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A Message from the Chair of the Board of Trustees 4 2020 Musician Roster 5 JANUARY 10-12 9 Russian Winter Festival I: Natasha Returns JANUARY 24-25 17 Russian Winter Festival II: Masterpieces FEBRUARY 21-22 25 Saint-Saëns Organ Symphony With Cameron Carpenter FEBRUARY 28-29 33 Chihuly Festival: Bluebeard’s Castle Spotlight on Education 42 Board of Trustees/Staff 43 Friends of the Columbus Symphony 45 Columbus Symphony League 46 Future Inspired 47 Partners in Excellence 49 Corporate and Foundation Partners 49 Individual Partners 50 In Kind 53 Tribute Gifts 53 Legacy Society 56 Concert Hall & Ticket Information 58 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com The Columbus Symphony program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. The Columbus Symphony program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business!, Inc. Contents © 2020. All rights reserved. Printed in the U.S.A. A MESSAGE FROM THE CHAIR OF THE BOARD OF TRUSTEES Dear Columbus Symphony Supporter, As the wonderful performances of our 2019-20 season continue, we again thank you for your support of quality, live performances of orchestral music in our community! We start the new year by putting the star in Columbus with Russian Winter Festival I: Natasha Returns (January 10–12, Ohio Theatre). Natasha Paremski performs Rachmaninoff’s first piano concerto, and the concert concludes with the dramatic genius of Tchaikovsky in his powerful Manfred symphony. Following is our Russian Winter Festival II: Exotic Masterpiece (January 24 & 25, Ohio Theatre). Rossen Milanov takes you on a musical journey through Russia highlighting favorites, such as works by Prokofiev and Rimsky-Korsakov, and Tchaikovsky’s 1812 Overture. In February, you’re in for an amazing performance from organ soloist Cameron Carpenter. Saint-Saëns Organ Symphony with Cameron Carpenter (February 21 & 22, Ohio Theatre) will showcase the Ohio Theatre’s powerful “Mighty Morton” pipe organ—one of the best instruments of its kind in the country. February concludes with a highlight of the season, Chihuly Festival: Bluebeard’s Castle (February 28 & 29, Ohio Theatre). Inspired by the legend of Bluebeard, this production fuses Bartok’s iconic thriller with the work of celebrated artist Dale Chihuly. On behalf of the musicians, staff, and board of the Columbus Symphony, we sincerely thank you for your enduring support, enthusiasm, and faith in this organization. Please enjoy tonight’s performance! Lisa Barton Board Chair BRAVO JANUARY/FEBRUARY 2020 4 Columbus Symphony Musicians VIOLINS Joanna Frankel Leonid Polonsky David Niwa Alicia Hui Concertmaster Associate Assistant Principal Second Jack and Joan Concertmaster Concertmaster Martin and Sue George Chair Inglis Chair Rhonda Frascotti Mary Jean Petrucci **Michael David Edge Robert Firdman Assistant Principal Buccicone Second Joyce Fishman Tatiana V. Hanna Gail Sharp Zoran Anna Svirsky Stoyanovich VIOLAS David Tanner Jonquil Thoms Olev Viro Karl Pedersen Brett Allen Principal Assistant Principal Gay Su Pinnell Chair * Indicates musician on leave during the 2019–2020 Winter Season ** Begins the alphabetical listing of players who participate in a system of rotated seating within the string section. Columbus Symphony Musicians **Mary Ann Kenichiro Matsuda Chris Saetti Ann Schnapp Steven Wedell Farrington VIOLONCELLOS BASSES Luis Biava Wendy Morton **Pei-An Chao Victor Firlie Rudy Albach Principal Assistant Principal Principal Andy and Sandy Gay Su Pinnell Chair Nationwide Chair Ross Chair FLUTES John Pellegrino Russell Gill Jena Huebner Niles Watson *Genevieve Assistant Principal Principal Stefiuk FLUTE OBOE & & PICCOLO OBOE ENGLISH HORN CLARINETS Heidi *Stephen Secan Robert Royse David Thomas Mark Kleine Ruby-Kushious Principal Principal Rhoma Berlin Chair * Indicates musician on leave during the 2019–2020 Winter Season ** Begins the alphabetical listing of players who participate in a system of rotated seating within the string section. PHOTOS: Scott Cunningham Columbus Symphony Musicians BASSOONS HORNS Betsy Sturdevant Douglas Fisher Brian Mangrum Julia Rose Principal Principal Associate Principal Sheldon and BASS Rebecca Taft Chair TRUMPET TROMBONE TROMBONE TUBA Adam Koch Jeffrey Korak Andrew Millat Joseph Duchi *James Akins Lisa and Chris Principal Principal Barton Chair TIMPANI PERCUSSION HORNS Bruce Henniss Kimberly McCann Colin Bianchi TRUMPETS Tom Battenberg Gary Davis Andy Lott TROMBONES David Roode TUBAS Benjamin Ramirez Philip Shipley Jack Jenny Principal Principal Jonathan Fowler American Electric Power Foundation Chair PERCUSSION Brian Kushmaul NOT PICTURED Cameron Leach Bill Lutz VIOLINS VIOLONCELLOS OBOES Mikhail Baranovsky Mary Davis Jacob Martin HARP Maria Beltavski Yoni Draiblate Hugo Souza Rachel Miller Leah Burtnett Sabrina Lackey Symphony League Chair BASS CLARINET Alix Raspe Amber Dimoff Will Teegarden Bill Denza KEYBOARD Erin Gilliland BASSES Heather Kufchak BASSOONS & Caroline Hong Wilbur “Skip” Edwards CONTRABASSOON Reinberger Ji-Yeon Lee James Faulkner William Manley Cynthia Cioffari Foundation Chair Emily Tarantino Michael Chertock Manami White SAXOPHONE FLUTES & LIBRARIANS VIOLAS Michael Cox PICCOLOS Jean-Etienne Lederer Yu Gan Janet van Graas Patrick Miller Principal Librarian Ila Rondeau Jacqueline Meger Library Assistant FRIDAY, JANUARY 10, 2020, 7:30 PM SATURDAY, JANUARY 11, 2020, 7:30 PM SUNDAY, JANUARY 12, 2020, 2:00 PM RUSSIAN WINTER FESTIVAL I: NATASHA RETURNS OHIO THEATRE Rossen Milanov, conductor Natasha Paremski, piano • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • SERGEI RACHMANINOFF Piano Concerto No. in F-sharp Minor, Op. 1 I. Vivace II. Andante III. Allegro vivace INTERMISSION PIOTR ILYICH TCHAIKOVSKY Manfred Symphony, Op. 58 I. Lento lugubre II. Vivace conspirito III. Pastorale: Andante con moto IV. Allegro con fuoco ADDITIONAL SUPPORT PROVIDED BY MASTERWORKS HOTEL SPONSOR: BRAVO JANUARY/FEBRUARY 2020 9 ROSSEN MILANOV, music director Tetzlaff, and André Watts. During his 11-year tenure with the Philadelphia Orchestra, Milanov conducted more than 200 performances. In 2015, he completed a 15-year tenure as music director of the nationally recognized training orchestra Symphony in C in New Jersey, and in 2013, a 17-year tenure with the New Symphony Orchestra in his native city of Sofia, Bulgaria. His passion for new music has resulted in numerous world premieres of works by composers such as Derek Bermel, Mason Bates, Caroline Shaw, Phillip Glass, Richard Danielpour, Nicolas Maw, and Gabriel Prokofiev, among others. Noted for his versatility, Milanov is also a Respected and admired by audiences and welcomed presence in the worlds of opera musicians alike, Rossen Milanov is currently and ballet. He has collaborated with Komische the music director of the Columbus Symphony Oper Berlin (Shostakovich’s Lady Macbeth of Orchestra (CSO), Chautauqua Symphony Mtzensk), Opera Oviedo (Spanish premiere of Orchestra, Princeton Symphony Orchestra, and Tchaikovsky’s Mazzepa and Bartok’s Bluebeard’s newly appointed chief conductor of the Slovenian Castle—awarded best Spanish production for RTV Orchestra in Ljubljana. 2015), and Opera Columbus (Verdi’s La Traviata). Milanov has established himself as a conductor An experienced ballet conductor, he has been with considerable national and international seen at New York City Ballet and collaborated presence. He recently completed a seven- with some of the best known choreographers of year tenure as music director of the Orquesta our time such Mats Ek, Benjamin Millepied, and Sinfónica del Principado de Asturias (OSPA) most recently, Alexei Ratmansky in the critically in Spain. Nationally, he has appeared with acclaimed revival of Swan Lake in Zurich with the the Colorado, Detroit, Indianapolis, Milwaukee, Zurich Ballet and in Paris with La Scala Ballet. Baltimore, Seattle, and Fort Worth symphonies, Milanov was recipient of an Arts Prize by The National Symphony Orchestra at the Kennedy Columbus Foundation. Under his leadership, Center, Link-Up education projects with Carnegie the Columbus Symphony has expanded its Hall and the Orchestra of St. Luke’s, and with the reach by connecting original programing with Civic Orchestra in Chicago. community-wide initiatives such as focusing Internationally, he has collaborated with on women composers, nature conservancy, the BBC Symphony Orchestra, Orchestra de presenting original festivals, and supporting and la Suisse Romand, Rotterdam Philharmonic, commissioning new music. Aalborg, Latvian, and Hungarian National In Princeton, he celebrated his tenth anniversary Symphony Orchestras and the orchestras in as music director, and under his leadership, the Toronto, Vancouver, KwaZulu-Natal Philharmonic orchestra has established an excellent artistic (South Africa), Mexico, Colombia, Sao Paolo, reputation and has been recognized for its Belo Horizonte, and New Zealand. In the Far innovation and vital role in the community. East, he has appeared with NHK, Sapporo, Tokyo, and Singapore symphonies, Hyogo Milanov studied conducting at the Curtis Institute Performing Arts Center, and Malaysian and of Music and the Juilliard School, where he Hong Kong Philharmonics. received the Bruno Walter Memorial Scholarship. Milanov has collaborated with some of the A passionate chef, he often dedicates his
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