Printed Library Materials, ANSI Z39.48-1984. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Phayer, Michael, date. The Catholic Church and the Holocaust, 1930–1965 / Michael Phayer. p. cm. Includes bibliographical references and index. ISBN 0-253-33725-9 (alk. paper) 1. Pius XII, Pope, 1876–1958—Relations with Jews. 2. Judaism —Relations—Catholic Church. 3. Catholic Church—Relations— Judaism. 4. Holocaust, Jewish (1939–1945) 5. World War, 1939– 1945—Religious aspects—Catholic Church. 6. Christianity and an- tisemitism—History—20th century. I. Title. BX1378 .P49 2000 282'.09'044—dc21 99-087415 ISBN 0-253-21471-8 (pbk.) 2 3 4 5 6 05 04 03 02 01 Introduction v C O N T E N T S Acknowledgments ix Introduction xi 1. -
Italia Sacra Studi E Documenti Di Storia Ecclesiastica
ITALIA SACRA STUDI E DOCUMENTI DI STORIA ECCLESIASTICA Nuova serie 5 COMITATO SCIENTIFICO S. Fodale - M. Miglio - A. Monticone A. Paravicini Bagliani - A. Rigon M. Rosa - A. Tilatti - F. Traniello - G. Vian italia sacra stUDI E DOCUMENTI DI stORIA ECCLESIastICA Nuova serie 5 enrico BaruZZO OBBedienZA E Parola Vita e azione pastorale di Elia Dalla Costa Istituto storico italiano per il medio evo Roma 2020 con i contributi di Coordinatore scientifico: Isa Lori Sanfilippo Redattore capo: Salvatore Sansone ISBN 978-88-31445-07-8 Stabilimento Tipografico « Pliniana » - Viale F. Nardi, 12 - 06016 Selci-Lama (Perugia) - 2020 SOMMARIO INTRODUZIONE ................................................ XI CAPITOLO PRIMO GLI ANNI DELLA FORMAZIONE E LE PRIME ESPERIENZE pastorali.................................................. 1 1. I primi anni e l’ambiente familiare ............................. 1 2. Il seminario................................................. 6 3. Gli studi universitari e l’insegnamento in seminario ............... 12 4. La permanenza a Pievebelvicino e il primo incarico di parroco a Poz- zoleone..................................................... 24 CAPITOLO SECONDO GLI ANNI DELL’ARCIPRETURA A SCHIO (1911-1923) .......... 35 1. L’arrivo a Schio e l’avvio della collaborazione con Ferdinando Rodolfi nel quadro della crisi modernista ............................... 35 2. L’opera di riorganizzazione della realtà cattolica scledense........... 47 3. L’impegno durante le elezioni del 1913.......................... 56 4. La «sollecitudine pastorale» di Elia Dalla Costa negli anni della Grande Guerra.............................................. 62 5. L’interpretazione della guerra offerta dall’arciprete Elia Dalla Costa .. 74 6. Il difficile dopoguerra a Schio .................................. 81 CAPITOLO TERZO L’EPISCOPATO PADOVANO (1923-1931)....................... 93 1. Un vescovo nella «bufera» padovana: Elia Dalla Costa, il caso Salva- gnini e la vertenza Casa Antoniana Buoni Fanciulli ............... 93 2. -
I Diari E Le Agende Di Luca Pietromarchi (1938-1940)
Ruth Nattermann (Hrsg.): I diari e le agende di Luca Pietromarchi (1938-1940). Politica estera del fascismo e vita quotidiana di un diplomatico romano del ’900 Schriftenreihe Ricerche dell'Istituto Storico Germanico di Roma Band 5 (2009) Herausgegeben vom Deutschen Historischen Institut Rom Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online-Publikationsplattform der Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland, zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat der Creative- Commons-Lizenz Namensnennung-Keine kommerzielle Nutzung-Keine Bearbeitung (CC BY-NC-ND 4.0) unterliegt. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Herunterladen, das Speichern der Daten auf einem eigenen Datenträger soweit die vorgenannten Handlungen ausschließlich zu privaten und nicht-kommerziellen Zwecken erfolgen. Den Text der Lizenz erreichen Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode RICERCHE DELL’ISTITUTO STORICO GERMANICO DI ROMA 5 Collana fondata da Michael Matheus diretta da Gritje Hartmann, Thomas Hofmann, Lutz Klinkhammer, Alexander Koller, Michael Matheus, Andreas Rehberg e Kordula Wolf I diari e le agende di Luca Pietromarchi (1938-1940) Politica estera del fascismo e vita quotidiana di un diplomatico romano del ’900 a cura di Ruth Nattermann viella Copyright © 2009 Istituto Storico Germanico di Roma & Viella S.r.l. Tutti i diritti riservati Prima edizione: settembre 2009 ISBN 978-88-8334-369-8 Traduzione di Gerhard Kuck per l’Introduzione viella libreria editrice via delle Alpi 32 I-00198 ROMA tel. 06 84 17 75 8 fax 06 85 35 39 60 www.viella.it Indice Introduzione di Ruth Nattermann Gli appunti del diplomatico Luca Pietromarchi (1938-1940) 9 I. -
1 Official Tourist Office Website
Official tourist office website http://www.firenzeturismo.it/en/ Drone Tour over Florence https://www.youtube.com/watch?v=z9rc8LmJy3I https://www.youtube.com/watch?v=a-jAU9lOqnI&t=22s https://www.youtube.com/watch?v=DfW-Tn231Skvisit From Piazza del Duomo to Piazza della Signoria What to see: Cathedral, Bell Tower and Baptistery https://www.museumflorence.com/ https://operaduomo.firenze.it/en http://www.bargellomusei.beniculturali.it/musei/3/orsanmichele/ http://musefirenze.it/en/musei/museo-palazzo-vecchio/ The Uffizi Museum https://www.uffizi.it/en 1 North of the Arno What to see: The Bargello Museum http://www.bargellomusei.beniculturali.it/musei/1/bargello/ Santa Croce and the Opera di Santa Croce Museum (Pazzi Chapel) http://www.santacroceopera.it/en/default.aspx http://www.casabuonarroti.it/it/ Piazza SS. Annunziata and the Ospedale degli Innocenti https://www.istitutodeglinnocenti.it/?q=content/what-we-do ’Accademia (with the famous statue of Michelangelo’s David) http://www.galleriaaccademiafirenze.beniculturali.it/ San Marco Monastery and Museum https://www.youtube.com/watch?v=91vteW5Hxfk Palazzo Medici Riccardi http://www.museumsinflorence.com/musei/medici_riccardi_palace.html http://www.bargellomusei.beniculturali.it/musei/2/medicee/ http://www.operamedicealaurenziana.org/en/home-2/ http://museicivicifiorentini.comune.fi.it/en/smn/ Oltrarno (Left or South bank of the Arno) What to see: Ponte Vecchio Ponte Santa Trinita Palazzo Pitti (Galleria Platina, Museo degli Argenti, Galleria del Costume, Museo d’Arte Moderna) https://en.wikipedia.org/wiki/Palazzo_Pitti 2 https://www.youtube.com/watch?v=P917888uVhc https://en.wikipedia.org/wiki/Santo_Spirito,_Florence acci Chapel) http://museicivicifiorentini.comune.fi.it/en/brancacci/ http://museicivicifiorentini.comune.fi.it/en/bardini/ 3 . -
OPUSCOLI RACCOLTI NELLA BIBLIOTECA CAPITOLARE SCATOLA. Sala 1 Scaff. 1 F 174 1 ADRIANO AUGUSTO MICHIELI CHI FU E COSA FECE RUSTICIANO DA PISA - 1925 - Sala 1 Scaff
OPUSCOLI RACCOLTI NELLA BIBLIOTECA CAPITOLARE SCATOLA. Sala 1 Scaff. 1 F 174 1 ADRIANO AUGUSTO MICHIELI CHI FU E COSA FECE RUSTICIANO DA PISA - 1925 - Sala 1 Scaff. 1 F 174 2 ADRIANO AUGUSTO MICHIELI PER LA STORIA DELLA SOCIETA' DEI XL - 1940 - Sala 1 Scaff. 1 F 174 3 ADRIANO AUGUSTO MICHIELI I LONTANI PRECEDENTI DELLA SISTEMAZIONE DELL'ADIGE - 1940 - Sala 1 Scaff. 1 F 174 4 ADRIANO AUGUSTO MICHIELI IL CANONICO TRIVIGIANO PAOLO APROINO DISCEPOLO ED AMICO DI GALILEI Sala 1 Scaff. 1 F 174 5 ADRIANO AUGUSTO MICHIELI ORAZIO ANTINORI - 1942 - Sala 1 Scaff. 1 F 174 6 ADRIANO AUGUSTO MICHIELI UNA FAMIGLIA DI MATEMATICI E DI POLIGRAFI TRIVIGIANI - IACOPO RICCATI - 1943 - Sala 1 Scaff. 1 F 174 7 ADRIANO AUGUSTO MICHIELI UNA FAMIGLIA DI MATEMATICI E DI POLIGRAFI TRIVIGIANI - VINCENZO RICCATI - 1943 - Sala 1 Scaff. 1 F 174 8 ADRIANO AUGUSTO MICHIELI UNA FAMIGLIA DI MATEMATICI E DI POLIGRAFI TRIVIGIANI - GIORDANO RICCATI - 1943 - Sala 1 Scaff. 1 F 174 9 ADRIANO AUGUSTO MICHIELI UNA FAMIGLIA DI MATEMATICI E DI POLIGRAFI TRIVIGIANI - FRANCESCO RICCATI - 1943 - Sala 1 Scaff. 1 F 174 10 ADRIANO AUGUSTO MICHIELI LA STORIA DI UN CORPO SANTO E UN DONO DEI REZZONICO - 1945 - Sala 1 Scaff. 1 F 174 11 ADRIANO AUGUSTO MICHIELI ANCORA DEL CAN. PAOLO APROINO DELLA SUA GENTE E DELLA COLTURA DEL SUO TEMPO Sala 1 Scaff. 1 F 174 12 ADRIANO AUGUSTO MICHIELI UN GRANDE STUDIOSO DELLA MONTAGNA : QUINTINO SELLA Sala 1 Scaff. 1 F 174 13 ADRIANO AUGUSTO MICHIELI TRE SCIENZATI DA NON SCORDARE Sala 1 Scaff. 1 F 174 14 ADRIANO AUGUSTO MICHIELI UN MAESTRO DI IACOPO RICCATI : STEFANO DEGLI ANGELI Sala 1 Scaff. -
Tuscany Travels Through Art
TUSCANY TRAVELS THROUGH ART Searching for beauty in the footsteps of great artists tuscany TRAVELS THROUGH ART Searching for beauty in the footsteps of great artists For the first time, a guide presents itineraries that let you discover the lives and works of the great artists who have made Tuscany unique. Architects, sculptors, painters, draughtsmen, inventors and unrivalled genius– es have claimed Tuscany as their native land, working at the service of famous patrons of the arts and leaving a heritage of unrivalled beauty throughout the territory. This guide is essential not only for readers approaching these famous names, ranging from Cimabue to Modigliani, for the first time, but also for those intent on enriching their knowledge of art through new discoveries. An innovative approach, a different way of exploring the art of Tuscany through places of inspiration and itineraries that offer a new look at the illustrious mas– ters who have left their mark on our history. IN THE ITINERARIES, SOME IMPORTANT PLACES IS PRESENTED ** DON’T MISS * INTERESTING EACH ARTIST’S MAIN FIELD OF ACTIVITY IS DISCUSSED ARCHITECT CERAMIST ENGINEER MATHEMATICIAN PAINTER SCIENTIST WRITER SCULPTOR Buon Voyage on your reading trip! Index of artists 4 Leona Battista Alberti 56 Caravaggio 116 Leonardo da Vinci 168 The Pollaiolo Brothers 6 Bartolomeo Ammannati 58 Galileo Chini 118 Filippo Lippi 170 Pontormo 8 Andrea del Castagno 62 Cimabue 120 Filippino Lippi 172 Raffaello Sanzio 10 Andrea del Sarto 64 Matteo Civitali 124 Ambrogio Lorenzetti 174 Antonio Rossellino