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Official tourist office website http://www.firenzeturismo.it/en/ Drone Tour over Florence https://www.youtube.com/watch?v=z9rc8LmJy3I https://www.youtube.com/watch?v=a-jAU9lOqnI&t=22s https://www.youtube.com/watch?v=DfW-Tn231Skvisit From Piazza del Duomo to Piazza della Signoria What to see: Cathedral, Bell Tower and Baptistery https://www.museumflorence.com/ https://operaduomo.firenze.it/en http://www.bargellomusei.beniculturali.it/musei/3/orsanmichele/ http://musefirenze.it/en/musei/museo-palazzo-vecchio/ The Uffizi Museum https://www.uffizi.it/en 1 North of the Arno What to see: The Bargello Museum http://www.bargellomusei.beniculturali.it/musei/1/bargello/ Santa Croce and the Opera di Santa Croce Museum (Pazzi Chapel) http://www.santacroceopera.it/en/default.aspx http://www.casabuonarroti.it/it/ Piazza SS. Annunziata and the Ospedale degli Innocenti https://www.istitutodeglinnocenti.it/?q=content/what-we-do ’Accademia (with the famous statue of Michelangelo’s David) http://www.galleriaaccademiafirenze.beniculturali.it/ San Marco Monastery and Museum https://www.youtube.com/watch?v=91vteW5Hxfk Palazzo Medici Riccardi http://www.museumsinflorence.com/musei/medici_riccardi_palace.html http://www.bargellomusei.beniculturali.it/musei/2/medicee/ http://www.operamedicealaurenziana.org/en/home-2/ http://museicivicifiorentini.comune.fi.it/en/smn/ Oltrarno (Left or South bank of the Arno) What to see: Ponte Vecchio Ponte Santa Trinita Palazzo Pitti (Galleria Platina, Museo degli Argenti, Galleria del Costume, Museo d’Arte Moderna) https://en.wikipedia.org/wiki/Palazzo_Pitti 2 https://www.youtube.com/watch?v=P917888uVhc https://en.wikipedia.org/wiki/Santo_Spirito,_Florence acci Chapel) http://museicivicifiorentini.comune.fi.it/en/brancacci/ http://museicivicifiorentini.comune.fi.it/en/bardini/ 3 .

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Discovering Florence in the Footsteps of Dante Alighieri: “Must-Sees”
1 JUNE 2021 MICHELLE 324 DISCOVERING FLORENCE IN THE FOOTSTEPS OF DANTE ALIGHIERI: “MUST-SEES” In 1265, one of the greatest poets of all time was born in Florence, Italy. Dante Alighieri has an incomparable legacy… After Dante, no other poet has ever reached the same level of respect, recognition, and fame. Not only did he transform the Italian language, but he also forever altered European literature. Among his works, “Divine Comedy,” is the most famous epic poem, continuing to inspire readers and writers to this day. So, how did Dante Alighieri become the father of the Italian language? Well, Dante’s writing was different from other prose at the time. Dante used “common” vernacular in his poetry, making it more simple for common people to understand. Moreover, Dante was deeply in love. When he was only nine years old, Dante experienced love at first sight, when he saw a young woman named “Beatrice.” His passion, devotion, and search for Beatrice formed a language understood by all - love. For centuries, Dante’s romanticism has not only lasted, but also grown. For those interested in discovering more about the mysteries of Dante Alighieri and his life in Florence , there are a handful of places you can visit. As you walk through the same streets Dante once walked, imagine the emotion he felt in his everlasting search of Beatrice. Put yourself in his shoes, as you explore the life of Dante in Florence, Italy. Consider visiting the following places: Casa di Dante Where it all began… Dante’s childhood home. Located right in the center of Florence, you can find the location of Dante’s birth and where he spent many years growing up.
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The Flowering of Florence: Botanical Art for the Medici" on View at the National Gallery of Art March 3 - May 27, 2002
Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Release Date: February 26, 2002 Passion for Art and Science Merge in "The Flowering of Florence: Botanical Art for the Medici" on View at the National Gallery of Art March 3 - May 27, 2002 Washington, DC -- The Medici family's passion for the arts and fascination with the natural sciences, from the 15th century to the end of the dynasty in the 18th century, is beautifully illustrated in The Flowering of Florence: Botanical Art for the Medici, at the National Gallery of Art's East Building, March 3 through May 27, 2002. Sixty-eight exquisite examples of botanical art, many never before shown in the United States, include paintings, works on vellum and paper, pietre dure (mosaics of semiprecious stones), manuscripts, printed books, and sumptuous textiles. The exhibition focuses on the work of three remarkable artists in Florence who dedicated themselves to depicting nature--Jacopo Ligozzi (1547-1626), Giovanna Garzoni (1600-1670), and Bartolomeo Bimbi (1648-1729). "The masterly technique of these remarkable artists, combined with freshness and originality of style, has had a lasting influence on the art of naturalistic painting," said Earl A. Powell III, director, National Gallery of Art. "We are indebted to the institutions and collectors, most based in Italy, who generously lent works of art to the exhibition." The Exhibition Early Nature Studies: The exhibition begins with an introductory section on nature studies from the late 1400s and early 1500s.
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Orsanmichele and the History and Preservation of the Civic Monument
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Florence Next Time Contents & Introduction
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The Best of Renaissance Florence April 28 – May 6, 2019
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Sources of Donatello's Pulpits in San Lorenzo Revival and Freedom of Choice in the Early Renaissance*
! " #$ % ! &'()*+',)+"- )'+./.#')+.012 3 3 %! ! 34http://www.jstor.org/stable/3047811 ! +565.67552+*+5 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org THE SOURCES OF DONATELLO'S PULPITS IN SAN LORENZO REVIVAL AND FREEDOM OF CHOICE IN THE EARLY RENAISSANCE* IRVING LAVIN HE bronze pulpits executed by Donatello for the church of San Lorenzo in Florence T confront the investigator with something of a paradox.1 They stand today on either side of Brunelleschi's nave in the last bay toward the crossing.• The one on the left side (facing the altar, see text fig.) contains six scenes of Christ's earthly Passion, from the Agony in the Garden through the Entombment (Fig.
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Welcome Pitcher & Flaccomio Picks for August
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Notes on a Florence Visit
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1 Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the Universi
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