International Touring Organ - March 19
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Allen Organ Technology
Perfection Sound | Technology | Sustainability An Allen Organ offers perfection throughout. This begins with the finest pipe organ sounds and masterful build quality, and flows into all aspects of the instrument. The Art of Organ Building – “To my eyes and ears the organ will ever be the King of Instruments.” Majestic Sound – Wolfgang Amadeus Mozart Allen Organs Sound Better Superior organ sound comes from a combination of advanced technology and years of artistic experience sampling pipe organs. Throughout history the organ has been a remarkable combination of technology and traditional music. With hundreds of pipes, early pipe organs were the most advanced products in a community. Modern electronics have enabled the production of pipe organ sound without requiring pipes. Today’s finest digital instruments reproduce the grandeur of pipe organs, at significantly lower costs. Allen’s 7th-generation GeniSys™ technology includes dozens of advanced Digital Signal Processors working in parallel, supercomputer power, offering the most realistic pipe organ sound available from a digital organ. Coupled with a two-decade lead in digital sampling experience over other digital organ builders, Allen Organ Company is the acknowledged leader. Pipe Organ Sound Reproducing realistic pipe organ sound requires advanced technology. Allen’s technology is proven weekly through its many combination organs that include both digital voices and windblown pipes played in the same building. Proof statement: Listeners have difficulty determining the source of the sounds. A recent Allen combination organ installation in Stockholm, Sweden, is an example comparing, in real-time, Allen’s digitally produced voices alongside of windblown pipes. Click the photo to hear for yourself. -
Edition 3 | 2019-2020
A Message from the Chair of the Board of Trustees 4 2020 Musician Roster 5 JANUARY 10-12 9 Russian Winter Festival I: Natasha Returns JANUARY 24-25 17 Russian Winter Festival II: Masterpieces FEBRUARY 21-22 25 Saint-Saëns Organ Symphony With Cameron Carpenter FEBRUARY 28-29 33 Chihuly Festival: Bluebeard’s Castle Spotlight on Education 42 Board of Trustees/Staff 43 Friends of the Columbus Symphony 45 Columbus Symphony League 46 Future Inspired 47 Partners in Excellence 49 Corporate and Foundation Partners 49 Individual Partners 50 In Kind 53 Tribute Gifts 53 Legacy Society 56 Concert Hall & Ticket Information 58 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com The Columbus Symphony program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. The Columbus Symphony program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business!, Inc. Contents © 2020. All rights reserved. Printed in the U.S.A. A MESSAGE FROM THE CHAIR OF THE BOARD OF TRUSTEES Dear Columbus Symphony Supporter, As the wonderful performances of our 2019-20 season continue, we again thank you for your support of quality, live performances of orchestral music in our community! We start the new year by putting the star in Columbus with Russian Winter Festival I: Natasha Returns (January 10–12, Ohio Theatre). Natasha Paremski performs Rachmaninoff’s first piano concerto, and the concert concludes with the dramatic genius of Tchaikovsky in his powerful Manfred symphony. -
The Montclarion, April 03, 1975
Montclair State University Montclair State University Digital Commons The onM tclarion Student Newspapers 4-3-1975 The onM tclarion, April 03, 1975 The onM tclarion Follow this and additional works at: https://digitalcommons.montclair.edu/montclarion Recommended Citation The onM tclarion, "The onM tclarion, April 03, 1975" (1975). The Montclarion. 267. https://digitalcommons.montclair.edu/montclarion/267 This Book is brought to you for free and open access by the Student Newspapers at Montclair State University Digital Commons. It has been accepted for inclusion in The onM tclarion by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. Vol. 50, No. 9 Montclair State College, Upper Montclair, NJ 07043 Thurs., April 3, 1975 S e c u r i t y F o r c e Tuition W obbly Again By Dia Palmieri mental hospitals be eliminated. Also printed in The Trenton Times, "all Efforts to close the $487 million before the committee is the proposal public college presidents across the U ncI e r P n o b E state budget gap may endanger the to dismantle the Motor Vehicle state have gone on the record against present state college tuition rate. If inspection program. a tuition hike and have openly By Irene McKnight proposals now set before the Joint According to an article recently supported a graduated income tax." A bill was passed at the last SGA meeting which will provide for a complete Appropriations Committee are put investigation and evaluation of the security force on campus. into effect, tuition at the eight state Bohn Misunderstanding Manny Menendez, vice president of SGA, will act as chairman and colleges will jump from $535 per coordinator of the evaluation committee. -
Jared Jacobsen, San Diego Civic Organist 1978-1985 the GREAT
Jared's most recent program on the Spreckels Organ was January 1, 2019 -- his REMEMBERING 370th concert on the Spreckels Organ. Jared was the fifth San Diego Civic Organist, playing weekly concerts from JARED JACOBSEN 1978 through 1985. He also was Director of Music for First Lutheran Church in downtown San Diego and was a member of the performing arts faculty of SAN DIEGO CIVIC the Bishop's School in La Jolla. From June through August each summer he would return to the historic Chau- ORGANIST 1978-1985 tauqua Institution in western New York, where he presided over the 112-year- old Massey Memorial Organ of four manuals and ninety-four ranks. In August, 2019, Spreckels Organ Society’s musical family Jared was born in New Castle, Pennsylvania in 1949 and grew up in Girard, the son of Janes C. and Alice G. Jacobsen and brother of Jan and Joel. It was at were shocked with sadness on the death of Jared Jacobsen, who Chautauqua where Jared began his musical journey in 1954, with piano lessons was a dear friend and a champion of the Spreckels Organ, hav- at the age of five. At 13, he began his first work playing music for a church. ing served as San Diego Civic Organist from 1978 to 1985. At The Girard, Pennsylvania High School "Hive of Fame" site reports that Jared the time of his passing, he was serving on the Society's Board graduated second in his class in 1967. He earned a bachelor of music degree of Trustees. with honors from Westminster College, and a graduate degree from the Uni- versity of Arizona, where he studied keyboard with Liszt specialist Ozan Marsh. -
Trinity's Organ
Trinity’s Organ The organ at Trinity was dedicated on October 23, 1994. In many ways it can be thought of as a reflection of our own congregation. There are 2,395 pipes in the organ. Trinity congregation, in 1994 was very close to that number in membership and has since then far surpassed it. The pipes in the organ actually form a “congregation of singers” made up of many different shapes and sizes. Some are short, some are tall. Some sing high, some sing low. Some are loud, some are soft. Each person in our sanctuary can combine his or her voice with others to offer up prayers and songs of praise. Each pipe in the organ “building” works along side of others to produce sounds for accompanying our songs of praise. We each have a mouth to sing God’s praise. Each pipe in the organ also has a mouth. The straight edge at the top of a pipe’s mouth is called the upper lip. The bottom edge is the lower lip. Pipes have “feet”, “bodies”, “ears”, and “tongues.” The pipes “sing” in much the same way as humans. Sound is produced when air causes something to vibrate. The sound then comes out through a mouth for all to hear. The pipes receive their breath for singing from a windchest. The sound produced by the pipes is thus a sound that is vibrant – “alive”! The organ at Trinity is an instrument allowed by God to be built for worship – an instrument whose breath will combine with ours to set in motion pipes for praise. -
Theatre Owner's Manual
TH-202/TH-302 Theatre Models IMPORTANT! Organs which contain GeniSys™ technology no longer include the GeniSys™ Controller Guide within the model specific Owner’s Manual. The correct GeniSys™ Controller Guide must be downloaded and/or printed separately. Please check the CODE version of the software installed within the organ to determine which version of the GeniSys™ Controller Guide is required. The CODE version is briefly displayed within the GeniSys™ Controller’s LCD display when the organ starts up. Copyright © 2016 Allen Organ Company All Rights Reserved AOC P/N 033-00221-1 Revised 10/2016 ALLEN ORGAN COMPANY For more than sixty years--practically the entire history of electronic organs-- Allen Organ Company has built the finest organs that technology would allow. In 1939, Allen built and marketed the world’s first electronic oscillator organ. The tone generators for this instrument used two hundred forty-four vacuum tubes, contained about five thousand components, and weighed nearly three hundred pounds. Even with all this equipment, the specification included relatively few stops. By 1959, Allen had replaced vacuum tubes in oscillator organs with transistors. Thousands of transistorized instruments were built, including some of the largest, most sophisticated oscillator organs ever designed. Only a radical technological breakthrough could improve upon the performance of Allen’s oscillator organs. Such a breakthrough came in conjunction with the United States Space Program in the form of highly advanced digital microcircuits. In 1971, Allen produced and sold the world’s first musical instrument utilizing digitally sampled voices! Your organ is significantly advanced since the first generation Allen digital instrument. -
JANUARY, 2009 First Congregational Church Sioux Falls, South Dakota
THE DIAPASON JANUARY, 2009 First Congregational Church Sioux Falls, South Dakota Cover feature on pages 28–29 Jan 08 Cover_original.indd 1 12/10/08 12:30:56 PM available from the Iceland Music Infor- also features themes for the mass. The mation Centre (www.mis.is/eng). Moto Preghiera has also been recorded at THE DIAPASON di Gioia by Leslie Howard is available the Cathedral Church of St. John, Al- A Scranton Gillette Publication directly from the composer (www.les buquerque by Raven CD [OAR 880] One Hundredth Year: No. 1, Whole No. 1190 JANUARY, 2009 liehowardpianist.com). Since the time (www.ravencd.com). of its composition as a Postludium to Iain Quinn Established in 1909 ISSN 0012-2378 his Missa Sancti Petri (written for St. Director of cathedral music and organist An International Monthly Devoted to the Organ, Peter’s Eaton Square), Mr. Howard has Cathedral Church of St. John the Harpsichord, Carillon, and Church Music also written a Prelude, Preghiera, which Albuquerque, New Mexico CONTENTS Editor & Publisher JEROME BUTERA [email protected] FEATURES 847/391-1045 Here & There 2008 Albert Schweitzer Organ Festival September 5–7, 2008 Associate Editor JOYCE ROBINSON The Cathedral of the Incarnation, Laird; April 15, Elena Gascho, harpsi- by Frederick Hohman 21 [email protected] Garden City, New York, continues its chord; May 20, Paul Skevington. For in- 847/391-1044 music series: January 11, Choral Even- formation: <www.musicinmclean.org>. William Dowd (February 28, 1922– November 25, 2008) song for Epiphany (Larry Tremsky, di- An Appreciation Contributing Editors LARRY PALMER rector; Alistair Nelson, organist); Febru- The Cathedral Church of St. -
Journal of the American Theatre Organ Society
ATOS SepOct 51-5 K 8/17/09 3:44 PM Page 1 JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY SEPTEMBER | OCTOBER 2009 ATOS SepOct 51-5 K 8/17/09 3:44 PM Page 2 IntroducingInntroducing thethe 7KHDWUH3LSH2UJDQµ'XHW¶7KHDWUH3LSH22UJDQµ''XHW¶ AtAt last . there’stherre’’ss a complete,complete, ready-to-play,readyy-to-playy,, MIDI Theatre PipePipe OrganOrgan unit which can tratransformansform yyourour instrument into a 24 rank three manual ttheatre oorgan.rgan. ‘Duet’‘Duet’ also providprovidesdes an efeffectivefffective way too add 24 ranks of ‘ensemble’ too existingexisting virtual andd commercial TOs,TTOOs, Keyboards andand MIDI ppreparedrepared PiPipepe OrOrgans!gans! 6SHFL¿FDWLRQV6SHFL¿FDWLRQV E 24 ranksranks,, 32’32’ throughthrough 1’1’ . plusplus an alternatealternate second VoxVox HHumanaumana ranrankk anandd an aalternatelternate thithirdrd TibiaTibiia rankrank One registersreegisters and saves the organ’sorgan’s 2082 voices, couplerscouplers and E 1111 TunedTuned PercussionPercusssion voicesvoices (Chryso.,(Chryso., Xylophone,Xylopphone, VibesVibes etc)etc) trems to pistons through unique divisional/selectdivisiional/select system.system. E 1111 TrapsTraps (Kick(Kick Drum,Drrum, RepeatingRepeating Snare,Snare, CymbalsCymmbals etc)etc) E 8 ToysTTooys (Bells, Whistles,Whistles, Birds,Birds, AoogaAooga etc.etc. onon rightright pistons)pistons) MIDI Con, E 10 memory bbanksankss ooff 10 generagenerall regregisterableisterablee memory pistonspistons :YBOARD Des1gnuf & b111lr111 U with LED indicators.indicators. (Comes(Comes programmedprogrammed -
Silent Film Music and the Theatre Organ Thomas J. Mathiesen
Silent Film Music and the Theatre Organ Thomas J. Mathiesen Introduction Until the 1980s, the community of musical scholars in general regarded film music-and especially music for the silent films-as insignificant and uninteresting. Film music, it seemed, was utili tarian, commercial, trite, and manipulative. Moreover, because it was film music rather than film music, it could not claim the musical integrity required of artworks worthy of study. If film music in general was denigrated, the theatre organ was regarded in serious musical circles as a particular aberration, not only because of the type of music it was intended to play but also because it represented the exact opposite of the characteristics espoused by the Orgelbewegung of the twentieth century. To make matters worse, many of the grand old motion picture theatres were torn down in the fifties and sixties, their music libraries and theatre organs sold off piecemeal or destroyed. With a few obvious exceptions (such as the installation at Radio City Music Hall in New (c) 1991 Indiana Theory Review 82 Indiana Theory Review Vol. 11 York Cityl), it became increasingly difficult to hear a theatre organ in anything like its original acoustic setting. The theatre organ might have disappeared altogether under the depredations of time and changing taste had it not been for groups of amateurs that restored and maintained some of the instruments in theatres or purchased and installed them in other locations. The American Association of Theatre Organ Enthusiasts (now American Theatre Organ Society [ATOS]) was established on 8 February 1955,2 and by 1962, there were thirteen chapters spread across the country. -
The Cathedral of Christ the Light
Summer Institute for French Organ Studies 2009 Gregory Peterson tart with two world experts on French 8′ Trompettes and the Clairon complete Sorgan building and organ music, add the division. The Positif de Dos, based seven qualifi ed, eager American organ- on an 8′ Montre, contains the usual ple- ists, stir them together with extant ex- num, mutations, and Cromorne. In ad- amples of the fi nest French organs, and dition, there is an 8′ Trompette, Clairon let steep for a couple of weeks in the and Voix Humaine. The third manual rich culture of Bordeaux and Epernay, contains the Bombarde 16′ and Gros France. This is the recipe for the Sum- Cromorne 8′. According to Gene Bedi- mer Institute for French Organ Stud- ent, this could be the fi rst Bombarde di- ies (SIFOS). Since 1986, organ builder vision in France, as there was not much Gene Bedient of Lincoln, Nebraska and use of this division before 1750. The Jesse Eschbach, Professor of Organ and Récit is a short keyboard of 32 notes, Chairman of the Keyboard Division at with a Cornet V and Trompette 8′. This the University of North Texas School of chest has the expressive Tremblant doux Music, have teamed up to direct this bi- and raucous Tremblant fort. The Echo ennial seminar. It is not your grandmoth- is also a shorter keyboard of 39 notes er’s recipe for the typical European organ containing a Cornet V. The pedalboard tour, however, where a large group trav- is extended down to F, known as the ra- els from instrument to instrument with valement for exciting, thunderous pedal minimal opportunity to play. -
Vannucci Plays Oakland
Hints From Hugh Jury-RiggedJet JogsAction A mini-bellows turns out to be a handy gadget in restoring the ancient actions of vintage percussions. A few gentle squeezes can reveal perforated primar ies, punctured puffs, and puny pallets. Technically, it is known as an ear syringe. The round metal utility pan (the kind (It also provides a neat way for adding for draining the crankcase when you water to your car battery!) . used to change your own car oil) is the boiler and a coffee can is the glue pot. Enthusiast Makes Goo Sheet-metal screws hold a metal strip The most unthinkable thought I think across the rim for supporting an electri I've ever thunk is that the three regula cal switch box. This box mounts a sub tors of my 1936 transplant might need mersible electric heating element. (Bar anything more than having windlines gain elements are offered by H & R Corp., attached to them. I had noted Allen Mil 401 E. Erie Ave., Philadelphia, PA 19134- ler's instructive article on releathering 1187 .) Well, this lash-up did fine after a these boxes (THEATRE ORGAN SHOP bracket was added to keep the (glue/ NOTES, p. 108) - but with only a mild coffee) pot from floating around. And it interest, since I knew I'd never face that also provides lots of real hot water for problem. Well, when the winding was cloths used to smooth the leather and finished, I turned on the blower. It blew. for wiping up. Uoyd Wold helps guide 16' Diapason pipe through So did all the regulators! I'd like for you to believe that this de front of Organ Grinder. -
The Austin Organ Restoration
The Austin Organ Restoration The pipe organ at St. Paul's was built by the Austin Organ Company of Hartford, Connecticut in 1928. It was built as a four manual organ of 42 ranks of pipes (now 52 ranks). In the 1960's, the organ was rebuilt, which included some releathering of the organ plus the replacement of a lot of the pipework in the organ. It was an attempt to up-date the sound of the instrument. Also, some ranks of pipes were moved from one location to another. In this rebuild of 2009, the organ was completely rebuilt mechanically. The organ console which had performed for 80 years was worn out. Due to the need to maintain the same location and a small footprint, the old console woodwork was retained and refinished. The console received new keyboards which have bone natural keytops with ebony sharps. The pedalboard was rebuilt and the bench was made adjustable. The "guts" of the console are also completely new, with solid-state coupler and keying systems as well as a 128 memory level combination action. The windchests and organ action were all restored, including re-leathering, re-gasketing and re-wiring. The organ was also cleaned during this process, which includes vacuuming and washing all woodwork, interior parts and pipes. The chimes were rebuilt. Floors were painted. The façade pipes which one sees in the church were also cleaned and repainted gold. Before the work began, it was known that there were originally two more openings into the organ chamber area which had been plastered up when the Austin organ was installed in 1928.