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CONTEMPORARY CHINA: a BOOK LIST (Winter 1999 — FIRST ON-LINE EDITION, MS Word, L&R Margins 0.9") by Lynn White
PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST (Winter 1999 — FIRST ON-LINE EDITION, MS Word, L&R margins 0.9") by Lynn White This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of the seminars WWS 576a/Pol. 536 on "Chinese Development" and Pol. 535 on "Chinese Politics," as well as the undergraduate lecture course, Pol. 362; --to provide graduate students with a list that can help their study for comprehensive exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not too much should be made of this, because some such books may be too old for students' purposes or the subjects may not be central to present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan. Students with specific research topics should definitely meet Laird Klingler, who is WWS Librarian and the world's most constructive wizard. This list cannot cover articles, but computer databases can. Rosemary Little and Mary George at Firestone are also enormously helpful. Especially for materials in Chinese, so is Martin Heijdra in Gest Library (Palmer Hall; enter up the staircase near the "hyphen" with Jones Hall). Other local resources are at institutes run by Chen Yizi and Liu Binyan (for current numbers, ask at EAS, 8-4276). Professional bibliographers are the most neglected major academic resource at Princeton. -
PDF Du Chapitre
Ruth Finnegan Oral Literature in Africa Open Book Publishers 10. Topical and Political Songs Publisher: Open Book Publishers Place of publication: Open Book Publishers Year of publication: 2012 Published on OpenEdition Books: 7 February 2014 Serie: World Oral Literature Series Electronic ISBN: 9781906924720 http://books.openedition.org Electronic reference FINNEGAN, Ruth. 10. Topical and Political Songs In: Oral Literature in Africa [online]. Cambridge: Open Book Publishers, 2012 (generated 26 avril 2021). Available on the Internet: <http:// books.openedition.org/obp/1197>. ISBN: 9781906924720. 10. Topical and Political Songs Topical and local poetry. Songs of political parties and movements: Mau Mau hymns; Guinea R.D.A. songs; Northern Rhodesian party songs. It has been well said that oral poetry takes the place of newspapers among non-literate peoples. Songs can be used to report and comment on current affairs, for political pressure, for propaganda, and to reflect and mould public opinion. This political and topical function can be an aspect of many of the types of poetry already discussed—work songs, lyric, praise poetry, even at times something as simple as a lullaby—but it is singled out for special discussion in this chapter. It is of particular importance to draw attention to this and to give a number of examples because of the common tendency in studies of African verbal art to concentrate mainly on the ‘traditional’—whether in romanticizing or in deprecating tone—and to overlook its topical functions, especially its significance in contemporary situations. There have been a few admirable exceptions to this attitude to African oral literature, notably Tracey and others associated with the African Music Society (see esp. -
Performances of Border: Theatre and the Borders of Germany, 1980-2015
Performances of Border: Theatre and the borders of Germany, 1980-2015 A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Misha Hadar IN PARTIAL FULFILLMENT OF THE REQUIERMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Adviser: Professor Margaret Werry November 2020 COPYRIGHT © 2020 MISHA HADAR Acknowledgements I could not have written this dissertation without my advisor Margaret Werry, whose support and challenge throughout this process, the space and confidence she offered, made this possible. I want to thank my committee members: Michal Kobialka, Sonja Kuftinec, Hoon Song and Matthias Rothe. You have been wonderful teachers to me, people to think with, models to imagine a life of scholarship, and friends through a complicated process. I want to thank the rest of the Theatre Arts and Dance department at the University of Minnesota, who were a wonderful intellectual community to me. And then all of my graduate student friends, from the department and beyond, who were there to think this project with me, to listen, to question, and to encourage. Special thanks in this to my cohort, Sarah Sadler, my first base in Minneapolis Bryan Schmidt, and Baruch Malewich. I want to thank family, near and further away, who were important and kind support. And finally, to my wonderful partner Elif Kalaycioglu, with whom this whole rollercoaster has been shared, and who was always there to push and pull us along. i Table of Contents Introduction ........................................................................................................................ 1 CHAPTER I: The Turkish Ensemble and the Cultural Border .................................... 21 CHAPTER II: Transit Europa and the Historiographic Border ................................. 104 CHAPTER III: The First Fall of the European Wall, Compassion, and the Humanitarian Border ................................................................................................... -
Vol. 2, No. 1 (Trinity 2018)
Vol. 2, No. 1 (Trinity 2018) Th e 2001 Authorization for Use of Military Force and America’s Endless War Harrison Akins Th e Intersection of the Bosnian War, the Mujahideen, and Counterterrorism Measures in Bosnia and Herzegovina Nicola Mathieson Th e Quest for Islam in a Virtual Maze: How the Internet is Shaping Religious Knowledge among Young Muslims in Berlin-Kreuzberg Ines Gassal-Bosch Arab, Unionist, Republican: Th e Case of Ma'rūf al-Ruṣāfī Chris Hitchcock Memories and Narrations of “Nations” Past: Accounts of Early Migrants from Kerala in the Gulf in the Post-Oil Era M. H. Ilias 1 Oxford Middle East Review Vol. 2, No. 1 (Trinity 2018) Copyright © 2018 OMER | Oxford Middle East Review. All rights reserved. Senior Member Prof Eugene Rogan Managing Editors Krystel De Chiara, St Antony’s College Alexis Nicholson, St Antony’s College Section Editors Ameer Al-Khudari, St Antony’s College Ivo Bantel, St Antony’s College Manuel Giardino, Magdalen College Allison Holle, Exeter College Amaan Merali, St Cross College Bahar Saba, Wadham College Marral Shamshiri-Fard, St Antony’s College Chief Copy Editors Ceighley Cribb, St Antony’s College Naomi Lester, St Anne’s College Treasurer Naomi Lester, St Anne’s College Public Relations Manager Timo Schmidt, St Antony’s College Production Manager Allison Holle, Exeter College Events Manager Jeremy Jacobellis, Exeter College 2 Oxford Middle East Review is a non-partisan project that seeks to bring together a wide range of individuals with different backgrounds, beliefs, ideas, aspirations, viewpoints, and methodologies, while sharing an adherence to principles of equality, social justice, freedom of speech, and tolerance. -
Authorial and Editorial Voices in Translation
Authorial and Editorial Voices in Translation Wednesday 2nd November 2011 - KUA Auditorium 23.0.49 Michelle Woods: Sense and Censorship: Authors and the Agents of Change In 1969, Milan Kundera sent an angry public denunciation of his English publishers to the Times Literary Supplement, comparing them to the "Moscow censors" who had delayed the publication of his first novel, The Joke, for two years, and who would ban all his work in Czechoslovakia in 1970. Kundera suggested that the substantial cuts to the text, and reworking of the novel's chronology, amounted to a form of market censorship by the editors and publisher. Kundera is well-known for his antipathy to translators, but in fact much of his ire focused on the editing of his translations, performed by people with no knowledge of the language or culture behind his work, and whose bottom line rested on selling a commercially viable product. To what extent can the work of those handling translations - editors, publishers, directors, producers - become a form of censorship? Is is possible, or even helpful, to speak of censorship when looking at the work done to translations, once the actual translation work has been completed? What kind of changes are made to translations before they are published or performed? Is there an ideological context behind those changes even in free and democratic societies? Are form and style a battleground in an increasingly homogenous notion of what good, commercially viable writing is? In this paper, I want to use the examples of two Czech writers: Milan Kundera and Václav Havel, to examine the pressures placed on translators and writers by those other agents (or, as Maria Tymoczko writes, "external constraints"). -
Miptv 2020 Producers to Watch Contents
MIPTV 2020 PRODUCERS TO WATCH CONTENTS DOC & FACTUAL 3 DRAMA / FICTION 36 FORMATS 112 KIDS & TEENS 149 DOC & FACTUAL DOC & FACTUAL PRODUCERS LISTED BY COUNTRY AUSTRIA FINLAND HUNGARY SOUTH AFRICA COLLABORATE: IDEAS & IMAGES GS FILM FILM-& FERNSEHPRODUKTION AITO MEDIA SPEAKEASY PROJECT HOMEBREW FILMS Lauren Anders Brown E.U. Erna AAlto László Józsa Jaco Loubser EMPORIUM PRODUCTIONS Gernot Stadler GIMMEYAWALLET PRODUCTIONS OKUHLE MEDIA Emma Read Phuong Chu Suominen IRELAND Pulane Boesak IMPOSSIBLE DOC & FACTUAL BELGIUM RAGGARI FILMS FELINE FILMS Adam Luria CLIN D’ŒIL Minna Dufton Jessie Fisk SPAIN WOODCUT MEDIA Hanne Phlypo BRUTAL MEDIA Matthew Gordon FRANCE JAPAN Raimon Masllorens BELGIUM COLLABORATION INC 4TH DOC & FACTUAL TAMBOURA FILMS UNITED STATES EKLEKTIK PRODUCTION Bettina Hatami Toshikazu Suzuki Xaime Barreiro CREATIVE HEIGHTS ENTERTAINMENT Tatjana Kozar Jaswant Dev Shrestha BLEU KOBALT KOREA ZONA MIXTA CANADA Florence Sala GINA DREAMS PRODUCTION Robert Fonollosa GALAXIE Sunah Kim DBCOM MEDIA SWITZERLAND Nicolas Boucher Thierry Caillibot GEDEON PROGRAMMES PERU SLASH PRODUCTION TORTUGA Jean-Christophe Liechti Adam Pajot Gendron Maya Lussier Seguin PACHA FILMS URBANIA MÉDIAS HAUTEVILLE PRODUCTIONS Luis Del Valle UNITED KINGDOM Philippe Lamarre Karina Si Ahmed POLAND ALLEYCATS ILLEGITIME DEFENSE Desmond Henderson CHINA Arnaud Xainte KIJORA FILM Anna Gawlita BIG DEAL FILMS - UNSCRIPTED DA NENG CULTURE MEDIA YUZU PRODUCTIONS Thomas Stogdon Hengyi Zhi Christian Popp PORTUGAL CHALKBOARD TV ENCOUNTER MEDIA Simon Cooper Qi Zhao PANAVIDEO Diana Nunes SHUTTER BUG STUIO(BEIJING) Hongmiao Yu GS FILM FILM-& FERNSEHPRODUKTION E.U. AUSTRIA My previous works & partners : We have produced over 70 documentaries/docu-dramas and documentary series on various topics such as human interest, history, culture and nature. -
Re-Imagining the Convicts
Re-imagining the Convicts: History, Myth and Nation in Contemporary Australian Fictions of Early Convictism MARTIN JOHN STANIFORTH Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of English July 2015 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Martin John Staniforth The right of Martin John Staniforth to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 1 ACKNOWLEDGEMENTS First and foremost my thanks go to my supervisor, Professor Stuart Murray, without whose encouragement, enthusiasm and challenge this thesis would be much the poorer. He provided me with valuable help and advice over the years when I was working on this subject and was generous with both his time and his knowledge. Second I am grateful to the University of Leeds for funding to support my attendance at conferences in Australia and New Zealand which enabled me both to present aspects of my work to a wider audience and to benefit from listening to, and discussing with, a range of scholars of Australian literature. Third I have benefitted from help from a number of libraries which have provided me with material. My thanks go to all the staff involved but particularly those at the Brotherton Library, University of Leeds, the British Library, and the State Library of New South Wales, Sydney. -
A Bibliography of Australian Literary Responses to 'Asia'
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Flinders Academic Commons A Bibliography of Australian Literary Responses to 'Asia' compiled by Lyn Jacobs and Rick Hosking Cover illustration : Pobasso, a Malay chief Flinders Library William Westall, 1781-1850 Pencil; 27.7 x 17.6 cm Publication Series: No. 2 National Library of Australia Reproduced with the permission of The Library, the National Library of Australia Flinders University Refer to the Appendix B for details Adelaide 1995 ISBN 0-7258-0588-9 Contents Acknowledgments South East Asia (cont.) About The Authors Thailand Poetry Introduction Short Stories Novels Asia (general) Timor Poetry Poetry Short Stories Short Stories Novels Novels Plays Plays Vietnam Poetry North East Asia: Short Stories China Novels Anthologies Poetry Short Stories Plays Novels South Asia Plays Anthologies South Asia (general) Hong Kong Poetry Poetry Short Stories Short Stories Novels Novels Bangladesh Plays Poetry Japan Novels Poetry India Short Stories Poetry Novels Short Stories Plays Novels Korea Plays Poetry Nepal Novels Poetry Plays Short Stories Taiwan Novels Poetry Pakistan Short Stories Poetry Short Stories South East Asia Novels SE Asia (general) Sri Lanka Poetry Poetry Short Stories Short Stories Novels Novels Bali Plays Poetry Tibet Short Stories Poetry Novels Novels Plays Papua New Guinea Burma Short Stories Novels Cambodia (Kampuchea) Poetry Poetry Short Stories Short Stories Novels Novels Plays Indonesia Poetry Appendices Short Stories Appendix A - Tables Novels Appendix B - Cover illustration Plays Laos Poetry Short Stories Novels Malaysia Poetry Short Stories Novels Plays Philippines Poetry Short Stories Novels Plays Singapore Poetry Short Stories Novels Plays Acknowledgments This bibliography was compiled with the assistance of a grant from the Flinders University Research Committee. -
Conference Program
Association for the Study of Literature and Environment Thirteenth Biennial Conference June, 2019 Dear ASLE Conference Participants: On behalf of UC Davis, it’s my pleasure to welcome you to the Association for the Study of Literature and Environment’s Thirteenth Biennial Conference. It’s an honor to open our campus to you as a resource. We’re proud of the breadth, depth and excellence of our scholarship and research in environmental sciences. UC Davis serves as a model of environmental sustainability, not only to our students, but also to industry and the public at large. The innovations coming out of our Institute of Transportation Studies have shaped the direction of clean-fuel policies and technologies in California and the nation. Our West Village housing community is the largest planned “zero net energy” community in the nation. In addition, our sustainable practices on campus earned UC Davis the “greenest-in-the-U.S.” ranking in the UI GreenMetric World University Rankings. We’re working hard to make UC Davis a completely zero-carbon campus by 2025. All of these things speak to our long-standing commitment to sustainability. This conference provides a forum for networking opportunities and crucial discussions to inform and invigorate our commitment to practices that are both environmentally sustainable and socially just. There’s never been a better time to engage our broader communities in conversations about these topics. I want to thank our UC Davis faculty, students and partners for hosting this important conference for scholars, educators and writers in environmental humanities. Enjoy the conference and take time to explore our beautiful campus. -
J.B.METZLER Metzler Lexikon Weltliteratur
1682 J.B.METZLER Metzler Lexikon Weltliteratur 1000 Autoren von der Antike bis zur Gegenwart Band 1 A-F Herausgegeben von Axel Ruckaberle Verlag J. B. Metzler Stuttgart . Weimar Der Herausgeber Bibliografische Information Der Deutschen National Axel Ruckaberle ist Redakteur bei der Zeitschrift für bibliothek Literatur »TEXT+ KRITIK«, beim >>Kritischen Lexikon Die Deutsche Nationalbibliothek verzeichnet diese zur deutschsprachigen Gegenwartsliteratur<< (KLG) und Publikation in der Deutschen Nationalbibliografie; beim >>Kritischen Lexikon zur fremdsprachigen detaillierte bibliografische Daten sind im Internet über Gegenwartsliteratur<< (KLfG). <http://dnb.d-nb.de> abrufbar. Rund die Hälfte der in diesen Bänden versammelten Autorenporträts stammen aus den folgenden Lexika: >>Metzler Lexikon englischsprachiger Autorinnen und Autoren<<, herausgegeben von Eberhard Kreutzer und ISBN-13: 978-3-476-02093-2 Ansgar Nünning, 2002/2006. >>Metzler Autoren Lexikon<<, herausgegeben von Bernd Lutz und Benedikt Jeßing, 3. Auflage 2004. ISBN 978-3-476-02094-9 ISBN 978-3-476-00127-6 (eBook) »Metzler Lexikon amerikanischer Autoren<<, heraus DOI 10.1007/978-3-476-00127-6 gegeben von Bernd Engler und Kurt Müller, 2000. »Metzler Autorinnen Lexikon«, herausgegeben von Dieses Werk einschließlich aller seiner Teile ist urheber rechtlich geschützt. Jede Verwertung außerhalb der Ute Hechtfischer, Renate Hof, Inge Stephan und engen Grenzen des Urheberrechtsgesetzes ist ohne Flora Veit-Wild, 1998. Zustimmung des Verlages unzulässig und strafbar. Das >>Metzler Lexikon -
313 CONTRIBUTORS Michael Anania's Most Recent Collection Of
CONTRIBUTORS CONTRIBUTORS Michael Anania’s most recent collection of poems, Heat Lines, was pub- lished last year. Recent books include Selected Poems and In Natural Light. Anania lives in Austin, Texas and on Lake Michigan. Robert Archambeau is associate professor of English at Lake Forest College. He is the author of Home and Variations and editor of Word Play Place. Ciaran Berry received his MFA from New York University where he currently teaches on the Expository Writing Program. His work has appeared in Poetry Ireland Review, Gettysburg Review, Prairie Schooner, AGNI, The Threepenny Review, Green Mountains Review, The Southern Review, Ontario Review, and The Missouri Reiew. He is originally from the northwest of Ireland. Drew Blanchard is a doctoral candidate at the University of Wisconsin-Milwau- kee. He received his MFA from the Ohio State University. He is the author of the chapbook Raincoat Variations and his poems have appeared or are forthcoming in, among others, Mudfish, Maize, and the anthology Best New Poets 2006 from the University of Virginia. Matt Bondurant’s first novel The Third Translation was published in 2005 and has been translated into fourteen languages worldwide. His work has recently appeared in Glimmer Train, The New England Review, and The Hawaii Review, among others. Matt currently lives in Alexandria, Virginia, where he teaches at George Mason University and is working on a second novel. Sarah Bowman is a 1999 graduate of the Notre Dame Creative Writing Program. She is a tenure-track instructor in the Department of English at Wright College, one of the City Colleges of Chicago. -
Claudia Rankine's Citizen
ALABAMA CIVIL RIGHTS & CIVIL LIBERTIES LAW REVIEW VOLUME 9.2 2018 CLAUDIA RANKINE’S CITIZEN: DOCUMENTING AND PROTESTING AMERICA’S HALTING MARCH TOWARD RACIAL JUSTICE AND EQUALITY Susan Ayres* INTRODUCTION ........................................................................................ 214 I. “CITIZEN” AS PROTEST POETRY IN A DOCUMENTARY AND EPIDEICTIC MODE ............................................................................................... 219 A. Documentary Poetry ................................................................... 222 B. Epideictic Discourse—Does Poetry Matter? ............................... 225 II. RACISM AND THE “RACIAL IMAGINARY”: MICROAGGRESSIONS AND MAJOR MOMENTS ............................................................................. 228 A. “The Racial Imaginary” ............................................................. 229 B. Examples of Racism in Citizen—Call Out Racism When You See It ........................................................................................... 237 1. Microaggressions .................................................................. 237 2. Macroaggressions (or Major Moments) ................................. 244 III. TRAUMA AND THE BODY.................................................................... 252 CONCLUSION ........................................................................................... 255 * Professor of Law, Texas A&M University School of Law. The author wishes to thank Professor Richard Delgado for his generous response and