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Hizb Ut-Tahrir Ideology and Strategy
HIZB UT-TAHRIR IDEOLOGY AND STRATEGY “The fierce struggle… between the Muslims and the Kuffar, has been intense ever since the dawn of Islam... It will continue in this way – a bloody struggle alongside the intellectual struggle – until the Hour comes and Allah inherits the Earth...” Hizb ut-Tahrir The Centre for Social Cohesion Houriya Ahmed & Hannah Stuart HIZB UT-TAHRIR IDEOLOGY AND STRATEGY “The fierce struggle… between the Muslims and the Kuffar, has been intense ever since the dawn of Islam... It will continue in this way – a bloody struggle alongside the intellectual struggle – until the Hour comes and Allah inherits the Earth...” Hizb ut-Tahrir The Centre for Social Cohesion Houriya Ahmed & Hannah Stuart Hizb ut-Tahrir Ideology and Strategy Houriya Ahmed and Hannah Stuart 2009 The Centre for Social Cohesion Clutha House, 10 Storey’s Gate London SW1P 3AY Tel: +44 (0)20 7222 8909 Fax: +44 (0)5 601527476 Email: [email protected] www.socialcohesion.co.uk The Centre for Social Cohesion Limited by guarantee Registered in England and Wales: No. 06609071 © The Centre for Social Cohesion, November 2009 All the Institute’s publications seek to further its objective of promoting human rights for the benefit of the public. The views expressed are those of the author, not of the Institute. Hizb ut-Tahrir: Ideology and Strategy By Houriya Ahmed and Hannah Stuart ISBN 978-0-9560013-4-4 All rights reserved The map on the front cover depicts Hizb ut-Tahrir’s vision for its Caliphate in ‘Islamic Lands’ ABOUT THE AUTHORS Houriya Ahmed is a Research Fellow at the Centre for Social Cohesion (CSC). -
Turkish Plastic Arts
Turkish Plastic Arts by Ayla ERSOY REPUBLIC OF TURKEY MINISTRY OF CULTURE AND TOURISM PUBLICATIONS © Republic of Turkey Ministry of Culture and Tourism General Directorate of Libraries and Publications 3162 Handbook Series 3 ISBN: 978-975-17-3372-6 www.kulturturizm.gov.tr e-mail: [email protected] Ersoy, Ayla Turkish plastic arts / Ayla Ersoy.- Second Ed. Ankara: Ministry of Culture and Tourism, 2009. 200 p.: col. ill.; 20 cm.- (Ministry of Culture and Tourism Publications; 3162.Handbook Series of General Directorate of Libraries and Publications: 3) ISBN: 978-975-17-3372-6 I. title. II. Series. 730,09561 Cover Picture Hoca Ali Rıza, İstambol voyage with boat Printed by Fersa Ofset Baskı Tesisleri Tel: 0 312 386 17 00 Fax: 0 312 386 17 04 www.fersaofset.com First Edition Print run: 3000. Printed in Ankara in 2008. Second Edition Print run: 3000. Printed in Ankara in 2009. *Ayla Ersoy is professor at Dogus University, Faculty of Fine Arts and Design. TABLE OF CONTENTS INTRODUCTION 5 Sources of Turkish Plastic Arts 5 Westernization Efforts 10 Sultans’ Interest in Arts in the Westernization Period 14 I ART OF PAINTING 18 The Primitives 18 Painters with Military Background 20 Ottoman Art Milieu in the Beginning of the 20th Century. 31 1914 Generation 37 Galatasaray Exhibitions 42 Şişli Atelier 43 The First Decade of the Republic 44 Independent Painters and Sculptors Association 48 The Group “D” 59 The Newcomers Group 74 The Tens Group 79 Towards Abstract Art 88 Calligraphy-Originated Painters 90 Artists of Geometrical Non-Figurative -
THE EUROPEAN STATE and MINORITY RELIGIOUS GROUPS: EXPLORING PATTERNS of ENGAGEMENT and ACCESS By
THE EUROPEAN STATE AND MINORITY RELIGIOUS GROUPS: EXPLORING PATTERNS OF ENGAGEMENT AND ACCESS by Gerald T. FitzGerald A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Political Science Committee: _______________________________________ Peter Mandaville, Chair _______________________________________ Desmond Dinan _______________________________________ Justin Gest _______________________________________ Ming Wan, Program Director _______________________________________ Mark J. Rozell, Dean Date: __________________________________ Fall Semester 2017 George Mason University Fairfax, VA The European State and Minority Religious Groups: Exploring Patterns of Engagement and Access A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University by Gerald T. FitzGerald Master of Arts George Mason University, 2010 Bachelor of Science New York University, 2008 Director: Peter Mandaville Schar School of Policy and Government Fall Semester 2017 George Mason University Fairfax, VA Copyright 2017 Gerald T. FitzGerald All Rights Reserved ii DEDICATION This work is dedicated to my late father Dermot, my mother Valerie, and my son Finn. iii TABLE OF CONTENTS Page List of Tables ..................................................................................................................... vi List of Figures.................................................................................................................. -
Evetversus HAYIR
EVET versus HAYIR [YES versus NO] Resistance art within the public space of Istanbul after the failed coup d’état in the night of July 15 to 16, 2016, in Turkey, until the Turkish presidential referendum of April 16, 2017. Master thesis Supervisor: dr. Marga van Mechelen Marianne de Zeeuw Second reader: dr. Jeroen Boomgaard July 8, 2017 Master Thesis Master Art History Faculty of Humanities University of Amsterdam Student: Marianne de Zeeuw Student ID: 10211241 Supervisor: dr. Marga van Mechelen Second reader: dr. Jeroen Boomgaard Amsterdam July 8, 2017 Number of words: 24.531 2 Acknowledgments -- As Claire Bishop remarks in her book Artificial Hells – Participatory Art and the Politics of Spectatorship (2012), a student or scholar who researches theatre and performance art and everything that is in between, cannot rely on books, essays and documentary photographs only. This statement is also valid for this master thesis. In this research I had the help of Turkish artists, art historians, and friends, who informed me through conversations, invited me for performances and guided me through Istanbul while translating potential political statements. On this account, I would like to thank Ismail Ata Doğruel (Performistanbul), Gülhatun Yıldırım (Performistanbul), Batu Bozoğlu (Performistanbul), Ebru Sargın (Performistanbul), Asena Günal (DEPO), Gökhan Tun (Istructor Bilgi Media), Bedri Baykam (visual artist and activist), Ferda Çağlayan (art historian – sculptures in public space) and Bulut Eydoğdu (my dear flatmate and translator). Marianne de Zeeuw Amsterdam July 8, 2017 3 4 Abstract -- Within this master thesis, a research is done on the field of art, power, and resistance, by tracing resistance art in the past turbulent decade in Turkey. -
Conversion Strategies and the Power to Define: British and American Muslim Performance in Bourdieu’S Field of Art
Sociology and Anthropology 4(5): 320-330, 2016 http://www.hrpub.org DOI: 10.13189/sa.2016.040504 Conversion Strategies and the Power to Define: British and American Muslim Performance in Bourdieu’s Field of Art Yolanda van Tilborgh Faculty of Philosophy, Theology and Religious Studies, Radboud University Nijmegen, The Netherlands Faculty of Social and Behavioral Sciences, University of Amsterdam, The Netherlands Copyright©2016 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract When a number of Muslims in non-Muslim onslaught in Europe, a number of Muslims in the United majority countries in North America and Western Europe Kingdom (UK) and the United States (USA) gained attention gained attention as upcoming performers in the genres of as performers in the genres of hip-hop, stand-up comedy, hip-hop, stand-up comedy and performing poetry in the last spoken word and theatre. On stage, many of these performers decades, this was perceived as a remarkable phenomenon by took Islam as an important point of departure; they might public media and social scientists. Firstly, a lot of these even put Islam to the fore and center of their artistic performers bring Islam to the fore in their artistic expressions expressions (Mandaville 2009)[1]. According to the in the public domain, whereas, secondly, the relation literature on Muslims in the performing arts in the Middle between art and Islam is perceived as troublesome at various East, Europe and the USA, through Islamic references in social levels. -
20 Years of Struggle for Freedom to Publish In
20 YEARS OF STRUGGLE FOR FREEDOM TO PUBLISH IN TURKEY 1994- 2014 20 YEARS OF STRUGGLE 20 YEARS OF STRUGGLE FOR FREEDOM TO PUBLISH IN TURKEY Freedom of Thought and Expression Awards and Freedom to Publish Reports FOR FREEDOM TO PUBLISH 1994 - 2014 IN TURKEY 1. EDITION İSTANBUL, SEPTEMBER 2014 ISBN 978-975-365-017-5 Freedom of Thought and Expression Awards All rights reserved. @TURKIYE YAYINCILAR VE YAYIN DAGITIMCILARI BIRLIGI DERNEGI and Freedom to Publish Reports Inonu Caddesi Opera Palas Apt. No: 55 D:2 34437 Gumussuyu, Beyoglu / ISTANBUL 1994 - 2014 T: 0 212 512 56 02 F: 0 212 511 77 94 E: [email protected] TRANSLATION Ali Ottoman, Funda Soysal, Deniz İnal EDITING Yonca Cingöz PROOF READING Sara Whyatt GRAPHIC DESIGN Elif Rifat TYPESETTING Nevruz Kıran Öksüz PRINTED AND BOUND IN Umut Matbaası 3 CONTENTS Foreword.........................................................................................................................................5 FOREWORD Freedom to Publish Report 1994.....................................................................................................8 Every year since 1995, the Turkish Publishers Association prepares Freedom Freedom of Thought and Expression Awards 1995........................................................................16 to Publish Report and hands out an award to a writer, a publisher and a booksell- er. This year the writer’s award goes to Tonguç Ok, an exceptionally productive Freedom of Thought and Expression Awards 1996........................................................................18 -
BEDRİ BAYKAM Arkabahçe // Backyard 11.11.2016- 12.12.2016 Açılış: 11.11.2016, Cuma 18:00
BEDRİ BAYKAM Arkabahçe // Backyard 11.11.2016- 12.12.2016 açılış: 11.11.2016, cuma 18:00 Galeri Siyah Beyaz, Bedri Baykam’ın 2013-2015 tarihleri arasında ürettiği eserlerini Arkabahçe isimli sergi ile izleyiciyle buluşturuyor. 11.11.2016-12.12.2016 tarihleri arasında gerçekleşecek sergi, sanatçının kendi resim tarihine dair güçlü izleri taşıyor ve bu tarihi hem teknik hem de kavramsal olarak katmanlara ayırıyor. Baykam’ın sanatsal sürecine dair farklı renk, tat ve özelliklerde çiçekleri barındıran bir bahçe misali çevreleyerek Baykam’ın Arkabahçe’sini Galeri Siyah Beyaz’ın sergi alanına taşıyor. Arkabahçe, bazen sanatçının tekrardan uzaklığı ve spontanlığını bazen de seçilmiş referanslara bilinçli göndermelerini gözler önüne getirmekle kalmıyor aynı zamanda sanatçının geçmişten günümüze kullanmış olduğu farklı teknikleri de harmanladığı bir seriyi izleyiciye sunuyor. Galeri Siyah Beyaz’da 6. kez gerçekleşecek Baykam sergisi Pazartesi-Cumartesi günlerinde 11:00-19:00 saatleri arasında izlenebilir. Bedri Baykam d. Ankara, 1957 İki yaşında resim yapmaya başlayan Baykam’ın işleri, altı yaşından bugüne kadar Bern, Geneva, New York, Washington, Paris, London, Rome, Munich, Stockholm, San Francisco, Berlin başta olmak üzere tüm dünyada sergilenmeye başladı. 1975-80 arasında Paris'te Sorbonne Üniversitesi'nde ekonomi, L’Actorat’da aktörlük tahsili yaptı. 1980-1983 yıllarında, California College of Arts and Crafts'de resim ve sinema eğitimi gördü. 80'li yıllarda başlayan uluslararası Yeni Dışavurumculuk Akımının öncülerinden olan Baykam, 1987 -
The Utilization of Sports for Peace and Unity in Society
Running head: UTILIZING SPORT FOR PEACE 1 The Utilization of Sport for Peace and Unity in Society Christian Taylor A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2019 UTLIZING SPORT FOR PEACE 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Dr. Chris Underation, Ph.D. Thesis Chair ______________________________ Professor Amy Bonebright, M.A. Committee Member ______________________________ Dr. Janet Brown, Ph.D. Committee Member ______________________________ James H. Nutter, D.A. Honors Director ______________________________ Date UTLIZING SPORT FOR PEACE 3 Abstract There are many ongoing conflicts in the world. Many methods to end these conflicts have been attempted with various levels of success. A United Nations study in 2003 determined that sports should be increasingly used as a method to bring about peace in the world. This finding can be supported when looking at the ways sports united divided nation and, at times, brought unity among nations. Along with this, sports have seen a dramatic rise in popularity due to the revolution of technology and the rise of media. As the media and technology continue to develop, sports will continue to grow alongside them as worldwide phenomena. Thus, sport should be used by nations and communities as a strong, reliable option to resolve conflicts and bring about peace and unity. Keywords: Sports, Peace, Global, Nations UTLIZING SPORT FOR PEACE 4 The Utilization of Sport for Peace and Unity in Society In the present age, peace becomes more celebrated as it declines in commonness. -
United Nations Nations Unies
inn* UNITED NATIONS NATIONS UNIES POSTAL ADDRESS - ADRESSE POSTALE : UNITED NATIONS. N.Y. 10017 CABLE ADDRESS - ADRESSE TELEGRAPHIQUE : UNATIONS NEWYORK EXECUTIVE OFFICE OFTHE SECRETARY-GENERAL CABINET DU SECRETAIRE GENERAL 21 November 2005 Dear Mr. AH, On behalf of the Secretary-General, I would like to thank you for your letter of 28 October 2005, inviting him to attend the Global Peace and Unity Event to be held in London on 4 December 2005. Your kind invitation to the Secretary-General is appreciated and be assured that it was given due consideration. However, I regret to inform you that due to the pressures of the Secretary-General's calendar he will not be able to participate. With many thanks for your support of the work of the Secretary-General. Yours sincerely, **-***^ Levin S. Kennedy / Principal Officer / Chief, Scheduling Office / Mr. Mohammed AH Chief Executive Officer Islam Channel NO'i London Dear Mr. Ali, On behalf of the Secretary-General, T would like to thank you for your letter of 28 October 2005, inviting him to attend the Global Peace and Unity Event to be held in London on 4 December 2005. Your kind invitation to the Secretary-General is appreciated and be assured that it was given due consideration. However, I regret to inform you that due to the pressures of the Secretary-General's calendar he will not be able to participate. With many thanks for your support of the work of the Secretary-General. Yours sincerely, /in S. Kennedy Principal Officer Chief, Scheduling Office Mr. Mohammed Ali Chief Executive Officer Islam Channel London HO nnsaa T IN3S 'SDd 62,00 i asvsn zz-zi zz/ii mn 'is QI NOII03MOO 131 NOIJL33NNOO ON X3/X1 30 NOISSIKSNVSI *** xHOjaa xi *« TOO!] 133 IX3/N3D-03S ddO 03X3 98TT £96 ZIZ XVd ZZ-Zl 3HL SO/ZZ/TT . -
Sounds Islamic? Muslim Music in Britain
Sounds Islamic? Muslim Music in Britain Carl Morris PhD Religious and Theological Studies Cardiff University 2013 For Rowan ‘May your heart always be joyful and may your song always be sung’ Bob Dylan – ‘Forever Young’ And to Lisa For sharing this journey, along with so many others Contents ________________________________________________________________________ Acknowledgements.....................................................................................................................iv List of Figures..............................................................................................................................vi List of Tables..............................................................................................................................viii Glossary.........................................................................................................................................ix Abstract..........................................................................................................................................x 1. Muslim Music in Britain: An Introduction.......................................................................1 • Contested Cultural Spaces: The Outline of a Research Agenda....................................................3 • Muslims and Musical Practice in Britain.......................................................................................9 • Traditions and Trajectories: An Examination of the Academic Literature..................................18 Section -
Al-Kutub Al-Sittah, the Six Major Hadith Collections
Contents Articles Al-Kutub al-Sittah 1 History of hadith 2 Muhammad al-Bukhari 7 Sahih Muslim 10 Muslim ibn al-Hajjaj Nishapuri 12 Al-Sunan al-Sughra 14 Al-Nasa'i 15 Sunan Abu Dawood 17 Abu Dawood 18 Sunan al-Tirmidhi 19 Tirmidhi 21 Sunan ibn Majah 22 Ibn Majah 23 Muwatta Imam Malik 25 Malik ibn Anas 28 Sunan al-Darimi 31 Al-Darimi 31 Sahih al-Bukhari 33 Musnad Ahmad ibn Hanbal 36 Ahmad ibn Hanbal 37 Shamaail Tirmidhi 41 Sahih Ibn Khuzaymah 42 Ibn Khuzaymah 43 Sahifah Hammam ibn Munabbih 44 Hammam ibn Munabbih 45 Musannaf ibn Jurayj 46 Musannaf of Abd al-Razzaq 46 ‘Abd ar-Razzaq as-San‘ani 47 Sahih Ibn Hibbaan 48 Al-Mustadrak alaa al-Sahihain 49 Hakim al-Nishaburi 51 A Great Collection of Fabricated Traditions 53 Abu'l-Faraj ibn al-Jawzi 54 Tahdhib al-Athar 60 Muhammad ibn Jarir al-Tabari 61 Riyadh as-Saaliheen 66 Al-Nawawi 68 Masabih al-Sunnah 72 Al-Baghawi 73 Majma al-Zawa'id 74 Ali ibn Abu Bakr al-Haythami 75 Bulugh al-Maram 77 Ibn Hajar al-Asqalani 79 Kanz al-Ummal 81 Ali ibn Abd-al-Malik al-Hindi 83 Minhaj us Sawi 83 Muhammad Tahir-ul-Qadri 85 Muhammad ibn al Uthaymeen 98 Abd al-Aziz ibn Abd Allah ibn Baaz 102 Muhammad Nasiruddin al-Albani 107 Ibn Taymiyyah 110 Ibn Qayyim Al-Jawziyya 118 Muhammad ibn Abd al-Wahhab 123 Abdul-Azeez ibn Abdullaah Aal ash-Shaikh 130 Abd ar-Rahman ibn Nasir as-Sa'di 132 Ibn Jurayj 134 Al-Dhahabi 136 Yusuf al-Qaradawi 138 Rashid Rida 155 Muhammad Abduh 157 Jamal-al-Din al-Afghani 160 Al-Suyuti 165 References Article Sources and Contributors 169 Image Sources, Licenses and Contributors 173 Article Licenses License 174 Al-Kutub al-Sittah 1 Al-Kutub al-Sittah Al-Kutub Al-Sittah) are collections of hadith by Islamic ;ﺍﻟﻜﺘﺐ ﺍﻟﺴﺘﻪ :The six major hadith collections (Arabic scholars who, approximately 200 years after Muhammad's death and by their own initiative, collected "hadith" attributed to Muhammad. -
Cumhuriyet Dönemi Türk Plastik Sanatları
Türkiye Araştırmaları Literatür Dergisi, Cilt 7, Sayı 14, 2009, 97-124 Cumhuriyet Dönemi Türk Plastik Sanatları Sevay OKAY ATILGAN* CUMHURİYET 29 Ekim 1923 yılında ilan edilmiş, bu tarihten günümüze uza- nan süreç “Cumhuriyet Dönemi” olarak bilinen zaman aralığının belirleyicisi olmuştur. Bu dönem kavramsal olarak yenileşme, bilim ve teknolojide ilerle- me, modernleşme ve çağdaşlaşmayı çağrıştırırken, diğer yandan toplumun sosyal ve kültürel alanlardaki paradigmalarının hemen tümünde geniş çaplı ve köklü değişimleri de içeren bir süreç olarak karşımıza çıkmaktadır. Tarihsel süreklilik açısından bakıldığında ise Cumhuriyet dönemi esasen, Osmanlı’nın son dönemlerinde başlayan yenileşme ve modernleşme çabalarının daha radikal ve yaygın uygulamalarla kurumsallaştırıldığı bir sonraki evredir. Ni- tekim Cumhuriyet dönemi kültür ve sanat ortamlarının hazırlayıcıları ve ilk öğreticileri yanında, pek çok kurum ve etkinliğin başlangıcı XIX. yüzyılın son- larına işaret etmektedir. Batı anlayışına dönük resim ve heykel sanatının baş- langıcı da bu bağlamda Osmanlı döneminde yaşanan modernleşme sürecine kadar uzanır, ancak bu araştırmanın zaman ölçütü “Cumhuriyet Dönemi” ile sınırlandırıldığından literatür verilerinin periyodu 1923-2010 olarak belirlen- miştir. Cumhuriyet dönemi yayıncılık faaliyetleri ve sonraki dönem literatürü- nün seyri büyük oranda toplumsal ve sosyal olaylara koşut bir çizgi izlediğin- den, metodolojik açıdan da konunun karşılaştırmalı bir platformda takibi daha uygun ve anlaşılır bir yöntem olarak benimsenmiştir. Resim ve Heykel