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Allen Organ Technology
Perfection Sound | Technology | Sustainability An Allen Organ offers perfection throughout. This begins with the finest pipe organ sounds and masterful build quality, and flows into all aspects of the instrument. The Art of Organ Building – “To my eyes and ears the organ will ever be the King of Instruments.” Majestic Sound – Wolfgang Amadeus Mozart Allen Organs Sound Better Superior organ sound comes from a combination of advanced technology and years of artistic experience sampling pipe organs. Throughout history the organ has been a remarkable combination of technology and traditional music. With hundreds of pipes, early pipe organs were the most advanced products in a community. Modern electronics have enabled the production of pipe organ sound without requiring pipes. Today’s finest digital instruments reproduce the grandeur of pipe organs, at significantly lower costs. Allen’s 7th-generation GeniSys™ technology includes dozens of advanced Digital Signal Processors working in parallel, supercomputer power, offering the most realistic pipe organ sound available from a digital organ. Coupled with a two-decade lead in digital sampling experience over other digital organ builders, Allen Organ Company is the acknowledged leader. Pipe Organ Sound Reproducing realistic pipe organ sound requires advanced technology. Allen’s technology is proven weekly through its many combination organs that include both digital voices and windblown pipes played in the same building. Proof statement: Listeners have difficulty determining the source of the sounds. A recent Allen combination organ installation in Stockholm, Sweden, is an example comparing, in real-time, Allen’s digitally produced voices alongside of windblown pipes. Click the photo to hear for yourself. -
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ATOS Nov/Dec 48-6 I 10/11/06 7:09 PM Page 1 JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY NOVEMBER | DECEMBER 2006 Mor~on lnstal laftons Loew's,•" United Artists· PittsburB,~ Pu. Loews,••UnikdArtists· Columhus,Ohio Universals Cdpitol . l Chain Theatrical Enterprises, Atlanta.Ga.. Un1versa 710 -,,-,-rtt .-.v11t:1V! 'JfieAlhambrn Garden tlEo/Yo,r:,N,'( ; ,,:, J,, .1-. , Sacraincnto. Calif. New Cecilia. Theatre Panama.Citlj, Pan. Loew·s Oriental Brookhp1., N.Y. Loew:s Midland Kansas Cihj.MO. ······•······ 711c"Up Town" Knnsas C1h1.l(d. Tacoma Theatre Tacoma,v\:--ash. Universah Rivoli lnctianapolis~Ind. Hoffman's Strand Hartford Conn. :Jnf' Capitol Theatre New Britain. Conn. 7/ie 5 5'-"St. Cinema NewYorkCihJ.N.Y. Jne PantaOJZS San Franc1Sl6.Cal Yfr.e Carolina Greensboro.NC. Saen<'>er"s Centuq Ja~kson,M1ss. Sa,me,ersMajestic Sh:reveport,Ln. Saen6.ers Marion Cla~ksdale.M1ss. Publix· Saellf),erTheatre Hope, Arl<.. Publix-Saene,er National Greensboro,N.C. Saenb.ersColumb1_'a B~Pon Roup,",I .., Berkele11 Theatre Denvllr, Color<1.do ,7/2e.Avalon Rrookl1.Jn.NN ~...._., c'.7iirJ'efferson P.e~'\Un'\.o nt. T"'x,i.s Aztec Th<Mtre Srtn Ant0n lO. Tl?x i\S Loew·:s G1-.:md NewYorkC1h1.NY~- -~:- New York. Chicago TlosAngeles SanFrancisco 1560 Bro/'~w~y 624 So.Mich1~•" 1914 SoVermont lh&Golden Gate ATOS Nov/Dec 48-6 I 10/11/06 8:00 PM Page 2 Hello, gorgeous! Walker Theatre Organs• 6610 Crown Lane, Zionsville, PA 18092 • (610) 966-8585 • www.walkertheatreorgan.com ATOS Nov/Dec 48-6 I 10/11/06 7:11 PM Page 1 THEATRE ORGAN NOVEMBER | DECEMBER 2006 Volume 48 | -
International Touring Organ - March 19
ABOUT THE ARTIST CAMERON CARPENTER AND THE INTERNATIONAL TOURING ORGAN - MARCH 19 piano works by Chopin, Godowsky, Grainger, Ives, Liszt, Medtner, Rachmaninoff, Schumann and others. Mr. Carpenter received a Master’s Degree from The Juilliard School in New York in 2006. The same year, he began his worldwide organ concert tours, giving numerous debuts at venues including Royal Albert Hall, the Leipzig Gewandhaus, Melbourne Town Hall, Tchaikovsky Hall in Moscow, Davies Hall in San Francisco and many others. His first album for Telarc®, the Grammy®-nominated CAMERON CARPENTER, ORGAN Revolutionary (2008), was followed in THE INTERNATIONAL TOURING ORGAN 2010 by the critically acclaimed full length AMERON CARPENTER is having DVD and CD Cameron Live! Edition Peters of years with a single instrument. Therefore a ball smashing the stereotypes became his publisher in 2010, beginning Marshall & Ogletree has sampled sounds of organists and organ music – all the ongoing release of his original works from many traditional pipe organs, C with Aria, Op. 1 (2010). His first major the while generating worldwide acclaim including many of Cameron’s favorite work for organ and orchestra, The Scandal, and controversy. His repertoire – from instruments – from the cathedral to the Op. 3, was commissioned by the Cologne the complete works of J. S. Bach to film Wurlitzer. These come together in an organ Philharmonie (KölnMusic GmbH) and scores, his original works and hundreds designed not for size, limitless variety or to premiered on New Year’s Day 2011 by the of transcriptions and arrangements – is model any particular pipe organ, but rather Deutsche Kammerphilharmonie under the probably the most diverse of any organist. -
Page 14 Street, Hudson, 715-386-8409 (3/16W)
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY NOVEMBER | DECEMBER 2010 ATOS NovDec 52-6 H.indd 1 10/14/10 7:08 PM ANNOUNCING A NEW DVD TEACHING TOOL Do you sit at a theatre organ confused by the stoprail? Do you know it’s better to leave the 8' Tibia OUT of the left hand? Stumped by how to add more to your intros and endings? John Ferguson and Friends The Art of Playing Theatre Organ Learn about arranging, registration, intros and endings. From the simple basics all the way to the Circle of 5ths. Artist instructors — Allen Organ artists Jonas Nordwall, Lyn Order now and recieve Larsen, Jelani Eddington and special guest Simon Gledhill. a special bonus DVD! Allen artist Walt Strony will produce a special DVD lesson based on YOUR questions and topics! (Strony DVD ships separately in 2011.) Jonas Nordwall Lyn Larsen Jelani Eddington Simon Gledhill Recorded at Octave Hall at the Allen Organ headquarters in Macungie, Pennsylvania on the 4-manual STR-4 theatre organ and the 3-manual LL324Q theatre organ. More than 5-1/2 hours of valuable information — a value of over $300. These are lessons you can play over and over again to enhance your ability to play the theatre organ. It’s just like having these five great artists teaching right in your living room! Four-DVD package plus a bonus DVD from five of the world’s greatest players! Yours for just $149 plus $7 shipping. Order now using the insert or Marketplace order form in this issue. Order by December 7th to receive in time for Christmas! ATOS NovDec 52-6 H.indd 2 10/14/10 7:08 PM THEATRE ORGAN NOVEMBER | DECEMBER 2010 Volume 52 | Number 6 Macy’s Grand Court organ FEATURES DEPARTMENTS My First Convention: 4 Vox Humana Trevor Dodd 12 4 Ciphers Amateur Theatre 13 Organist Winner 5 President’s Message ATOS Summer 6 Directors’ Corner Youth Camp 14 7 Vox Pops London’s Musical 8 News & Notes Museum On the Cover: The former Lowell 20 Ayars Wurlitzer, now in Greek Hall, 10 Professional Perspectives Macy’s Center City, Philadelphia. -
Trinity's Organ
Trinity’s Organ The organ at Trinity was dedicated on October 23, 1994. In many ways it can be thought of as a reflection of our own congregation. There are 2,395 pipes in the organ. Trinity congregation, in 1994 was very close to that number in membership and has since then far surpassed it. The pipes in the organ actually form a “congregation of singers” made up of many different shapes and sizes. Some are short, some are tall. Some sing high, some sing low. Some are loud, some are soft. Each person in our sanctuary can combine his or her voice with others to offer up prayers and songs of praise. Each pipe in the organ “building” works along side of others to produce sounds for accompanying our songs of praise. We each have a mouth to sing God’s praise. Each pipe in the organ also has a mouth. The straight edge at the top of a pipe’s mouth is called the upper lip. The bottom edge is the lower lip. Pipes have “feet”, “bodies”, “ears”, and “tongues.” The pipes “sing” in much the same way as humans. Sound is produced when air causes something to vibrate. The sound then comes out through a mouth for all to hear. The pipes receive their breath for singing from a windchest. The sound produced by the pipes is thus a sound that is vibrant – “alive”! The organ at Trinity is an instrument allowed by God to be built for worship – an instrument whose breath will combine with ours to set in motion pipes for praise. -
Theatre Owner's Manual
TH-202/TH-302 Theatre Models IMPORTANT! Organs which contain GeniSys™ technology no longer include the GeniSys™ Controller Guide within the model specific Owner’s Manual. The correct GeniSys™ Controller Guide must be downloaded and/or printed separately. Please check the CODE version of the software installed within the organ to determine which version of the GeniSys™ Controller Guide is required. The CODE version is briefly displayed within the GeniSys™ Controller’s LCD display when the organ starts up. Copyright © 2016 Allen Organ Company All Rights Reserved AOC P/N 033-00221-1 Revised 10/2016 ALLEN ORGAN COMPANY For more than sixty years--practically the entire history of electronic organs-- Allen Organ Company has built the finest organs that technology would allow. In 1939, Allen built and marketed the world’s first electronic oscillator organ. The tone generators for this instrument used two hundred forty-four vacuum tubes, contained about five thousand components, and weighed nearly three hundred pounds. Even with all this equipment, the specification included relatively few stops. By 1959, Allen had replaced vacuum tubes in oscillator organs with transistors. Thousands of transistorized instruments were built, including some of the largest, most sophisticated oscillator organs ever designed. Only a radical technological breakthrough could improve upon the performance of Allen’s oscillator organs. Such a breakthrough came in conjunction with the United States Space Program in the form of highly advanced digital microcircuits. In 1971, Allen produced and sold the world’s first musical instrument utilizing digitally sampled voices! Your organ is significantly advanced since the first generation Allen digital instrument. -
Stockport Town Hall Contact the Editor for Further Details 11-00A.M
Vox Lancastria Fantastic C.D. SALE Buy One £5.00 Buy 3 for * £13.00 Buy 6 for £24.00 Post & Packing FREE ! Available from Alan Crossland. Telephone 0161-865-4601 or Order on Line www.theatreorganmusic.co.uk Also available * 2 CD Pack. Would count as Another Opening, Opposite Ranks, Pack up Your Troubles 2 CDs for muliple purchase Vox Lancastria July 2008 Edition - 26 Patron LANCASTRIA Vacant VOX www.voxlancastria.org.uk Trustees Don Hyde David Alldred Journal of The Lancastrian Theatre Organ Trust Colin Smith M.I.C.M. Bill McNally Registered Charity 261487 Peter Ratcliffe Ron Whalley C.Eng. M.I.E.E. M.I.E.I.E. Michael Dawson. A.C.M.A. Contents Eric Halsall. C.Eng. M.I.E.E. Sales Cover Honorary President From The Chair 2 Frank D Read The Secretary's Report 2 Your Letters 3 Honorary Vice Presidents A Big Thank You 4 Joyce Alldred L.L.C.M. Doreen Chadwick Minutes of the 37th Annual General Meeting 11 Nigel Ogden New Members 16 Len Rawle Your Observations from the Questionnaire 18 Honorary Committee Poem for Doreen, by Sylvia James. 25 Chairman Don Hyde Vice Chairman Walter Baker Features Hon. Secretary Michael Dawson A.C.M.A. Treasurer Colin Smith M.I.C.M. The World Around Hope Jones (Concluded) 5 The Silent Choir Organ (Additional) 9 House Manager Ron Whalley C.Eng., M.I.E.E., M.I.E.I.E News From the Heritage Centre 10 Heritage Centre Building Centenary 17 The End of an Era (The Blue Coat School) 21 Committee Members Alan Crossland. -
Spiel Apr16.Pub
The Organ Spiel Newsletter For the Sierra Chapter of the American Theatre Organ Society Organ Pops Concert April, 2016 Sierra Chapter ATOS presents David Gray at the Blue Barn Harmony Wynelands 9291 Harney Ln Lodi, CA Sunday, April 10 2:00 PM Indoor Admission - $15 David Gray was born in Glasgow, Scotland, in 1990, and first Cinema Organ Society and the Dean Herrick Memorial Cup showed an interest in music at the age of four. He taught himself from the ATOS London chapter. to play the piano by ear and his first lessons followed a year later. Towards the end of his high school studies, David chose At the age of 13 he began attending St Mary’s specialist music to stop playing and studying classical organ as there simply was school in Edinburgh with a principal focus on piano, but also not enough time to do everything, but he kept the theatre organ started studying classical organ in St Mary’s Episcopal cathedral going as it is just too much fun and enjoyment to ever let go of! with Simon Nieminski. Since 2008 David has been studying piano on an undergradu- Around this time, he had his first encounter with theatre or- ate program, with a full scholarship to the Royal Academy of gan; the first instrument he ever played was a 3/8 Compton organ Music in London. His teacher is renowned pianist in Glasgow. With the help of Duncan Sinclair from the Scottish Hamish Milne. Cinema Organ Society, he began learning to play the instrument In time between lessons and exams, he remains and in 2005 won the ATOS Young Theatre Organist of the Year as active as possible on the theatre organ scene. -
Silent Film Music and the Theatre Organ Thomas J. Mathiesen
Silent Film Music and the Theatre Organ Thomas J. Mathiesen Introduction Until the 1980s, the community of musical scholars in general regarded film music-and especially music for the silent films-as insignificant and uninteresting. Film music, it seemed, was utili tarian, commercial, trite, and manipulative. Moreover, because it was film music rather than film music, it could not claim the musical integrity required of artworks worthy of study. If film music in general was denigrated, the theatre organ was regarded in serious musical circles as a particular aberration, not only because of the type of music it was intended to play but also because it represented the exact opposite of the characteristics espoused by the Orgelbewegung of the twentieth century. To make matters worse, many of the grand old motion picture theatres were torn down in the fifties and sixties, their music libraries and theatre organs sold off piecemeal or destroyed. With a few obvious exceptions (such as the installation at Radio City Music Hall in New (c) 1991 Indiana Theory Review 82 Indiana Theory Review Vol. 11 York Cityl), it became increasingly difficult to hear a theatre organ in anything like its original acoustic setting. The theatre organ might have disappeared altogether under the depredations of time and changing taste had it not been for groups of amateurs that restored and maintained some of the instruments in theatres or purchased and installed them in other locations. The American Association of Theatre Organ Enthusiasts (now American Theatre Organ Society [ATOS]) was established on 8 February 1955,2 and by 1962, there were thirteen chapters spread across the country. -
The Cathedral of Christ the Light
Summer Institute for French Organ Studies 2009 Gregory Peterson tart with two world experts on French 8′ Trompettes and the Clairon complete Sorgan building and organ music, add the division. The Positif de Dos, based seven qualifi ed, eager American organ- on an 8′ Montre, contains the usual ple- ists, stir them together with extant ex- num, mutations, and Cromorne. In ad- amples of the fi nest French organs, and dition, there is an 8′ Trompette, Clairon let steep for a couple of weeks in the and Voix Humaine. The third manual rich culture of Bordeaux and Epernay, contains the Bombarde 16′ and Gros France. This is the recipe for the Sum- Cromorne 8′. According to Gene Bedi- mer Institute for French Organ Stud- ent, this could be the fi rst Bombarde di- ies (SIFOS). Since 1986, organ builder vision in France, as there was not much Gene Bedient of Lincoln, Nebraska and use of this division before 1750. The Jesse Eschbach, Professor of Organ and Récit is a short keyboard of 32 notes, Chairman of the Keyboard Division at with a Cornet V and Trompette 8′. This the University of North Texas School of chest has the expressive Tremblant doux Music, have teamed up to direct this bi- and raucous Tremblant fort. The Echo ennial seminar. It is not your grandmoth- is also a shorter keyboard of 39 notes er’s recipe for the typical European organ containing a Cornet V. The pedalboard tour, however, where a large group trav- is extended down to F, known as the ra- els from instrument to instrument with valement for exciting, thunderous pedal minimal opportunity to play. -
JOURNAL of the AMERICAN THEATRE ORGAN SOCIETY Orbil ID™E Eclronic 1Ynrhe1izer P,UJ ~ -~Oh Xe01pinel Orgon Equoj
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY Orbil ID™e eclronic 1ynrhe1izer P,UJ ~ -~oh_xe01pinel orgon equoJ... rhenewe;I woy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dep t: 1072 WURLilzER ® The Wurlitzer Company, DeKalb, Illinois 60115. ha.4'1he ,vay cover- photo ... Genii's console, the 3/13 235 Special Wurlitzer with Brass Trumpet, was installed in the Canal Street Theatre in New York in 1927, and was moved to the Triboro The atre in Queens, New York in 1931. -
The Austin Organ Restoration
The Austin Organ Restoration The pipe organ at St. Paul's was built by the Austin Organ Company of Hartford, Connecticut in 1928. It was built as a four manual organ of 42 ranks of pipes (now 52 ranks). In the 1960's, the organ was rebuilt, which included some releathering of the organ plus the replacement of a lot of the pipework in the organ. It was an attempt to up-date the sound of the instrument. Also, some ranks of pipes were moved from one location to another. In this rebuild of 2009, the organ was completely rebuilt mechanically. The organ console which had performed for 80 years was worn out. Due to the need to maintain the same location and a small footprint, the old console woodwork was retained and refinished. The console received new keyboards which have bone natural keytops with ebony sharps. The pedalboard was rebuilt and the bench was made adjustable. The "guts" of the console are also completely new, with solid-state coupler and keying systems as well as a 128 memory level combination action. The windchests and organ action were all restored, including re-leathering, re-gasketing and re-wiring. The organ was also cleaned during this process, which includes vacuuming and washing all woodwork, interior parts and pipes. The chimes were rebuilt. Floors were painted. The façade pipes which one sees in the church were also cleaned and repainted gold. Before the work began, it was known that there were originally two more openings into the organ chamber area which had been plastered up when the Austin organ was installed in 1928.