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Arrangements: Lisa Golladay, Alvin McGovern, Chris McIntosh, and Brenda Watkins Produced by Chris McIntosh Free Range Ukulele Society of Oak Park (FRUSOP) http://www.meetup.com/Free-Range-Ukulele-Society-of-Oak-Park FreeRangeUkuleleSociety.com Fru the Chicken © Brenda S Watkins Rev 1 8/5/2018

Linda Ronstadt Packet

Contents:

1. 2. Desperado 3. 4. Girls Talk 5. Heatwave 6. I Can’t Help It If I'm Still In Love With You 7. It's So Easy 8. It Doesn’t Matter Anymore 9. 10. 11. That'll Be the Day 12. Under African Skies 13. When Will I be Loved 14. Willin' 15. You're No Good 16. Ode To Joy Birthday / Happy Birthday 17. Ukulele Players on Harrison Sreet

For Personal or Educational Use Only Not for Sale Blue Bayou (Roy Orbison-Joe Melson, 1961) Linda key B A E7 A7 D Dm Bm

Intro A A E7 I feel so bad, I got a worried mind; I'm so lonesome all the time E7 A Since I left my baby behind on Blue Bayou A E7 Saving nickels, saving dimes; working till the sun don't shine E7 A Looking forward to happier times on Blue Bayou

A E7 I'm going back someday, come what may to Blue Bayou E7 A Where the folks are fine, and the world is mine on Blue Bayou A A7 D Dm Where those fishing boats with their sails afloat, if I could only see A E7 A That familiar sunrise through sleepy eyes, how happy I'd be

A E7 Gonna see my baby again; gonna be with some of my friends E7 A Maybe I'll feel better again on Blue Bayou A E7 Saving nickels, saving dimes; working till the sun don't shine E7 A Looking forward to happier times on Blue Bayou

A E7 I'm going back someday, come what may to Blue Bayou E7 A Where the folks are fine, and the world is mine on Blue Bayou A A7 D Dm Oh, that boy of mine by my side, the silver moon and the evening tide A E7 A Oh, some sweet day, gonna take away this hurtin' inside E7 I'll never be blue, my dreams come true Bm//// E7//// A//// / [cha cha cha] On Blue-- Bay----ou

1 4/4 Desperado 1973 Don Henley & Glenn Frey Linda R key B

INTRO: C// C7// F// Fm// C// Am7// D7// G/ C C7 F Fm

C Gm7 F Fm 1. Despe-rado, why don't you come to your senses?

C Am7 D7 G7 You been out ridin' fences for so long now. Am7 D7 G7 Gm7 C Gm7 Oh, you're a hard one, F Fm

I know that you got your re-asons. C Am7 Am Em7 Dm These things that are pleasin' you D7 G7 C//// Can hurt you some-how.

Am Em7 F C BRIDGE: Don't you draw the queen of diamonds boy, she'll beat you if she's able. Am7 F C// G// You know the queen of hearts is always your best bet. Am Em7 F C Now it seems to me, some fine things have been laid upon your table. Am D7 Dm// G/ But you only want the ones that you can't get.

G C Gm7 F 2. Des-per--ado, oh, you ain't gettin' no younger. C Am D7 G7 Your pain and your hunger, they're drivin' you home. C Gm7 F And freedom, oh freedom well, that's just some people talkin'. C Am D7/// G7/ C//// /// Your prison is walking through this world all a -lone.

/ Am Em7 BRIDGE: Don't your feet get cold in the winter time? F C The sky won't snow and the sun won't shine, Am F C It's hard to tell the night time from the day. Am Em7 You're losin' all your highs and lows, F C Dm7//// G// Ain't it funny how the feeling goes a-way?

G// C Gm7 F Fm 3. Des-per-ado, why don't you come to your senses? C Am D7 G7 Come down from your fences, open the gate. C Gm F Fm It may be rainin', but there's a rainbow a-bove you. C E7 Am F/ C/ Dm/ / You better let somebody love you (Let some-body love you) C E7 Am Dm7 C// Gm7// F// Fm// C/ You better let some-body love you, Be-fore it's too late. 2 Different Drum (, 1965) Linda R Key C C Em7 F G C7 Am Dm G7

INTRO: C// Em7// F// G// [2x]

C Em7 F G C Em7 1. You and I -- travel to the beat of a different drum F G C Em7 Oh, can't you tell by the way I run F G C Em7 F G Every time you make eyes at me ---- Woe-oh

C// Em7// F G C Em7 2. You cry ------and moan and say it will work out F G C Em7 But, honey ch-ild, I've got my doubts F G7//// /// You can't see the forest for the trees

BRIDGE: F Oh, don't get me wrong; it’s not that I knock it Em7 It's just that I am not in the market F G C//// C7// For a girl [boy] who wants to love only me F G Yes, and I ain't saying you ain't pretty C Em7 Am All I'm saying is I'm not ready D7 For any person place or thing Dm7 G7//// To try and pull the reins in on me

C Em7// F G 3. So, good-bye ----- I'll be leaving C Em7 F G I see no sense in this crying and grieving C Em7 F G7 C/ / Em7// F// G// We'll both live a lot longer if you live without me

BRIDGE, V3

OUTRO: C// Em7// F// G// C// Em7// F// G// C/

3 Girls Talk (Elvis Costello) 1979 Linda key E C Bb F G Am

Intro C//// Bb// F/ C Bb F C [1] There are some things you can't cover up with lipstick and powder C Bb F G But I heard you mention my name, can't you talk any louder? Am G Don't come any closer, don't come any nearer C F My vision of you can't get any clearer

C Bb F C F// G/ Oh, I------just want to hear girls talk

C Bb F C I got a loaded imagination being fired by girls talk C Bb F G It’s a more or less situation inspired by girls talk Am G But I can't say the words you want to hear C F Bb/ F/ I suppose you're going to have to play it by ear (right here) C F Bb/ F and no---ow Girls talk

Chorus: C F Bb/ F and they want to know how -- Girls talk C F Bb/ F and they say it's not allowed -- Girls talk, if they say that it's so F G Don't you think that I know by now?

C Bb F C That the word up on everyone's lips stick that you're dedicated C Bb F G You may not be an old fashioned girl, you're still gonna get dated Am G Was it really murder? Were you just pretending? C F Bb/ F Lately I have heard you are the living end -- Girls talk

Chorus

Verse 1

Chorus

Bb/ F Bb/ F Girls talk – girls talk

4 4/4 1963 Heatwave Holland/Dozier/Holland

INTRO: Dm//// Em7//// Am7//// //// (2X) Dm//// Em7//// F//// G7//// C/ F/ C/ F/

C/ Dm Em7 1. Whenever I'm with him, Am7 Something in-side, Dm Em7 Starts to burning, Am7 And I'm filled with desire. Dm Em7 Could it be a Devil in me, F G7 Or is this the way love's sup-posed to be?

C CHORUS: It's like a heat-waaaaaaaaaaaave, burning in my heart.

I can't keep from crying; it's tearing me apart.

C/ Dm Em7 2. Whenever he calls my name; Am7 Sounds soft, low, sweet and plain. Dm Em7 Am7 Right then, right then; I feel this burning pain. Dm Em7 Has high blood pressure got a hold on me, F G7 Or is this the way love's sup-posed to be? (CHORUS)

C/ Dm Em7 3. Sometimes I stare in space; Am7 Tears all over my face. Dm Em7 I can't ex-plain it, don't under-stand it; Am Ain't never felt like this before. Dm Em7 Now that funny feeling, has me amazed; F G7 Don't know what to do; my head's in a haze. C/ F/ C/ F/ C/ It's like a heat-waaaaaaaave

C/ Dm Em7 Am7 4. Yeah yeah yeah yeah yeah yeah Whoa ho! Dm Em7 Am7 Yeah yeah yeah yeah Ho--o yeah Dm Em7 F G7 Don't pass up this chance This time it's true romance C It's like a heat-waaaaaaaave (INTRO)

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2/2 1951 I Can't Help It Linda R key B (If I'm Still In Love With You) Hank Williams, Sr. (1923-1953)

E7 A D A7

INTRO: E7//// //// A//// /

A E7 A E7 A A7 1. To-day I passed you on the street D A And my heart fell at your feet; E7 A I can't help it if I'm still in love with you.

E7 A E7 A A7 2. Some-body else stood by your side D A And she looked so satis-fied; E7 A A7 I can't help it if I'm still in love with you.

D A BRIDGE 1. A picture from the past came slowly stealing E7 A A7 As I brushed your arm and walked so close to you. D A Then suddenly I got that old time feeling; E7 A I can't help it if I'm still in love with you.

INSTRUMENTAL VERSE 2

D A BRIDGE 2. It's hard to know another's lips will kiss you E7 A A7 And hold you just the way I used to do. D A Oh, heaven only knows how much I miss you; E7 A I can't help it if I'm still in love with you.

E7 A TAG: No, I can't help it if I'm still in love with you

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4/4 1958 It Doesn't Matter Any More Linda R key C Paul Anka

C G7 Am D G F Em G7

INTRO: C//// ////

C 1. There you go and, baby, here am I. G7 Well, you left me here so I could sit and cry. C Golly gee, what have you done to me? G7 C Well I guess it doesn't matter any more.

C 2. Do you remember, baby, last September, G7 How you held me tight each and ev'ry night? C Oh, baby, how you drove me crazy. G7 C But I guess it doesn't matter any more.

Am BRIDGE: There's no use in me a-cryin'. C I've done ev'rything and now I'm sick of tryin'. D I've thrown away my nights, wasted all my days G/--- F/--- Em/---- G7//// Over you.

C 3. Now you go your way baby and I'll go mine, G7 Now and forever till the end of time. C I'll find somebody new and, baby, we'll say we're through, G7 C And you won't matter any more. [BRIDGE, V3]

G7 C//// //// TAG: No you won't matter any more G7 C//// //// //// //// / No you won't matter any mo------o------re 7 It’s So Easy (to Fall in Love) [Holly-Petty] 1958 Linda R key E D A G E7

INTRO: D// A// G// A// D// G// A// D//

D A G A It's so easy to fall in love D G A D It's so easy to fall in love D A G A People tell me love's for fools D G A D So here I go breaking all of the rules

REFRAIN: G It seems so easy (so easy) D Oh-oooooooooooo, so doggone easy (so easy, so easy so easy so easy) G Oh-oooooooooooo, Seems so easy (so easy, so eas y so easy so easy) E7 Oh-oooooooooooo Where you're concerned, A My heart has learned, oh D A G A It's so easy to fall in love D G A D It's so easy to fall in love

D A G A Look into your heart and see D G A D What your love book has set apart for me (REFRAIN 2X)

D A G A TAG: It's so easy to fall in love D G A D/ It's so easy to fall in love 8 4/4 1974 Love is a Rose Linda R key B Neil Young C F G

INTRO: C////

C F C CHORUS: Love is a rose but you better not pick it G C It only grows when it's on the vine F C Handful of thorns and you'll know you've missed it G C Lose your love when you say the word “mine”

F C 1. I wanna see what's never been seen G C I wanna live that age-old dream F C Come on, boy, let’s go together G C Let's take the best right now (CHORUS)

C F C 2. I wanna go to an old hoedown G C Long ago in a western town F C Pick me up 'cause my feet are dragging G C Give me a lift and I'll hay your wagon (CHORUS)

C F C CHORUS 2: Love is a rose but you better not pick it G C It only grows when it's on the vine F C Handful of thorns and you'll know you've missed it G C//// C//// Lose your love when you say the word “mine”. Mine

C F C G// C// TAG: Love is a rose ---- Love is a rose C F C G// C/ Love is a rose ---- Love is a rose

9 4/4 1976 Poor Poor Pitiful Me C F G7

INTRO: C// F// C// F// C// F// C///

/ F C G7 C F C/ / /// 1. Well I lay my head on the railroad track, waiting on the Double-E. / F C G7 C F C/ / //// But the train don't run by here no more, poor, poor pitiful me.

F C G7 C F C/ / //// CHORUS: Poor, poor pitiful me, Poor, poor pitiful me, F C G7 C Oh, these boys won't let me be, F G7 C// F// C/// Lord, have mercy on me, Woe-woe is me.

/ F C G7 C 2. Well, I met a man down in Holly-wood, F C Now I ain't namin' names. F C G7 C F C Well, he really worked me over good, just like Jesse James. F C G7 C Yes he really worked me over good, F C He was a credit to his gender. F C G7 C Put me through some changes, Lord, F C Sort of like a Warring blender. (CHORUS)

F C G7 C F C 3. Well, I met a boy in the Vieux Carr-eux, down in Yokohama. (Voo cah-ray) F C G7 C He picked me up and he threw me down. F C He said, "Please don't hurt me, Mama". (CHORUS)

F C G7 C F C TAG: Poor, poor, poor me. Poor, poor pitiful me. (REPEAT & FADE)

* sings this in C#

10 That'll be the Day (Holly-Allison-Petty) 1956 4/4 Linda R key F First Note Bb F C7 G7

F/--- Bb CHORUS: Well, that'll be the day, when you say goodbye F Yes, that'll be the day, when you make me cry Bb You say you're gonna leave, you know it's a lie F C7 F 'Cause that'll be the day-- when I die.

CHORUS

Bb F 1. Well, you give me all your lovin' and your turtle dovin' Bb F All your hugs and kisses and your money, too Bb F Well, you know you love me, baby, until you tell me, maybe G7 C7 That some day, well, I'll be through (CHORUS)

Bb F 2. Well, when Cupid shot his dart he shot it at your heart Bb F So if we ever part and I leave you Bb F You sit and hold me and you tell me boldly G7 C7 That some day, well, I'll be blue (CHORUS)

Bb TAG: Well, that'll be the day, hoo-hoo F That'll be the day, hoo-hoo Bb That'll be the day, hoo-hoo F C7 F/ That'll be the day-- when I die 11 Under African Skies (Paul Simon 1986)

Intro and forever: C// F// C// G// (x4)

C F C G C F C G Jo-seph’s face was black as the night; C F C G C F C G the pale yellow moon shown in his eyes C F C G C F C G His path was marked by the stars in the Southern Hemisphere C F C G C F C G And he walked his days under African skies.

C F C G C F C G This is the the story of how we be-gin to re-member

This is the powerful pulsing of love in the vein

After the dream of falling and calling your name out,

These are the roots of rhythm, and the roots of rhythm remain.

In early memory, mission music was ringing ‘round my nursery door; I said, “Take this child, Lord, from Tucson, Arizona, Give her the wings to fly through harmony and she won’t C bother you no more.”

(chorus) F Ka-oomba, oomba, oomba whoa–oh-oh Ka-oomba, oomba, oomba whoa–oh-oh Ka-oomba, oomba, oomba whoa–oh-oh-oh-oh-oh-oh Ka-oomba, oomba, oomba whoa–oh-oh G

Joseph’s face was as black as the night; the pale yellow moon shown in his eyes His path was marked by the stars in the Southern Hemisphere C F C G C F C G C F C G C/ And he walked his days under African skies.

12 When Will I Be Loved? (Phil Everly)1960 as sung by Linda Ronstadt

D G A7

D G A7 D G A7 1. I've been cheat-ed Been mis-treat-ed D G A7 D G// A7// When will I be loved?

D G A7 D G A7 2. I've been put down I've been pushed 'round D G A7 D When will I be loved?

G A7 BRIDGE: When I find a new man, G D That I want for mine, G A7 He always breaks my heart in two, D A7 It happens every time.

D G A7 D G A7 3. I've been made blue I've been lied to. D G A7 D When will I be loved?

G A7 BRIDGE: When I find a new man, G D That I want for mine, G A7 He always breaks my heart in two, D A7 It happens every time.

D G A7 D G A7 4. I've been cheat-ed Been mis-treat-ed D G A7 D G// A// When will I be loved?

D G A7 D G// TAG: When will I be loved? A7 D G A7 D Tell me, when will I be loved?

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2/4 1970 Willin' Linda R key E Lowell George

D A Bm G

D A 1. I've been warped by the rain, driven by the snow; Bm G I'm drunk and dirty, don't you know, but I'm D G A D Still willing. A Out on the road, late last night, Bm G I seen my pretty Alice in ev'ry headlight, D G A D Alice, Dallas Alice.

CHORUS: And I've been from G A D Tucson to Tucum-cari, Tahachapi to Tourna-paw, G Driven ev'ry kind of rig that's ever been made, A///[STOP] Driven the back roads so I wouldn't get weighed. G/ D/ A/ D And if you give me weed, whites and wine A And you show me a sign, D G D Then I'll be willing to be movin'.

D A 2. I've been kicked by the wind, robbed by the sleet, Bm G Had my head stove in but I'm still on my feet and I'm D G/- A/- D Still willing. A And I've smuggled some smokes and folks from Mexico, Bm G D G Baked by the sun ev'ry time I go to Mexico; A D Ah, but I'm still. (CHORUS) 14 4/4 1963 You're No Good Clint Ballard Jr. Am7 D7 D

INTRO: Am7// D// Am7// D7// Am7// D7// Am7// D7//

Am7 D7 Am7 D

1. Feeling better now that we're through. Am7 D7 Am7 D F G C Feeling better 'cause I'm over you. F G C I learned my lesson, it left a scar. Am7 D E7 Now I see how you really are. E7 Am7 D7 Am7 CHORUS: You're no good, you're no good, you're no good, D7 Am7// D7 Am7 D Baby you're no good. I'm gonna say it a-gain. Am7 D7 Am7 You're no good, you're no good, you're no good, D7 Am7// D7// Am7// D7// Baby you're no good.

Am7 D7 Am7 D7 2. I broke a heart that's gentle and true. Am7 D7 Am7 D7 Well I broke a heart over someone like you. F G C I'll beg his for-giveness on bended knee. Am7 D E7 I wouldn't blame him if he said to me,

Am7 D7 Am7 CHORUS: You're no good, you're no good, you're no good, D7 Am7// D7 Am7 D Baby you're no good. I'm gonna say it a-gain. Am7 D7 Am7 You're no good, you're no good, you're no good D7 Am7/// /// Baby you're no good.

/ Am7 D7 Am7 D7 BRIDGE: I'm telling you now baby and I'm going my way Am7 D7 Am7 D7 For-get about you baby 'cause I'm leaving to stay

Am7 D7 Am7 CHORUS: You're no good, you're no good, you're no good, D7 Am7// D7 Am7 D Baby you're no good. I'm gonna say it a-gain. Am7 D7 Am7 You're no good, you're no good, you're no good D7 Am7// D7// Am7// D Baby you're no good.

Am7/ Am7/ TAG: You're no good, you're no good, you're no good, baby you're no go-----od. 15 4/4 1824/2012 Ode to Joy Birthday Song Ludwig van Beethoven (1770-1827) American Greetings D

D A7

Let's all cheer; your birthday's here, A7 D A7 So raise the roof and have some fun.

D A7 Gifts and cake for you to take E7 D A7 D Un-til the cele-bration's done.

A7 D A7 D Candles glowing, so start blowing, G A7 D E7 A7 Can't you see the cake's on fire.

D A7 Sure, you're old, but, truth be told, D A7 D You're still someone we all ad-mire.

3/4 1893/1935 Happy Birthday to You Patty Hill/Mildred J. Hill Preston Ware Orem/Mrs.R.R.Forman

D A7 Happy birthday to you. D Happy birthday to you. G Happy birthday dear [name]. D A7 D Happy birthday to you. D7 ~~~~~~~~ And many moooooore

16 Ukulele Players on Harrison Street (Words by B. Watkins, ©2009; new words ©2013) (To the tune of “Move it on Over” by Hank Williams) C7 G D7 G7

Intro: C7 //// G //// D7 //// G ////

G It's Thursday night, I can hardly wait For the weekly strum over at Eastgate

Chorus: C7 // Ukulele players (strum! strum!) G // Ukulele players (strum! strum!) D7 [stop] G Ukulele players --- on Harrison Street

G Ukuleles are such fun Everybody loves to strum

Chorus G We play oldies, standards, Beatles, too Three chord are easy to do

Chorus

[Harmonica solo – verse and chorus instrumental]

G So for friends and fun that can't be beat Join the ukulele players on Harrison Street

Chorus

G7 ~~~~ //// //// //// //// (etc.) G7/ Doo wah! [enthusiastic strumming & harmonica]

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