Josfi GUADALUPE POSADA, the CORRIDO, and the MEXICAN
37^ //$ I HOJAS VOLANTES: JOSfi GUADALUPE POSADA, THE CORRIDO, AND THE MEXICAN REVOLUTION THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Melody Mock, B.F.A. Denton, Texas August, 1996 37^ //$ I HOJAS VOLANTES: JOSfi GUADALUPE POSADA, THE CORRIDO, AND THE MEXICAN REVOLUTION THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Melody Mock, B.F.A. Denton, Texas August, 1996 Mock, Melody. Hojas Volantes: Jose Guadalupe Posada, the Corrido, and the Mexican Revolution. Master of Arts (Art History), August 1996, 101 pp., 26 illustrations, references, 138 titles. This thesis examines the imagery of Jose Guadalupe Posada in the context of the Mexican Revolution with particular reference to the corrido as a major manifestation of Mexican culture. Particular emphasis is given to three corridos: "La Cucaracha," "La Valentina," and "La Adelita." An investigation of Posada's background, style, and technique places him in the tradition of Mexican art. Using examples of works by Posada which illustrate Mexico's history, culture, and politics, this thesis puts Posada into the climate of the Porfiriato and Revolutionary Mexico. After a brief introduction to the corrido, a stylistic analysis of each image, research into the background of the song and subject matter, and comments on the music draw together the concepts of image, music, and text. TABLE OF CONTENTS LIST OF ILLUSTRATIONS iii Chapter 1. INTRODUCTION 1 Posada's Background Statement of the Problem Methodology 2.
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