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Celebrating the Best American Poetry 2018 at Villanova[3]
Celebrating the Best American Poetry 2018 at Villanova February 6, 2019 5:00 Connelly Center Cinema 6:15 (St. David’s Room) Reception and Book Signing Villanova University is honored to host the regional launch of the thirtieth anniversary edition of The Best American Poetry, guest edited by Dana Gioia, David Lehman, general editor. For three decades, the Best American Poetry has served as an annual occasion to recognize new work by American authors; inclusion is one of the great honors established and emerging poets may receive. The anthology was officially launched at New York University, in September 2018, but Villanova now brings together six of the anthology’s authors, along with David Lehman, for an evening of reading, discussion, and fellowship on our campus. David Lehman will chair the event, which will feature short readings from six poets: Maryann Corbett, Ernest Hilbert, Mary Jo Salter, Adrienne Su, Ryan Wilson, and Villanova’s own James Matthew Wilson. The public is warmly invited to this special evening to celebrate the achievement of contemporary letters and to join us for food and conversation afterwards. This event is sponsored by the Honors Program, the Villanova Center for Liberal Education, the Department of English, and the Department of Humanities. For more information, contact James Matthew Wilson, at [email protected] About the poets Maryann Corbett was born in Washington, DC, and grew up in northern Virginia. She earned a BA from the College of William and Mary and an MA and PhD from the University of Minnesota. She has published three books of poetry: Breath Control (2012); Credo for the Checkout Line in Winter (2013), which was a finalist for the Able Muse Book Prize; and Mid Evil (2014), the winner of the Richard Wilbur Award. -
Culture and Humor in Postwar American Poetry
Palacký University, Olomouc Culture and Humor in Postwar American Poetry Jiří Flajšar Olomouc 2014 Reviewers: doc. Mgr. Jakub Guziur, Ph.D. Mgr. Vladimíra Fonfárová “The research and publication of this book was in the years 2012–2014 financed by the Faculty of Arts, Palacký University, Olomouc from the Fund for the Research Advancement.” All rights reserved. No part of this publication may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, now known or hereafter invented, without written permission by the copyright holder. © Jiří Flajšar, 2014 © Palacký University, Olomouc, 2014 First Edition ISBN 978-80-244-4158-0 This book is dedicated to my family. Contents Introduction 7 Crisis or Not: On the Situation of American Poetry and Its Audience 17 Humor as a Method in Postwar American Culture Poetry 33 Allen Ginsberg: Odyssey in the American Supermarket 43 Kenneth Koch: The Poet as Serious Comic 63 “Reality U.S.A.”: The Poetry of Mark Halliday 81 R.S. Gwynn: The New Formalist Shops at the Mall 107 Campbell McGrath: The Poet as a Representative Product of American Culture 127 Tony Hoagland: The Poetry of Ironic Self-Deprecation 185 Billy Collins: The Genteel Commentator 207 Culture, Identity, and Humor in Contemporary Chinese-American Poetry 215 Bibliography 227 Index 247 Introduction The United States themselves are essentially the greatest poem. —Walt Whitman Something we were withholding made us weak Until we found out that it was ourselves We were withholding from our land of living —Robert Frost What counted was mythology of the self, Blotched out beyond unblotching. -
Authorial and Editorial Voices in Translation
Authorial and Editorial Voices in Translation Wednesday 2nd November 2011 - KUA Auditorium 23.0.49 Michelle Woods: Sense and Censorship: Authors and the Agents of Change In 1969, Milan Kundera sent an angry public denunciation of his English publishers to the Times Literary Supplement, comparing them to the "Moscow censors" who had delayed the publication of his first novel, The Joke, for two years, and who would ban all his work in Czechoslovakia in 1970. Kundera suggested that the substantial cuts to the text, and reworking of the novel's chronology, amounted to a form of market censorship by the editors and publisher. Kundera is well-known for his antipathy to translators, but in fact much of his ire focused on the editing of his translations, performed by people with no knowledge of the language or culture behind his work, and whose bottom line rested on selling a commercially viable product. To what extent can the work of those handling translations - editors, publishers, directors, producers - become a form of censorship? Is is possible, or even helpful, to speak of censorship when looking at the work done to translations, once the actual translation work has been completed? What kind of changes are made to translations before they are published or performed? Is there an ideological context behind those changes even in free and democratic societies? Are form and style a battleground in an increasingly homogenous notion of what good, commercially viable writing is? In this paper, I want to use the examples of two Czech writers: Milan Kundera and Václav Havel, to examine the pressures placed on translators and writers by those other agents (or, as Maria Tymoczko writes, "external constraints"). -
Reading by David Lehman
FOR IMMEDIATE PRESS RELEASE 4-5-17 EVENTS: Poets of National Stature Reading Series presents: Leading poet David Lehman o Reading by David Lehman, author of Poems in the Manner Of… at Writer’s Block o Dylan, the Nobel, & the Jewish American Songbook, lecture & discussion led by David Lehman. WHO: David Lehman is one of America’s leading poets using humor and everyday language to bring us great insight into the most powerful thoughts and feelings of life. He wrote an article recently regarding Bob Dylan and the Nobel Prize for the Wall Street Journal and was quoted prominently on the topic in the Washington Post. David Lehman’s books include Yeshiva Boys, A Fine Romance: Jewish Songwriters American Songs, and most recently, Poems in the Manner of.... He edits the Best American Poetry series the Oxford Book ofAmerican Poetry. As series editor, he has earned high acclaim for his pivotal role in garnering contemporary American poetry a larger audience. One of the foremost editors, literary critics, and anthologists of contemporary American literature, David Lehman is also one of our most accomplished poets. WHEN: Reading by David Lehman: Saturday, May 20, 7:00-8:30 p.m., Writer’s Block 1020 Fremont St #100, Las Vegas, NV 89101. Dylan, the Nobel, & the Jewish American Songbook – Lecture & Discussion by David Lehman: Sunday, May 21, 3 - 4:30 p.m. Congregation Ner Tamid, Beit Tefillah (Room) 55 N Valle Verde Dr, Henderson, NV 89074. COST: Both events are free and open to the public. CONTACT: Bruce Isaacson, CC Poet Laureate 702-205-7100 or [email protected] Angela M. -
The Best American Poetry 2009 Series Editor David Lehman 1St Edition Download Free
THE BEST AMERICAN POETRY 2009 SERIES EDITOR DAVID LEHMAN 1ST EDITION DOWNLOAD FREE David Wagoner | 9780743299770 | | | | | The Best American Poetry 2009 : Series Editor David Lehman Views Read Edit View history. The list doesn't have to make any sense at all. All right, I'll say weird stuff about the fifty states, just meaningless stuff, and string it all togetherthinks Bibbins's clogged brain one fall morning at the New School. Please enter a valid email address. The editor groups poems of particular styles together, and they seemed to progress from more traditional to those that have a more modern flavor. Email address. Known for his marvelous narrative skill and humane wit, David Wagoner is one of the few poets of his generation to win the universal admiration of his peers. Like, what are the things I would do if I met Moses in a laundry room in a twenty-fifth century spaceship? He has been a contributing editor at The American Scholar[35] sincewhere he acts as quiz master for the weekly column Next Line, Pleasea public poetry-writing contest, in addition to writing various articles. A smile of complicity. For years, the Best American Poetry series, edited by David Lehman, has been on a downward slope using slope in the most generous sense of the word. Lehman, David December 4, And poets in America today are defining nothing as much as they are defining poetry itself. About This Item. Join HuffPost. See our disclaimer. This is gibberish pretending to be poetry. To ensure we are able to help you as best we can, please include your reference number:. -
Furiousflower2014 Program.Pdf
Dedication “We are each other’s harvest; we are each other’s business; we are each other’s magnitude and bond.” • GWENDOLYN BROOKS Dedicated to the memory of these poets whose spirit lives on: Ai Margaret Walker Alexander Maya Angelou Alvin Aubert Amiri Baraka Gwendolyn Brooks Lucille Clifton Wanda Coleman Jayne Cortez June Jordan Raymond Patterson Lorenzo Thomas Sherley Anne Williams And to Rita Dove, who has sharpened love in the service of myth. “Fact is, the invention of women under siege has been to sharpen love in the service of myth. If you can’t be free, be a mystery.” • RITA DOVE Program design by RobertMottDesigns.com GALLERY OPENING AND RECEPTION • DUKE HALL Events & Exhibits Special Time collapses as Nigerian artist Wole Lagunju merges images from the Victorian era with Yoruba Gelede to create intriguing paintings, and pop culture becomes bedfellows with archetypal imagery in his kaleidoscopic works. Such genre bending speaks to the notions of identity, gender, power, and difference. It also generates conversations about multicultur- alism, globalization, and transcultural ethos. Meet the artist and view the work during the Furious Flower reception at the Duke Hall Gallery on Wednesday, September 24 at 6 p.m. The exhibit is ongoing throughout the conference, 10 a.m. to 5 p.m. FUSION: POETRY VOICED IN CHORAL SONG FORBES CENTER FOR THE PERFORMING ARTS Our opening night concert features solos by soprano Aurelia Williams and performances by the choirs of Morgan State University (Eric Conway, director) and James Madison University (Jo-Anne van der Vat-Chromy, director). In it, composer and pianist Randy Klein presents his original music based on the poetry of Margaret Walker, Michael Harper, and Yusef Komunyakaa. -
Workshop Descriptions Poet Biographies
WORKSHOP POET DESCRIPTIONS BIOGRAPHIES 2 KEYNOTE SPEAKER David Yezzi: David Yezzi’s latest books of poetry are Birds of the Air and Black Sea. His verse play Schnauzer was recently published by Exot Books. A former director of the Unterberg Poetry Center of the 92nd Street Y in New York, he is chair of the Writing Seminars at Johns Hopkins and editor of the The Hopkins Review. He is currently at work on the biography of Anthony Hecht. 3-DAY CRITICAL SEMINAR ON AMERICAN MASTER ANTHONY HECHT WITH DAVID YEZZI Anthony Hecht (1923-2004) returned from combat in WW II devastated by the horrors he had seen. Soon after, he established a lifelong connection to Italy that began with a move to the island of Ischia (where he met W. H. Auden) and ended at the Bogliasco Foundation, near Genoa, where he wrote his final poems in 2004. A longtime professor of Shakespeare and a United Sates Poet Laureate, Hecht won the Pulitzer Prize for The Hard Hours in 1968. Possible areas of interest for seminar participants include Shakespeare, the Bible, war poetry, Post Traumatic Stress, the Holocaust, Renaissance poetry, twentieth-century poetry, Jewish studies, the New Criticism, dramatic poetry, and W. H. Auden. In addition to experiencing a high level of discourse on one of America’s most important poetic voices, participants will present brief papers on an individual Hecht poem or on an aspect of Hecht’s life and work. Presentations will be followed by group discussion. 3 Robert Archambeau is a poet and critic whose books include the critical studies Laureates and Heretics: Six Careers in American Poetry, The Poet Resigns: Poetry in a Difficult World, and Inventions of a Barbarous Age: Poetry from Conceptualism to Rhyme. -
Booby, Be Quiet! Eiríkur Örn Norðdahl Booby, Be Quiet! CONTENTS
BOOBY, BE QUIET! Eiríkur Örn Norðdahl BOOBY, BE QUIET! CONTENTS 7 A brief history of nýhilism: Felix culpa 14 The importance of destroying a language (of one’s own) 24 You are a pipe 33 The rebellion and the apathy 42 Mind the sound 59 The metaphorical crisis 74 Mock Duck Mandarin – the sound and the fury 100 Attention: Attention 103 Literature in the land of the inherently cute – the search for literary crisis 125 THE GRAPEVIne ColUmnS 126 Icelandic art makes me feel nothing at all 128 Hay-grinder of the greenpeace-kitten earth-channels of the desert-asphalt sugar-free beach-found transparent salt-Coke 131 Warning: You don’t need poetry 134 Two thousand krónur’s worth of freedom 136 Poetry – to the death! 138 Award this! © Eiríkur Örn Norðdahl, 2011 141 Poetics Anonymous 144 The word is a virus Graphic design: Liina Luoma 146 Killing yourself with poetry ISBN 978-952-5954-06-7 (paperback) 148 Longest Poem in the World (dot com) ISBN 978-952-5954-24-1 (PDF) 151 Babe, come onto me Printed by Hansaprint Oy, Vantaa, Finland, 2011 153 Speaking like a God 156 I’ll have what he’s having A brief history of nýhilism: Felix culpa 159 READ THIS COLUMN DON’T READ THIS COLUMN NOW READ 162 Poetry and prose 164 The death of a poem I 166 So what, you gonna cry now? 168 The barbaric arts If a Lorentzian spacetime contains a compact region Ω, and 171 Canon fodder if the topology of Ω is of the form Ω ~ R x Σ, where Σ is a 174 Left, right and center – a self-righteous rant three-manifold of nontrivial topology, whose boundary has 177 A few words about the surprising qualities of topology of the form dΣ ~ S², and if furthermore the hy- sucking really hard persurfaces Σ are all spacelike, then the region Ω contains a 180 Inscribed around the rectum of a Hollywood superstar quasipermanent intra-universe wormhole.1 183 Cotery poelumn: Pwoermds 185 Gung Ho When one tries to speak of poetry one usually starts by mak- 188 There’s a new screen in town ing a really big circle, a really really big circle that engulfs the 191 Experimentalism is a humanism entire universe. -
CLAUDIA RANKINE Curriculum Vitae Home Address And
CLAUDIA RANKINE Curriculum vitae Home address and telephone: Office address and telephone: 55 West 25th Street, 35C Yale University New York, NY 10010 Dept. of African American Studies cell: 909. 971.7046 81 Wall Street voice: 909.625.3434 New Haven, CT 06511 fax: 909.625.3434 (must notify) voice: 203.432.1177 email: [email protected] fax: 203.432.2102 EDUCATION 1993 M.F.A. in Poetry, Columbia University 1986 B.A. in Literature, Williams College ACADEMIC EMPLOYMENT September 2016 - Iseman Professor of Poetry, Yale University. July 2015 - June 2016 Aerol Arnold Professor of English, USC Dornsife July 2006 - July 2016 Henry G. Lee Professor, English Department, Pomona College. August 2004 - June 2006 Associate Professor, Creative Writing, University of Houston. August 2003 - June 2004 Associate Professor, English Department, University of Georgia. July 1996 - June 2003 Assistant Professor, English Department, Barnard College. January 1994 - June 1996 Assistant Professor, Case Western Reserve University. Other teaching: December 2006 Guest Faculty, Queens College MFA Program for Writers. August 2002 - June 2003 Visiting Faculty, Iowa Writers’ Workshop, University of Iowa. July 1996 - June 1999 Guest Faculty, Warren Wilson College MFA Program for Writers. January 1994 - July 1994 Lecturer, Women in Literature, Cleveland State University. Primary teaching field: Creative writing; poetry. Recent undergraduate courses: Introduction to creative writing workshop; advanced poetry writing workshop; African-American novel; African-American poetry. -
Re-Imagining the Convicts
Re-imagining the Convicts: History, Myth and Nation in Contemporary Australian Fictions of Early Convictism MARTIN JOHN STANIFORTH Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of English July 2015 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Martin John Staniforth The right of Martin John Staniforth to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 1 ACKNOWLEDGEMENTS First and foremost my thanks go to my supervisor, Professor Stuart Murray, without whose encouragement, enthusiasm and challenge this thesis would be much the poorer. He provided me with valuable help and advice over the years when I was working on this subject and was generous with both his time and his knowledge. Second I am grateful to the University of Leeds for funding to support my attendance at conferences in Australia and New Zealand which enabled me both to present aspects of my work to a wider audience and to benefit from listening to, and discussing with, a range of scholars of Australian literature. Third I have benefitted from help from a number of libraries which have provided me with material. My thanks go to all the staff involved but particularly those at the Brotherton Library, University of Leeds, the British Library, and the State Library of New South Wales, Sydney. -
A Bibliography of Australian Literary Responses to 'Asia'
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Flinders Academic Commons A Bibliography of Australian Literary Responses to 'Asia' compiled by Lyn Jacobs and Rick Hosking Cover illustration : Pobasso, a Malay chief Flinders Library William Westall, 1781-1850 Pencil; 27.7 x 17.6 cm Publication Series: No. 2 National Library of Australia Reproduced with the permission of The Library, the National Library of Australia Flinders University Refer to the Appendix B for details Adelaide 1995 ISBN 0-7258-0588-9 Contents Acknowledgments South East Asia (cont.) About The Authors Thailand Poetry Introduction Short Stories Novels Asia (general) Timor Poetry Poetry Short Stories Short Stories Novels Novels Plays Plays Vietnam Poetry North East Asia: Short Stories China Novels Anthologies Poetry Short Stories Plays Novels South Asia Plays Anthologies South Asia (general) Hong Kong Poetry Poetry Short Stories Short Stories Novels Novels Bangladesh Plays Poetry Japan Novels Poetry India Short Stories Poetry Novels Short Stories Plays Novels Korea Plays Poetry Nepal Novels Poetry Plays Short Stories Taiwan Novels Poetry Pakistan Short Stories Poetry Short Stories South East Asia Novels SE Asia (general) Sri Lanka Poetry Poetry Short Stories Short Stories Novels Novels Bali Plays Poetry Tibet Short Stories Poetry Novels Novels Plays Papua New Guinea Burma Short Stories Novels Cambodia (Kampuchea) Poetry Poetry Short Stories Short Stories Novels Novels Plays Indonesia Poetry Appendices Short Stories Appendix A - Tables Novels Appendix B - Cover illustration Plays Laos Poetry Short Stories Novels Malaysia Poetry Short Stories Novels Plays Philippines Poetry Short Stories Novels Plays Singapore Poetry Short Stories Novels Plays Acknowledgments This bibliography was compiled with the assistance of a grant from the Flinders University Research Committee. -
Conference Program
Association for the Study of Literature and Environment Thirteenth Biennial Conference June, 2019 Dear ASLE Conference Participants: On behalf of UC Davis, it’s my pleasure to welcome you to the Association for the Study of Literature and Environment’s Thirteenth Biennial Conference. It’s an honor to open our campus to you as a resource. We’re proud of the breadth, depth and excellence of our scholarship and research in environmental sciences. UC Davis serves as a model of environmental sustainability, not only to our students, but also to industry and the public at large. The innovations coming out of our Institute of Transportation Studies have shaped the direction of clean-fuel policies and technologies in California and the nation. Our West Village housing community is the largest planned “zero net energy” community in the nation. In addition, our sustainable practices on campus earned UC Davis the “greenest-in-the-U.S.” ranking in the UI GreenMetric World University Rankings. We’re working hard to make UC Davis a completely zero-carbon campus by 2025. All of these things speak to our long-standing commitment to sustainability. This conference provides a forum for networking opportunities and crucial discussions to inform and invigorate our commitment to practices that are both environmentally sustainable and socially just. There’s never been a better time to engage our broader communities in conversations about these topics. I want to thank our UC Davis faculty, students and partners for hosting this important conference for scholars, educators and writers in environmental humanities. Enjoy the conference and take time to explore our beautiful campus.